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If you've done Calotypes, I'd like your expert opinion. On some of my negatives, I get these scuffs and smears. It seems like it's from my brushing - all my chemicals are brushed on with clean cotton - but I'm not positive which step.
My workflow is: brush on double iodide of silver and potassium. Dry and wash for several hours. Yields the light yellow iodide of silver.
Sensitize with dilute aceto-nitrate of silver.
Dry. Load into film holder. Expose.
Develop: First pass, gallic acid .5%. Second pass, gallic acid plus aceto-nitrate of silver, roughly 2:1
These show up after the last pass but I don't know that they're not caused earlier.
Any advice welcome.
When the technic piece with three axis and one center hole arrived everybody knew it was going to be very useful.
With the more obvious ways to use it you'll probably end up with a technic axis in the center. Here I use the piece to get the right angles for a six sided structure. (In this case the inner core of a cigar shaped rocket on three feet with a center ladder.)
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One of Iceland’s most beloved landscape painters, Jóhannes S. Kjarval (1885–1972) "discovered" the beauty of rock detail and small moss in the wide and powerful landscape composition.
Exif:
ISO 100 ; f/16 (with 3-stop ND filter) ; 6 sec ; @18mm
Magic Cloth Technique
This one also on Explore.
I'm starting to feel like I have a subscription... (!!)
Using 318 magic and travis bricks to fit parts that do not follow brick math. Non purists can cut the support tubes to length for perfect fit.
MUNICH/GERMANY - JANUARY 16: JAMIAN JULIANO-VILLANI during the DLD17 (Digital-Life-Design) Conference at the Alte Bayerische Staatsbank on January 16, 2017 in Munich, Germany.
DLD is Europe's big conference of innovation, digitization, science and culture, which connects business, creative and social leaders, opinion formers and influencers for crossover conversation and inspiration.
(Photo: picture alliance / Robert Schlesinger) | Verwendung weltweit
A group shot of all the techniques I have come up with so far. I posted instructions for all of these in a detailed post on Mocpages. To see photos of each technique individually on flickr, check out the album.
Before, I've posted a photo of a snowy egret that was baiting fish by disturbing the water with its beak. Once again I have been amazed by the intelligence these birds demonstrate. Notice the water around the left foot has been disturbed. The bird was rapidly shaking its foot to disturb anything resting below the surface. By watching intently, anything that moved became a meal. It isn't going hungry.
A flag is one half plate thick. And a brick on the side is 2,5 plates thick. So, a flag and a brick on the side is the same heght as a brick, or three plates. Simple huh? :)
So i figured this technique out. It can be stacked. Maybe you can use it as stairs? I used this on my SHIP Streiff.
I'm sure most seasoned AFOLs are familiar with this technique for creating tiled floors. The vertical part of the panel elements is 1/5 of a stud wide, so putting 6 2x2 tiles side-by-side, separated by a total of 5 panels is equivalent to 13 studs (12 from the tiles, 1 from the panels). What I think is unique about my design is some of the panel elements and hidden 1x2 tiles are attached to the floor to make the design a little more secure. The hidden 1x2 tiles are attached by a single stud to the base, which allows them to have 1/5th stud adjustments relative to the base in either direction paralell the the tile's length (this only works immediately adjacent to the perimeter wall which holds it in place, because doing this elsewhere requires making 1/5th stud adjustments in two perpendicular directions, which is impossible without using a lot more pieces and making the assembly a lot taller). This pattern can still be used by replacing the blue 2x2 tiles with any brick, plate or tile with equal or greater length in both lateral dimensions (so long is neither dimension is odd, meaning 2x3 and 3x3 plates won't work).
Edit: Since I uploaded this photo, 1x3 panels have become a thing, so you can do some cooler stuff with this design now
This circle is a bit uneven on the rim, and has studs facing inwards. If you wonder about some of the part and color choices, it's to fit my LEGO collection.
The reddish brown tiles represent the outer wall, the 1x1 column represents the corner of the wall that the roof slopes to.
A breakdown of how I built the corner roof sections on the Green Goblet: www.flickr.com/photos/66620538@N04/15599693464/.
I love the effect of the resist techniques that Jennifer has been showing us on the blog this week. So I thought I’d do some resist on this card.
I wanted to make a kind of stormy summer sky for the background so I embossed the grass in white on watercolour paper. Then I dabbed distress inks (shabby shutters, broken china and faded jeans) onto a piece of tinfoil and spritzed with water. I placed the embossed image in the ink, and hoped for the best as this was my first time trying this technique! The first attempt turned into a blobby mess so this is the second attempt.
A while ago I had dabbed alcohol inks and blending solution on glossy paper. When they didn’t blend and looked awful, I realised that I had used photo paper which wouldn’t work. I saved the paper anyway and stamped these dragonflies on it. For the card itself I embossed the Raindrop Background in white and applied faded jeans distress ink. I did a little bit of stitching on this card so I’m also entering the card into Jenny's Challenge #10 (In Stitches) suchins.blogspot.com/2010/06/challenge-10-in-stitches.html.
It's a dull day here today, so a dull photo I'm afraid! My blog stampingandstitching.blogspot.com/
A little technique I discovered while building the Swamp Hutt. I haven't seen it before, so I thought you might appreciate it :)
The Swamp Hutt: flic.kr/p/GxL2tg
Technique: It was early in the morning and this Wool Carder Bee was having a tough time getting its metabolism going. I was holding onto the stem of that flower with my left index finger and thumb, and resting the lens on that same hand to keep everything steady. The bee would occasionally move, and when it stopped I'd roll the flower's stem with my fingers to turn the critter toward the camera and look for a composition.
Tech Specs: Canon 70D (F16, 1/250, ISO 100) + a Canon MP-E 65mm macro lens (around 4x) + a diffused MT-24EX. This is a single, uncropped, frame taken hand held.
NeoView KOLON- OLED technique (South Korea)
wikipedia :
en.wikipedia.org/wiki/Organic_light-emitting_diode
2010 oled expo :
Mankind's constant effort to satisfy his curiosity and five senses has resulted in civilization and immense prosperity in technology. Now we are able to enjoy the outcomes of civilization that our ancestors had never dreamed of. Still, the desire of mankind is continuously growing and it is now reaching out of the stage where just eliminating inconvenience or solving problems is not an issue any more. Territories that are new to human reach are being pursued. For example, televisions, videos, cellular phones, notebook PCs and many other instruments are steadily improved with the goal to reproduce true natural color and sound.
To fulfill the dream of reproducing true natural color that current LCDs have not actualized, NeoView Kolon has developed and is producing an innovative OLED (Organic Light Emitting Diode) display. OLED exceeds existing LCDs and other display instruments in quality, luminosity, resolution, field of vision, response performance, and power consumption. Unfortunately a few technical difficulties are hindering the wider use of OLED at the present time. NeoView Kolon is overcoming these technical difficulties and is obtaining all technologies and systems needed for mass-producing OLED. With the base of devoted researchers and engineers whose focus have been OLED only, unique equipment, and know-how, it intends to provide highly reliable OLED products at competitive price.
NeoView Kolon is about to produce mono/multi and full-color panels for cellular phones in passive matrix mode by using already developed 4'' full-color panel technology and supplying them to clients in the latter half of this year. It is also arranging to supply panels for PDAs and developing panels in active matrix mode as well.
NeoView Kolon does not limit itself to OLED. It has a larger vision of reproducing true natural color in almost anything. With the vision at heart, it is challenging OLED first. To obtain true natural color in OLED is still out of reach, but it moves at least one step closer to the actualization of the true color.
NeoView Kolon will move closer to the natural color actualization, and seeks our reason of existence through customer satisfaction, affection and senses. So, NeoView Kolon wants to be remembered as a pioneer in An era of Progress in Display.
Eşrefoğlu Mosque.....is the only wooden mosque where several decorative techniques of stone, brick, ceramics and painting were used together. It is still a mystery how the wooden portions of the mosque, built in 1299, lasted until today without decay Eşrefoğlu Mosque, built in 1299 in the Beyşehir district of the central Anatolian province of Konya, is an architectural mystery. How the wooden parts of the mosque survived until today without decay has baffled scientists. The seven-century-old mosque has a special place in Turkish architecture since it is the only wooden mosque where several decorative techniques of stone, brick, ceramics and painting were used together. Built by Eşrefoğlu Süleyman Bay in 1297-1299, Eşrefoğlu Mosque is known as the biggest flat-ceiling mosque placed on wooden pillars, the Anatolia news agency reported. The historical building is still open to worship and is considered a “Turkish museum made of wood” thanks to its superior handicraft of wood and ceramics. Eşrefoğlu Mosque, a unique example of Islamic architecture, is also noteworthy for its wooden pillars as well as ornaments and fresco paintings on the ceiling.
Please don't incorporate my brand-new original technique into an MOC before I get the chance to. Thanks x
Here is a new set of LEGO ideas and techniques, made with LDD
I'm sure you'll find a use to this idea
I tried to make the explanation readable thanks to the colors as if we had a tutorial
Do not forget to watch the album with all the right techniques on your right =>
Find all my creations on Flickr group « News LEGO Techniques ».
This Flickr group includes:
- Ideas for new LEGO pieces
- Techniques for assembling bricks
- Tutorials for making accessories, objects, etc.
His technique on the feeder is less elegant, he sort of hangs underneath and uses his tail to balance - so this shot shows him with much more poise.
A Technique I used to create a panelled bath. A Minifig will sit inside easily. Would also look appropriate if you have 6 white seats!
Technique: I injected artificial nectar into an Eggplant flower so the bumblebee would have a reason to let me get close. I'm holding on to the flower's stem with my left index finger and thumb, and resting the lens on that same hand to keep everything steady. The color is due to the quality of the light (I didn't have to push the saturation in post).
Tech Specs: Canon 70D (F11, 1/125, ISO 200) + a Canon EF-S 60mm macro lens with 25mm of extension + a diffused MT-24EX (flash head "A" set as the key and "B" as the fill). This is a single, uncropped, frame taken hand held. Camera set so that I could use natural light to expose the sky in the background, with the short duration of the flash freezing subject motion.
Carte technique
Instrument ou objectif: TS APO 90/600
Imageurs: SBIG STF8300M SBIG
Monture: AZ EQ6 GT AZ EQ6
Instrument de guidage: TS Optics TS APO65Q 65mm F/6,5 Quadruplet Astrograph
Caméra de guidage: Orion StarShoot AutoGuider - Orion
Réducteur/correcteur de focale: Riccardi-Reducer 0,75x Riccardi
Logiciels: Photoshop CC 2017, Bisque Software TheSkyX Pro, MaxPilote, MaxIm DL Pro 5 MaxIm DL, PixInsight
Filtres: Astrodon HA, OIII, SII
Accessoires: Robofocus
Résolution: 3232x2429
Images:
Astrodon HA: 36x900" bin 1x1
OIII: 20x900" bin 1x1
SII: 20x900" bin 1x1
Intégration: 19.0 Heures
Astrometry.net job: 1659855
Centre AD: 274,744 degrés
Centre DEC: -13,841 degrés
Échelle des pixels: 2,441 arcsec/pixel
Orientation: 176,493 degrés
Rayon du champ: 1,371 degrés
Lieux: Observatoire perso, LA BASTIDE, VAR, France
Mon site: www.nicoastro.fr/
Just Pinned to Printing Techniques: Don't know who this was created by bit I love the colors and impact of this collage ift.tt/1RE6Jxd
One of my favorite weekend activities is browsing old pictures. As our processing techniques and perspectives mature, some of these pictures that were overlooked at the time get a second chance. They are also portals to some of the happiest/craziest times on the road, like this remote location in the great basin along a steaming geo-thermal hot creek. We had planned for a sunrise shot, but were not prepared for the unusually cold night, hence the star trails from 2 in the morning :) Happy weekend end.
Peace W^C.
You can order prints on 500px
Here is a new set of LEGO ideas and techniques, made with LDD
I'm sure you'll find a use to this idea
I tried to make the explanation readable thanks to the colors as if we had a tutorial
Do not forget to watch the album with all the right techniques on your right =>
Find all my creations on Flickr group « News LEGO Techniques ».
This Flickr group includes:
- Ideas for new LEGO pieces
- Techniques for assembling bricks
- Tutorials for making accessories, objects, etc.
This is a wall technique adapted from a roof technique. While in this picture it is shown as a horizontally curved wall, it also works vertically. It is made using 1x2s connected to a net. The net is attached to a wall of bricks as well as a platform made of plates.
Technique: I found a spot in my Lavender bush where I could bait the bees with some artificial nectar and photograph them with the sun at my back. Fortunately the angle of the sun was high enough so that I could shadow the subject and not the background. I needed the natural light to keep the background from being black, and the flash to freeze as much motion as possible in the subject. Lots of deleted frames due to a light breeze and a less than cooperative bee.
Tech Specs: Canon 80D (F11, 1/250, ISO 200 with highlight tone priority) + a Canon MP-E 65mm macro lens (1x) + a diffused MT-24EX (both flash heads on the Canon flash mount, E-TTL metering with -1 2/3 FEC). This is a single, uncropped, frame taken hand held.
I had a few of these lying around.
Anyone thinks this could be used for a Mech Gun Magazine?
Also, quick side note: it's fragile.