View allAll Photos Tagged tangible
Photo Credit: Saad Solaiman (c) ANCIENT ARTS
"What is TIME?"
What is TIME? When did it start? When will it end? Is there a reason for it? Is it tangible? Can we see it? Can it see us? Is it an essential element of every universe or just ours? Will it ever lead us to the answer to the question for which we wait with such hope "Why are we here?"
St Monans Windmill is the most tangible reminder of salt production,
an industry that for centuries blighted the environment of coastal communities right along both shores of the Firth of Forth. Salt extraction remains mostly in a series of placenames alongside the River Forth involving "pan" or "pans". The most well known of these is Prestonpans, where industrial salt extraction continued until as recently as 1959. Salt production at St Monans is due to Sir John Anstruther, who became the local laird in 1753 and 1771 he and his business partner, Robert Fall, established the Newark Coal and Salt Company. Coal was extracted from land immediately to the north of the windmill from a mine whose site is now occupied by Coal Farm. The salt pans were housed in nine buildings on the raised beach below the windmill, whose locations can still be seen today. The role of the windmill was to provide the power to pump sea water from tidally-fed reservoirs cut into the rocks offshore into the salt pans. Production went on round the clock and at the height of operations the salt pans employed 20 men, while the colliery serving it employed a further 36 men. More information at
Our adidas x Forces of Nice art show in Hong Kong was a huge success thanks to all our friends who have been so supportive and helpful. The show attracted a ton of media and we managed to get some great press in 4 very respectable local magazines including Milk, a prominent urban fashion magazine in Hong Kong.
As the adidas store filled up at maximum capacity of 300+ socialites, celebrities, editors and models we kicked off the party with a live electronic music performance set by Tom Pettapiece and I did a quick digital graffiti wall performance (provided by Tangible Interaction) demonstration.
We are super grateful and happy that the art show party exceeded our expectations but more importantly our friends at adidas were extremely happy with how it all turned out.
We will share more press clippings here as we get them.
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October 2010
Hong Kong, Hong Kong
Visitors interacting with Relief at Ars Electronica 2009. For more information see: tangible.media.mit.edu/project.php?recid=132
Fibre Optics, Experiments, Lighting, R+D, Materials, Magical, Decorative Applications, Potential, Tangible Interfaces Project, Eleanor-Jayne Browne, The D/sign Lounge, Weaving, Bio-Inspired Forms
Silicone, Lasercut Silicone, Drawing, Freestyle, Experiment, Texture, Elasticity, Opaque, Semi-Transparent, Stretchable, Surface Decoration, Materials Experiment, R+D, Tangible Interfaces Project, Eleanor-Jayne Browne, The D/sign Lounge
By now we have all seen the tragic destruction and loss of life surrounding the natural disaster in Japan. In desperate times like these having people and organizations to help individuals pull through is incredibly important. It not only provides immediate tangible help but also develops a vital sense of community for those involved.
There has been a truly earnest response among the Japanese community at the unanticipated level of caring and support the rest of the world has shown in the past few days. Many friends have been truly thankful for even the small messages sent to make sure they were alright following the earthquake and tsunami.
To me this was important. The strong sense of community among the Japanese is truly something unique and it has always to me been something I have aspired to.
I, like many of you, have people in my life who have been affected to different degrees by this disaster. Like many of you I have also in some form donated money to help the relief effort. However, I began to feel guilty knowing I could do much more.
So this is my offer and my challenge to you all.
I want you to donate a minimum of $15 I will be taking donations on behalf of the Red Cross. In exchange, I want to take one sincere picture of you, holding up a badge of support. All the money collected will be donated to the relief effort. I will also be putting together a photo blog to showcase the people being a part of this effort.
This is what I would like to represent our message:
Special thanks go to shing02
It's simple enough but the value of it is so much more.
We can all do our part to help on a financial level. However, to me there is more than just financial support. I want people to know the face behind the gesture. I want to showcase that the international community is forever a part of the Japanese community. To me the worth of that support is equally as vital to people as assisting them financially in times of need.
To those who feel they can help be a part of this in other ways, please do so. Whether you take up your own camera and follow suit, make it your own or find another creative way you can use your talents and personal time to help the situation, put in the effort and be a part in creating an international community. I would much rather we all work on this together.
That is my challenge, be a part of this. Whether it is on one side of the lens or the other, help out and build a community that will ultimately bring a lot of good in a lot of valuable ways.
The images will be put up on a blog. The more people involved, the more we can show how much the international community is really a part and the more significant a difference we can actually make. If you know of people wanting to be involved please let them know.
So please, contact me or anyone involved and let's make this grow. You can reach me at mariuszphotography@gmail.com
For those looking to help in other regards you can do so via the Red Cross in a number of ways.
Finally, I would also like to encourage others to use these pictures in their Facebook profiles similar to the current badges going around to help spread the message to donate.
Thank you everyone!
____________
「東北地方太平洋沖地震」におきまして、被害にあわれた方々に心よりお見舞い申し上げます。
現在も余震があり、被災地で多くの方が避難しており、懸命な救出活動が続いている状態です。
被災者の方に対し、義援金として支援をすることが、日本へカナダ内陸エドモントンからできるサポートだと思います。
具体的には、各自上記のShing02デザイン"Rise again 手をつなごう"バッジを表示したIpadを持っていただき、野外にて証明写真を作成します。
又、その証明写真購入代金(最低15ドル寄付)として皆様から寄付を頂き、集まった全義援金は日本赤十字社を通じて、被災者救済のための救援活動及び復興支援活動等資金として寄付させていただきます。
更に、各証明写真はブログ mariuszsikorski.blogspot.com/2011/03/we-need-your-help.html にショーケースとしてアップロードされます。
フェイスブックなどのソーシャルネットワーク等の証明写真として使用して頂ければ、更に多くの人に広め、参加していただけるきっかけになると思います。
一人でも多くの方ににご協力をいただければ幸いです。
日付、場所等につきましてはいつでも気軽に連絡ください。
連絡先Eメール マリオ
mariuszphotography@gmail.com
Description: Cover of a guide to the New York Point System. Title: "Key to the New York Point System of Tangible Writing and Printing for Literature, Instrumental and Vocal Music, and Mathematics, Designed for the Use of the Blind", by William B. Wait, Superintendent of the New York Institution for the Blind.
Creator: William B. Wait
Date: 1893
Publisher: The Bradstreet Press, New York
Format: book
Digital Identifier: NYPIMG_2372
Rights: Samuel P. Hayes Research Library, Perkins School for the Blind, Watertown, MA
The energy was tangible at this year's PMA Fresh Connections: Retail! Over 170 attendees gathered April 11-12 at the Philadelphia Airport Marriott to make new connections and gain new business solutions. From the cocktail reception and immersive UnConference to the optional Produce Rescue Glean and Produce Retail Tour, attendees were surrounded by peers and potential partners at every turn, and the buzz could be felt over the entire two days.
Lost&Found™ Embroidered Furniture, The Making Of Lost&Found™ Embroidered Furniture, Handmade, Craft, Tangible Interfaces, Visual Perceptions, Decoration, Surface Texture, PC Boards, Woodwork, Spray Room, Preparation, Analogue, Digital, Artisanal Techniques, Handmade Elements, Jewels, Re-Worked Objects, Assembled Objects, Found Objects, Eleanor-Jayne Browne, The D/sign Lounge
Video Mapping Philipp Geist_Germany+Brazil 2013-2014_- Santa Marta 2014_©Fred Pacífico/Porã
„VideoInstallation by Philipp Geist“, "Philipp Geist", „Copyright 2014 Philipp Geist / VG Bildkunst 2014", www.videogeist.de, mail@videogeist.de, „Rio de Janeiro“, "Santa Marta“, „Cristo Redentor“, „Dona Marta“, „Deutschland + Brasilien 2013-2014“, “Alemanha + Brasil 2013-2014”
Photo by Fred Pacífico
©2014 Philipp Geist / VG BIldkunst Bonn
Rio de Janeiro / Brazil 2014
Christ statue (Cristo Redentor) – May 12
Dona Marta favela – May 15 and 16,2014
Light Art-Video-Mapping-Installations Philipp Geist in Rio de Janeiro / Brazil 2014
on the Christ statue (Cristo Redentor) - May 12 and in the Dona Marta favela - May 15 and 16,
2014
Installation Philipp Geist Year of Germany in Brazil 2013/2014
Concept Time Drifts May 2014
At the end of the Year of Germany in Brazil 2013/2014, the artist Philipp Geist (Berlin, 1976)
develops two light installations in Rio this year; the first one on the world-famous Christ statue
(Cristo Redentor) and the other installation in the Santa Marta favela. For the installation the
artist presents artistic-liberal and poetic German and Brazilian themes and develops a building
and floor light installation of colored words and phrases in Portuguese, German, and in other
international languages. The installation deals with cultural characteristics and achievements of
both countries and visualizes the issues of time and space, volatility and presence in a free
artistic style. The two projects are in fact a double project which is combined. The installation
on the symbol of Rio and Brazil, the Christ statue, is recorded and projected onto the small
buildings and huts of the favela. The Christ statue, which has been built to protect the city and
the sailors, is symbolically projected on the shantytown, the favela, in a protective way. The
installation in the favela will be seen not only on a facade as a large cinema projection or as a
static image, but on several winding buildings, the roofs, the floor and on the steps. Thus, the
visitor becomes a part of the installation and can immerse into the projection and the light and
introduce himself. Chalk crayons are put out on the streets in the favela and the young and old
residents and visitors can write and paint words on the street, the ground, the stairs or even on
the house walls. The residents and several institutions should be addressed to submit words and
associations dealing with Rio, Brazil and Germany.
For the installation, which was shown at the Luminale in 2012, the artist Philipp Geist won the
German Lighting Design Award 2013 (Deutscher Lichtdesign-Preis 2013) in the category Light Art.
The series 'Time Drifts' is characterized by the complex and subtle way of visualizing various
currents and voices in cultural contexts and to provide institutions and visitors with the
opportunity of substantive participation: different personalities, visitors and institutions may be
addressed in advance and then contribute words and associations. Current and historico-cultural
topics are researched in advance by the artist and then integrated in a sensitive and subtle way.
The projection dismisses the use of screens, because concepts and associations are projected on
a large area onto the floor surface on several facades and in theater fog. Over the course of two
days, the installation can be seen on-site in the favela on May 15 and 16 and on the Cristo
Redentor on May 12 for a day.
Short, tall, young and old visitors can interactively participate in the installation by tracing and
adding words with colored chalk crayons available on the streets. Thus, over the period of the
installation, a carpet of words is evolved with terms that are contributed locally by the visitors
by means of the temporary and volatile 'medium' of chalk crayons. Philipp Geist develops in this
way a dialogue between the place, the visitors and his artistic work.
The concrete, tangible projection of the architecture and the static terms on the floor area
represents the facts and visible relics that are responsible for our understanding of history. The
transparent and volatile projection in the fog reminds us that part of the history can not be
preserved and that it is created in our individual imagination in a single moment. Words are
briefly visible as a metaphor for transience and then disappear again. This interplay of the
various text and image layers in the space refers to the location and the history/-ies of Brazil
and Germany and the cultural exchange between the two countries. The visitors themselves are
part of the installation: they dive into the large floor projection. In this way, different
perspectives and experiences of space are unified. Abstract passages which are created, then
overlapped and displaced by each other symbolize the constant changes in history, the passage
of time and the transience of existence. Even the understanding of the past is in the flux. The
modern writings and formations created on the computer establish a connection to the present
and the possibilities of today's technology and show that the perception of history and culture
depends always on the possibilities and constraints of the present.
'Time Drifts - Words of Berlin' is part of a series of installations, which has been shown in recent
years by Philipp Geist, and which are always re-developed site-specifically and adapted to the
local conditions: In October 2012, Philipp Geist showed the installation on the entire Potsdamer
Platz (public square) and the Kolhoff Tower and Renzo Piano Tower skyscrapers. In April 2012
the installation was shown at the Luminale in Frankfurt where it was seen by more than 40,000
visitors and thus the main project of the Luminale 2012. In 2011, Philipp Geist presented the
'Time Drifts' installation in Vancouver at the Jack Poole Plaza, as well as in Montreal on the
Place des Arts in 2010. The 'Timing' installation was shown at the 2009 Glow Festival in
Eindhoven. In the end of 2009, on the occasion of the birthday of the King of Thailand, 2-3
million visitors saw his facade installation at the royal throne in Bangkok. Other projects
include: 'Timelines' at the prestigious Pallazzio delle Esposizioni (Rome, 2007), 'Time Fades'
at the Cultural Forum of Berlin and 'Broken Time Lines' at the old spa Kurhaus Ahrenshoop
(Germany, 2008).
Geist's projects are primarily characterized by their complexity concerning the integration of
space, sound and motion images. His video mapping installations waive screens and transform a
wide range of architectures in moving, picturesque light sculptures which challenge the viewer's
perception of two- and three-dimensionality.
www.alemanha-brasil.org/br/node/8542
www.alemanha-brasil.org/Programme/Dia/2014-05-12
www.alemanha-brasil.org/Programme/Dia/2014-05-15
www.alemanha-brasil.org/Programme/Dia/2014-05-16
---------------
Arte de luz - Instalações de Mapeamento de Vídeo por Philipp Geist no Rio de Janeiro / Brasil
2014 no Cristo Redentor no dia 12 de maio e na favela Santa Marta nos dias 15 e 16 de maio de
2014
Instalação Philipp Geist Ano Alemanha + Brasil 2013/2014
Conceito Time Drifts Maio 2014
No final do ano Alemnaha + Brasil 2013/2014, o artista Philipp Geist (1976, Berlim) desenvolverá
duas instalações de luz no Rio; uma delas será exibida na mundialmente famosa estátua do
Cristo Redentor, e a outra na favela Santa Marta. Para a instalação, o artista traz temas teutobrasileiros
de maneira liberal-artística e poética desenvolvendo instalações de luz em edifícios e
no solo a partir de palavras e conceitos coloridos em Português, Alemão e em outros idiomas
internacionais. A instalação lida com as peculiaridades e realizações culturais de ambos os países
e visualiza as questões de tempo e espaço e de volatilidade e presença no estilo liberal-artístico.
Os dois projetos em questão representam um projeto duplo que é combinado. A instalação na
estátua do Cristo Redentor, como um símbolo do Rio e do Brasil, será gravada e projetada nos
pequenos prédios e barracos da favela. A estátua do Cristo Redentor, que foi erguida para
proteger a cidade e os marinheiros, será então projetada como um símbolo de proteção em uma
favela. A instalação na favela é visto não apenas em uma fachada como uma projeção grande de
cinema ou como uma imagem estática, mas em vários prédios sinuosos, em telhados, no solo e
nas escadas. Desta maneira, o visitante conseguirá ser parte da instalação e imergir e mergulhar
na projeção e na luz. Na favela, será distribuído giz para pintura de rua, e os moradores e
visitantes, tanto jovens quanto velhos, podem escrever e pintar conceitos na rua, no solo, nas
escadas ou até mesmo nas paredes das casas. Os moradores e diversas instituições serão
convidados a contribuir com conceitos e associações que representam o Rio, o Brasil e a
Alemanha.
Para as instalações apresentadas na Luminal em 2012, o artista Philipp Geist ganhou o
'Deutscher Lichtdesign-Preis 2013” (Prêmio Alemão de Desenho de Luz de 2013) na categoria
Arte de Luz. A série Time Drifts caracteriza-se pela forma complexa e sutil de visualizar várias
correntes e vozes em contextos culturais e de oferecer a instituições e aos visitantes a
oportunidade de participar: diferentes personalidades, visitantes e instituições podem ser
contatados antecipadamente para contribuir com termos e associações. Temas atuais, históricos
e culturais serão previamente pesquisados pelo artista e, depois, integrados de uma forma
sensível e sutil. A projeção é realizada sem o uso de telas porque conceitos e associações são
projetados, em grande estilo, sobre a superfície do solo, em diversas frentes e envolvidos em
fumaça. Ao longo de dois dias, a instalação estará em exibição em 15 e 16 de maio na favela, e
em 12 de maio, por um dia, no Cristo Redentor.
Visitantes jovens e velhos podem envolver-se na instalação e traçar ou adicionar palavras com
giz colorido, que será distribuído, e assim participar interativamente na instalação. Desta
maneira, durante a duração da instalação, será desenvolvido um tapete de palavras. As palavras
serão fornecidas, no próprio local, pelos visitantes usando o giz, um meio temporário e volátil.
Philipp Geist desenvolve assim um diálogo entre o local, os visitantes e seu trabalho artístico.
A área de projeção concreta e tangível da arquitetura e os termos estáticos sobre a superfície do
solo representam os fatos e as relíquias visíveis que compõem a nossa compreensão da história. A
área de projeção transparente e sumindo por dentro da fumaça lembra que parte da história não
pode ser preservada e que ela é criada na nossa imaginação individual momentaneamente.
Conceitos são brevemente visíveis, como uma metáfora para a transitoriedade e, logo mais,
desaparecem. Esta interação entre as várias camadas de texto e de imagens no espaço refere-se
à localização e a(s) história(s) do Brasil e da Alemanha e o intercâmbio cultural entre os dois
países. Os próprios visitantes tornam-se parte da instalação: eles imergem na grande projeção
do solo. Desta forma, diferentes perspectivas e experiências de espaço são unidas. Passagens
abstratas que são formadas, sobrepostas e suprimidas pela próxima simbolizam as mudanças
contínuas na história, a passagem do tempo e a transitoriedade da existência. A compreensão do
passado também está no fluxo. As fontes e formações modernas criadas no computador
estabelecem uma conexão com o presente e com as possibilidades da tecnologia de hoje: a
percepção da história e da cultura sempre dependende das capacidades e limitações do
presente.
'Time Drifts - Words of Berlin' faz parte de uma série de instalações, que foram apresentadas
durante os últimos anos por Philipp Geist e que são sempre redesenvolvidas para as condições
locais específicas: em outubro de 2012, Philipp Geist exibiu a instalação em toda a praça
Potsdamer Platz (Berlim) e nos dois arranha-céus Kolhoff Tower (Berlim) e Renzo Piano Tower
(Londres). Em abril de 2012, a instalação foi apresentada no evento da Luminal em Frankfurt
onde foi vista por mais de 40.000 visitantes sendo o principal projeto da Luminal de 2012. Em
2011, Philipp Geist mostrou a instalação Time Drifts na praça Jack Poole Plaza em Vancouver
bem como em Montreal, Canadá, no centro de arte Place des Arts, em 2010. A instalação Timing
foi exibida no Glow Festival de 2009 in Eindhoven, Holanda. No final de 2009 e por ocasião do
aniversário do rei tailandês, aprox. 2 a 3 milhões de visitantes viram a instalação de fachada do
artista no trono real em Banguecoque. Seus outros projetos incluem: Time Lines, no prestigiado
museu Palazzio delle Esposizioni (Roma, 2007); Time Fades, no Fórum Cultural de Berlim;
Broken Time Lines, no antigo spa Kurhaus Ahrenshoop (Alemanha, 2008).
Os projetos de Geist são principalmente caracterizados por sua complexidade na integração de
espaço, som e imagens de movimento. Suas instalações de mapeamento de vídeo renunciam
telas e transformam uma ampla gama de arquiteturas em esculturas móveis e pitorescas que
desafiam a percepção do espectador de duas e três dimensões.
www.alemanha-brasil.org/br/node/8542
www.alemanha-brasil.org/Programme/Dia/2014-05-12
www.alemanha-brasil.org/Programme/Dia/2014-05-15
www.alemanha-brasil.org/Programme/Dia/2014-05-16
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Lichtkunst-VideoMappingInstallationen Philipp Geist in Rio de Janeiro / Brasilien 2014
an der Christstatue (Cristo Redender) 12.5 und in der Favela Santa Marta 15./16.5.2014
Installation Philipp Geist Deutsch-Brasilianisches Jahr 2013/2014
Konzept Time Drifts Mai 2014
Zum Abschluss des Deutsch-Brasilianischen-Jahres 2013/2014 entwickelt der Berliner Künstler
Philipp Geist (1976) zwei Lichtinstallation in Rio d.J.; eine an der weltbekannten Christstatue
(Cristo Redender) und in die andere Installation in der Favela Santa Marta. Bei der Installation
greift der Künstler künstlerisch frei und poetisch deutsch brasilianische Themen auf und
entwickelt eine Gebäude- und Boden-Lichtinstallation aus farbigen Wörtern und Begriffen in
portugiesischer, deutscher, und in weiteren internationalen Sprachen. Die Installation thematisiert
kulturelle Besonderheiten und Errungenschaften beider Länder und visualisiert die Themen Zeit
und Raum, Flüchtigkeit und Präsenz in freien künstlerischen Art. Bei den beiden Projekten handelt
es sich um ein Doppelprojekt welches kombiniert wird. Die Installation auf das Wahrzeichen von
Rio und Brasilien die Christstatue, wird aufgenommen und auf die kleinen Gebäude und Hütten
der Favela projiziert. Die Christstatue die errichtet worden ist um die Stadt und Seeleute zu
schützen, wird so symbolisch schützend über ein Armenviertel die Favela projiziert. Dabei ist die
Installation in der Favela nicht nur auf einer Fassade als große Kinoprojektion oder als statisches
Bild zu sehen, sondern auf mehreren verwinkelten Gebäuden, den Dächern, den Boden und auf
den Stufen. Der Besucher wird vielmehr auf diese Weise selbst Teil der Installation und kann in die
Projektion und das Licht eintauchen und sich einbringen. In der Favela werden Strassenmalkreide
ausgelegt und die Bewohner und Besucher ob jung oder alt können Begriffe auf die Strasse, den
Boden, die Treppenstufen oder sogar auf die Hauswände schreiben und malen. Die Bewohner und
verschiedene Institutionen sollen angesprochen werden Assoziationen und Begriffe die für Rio,
Brasilien und Deutschland stehen einzureichen.
Für die 2012 bei der Luminale gezeigten Installation hat der Künstler Philipp Geist den Deutschen
Lichtdesign-Preis 2013 in der der Kategorie Lichtkunst gewonnen. Die Serie 'Time Drifts' zeichnet
sich aus durch die komplexe und die subtile Möglichkeit, verschiedenste Strömungen und
Stimmen in kulturellen Kontexten sichtbar zu machen und Institutionen und Besuchern die
Möglichkeit zur inhaltlichen Partizipation zu geben: Es können verschiedene Persönlichkeiten,
Besucher und Institute im Vorfeld angesprochen werden, die Begriffe und Assoziationen
beisteuern. Aktuelle und kulturhistorische Themen werden im Vorfeld vom Künstler recherchiert
und auf sensible und subtile Weise integriert. Die Projektion verzichtet auf den Einsatz von
Leinwänden, denn Begriffe und Assoziationen werden grossflächig auf die Bodenfläche, auf
mehrere Fassaden und in Theaternebel projiziert. Über den Zeitraum von 2 Tagen wird die
Installation vor Ort in der Favela am 15/16.Mai und die Installation am Cristo Redentor am 12.Mai
für einen Tag zu sehen sein.!
Kleine, große, junge und alte Besucher können sich einbringen in die Installation und mit farbiger
Straßenmalkreide, die ausgelegt wird, Wörter nachzeichnen und hinzufügen und so interaktiv an
der Installation teilnehmen. Über die Installationsdauer entsteht somit ein Wörterteppich aus
Begriffen, die vor Ort von den Besuchern selbst mittels dem temporären und flüchtigen 'Medium'
der Strassenmalkreide beigesteuert werden. Geist entwickelt auf diese Weise einen Dialog
zwischen dem Ort, den Besuchern und seiner künstlerischen Arbeit. ! !
Die konkrete, greifbare Projektionsfläche der Architektur und die statischen Begriffe auf der
Bodenfläche stehen für die Fakten und sichtbaren Relikte, welche unser Geschichtsverständnis
ausmachen. Die transparente, sich verflüchtigende Projektionsfläche im Nebel erinnert daran,
dass ein Teil der Geschichte nicht konserviert werden kann und im Moment in unserer individuellen
Vorstellung entsteht. Begriffe werden als Metapher für die Vergänglichkeit kurzzeitig sichtbar und
verschwinden sofort wieder. Dieses Zusammenspiel der verschiedenen Text- und Bildschichten im
Raum verweist auf den Ort und die Geschichte(n) Brasiliens und Deutschlands und den kulturellen
Austausch beider Länder. Die Besucher selbst werden Teil der Installation: sie tauchen in die
großflächige Bodenprojektion ein. Auf diese Weise vereinen sich unterschiedliche Perspektiven
und Raumerfahrungen. Abstrakte Passagen, die sich aufbauen, überlagern und gegenseitig
verdrängen, symbolisieren die ständigen Veränderungen in der Geschichte, den Lauf der Zeit und
die Flüchtigkeit des Seins. Auch das Verständnis von der Vergangenheit ist im Fluss. Die
modernen Schriften und Formationen, die am Computer entstanden sind, stellen eine Verbindung
zur Gegenwart und den Möglichkeiten der heutigen Technik her und zeigen, dass die Erfahrbarkeit
von Geschichte und Kultur immer von den Möglichkeiten und Rahmenbedingungen der Gegenwart
abhängig ist.
'Time Drifts - Words of Berlin' ist Teil einer Serie von Installationen, die Philipp Geist in den letzten
Jahren gezeigt hat, und die dabei immer wieder neu an die örtlichen Gegebenheiten ortsspezifisch
weiterentwickelt wird: Im Oktober 2012 zeigte Geist die Installation auf dem gesamten Potsdamer
Platz und den beiden Hochhäusern Kolhoff Tower und Renzo Piano Tower. Im April 2012 wurde die
Installation in Frankfurt auf der Luminale gezeigt, wurde von mehr als 40.000 Besuchern gesehen
und war das Hauptprojekt der Luminale 2012. Im Jahr 2011 zeigte Geist die Installation Time Drifts
in Vancouver am Jack-Poole Plaza, ebenso wie in Montreal am Place des Arts in 2010. Die
Installation 'Timing' war 2009 auf dem Glow Festival in Eindhoven zu sehen. Ende 2009 sahen
anlässlich des Geburtstages des thailändischen Königs ca. 2-3 Millionen Besucher seine
Fassadeninstallation am königlichen Thron in Bangkok. Andere Projekte waren u.a.: 'Time Lines'
am renommierten Museum delle Esposizioni (2007), 'Time Fades' am Berliner Kulturforum,
'Broken Time Lines' am alten Kurhaus Ahrenshoop (2008).
Geists Projekte sind in erster Linie gekennzeichnet durch ihre Komplexität in der Integration von
Raum, Ton und Bewegbild. Seine Video-Mapping-Installationen verzichten auf Leinwände und
verwandeln verschiedenste Architekturen in bewegte, malerische Lichtskulpturen, die die
Wahrnehmung der Betrachter von Zwei- und Dreidimensionalität herausfordern.
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Lost&Found™ Embroidered Furniture, The Making Of Lost&Found™ Embroidered Furniture, Handmade, Craft, Tangible Interfaces, Visual Perceptions, Decoration, Surface Texture, PC Boards, Woodwork, Spray Room, Preparation, Analogue, Digital, Artisanal Techniques, Handmade Elements, Jewels, Re-Worked Objects, Assembled Objects, Found Objects, Eleanor-Jayne Browne, The D/sign Lounge
The energy was tangible at this year's PMA Fresh Connections: Retail! Over 170 attendees gathered April 11-12 at the Philadelphia Airport Marriott to make new connections and gain new business solutions. From the cocktail reception and immersive UnConference to the optional Produce Rescue Glean and Produce Retail Tour, attendees were surrounded by peers and potential partners at every turn, and the buzz could be felt over the entire two days.
Kim suggested we get some of our instagram photos printed, then take a photo using them as part of the photo. I loved my printsagrams! I used her dark mood preset in lightroom.
Lost&Found™ Embroidered Furniture, The Making Of Lost&Found™ Embroidered Furniture, Handmade, Craft, Tangible Interfaces, Visual Perceptions, Decoration, Surface Texture, PC Boards, Woodwork, Spray Room, Preparation, Analogue, Digital, Artisanal Techniques, Handmade Elements, Jewels, Re-Worked Objects, Assembled Objects, Found Objects, Eleanor-Jayne Browne, The D/sign Lounge
EEG for the Arts, workshop by Mattia Casalegno and Enzo Varriale. 17-18th Sept 2011, iMAL, Brussels. imal.org/activity/tangible-feelings
The energy was tangible at this year's PMA Fresh Connections: Retail! Over 170 attendees gathered April 11-12 at the Philadelphia Airport Marriott to make new connections and gain new business solutions. From the cocktail reception and immersive UnConference to the optional Produce Rescue Glean and Produce Retail Tour, attendees were surrounded by peers and potential partners at every turn, and the buzz could be felt over the entire two days.
"Tangible Cultural Property of Incheon Metropolitan City No. 15
The Location: 667, Unnam-dong, Jung-gu
It is said that Yonggungsa at the north-east foot of Mr. Baekun in Yeongjong Island was built by Wonhyo (a famous monk) in the 10th year of King Munmu's reign (670) in Silla dynasty. When Heungseon Daewongun (King Go-jong's father in the Joseon dynasty) rebuilt it in the year of King Cheol-jong's reign (1854), the present name, Yonggungsa, was given. Buildings such as Gwaneumjeon, Yonghwanggak, Chilseonggak, Yosachae and 11 metres high, Mireukbul (statue of Maitreya) were set up recently."
I've got a bunch of dumb stuff to go through and put up on here.
But first. Finding photoshop so I can edit things.
Workshop "VVVV & Brainwaves for AV performance & Programming" Led by Lanvideosource @ LPM 2012 (2012.liveperformersmeeting.net/artists/Zeno_Lanvideosourc...)
Vorarlberg University of Applied Sciences, Faculty of Design (AT)
Taking the thought that in a post-anthropocentric future, ecological justice is concerned with justice between species as a starting point, this exhibition is conceptualized as an affective infrastructure enabling two kinds of experiences: the lack of eco- and interspecies empathy on “Planet A” and experiments fostering interspecies and non-human sensory dialogues.
Photo: David Altweger
Pretty Good Things: Thesis Edition! is one big, tangible amalgamation of the artist, designer and entrepreneur sides of Mary Pattavina.
Mary’s thesis project is essentially an exploration of escapism and fantasy as well as product development and brand diversification using the mediums of illustration, hats and e-commerce. Eight sculptural hats and 8 watercolor illustrations depict the odyssey of a female character through a natural world. The sculptural hats are textile concoctions engineered using traditional and unconventional methods of millinery constructed over the last four months.
Using the inspiration from the sculptural hats and illustrations Mary also designed a limited edition collection for Pretty Good Things (her e-business). These derivative hats and digital prints of the watercolor illustrations are available to purchase online at www.PrettyGoodThings.com.
Image by JörgMiedza and JanWöllert - www.lapp-pro.de; combination of careful lighting. Limited edition book of thier work Tangible Book - High Touch Visuals.
Pretty Good Things: Thesis Edition! is one big, tangible amalgamation of the artist, designer and entrepreneur sides of Mary Pattavina.
Mary’s thesis project is essentially an exploration of escapism and fantasy as well as product development and brand diversification using the mediums of illustration, hats and e-commerce. Eight sculptural hats and 8 watercolor illustrations depict the odyssey of a female character through a natural world. The sculptural hats are textile concoctions engineered using traditional and unconventional methods of millinery constructed over the last four months.
Using the inspiration from the sculptural hats and illustrations Mary also designed a limited edition collection for Pretty Good Things (her e-business). These derivative hats and digital prints of the watercolor illustrations are available to purchase online at www.PrettyGoodThings.com.
The energy was tangible at this year's PMA Fresh Connections: Retail! Over 170 attendees gathered April 11-12 at the Philadelphia Airport Marriott to make new connections and gain new business solutions. From the cocktail reception and immersive UnConference to the optional Produce Rescue Glean and Produce Retail Tour, attendees were surrounded by peers and potential partners at every turn, and the buzz could be felt over the entire two days.
The energy was tangible at this year's PMA Fresh Connections: Retail! Over 170 attendees gathered April 11-12 at the Philadelphia Airport Marriott to make new connections and gain new business solutions. From the cocktail reception and immersive UnConference to the optional Produce Rescue Glean and Produce Retail Tour, attendees were surrounded by peers and potential partners at every turn, and the buzz could be felt over the entire two days.
An installations we created for the Illuminate Yaletown festival in Vancouver.
Place your index finger on the sensor and see the light react to your heart beat.
Intellijel created the Heart Rate monitor sensor. No computers everything was running from an Arduino wirelessly connected to the Tangible Light Pixels inside the inflatables
This is a frame from a video. You can watch it on Vimeo.
Pretty Good Things: Thesis Edition! is one big, tangible amalgamation of the artist, designer and entrepreneur sides of Mary Pattavina.
Mary’s thesis project is essentially an exploration of escapism and fantasy as well as product development and brand diversification using the mediums of illustration, hats and e-commerce. Eight sculptural hats and 8 watercolor illustrations depict the odyssey of a female character through a natural world. The sculptural hats are textile concoctions engineered using traditional and unconventional methods of millinery constructed over the last four months.
Using the inspiration from the sculptural hats and illustrations Mary also designed a limited edition collection for Pretty Good Things (her e-business). These derivative hats and digital prints of the watercolor illustrations are available to purchase online at www.PrettyGoodThings.com.
Description: Title page from a guide to the New York Point System. Title: "Key to the New York Point System of Tangible Writing and Printing for Literature, Instrumental and Vocal Music, and Mathematics, Designed for the Use of the Blind", by William B. Wait, Superintendent of the New York Institution for the Blind.
Creator: William B. Wait
Date: 1893
Publisher: The Bradstreet Press, New York
Format: book
Digital Identifier: NYPIMG_2375
Rights: Samuel P. Hayes Research Library, Perkins School for the Blind, Watertown, MA
The first most tangible and visible result of the 5+1 negotiations with IR: Ashton agrees to cover her neck and chest in front of the IR representative, Saeed Jalili
Post by
Award-winning Iranian-born blogger Potkin Azarmehr
Photo showing Sean Follmer (left) and Daniel Leithinger of the Tangible Media Group.
credit: Florian Voggeneder
2017-09-28 DEEDS DAViS Outrepasser a look at gender Theatrical Outfit Balzer Theater at Herrens Atlanta
Outrepasser: a look at gender
– New works by Deeds Davis
September 28 – October 15, 2017
ARTIST STATEMENT
Deeds Davis Artist
When asked as an artist to stand shoulder to shoulder with the production of Boy, I knew that saying yes would lead to a more direct and engaging conversation with myself about where and how my art meets my gender.
For most of my life, gender has been, at best an abstract fluid notion and at its worst invisible. The dysphoria manifested physical difficulties, depression, anxiety and fractured self-image. My gender identity had few tangible ideas, imagery, or vocabulary. It is only now that we, as a society, are openly speaking about gender as a spectrum, not limited to the imposed binary of pink ribbons and blue balloons.
Though growing up as a transgender person has been at times painful, frustrating, and frightening, it has also been surprising, affirming, and humorous. But still, without language.
Interestingly, as an artist, I have always worked in realism. But the end result has been visual anchors that inform and enforce gender binary. The imagery felt too obvious and inaccurate. I felt obligated to illustrate my gender literally in my work. Over the last two years, I have been medically transitioning and along the way I have discovered a profound sense of language and mark making that is true to my experiences of both the torment and the elations of my journey. I have finally taken agency over my body, gender, and art. In this body of work I am exploring gender with abstract language and a kind of neo-expressionism. My hope is that it is an accurate visual vocabulary for the viewer and that it effectively expresses the beauty and the risks of being what Kate Bornstein refers to as being a “Gender Outlaw.”
– Deeds Davis
The Rainbow Group Seminar was off due to exams so Alan organised a demo for Neil Jenkins' Tangible HarmonySpace and Rose Johnson's MusicJacket
Tomkins Park takes on a new life as an outdoor pop-up gallery of interactive engineered art, with TouchMe by Netherlands-based Blendid Interaction Design and Vancouver’s Tangible Interaction’s Sound Clouds. This is a destination where you are part of the art – smile! But if you don’t fancy the spotlight, check out the introvert’s dream – a stroll past shop fronts on 17th Ave SW to mark up one of 12 pieces in Geek Confessions by Calgarian-artist Michael Mateyko. Also on site is Hip Image, a mobile photo booth in a vintage VW van.
The energy was tangible at this year's PMA Fresh Connections: Retail! Over 170 attendees gathered April 11-12 at the Philadelphia Airport Marriott to make new connections and gain new business solutions. From the cocktail reception and immersive UnConference to the optional Produce Rescue Glean and Produce Retail Tour, attendees were surrounded by peers and potential partners at every turn, and the buzz could be felt over the entire two days.