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what do you do if you drive 30+ miles to attend a gaming convention to market your cool new gaming DVD software and you get there, and the gaming convention doesn't exist? well, you visit the local arcade and leave flyers lying around, that's what you do.
The technique of using rice water for hair is not a new generation trend but it an age-old recipe to have long beautiful hair. It is recorded that in many towns in China as well as Japan, females use to apply rice water for hair growth and to make them shiny, black and strong.
This is not a good idea. Knitting from the inside and outside of a ball leads to a certain looseness about halfway down the socks, so I usually end up re-winding it. I decided to see what would happen if I had two centre-pull balls, rather than going from the inside and the outside of one. What happens is then you have three potential yarns to tangle---the one connecting the two balls to each other, as well as the working yarn for each sock. I finally rewound it into one ball.
Photographic techniques capture electromagnetic wavelengths beyond human vision, revealing features invisible to the naked eye. These signals are processed into interpretable forms using methods like color mapping.
Pink lacks a specific electromagnetic wavelength, while grey poses a limitation due to its representation of only intensity—a blend of light and dark without spectral specificity. Imaging techniques reliant on spectral variation produce identical results for greyscale images unless non-visible data is present. Deviations from this uniformity may indicate errors, misinterpretations, or unknown phenomena.
Contention persists over analytical debates, including dismissible claims like Van Allen belt dangers and contested evidence of lunar mirrors. The precision of laser reflections targeting a moving 3x3-foot marker on the Moon highlights technical skill but often fails to resolve skepticism. For instance, a 0.1° shift moves a laser spot 670 km across the Moon's surface.
Forensic analysis (2022, 2023) of Apollo 11–17 photographs assessed authenticity claims. Images of humans in space, Earth, and the Moon's distant views were validated, but Moon landing visuals showed variations, suggesting diverse techniques may have replicated certain elements.
PEMi (Photoelectromagnetic Image) software enhances forensic analysis by differentiating natural and artificial light sources, revealing hidden features. Each PEMi-ID links to original sources, ensuring traceability and comparison.
Further exploration is available:
Lehti, A. (2024). The Silence of Inquiry: Forensic Reflections Reveal a Crisis of Perception. figshare. doi.org/10.6084/m9.figshare.28078982
Credits
2022-2025 © Andrew Lehti
1961–2023 © NASA, ESA
Software: PEMi (GitHub: andylehti/PEMi.git)
Explore PEM-I: pemimage.streamlit.app
CC BY-SA 4.0 License: creativecommons.org/licenses/by-sa/4.0/
Research:
Lehti, Andrew (2024). Cognitive Psychology and the Education System. figshare. Collection. doi.org/10.6084/m9.figshare.c.7532079
CC BY-SA 4.0
This work is licensed under the Creative Commons Attribution-ShareAlike 4.0 International License. To view a copy of this license, visit creativecommons.org/licenses/by-sa/4.0/ or send a letter to Creative Commons, PO Box 1866, Mountain View, CA 94042, USA.
Photographic techniques capture electromagnetic wavelengths beyond human vision, revealing features invisible to the naked eye. These signals are processed into interpretable forms using methods like color mapping.
Pink lacks a specific electromagnetic wavelength, while grey poses a limitation due to its representation of only intensity—a blend of light and dark without spectral specificity. Imaging techniques reliant on spectral variation produce identical results for greyscale images unless non-visible data is present. Deviations from this uniformity may indicate errors, misinterpretations, or unknown phenomena.
Contention persists over analytical debates, including dismissible claims like Van Allen belt dangers and contested evidence of lunar mirrors. The precision of laser reflections targeting a moving 3x3-foot marker on the Moon highlights technical skill but often fails to resolve skepticism. For instance, a 0.1° shift moves a laser spot 670 km across the Moon's surface.
Forensic analysis (2022, 2023) of Apollo 11–17 photographs assessed authenticity claims. Images of humans in space, Earth, and the Moon's distant views were validated, but Moon landing visuals showed variations, suggesting diverse techniques may have replicated certain elements.
PEMi (Photoelectromagnetic Image) software enhances forensic analysis by differentiating natural and artificial light sources, revealing hidden features. Each PEMi-ID links to original sources, ensuring traceability and comparison.
Further exploration is available:
Lehti, A. (2024). The Silence of Inquiry: Forensic Reflections Reveal a Crisis of Perception. figshare. doi.org/10.6084/m9.figshare.28078982
Credits
2022-2025 © Andrew Lehti
1961–2023 © NASA, ESA
Software: PEMi (GitHub: andylehti/PEMi.git)
Explore PEM-I: pemimage.streamlit.app
CC BY-SA 4.0 License: creativecommons.org/licenses/by-sa/4.0/
Research:
Lehti, Andrew (2024). Cognitive Psychology and the Education System. figshare. Collection. doi.org/10.6084/m9.figshare.c.7532079
CC BY-SA 4.0
This work is licensed under the Creative Commons Attribution-ShareAlike 4.0 International License. To view a copy of this license, visit creativecommons.org/licenses/by-sa/4.0/ or send a letter to Creative Commons, PO Box 1866, Mountain View, CA 94042, USA.
Photographic techniques capture electromagnetic wavelengths beyond human vision, revealing features invisible to the naked eye. These signals are processed into interpretable forms using methods like color mapping.
Pink lacks a specific electromagnetic wavelength, while grey poses a limitation due to its representation of only intensity—a blend of light and dark without spectral specificity. Imaging techniques reliant on spectral variation produce identical results for greyscale images unless non-visible data is present. Deviations from this uniformity may indicate errors, misinterpretations, or unknown phenomena.
Contention persists over analytical debates, including dismissible claims like Van Allen belt dangers and contested evidence of lunar mirrors. The precision of laser reflections targeting a moving 3x3-foot marker on the Moon highlights technical skill but often fails to resolve skepticism. For instance, a 0.1° shift moves a laser spot 670 km across the Moon's surface.
Forensic analysis (2022, 2023) of Apollo 11–17 photographs assessed authenticity claims. Images of humans in space, Earth, and the Moon's distant views were validated, but Moon landing visuals showed variations, suggesting diverse techniques may have replicated certain elements.
PEMi (Photoelectromagnetic Image) software enhances forensic analysis by differentiating natural and artificial light sources, revealing hidden features. Each PEMi-ID links to original sources, ensuring traceability and comparison.
Further exploration is available:
Lehti, A. (2024). The Silence of Inquiry: Forensic Reflections Reveal a Crisis of Perception. figshare. doi.org/10.6084/m9.figshare.28078982
Credits
2022-2025 © Andrew Lehti
1961–2023 © NASA, ESA
Software: PEMi (GitHub: andylehti/PEMi.git)
Explore PEM-I: pemimage.streamlit.app
CC BY-SA 4.0 License: creativecommons.org/licenses/by-sa/4.0/
Research:
Lehti, Andrew (2024). Cognitive Psychology and the Education System. figshare. Collection. doi.org/10.6084/m9.figshare.c.7532079
CC BY-SA 4.0
This work is licensed under the Creative Commons Attribution-ShareAlike 4.0 International License. To view a copy of this license, visit creativecommons.org/licenses/by-sa/4.0/ or send a letter to Creative Commons, PO Box 1866, Mountain View, CA 94042, USA.
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PDF Shot in the Dark: Low-Light Techniques for Wedding and Portrait Photography PDF
Lots of chairs and lots of rooms, yet most of the 50 students attending this party chose to sit in the floor in one room.
This was actually a throw-away photograph of my son Kyle and his friend Garrett Stone. My son just finished playing soccer and Garrett was going to a dance. I cropped the photo way down and blended out all the detail with a few photoshop techniques.
Here she is doing a very difficult riding move, it's called "Ethan was too lazy to help me get the saddle off my horse". Only the best riders can do it.
Photographic techniques capture electromagnetic wavelengths beyond human vision, revealing features invisible to the naked eye. These signals are processed into interpretable forms using methods like color mapping.
Pink lacks a specific electromagnetic wavelength, while grey poses a limitation due to its representation of only intensity—a blend of light and dark without spectral specificity. Imaging techniques reliant on spectral variation produce identical results for greyscale images unless non-visible data is present. Deviations from this uniformity may indicate errors, misinterpretations, or unknown phenomena.
Contention persists over analytical debates, including dismissible claims like Van Allen belt dangers and contested evidence of lunar mirrors. The precision of laser reflections targeting a moving 3x3-foot marker on the Moon highlights technical skill but often fails to resolve skepticism. For instance, a 0.1° shift moves a laser spot 670 km across the Moon's surface.
Forensic analysis (2022, 2023) of Apollo 11–17 photographs assessed authenticity claims. Images of humans in space, Earth, and the Moon's distant views were validated, but Moon landing visuals showed variations, suggesting diverse techniques may have replicated certain elements.
PEMi (Photoelectromagnetic Image) software enhances forensic analysis by differentiating natural and artificial light sources, revealing hidden features. Each PEMi-ID links to original sources, ensuring traceability and comparison.
Further exploration is available:
Lehti, A. (2024). The Silence of Inquiry: Forensic Reflections Reveal a Crisis of Perception. figshare. doi.org/10.6084/m9.figshare.28078982
Credits
2022-2025 © Andrew Lehti
1961–2023 © NASA, ESA
Software: PEMi (GitHub: andylehti/PEMi.git)
Explore PEM-I: pemimage.streamlit.app
CC BY-SA 4.0 License: creativecommons.org/licenses/by-sa/4.0/
Research:
Lehti, Andrew (2024). Cognitive Psychology and the Education System. figshare. Collection. doi.org/10.6084/m9.figshare.c.7532079
CC BY-SA 4.0
This work is licensed under the Creative Commons Attribution-ShareAlike 4.0 International License. To view a copy of this license, visit creativecommons.org/licenses/by-sa/4.0/ or send a letter to Creative Commons, PO Box 1866, Mountain View, CA 94042, USA.
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With regards to the question posed in the heading, it may sound like the cue for a joke, but the question is neither a joke nor is it rhetorical.
In terms of common usage, apparently the answer is ‘not a lot.’ The terms ‘Method’, ‘Approach’ and ‘Technique’ are used quite extensively, and largely it would seem, interchangeably.
This is true also when it comes to estimating. It may be helpful then if we can adopt a common meaning for each term, at least for the purposes of this series of working guides, in order to differentiate between the myriad of different ways that we can create an estimate.
The phrase ‘create an estimate’ is used here quite deliberately instead of ‘compile an estimate’ to invoke the sense that estimating is a creative process, rather than merely a calculation process.
A structured way of working is very important for an estimator in order to provide a robust audit trail
A word (or two) from the wise?
‘Method is much, technique is much, but inspiration is even more!
Benjamin N. Cardozo American Lawyer and Associate Supreme Court Justice 1870-1938
through the calculation stages of that creative process that others can follow, or reproduce, in order to validate or challenge the estimate produced.
However, we must not forget that there is that very important element of creativity that cannot be taught or even demonstrated. Ben Cardozo (1931) called this ‘inspiration’.
We might pick up on Cardozo’s profession and add the need to apply ‘judgement’; all estimators need a balance of method, technique, inspiration and judgement.
Unfortunately, inspiration and judgment, and things that come from personal experience and not necessarily from a book, so we will concentrate on the more tangible methods and techniques here.
Other related terms that we will also cover at this stage will be the related terms of ‘Process’ and ‘Procedure’, which incorporate or guide our methods and techniques.
Each organisation may choose how it expects estimates to be created based on a number of factors:
The level of definition available
The amount and quality of data available
The time allowed to create the estimate
The purpose for which the estimate is to be used
Each of these will influence the choice of Approach(s), Method(s), or Technique(s) to be adopted in line with the Estimating Process defined within that organization, but what do we mean when we use each of these terms?
The post What is the difference between a method, approach, and technique? appeared first on Buzz People.
The lady on this plane was not playing solitaire in a manner which I found acceptable. I steered clear of stepping in and pointing out effective use of the aces and kings. But boy was I irked by inefficient solitaire playing on an iPad.
the technique that i used for this project was the techniques that i have learned from Mrs. Leppla.
Letters embrace imperfection by sending a message through those letters.
I do not know how i embraced imperfection.
A long hair transplant is the only hair transplant technique where not even a single hair is trimmed and a person can go to his office after 3 days without anyone knowing that she has had a hair transplant done. This technique is one of the most difficult of all hair transplant techniques and very few doctors in the world are able to perform a long hair transplant.
There are two forms of “modern” hair transplantation strategies which might be presently done.
The Follicular Unit Transplantation (FUT) sort of technique transplants a strip of your hair follicles, taken out of your scalp in the back of your head, to regions of your hair that might be thinning or bald.
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Technique:
Processed in lightroom with exposure, curves and contrast being applied.
It can be quite a challenge at times shooting inside cathedrals with high aperture lenses. In this instance I shot at a shutter speed that I knew would result in a sharp image at the expense of an under exposed image which I could boost later in Lightroom. In the end I had to apply a 1.5 stops of compensation - quite a testament to the power of RAW processing.
I am also learning that this is the kind of shot that wide angle lenses (sigma 10-20 in this case) were made for, capable of creating a great deal of movement in the frame by bringing together extreme elements, whilst enhancing this through the use of the inherent perspective effects.
Behind the Photo:
This is the top of St Peters Cathedral at the Vatican, shortly after climbing however many hundred stairs. It really is quite awe inspiring, especially as an Australian, we just don't get these kind of things back home.
It’s been said that the power of cathedrals such of this is to level all that come under it, regardless of status or background – I have never felt so small in all my life.
Here are three techniques for viewing this photo,
One: www.vision3d.com/fftext.html
Two: www.vision3d.com/methd02.html
Three: plop your nose right in the bottom center of the picture so that each eye can only see half of the picture. *slowly* move your head backwards until the pixels resolve into an image. You may need to bobble back and forth.
Three: plop your nose right in the bottom center of the picture so that each eye can only see half of the picture. *slowly* move your head backwards until the pixels resolve into an image. You may need to bobble back and forth. I've found it helps to pick a bright object visible to both eyes and try to keep the images "together" also, if you've a strong eyeglass prescription (like me) try removing your glasses.
The stones on this North American site were clearly made with the cooperation of many. Occasionally the stones hold the same techniques and style of execution indicating some of the stones were made by the same person or group, however the volume of stones indicate evidence of an extremely large number of individuals responsible for the stones on this site.
A single stone would have required far longer than a single day to complete. Does each stone represent a single lifetime, or do all the stones represent large numbers within an extensive culture responsible for the stones on this site serving as a cooperative effort to memorialize an event that took place on this site in deep time????
Perhaps large numbers within this unknown culture came to this location serving as a religious/ cultural passage or pilgrimage as found in many other regions and cultures of the ancient world.
Elements:
1. Tall left-facing bearded man in the center serving as the patriarch or leader overlooking the twin peak mountain range on the lower left/west of the horizon line with a single individual on the rounded mound.
2. On the right of the center patriarch/deity with the double crown headdress; perhaps a family unit facing each other with a smaller person/child next to a person lying prostrate, deceased(?).
3. The micro images appear over the person lying prostrate, lower right edge, with a trail of pictograph symbols rising westward towards the symbol in the upper left quadrant, perhaps serving as a resurrection narrative?
4. There are faint trails of pigments and micro symbols leading and rising into the sky from the mound (left) and the person lying prostrate (right). Could this image field represent the memorializing of a funeral ceremony, perhaps a symbolic process to insure a successful resurrection?
There are many complex micro-images on this stone's surface indicating an advanced culture was responsible for the stones on this North American site.