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+++ DISCLAIMER +++
Nothing you see here is real, even though the conversion or the presented background story might be based historical facts. BEWARE!
Some background:
The TIE/LN starfighter, or TIE/line starfighter, simply known as the TIE Fighter or T/F, was the standard Imperial starfighter seen in massive numbers throughout most of the Galactic Civil War and onward.
The TIE Fighter was manufactured by Sienar Fleet Systems and led to several upgraded TIE models such as TIE/sa bomber, TIE/IN interceptor, TIE/D Defender, TIE/D automated starfighter, and many more.
The original TIEs were designed to attack in large numbers, overwhelming the enemy craft. The Imperials used so many that they came to be considered symbols of the Empire and its might. They were also very cheap to produce, reflecting the Imperial philosophy of quantity over quality.
However, a disadvantage of the fighter was its lack of deflector shields. In combat, pilots had to rely on the TIE/LN's maneuverability to avoid damage. The cockpit did incorporate crash webbing, a repulsorlift antigravity field, and a high-g shock seat to help protect the pilot, however these did next to nothing to help protect against enemy blaster fire.
Due to the lack of life-support systems, each TIE pilot had a fully sealed flight suit superior to their Rebel counterparts. The absence of a hyperdrive also rendered the light fighter totally dependent on carrier ships when deployed in enemy systems. TIE/LNs also lacked landing gear, another mass-reducing measure. While the ships were structurally capable of "sitting" on their wings, they were not designed to land or disembark their pilots without special support. On Imperial ships, TIEs were launched from racks in the hangar bays.
The high success rate of more advanced Rebel starfighters against standard Imperial TIE Fighters resulted in a mounting cost of replacing destroyed fighters and their pilots. That, combined with the realization that the inclusion of a hyperdrive would allow the fleet to be more flexible, caused the Imperial Navy to rethink its doctrine of using swarms of cheap craft instead of fewer high-quality ones, leading to the introduction of the TIE Advanced x1 and its successor, the TIE Avenger. The following TIE/D Defender as well as the heavy TIE Escort Fighter (or TIE/E) were touted as the next "logical advance" of the TIE Series—representing a shift in starfighter design from previous, expendable TIE models towards fast, well armed and protected designs, capable of hyperspace travel and long-term crew teams which gained experience and capabilities over time.
The TIE/E Escort, was a high-performance TIE Series starfighter developed for the Imperial Navy by Sienar Fleet Systems and it was introduced into service shortly before the Battle of Endor. It was a much heavier counterpart to the agile and TIE/D fighter, and more of an attack ship or even a light bomber than a true dogfighter. Its role were independent long range operations, and in order to reduce the work load and boost morale a crew of two was introduced (a pilot and a dedicated weapon systems officer/WSO). The primary duty profile included attack and escort task, but also reconnoiter missions. The TIE/E shared the general layout with the contemporary TIE/D fighter, but the cockpit section as well as the central power unit were much bigger, and the ship was considerably heavier.
The crew enjoyed – compared with previous TIE fighter designs – a spacious and now fully pressurized cockpit, so that no pressurized suits had to be worn anymore. The crew members sat in tandem under a large, clear canopy. The pilot in front had a very good field of view, while the WSO sat behind him, in a higher, staggered position with only a limited field of view. Both work stations had separate entries, though, and places could not be switched in flight: the pilot mounted the cockpit through a hatch on port side, while the WSO entered the rear compartment through a roof hatch.
In a departure from the design of previous TIE models, instead of two parallel wings to either side of the pilot module, the TIE Escort had three quadanium steel solar array wings mounted symmetrically around an aft section, which contained an I-s4d solar ionization reactor to store and convert solar energy collected from the wing panels. The inclusion of a third wing provided additional solar power to increase the ship's range and the ship's energy management system was designed to allow weapons and shields to be charged with minimum loss of power to the propulsion system.
Although it was based on the standard twin ion engine design, the TIE/E’s propulsion system was upgraded to the entirely new, powerful P-sz9.8 triple ion engine. This allowed the TIE/E a maximum acceleration of 4,220 G or 21 MGLT/s and a top speed of 144 MGLT, or 1,680 km/h in an atmosphere — almost 40 percent faster than a former standard TIE Fighter. With tractor beam recharge power (see below) redirected to the engines, the top speed could be increased to 180 MGLT in a dash.
In addition to the main thrusters located in the aft section, the TIE Escort's triple wing design allowed for three arrays of maneuvering jets and it featured an advanced F-s5x flight avionics system to process the pilot's instructions. Production models received a class 2, ND9 hyperdrive motivator, modified from the version developed for the TIE Avenger. The TIE/E also carried a Sienar N-s6 Navcon navigation computer with a ten-jump memory.
Special equipment included a small tractor beam projector, originally developed for the TIE Avenger, which could be easily fitted to the voluminous TIE Escort. Models produced by Ysanne Isard's production facility regularly carried such tractor beams and the technology found other uses, such as towing other damaged starfighters until they could achieve the required velocity to enter hyperspace. The tractor beam had limited range and could only be used for a short time before stopping to recharge, but it added new tactics, too. For instance, the beam allowed the TIE/E crews to temporarily inhibit the mobility of enemy fighters, making it easier to target them with the ship's other weapon systems, or prevent enemies from clear shots.
The TIE Escort’s weapons systems were primarily designed to engage bigger ships and armored or shielded targets, like armed freighters frequently used by the Alliance. Thanks to its complex weapon and sensor suite, it could also engage multiple enemy fighters at once. The sensors also allowed an effective attack of ground targets, so that atmospheric bombing was a potential mission for the TIE/E, too.
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The TIE Escort Fighter carried a formidable array of weaponry in two modular weapon bays that were mounted alongside the lower cabin. In standard configuration, the TIE/E had two L-s9.3 laser cannons and two NK-3 ion cannons. The laser and ion cannons could be set to fire separately or, if concentrated power was required, to fire-linked in either pairs or as a quartet.
The ship also featured two M-g-2 general-purpose warhead launchers, each of which could be equipped with a standard load of three proton torpedoes or four concussion missiles. Depending on the mission profile, the ship could be fitted with alternative warheads such as proton rockets, proton bombs, or magnetic pulse warheads.
Additionally, external stores could be carried under the fuselage, which included a conformal sensor pallet for reconnaissance missions or a cargo bay with a capacity for 500 kg (1.100 lb).
The ship's defenses were provided by a pair of forward and rear projecting Novaldex deflector shield generators—another advantage over former standard TIE models. The shields were designed to recharge more rapidly than in previous Imperial fighters and were nearly as powerful as those found on capital ships, so that the TIE/E could engage other ships head-on with a very high survivability. The fighters were not equipped with particle shields, though, relying on the reinforced titanium hull to absorb impacts from matter. Its hull and wings were among the strongest of any TIE series Starfighter yet.
The advanced starfighter attracted the attention of several other factions, and the Empire struggled to prevent the spread of the technology. The ship's high cost, together with political factors, kept it from achieving widespread use in the Empire, though, and units were assigned only to the most elite crews.
The TIE/E played a central role in the Empire's campaign against rogue Grand Admiral Demetrius Zaarin, and mixed Defender and Escort units participated in several other battles, including the Battle of Endor. The TIE Escort continued to see limited use by the Imperial Remnant up to at least 44 ABY, and was involved in numerous conflicts, including the Yuuzhan Vong War..
The kit and its assembly:
Another group build contribution, this time to the Science Fiction GB at whatifmodelers.com during summer 2017. Originally, this one started as an attempt to build a vintage MPC TIE Interceptor kit which I had bought and half-heartedly started to build probably 20 years ago. But I did not have the right mojo (probably, The Force was not strong enough…?), so the kit ended up in a dark corner and some parts were donated to other projects.
The sun collectors were still intact, though, and in the meantime I had the idea of reviving the kit’s remains, and convert it into (what I thought was) a fictional TIE Fighter variant with three solar panels. For this plan I got myself another TIE Interceptor kit, and stashed it away, too. Mojo was still missing, though.
Well, then came the SF GB and I took it as an occasion to finally tackle the build. But when I prepared for the build I found out that my intended design (over the years) more or less actually existed in the Star Wars universe: the TIE/D Defender! I could have built it with the parts and hand and some improvisation, but the design similarity bugged me. Well, instead of a poor copy of something that was more or less clearly defined, I rather decided to create something more individual, yet plausible, from the parts at hand.
The model was to stay a TIE design, though, in order to use as much donor material from the MPC kits as possible. Doing some legwork, I settled for a heavy fighter – bigger than the TIE Interceptor and the TIE/D fighter, a two-seater.
Working out the basic concept and layout took some time and evolved gradually. The creative spark for the TIE/E eventually came through a Revell “Obi Wan’s Jedi Starfighter” snap fit kit in my pile – actually a prize from a former GB participation at phoxim.de (Thanks a lot, Wolfgang!), and rather a toy than a true model kit.
The Jedi Fighter was in so far handy as it carries some TIE Fighter design traits, like the pilot capsule and the characteristic spider web windscreen. Anyway, it’s 1:32, much bigger than the TIE Interceptor’s roundabout 1:50 scale – but knowing that I’d never build the Jedi Starfighter OOB I used it as a donor bank, and from this starting point things started to evolve gradually.
Work started with the cockpit section, taken from the Jedi Starfighter kit. The two TIE Interceptor cockpit tubs were then mounted inside, staggered, and the gaps to the walls filled with putty. A pretty messy task, and once the shapes had been carved out some triangular tiles were added to the surfaces – a detail I found depicted in SW screenshots and some TIE Fighter models.
Another issue became the crew – even though I had two MPC TIE Interceptors and, theorectically, two pilot figures, only one of them could be found and the second crewman had to be improvised. I normally do not build 1:48 scale things, but I was lucky (and happy) to find an SF driver figure, left over from a small Dougram hoovercraft kit (from Takara, as a Revell “Robotech” reboxing). This driver is a tad bigger than the 1:50 TIE pilot, but I went with it because I did not want to invest money and time in alternatives. In order to justify the size difference I decided to paint the Dougram driver as a Chiss, based on the expanded SW universe (with blue skin and hair, and glowing red eyes). Not certain if this makes sense during the Battle of Endor timeframe, but it adds some color to the project – and the cockpit would not be visible in much detail since it would be finished fully closed.
Reason behind the closed canopy is basically the poor fit of the clear part. OOB, this is intended as an action toy – but also the canopy’s considerable size in 1:50 would prevent its original opening mechanism.
Additional braces on the rel. large window panels were created with self-adhesive tape and later painted over.
The rear fuselage section and the solar panel pylons were scratched. The reactor behind the cockpit section is actually a plastic adapter for water hoses, found in a local DIY market. It was slightly modified, attached to the cockpit “egg” and both parts blended with putty. The tail opening was closed with a hatch from the OOB TIE Interceptor – an incidental but perfect match in size and style.
The three pylons are also lucky finds: actually, these are SF wargaming/tabletop props and would normally be low walls or barriers, made from resin. For my build, they were more or less halved and trimmed. Tilted by 90°, they are attached to the hull with iron wire stabilizers, and later blended to the hull with putty, too.
Once the cockpit was done, things moved more swiftly. The surface of the hull was decorated with many small bits and pieces, including thin styrene sheet and profiles, steel and iron wire in various strengths, and there are even 1:72 tank tracks hidden somewhere, as well as protective caps from syringes (main guns and under the rear fuselage). It’s amazing how much stuff you can add to such a model – but IMHO it’s vital in order to create some structure and to emulate the (early) Star Wars look.
Painting and markings:
The less spectacular part of the project, even though still a lot of work because of the sheer size of the model’s surface. Since the whole thing is fictional, I tried to stay true to the Imperial designs from Episode IV-VI and gave the TIE/E a simple, all-light grey livery. All basic painting was done with rattle cans.
Work started with a basic coat of grey primer. On top of that, an initial coat of RAL 7036 Platingrau was added, esp. to the lower surfaces and recesses, for a rough shading effect. Then, the actual overall tone, RAL 7047, called “Telegrau 4”, one of Deutsche Telekom’s corporate tones, was added - mostly sprayed from abone and the sides onto the model. Fuselage and panels were painted separately, overall assembly was one of the final steps.
The solar panels were to stand out from the grey rest of the model, and I painted them with Revell Acrylic “Iron Metallic” (91) first, and later applied a rather rich wash with black ink , making sure the color settled well into the many small cells. The effect is pretty good, and the contrast was slightly enhanced through a dry-brushing treatment.
Only a few legible stencils were added all around the hull (most from the scrap box or from mecha sheets), the Galactic Empire Seal were inkjet-printed at home, as well as some tactical markings on the flanks, puzzled together from single digits in "Aurebash", one of the Imperial SW languages/fonts.
For some variety and color highlights, dozens of small, round and colorful markings were die-punched from silver, yellow, orange, red and blue decal sheet and were placed all over the hull - together with the large panels they blur into the the overall appearance, though. The hatches received thin red linings, also made from generic decals strips.
The cockpit interior was a bit challenging, though. Good TIE Fighter cockpit interior pictures are hard to find, but they suggest a dark grey tone. More confusingly, the MPC instructions call for a “Dark Green” cockpit? Well, I did not like the all-grey option, since the spaceship is already monochrome grey on the outside.
As a compromise I eventually used Tamiya XF-65 "Field Grey". The interior recieved a black ink in and dry-brushing treatment, and some instruments ansd screens were created with black decal material and glossy black paint; some neon paint was used for sci-fi-esque conmtraol lamps everywhere - I did not pay too much intention on the interior, since the cockpit would stay closed, and the thick clear material blurs everything inside.
Following this rationale, the crew was also painted in arather minimal fashion - both wear a dark grey uniform, only the Chiss pilot stands aout with his light blue skin and the flourescent red eyes.
After an overall black ink wash the model received a dry brusing treatment with FS 36492 and FS 36495, for a weathered and battle-worn look. After all, the "Vehement" would not survive the Ballte of Endor, but who knows what became of TIE/E "801"'s mixed crew...?
Finally, the kit was sealed with matt acrylic varnish, and some final cosmetic corrections made.
The display is a DIY creation, too, made from a 6x6" piece of wood, it's edges covered with edgebonder, a steel wire as holder, and finally the display was paited with semi-matt black acrylic paint from the rattle can.
A complex build, and the TIE/E more or less evolved along the way, with only the overall layout in mind. Work took a month, but I think it was worth the effort. This fantasy creation looks pretty plausible and blends well into the vast canonical TIE Fighter family - and I am happy that I finally could finish this mummy project, including the surplus Jedi Starfighter kit which now also find a very good use!
An epic one, and far outside my standard comfort zone. But a wothwhile build!
BFI Waste Systems of San Jose, CA.
(Fun fact, these where the samer trucks used in the movie ''Men At Work'' BFI Los Angeles had the same type of trucks working as well)
MAKA - Sound System Black
Marketplace : marketplace.secondlife.com/fr-FR/stores/209109
MAKA - Sound System Black
Marketplace : marketplace.secondlife.com/fr-FR/stores/209109
Waxing Gibbous Moon at 58%. 200 frames captured using a ZWO ASI071 camera attached to an Altair Wave 115ED scope. Captured using SharpCap Pro and edited using Autostakkert2, Registax6 and Photoshop CC.
How it looks like in separate parts as a sytems check is done to ensure that there are no missing pieces from the previous show.
Short notice but this will be displayed at the
Goryeb Children's Hospital Benefit
Sunday, June 10th 1:00 – 5:00 p.m.
Madison YMCA
111 King’s Road
Madison, NJ
A small light railway system, designed to be modular and for outdoor use. It is heavily inspired by the Egger-Bahn model series of the 60s. Locomotives use the same chassis (one with a little modification for headlights). Also wagons are based on the same chassis - in some cases slightly adapted. I designed this set with 9v train motors as a power source. If needed, the locomotives can be converted also to Battery power (PF or, better, PoweredUp).
I visited today the Press Museum in Amsterdam. It shows the history of 400 years of news in The Netherlands. Part of the permanent exhibition conists of a series of four replicated press rooms in different periods.
The picture shows a detail of the press room of the beginning of the 20th century, showing a system for internal mail by means of cables and pulleys. The document bottom left was clamped in a kind of peg on a cable an could be transported to the other side of the room by turning the pulley.
52 weeks of 2014 - Week 35 - Low key
While digitising my early work I came across a photograph of my original Pentax system, circa 1980. Medium format color negative was taken with a Mamiya C330 that I had borrowed at the time. My Pentax system was put together in just a couple of years. Definitely my most precious possessions at the time. Funny how my long-term memory is different to reality. I was sure that I had a black MX. However, turns out that it was a black ME, a silver MX and a silver KM. I remember that the KM was later stolen and I'm sure that I then purchased a silver ME super from the insurance - as I remember the 'manual' buttons on the top of the camera.
From left-to-right.
Tamron zoom (70-200mm?)
Pentax KM
Pentax K extension tubes
Sunpac Auto zoom 3400 (still have this and working perfectly)
Pentax MX with Pentax 55mm f1.8
Pentax 100mm f4 Macro
Soligor 400mm f6.3 (still have this lens)
Pentax ME with Pentax 35mm f3.5
Pentax 300mm f4
Pentax 200mm f4
By late 1981 I had added a Pentax 24mm f2.8 - which I still have and then later a Pentax-M 40mm f2.8 pancake.
I've since repurchased all of the above - except for the pancake lens. (Still to get). Well actually a black ME might be difficult to track down.
Other difference is that I have the Pentax-M 35mm f2.8 rather than the 35mm f3.5 (that's close enough).
The hunt to track down these (and others) via eBay, Gumtree and Facebook Marketplace has been quite a thrill.
More importantly I've really enjoyed using the Pentax lenses adapted to my Sony mirrorless. Just feel at home in the way theses lenses operate. Finally, the MX is perfect in my hands and brings back so many memories.
One observation is that I must have decided that I had all that I needed - and didn't add any further lenses or cameras. There is probably a lesson in there somewhere.
Notre Système Solaire Version 2018 a Lyon
Je vous propose un montage photo de Notre Système Solaire tel que j 'ai pu l observer tout au long de cette année 2018 depuis mon balcon en plein cœur de la pollution lumineuse de Lyon
Je précise que cette représentation n' est pas l' échelle du tout
L 'intégralité des Photos utilisées ont été faites entre Janvier et Novembre 2018
Captures planétaires et Lunaire : Cmos ZWO ASI 178 MM et 120 MM + LRVB ZWO au Foyer du Maksutov SW BD 180/2700
Capture Solaire avec la ZWO 178 MM + Lunette Lunt 60 d' AstroQueyras
Capture photo arrière plan avec Canon EOS 100 D A au foyer de la Lunette Orion EDT 80 CF
This photo was inspired by the System Of A Down song Spiders. I wanted a very dreamy, surreal feeling to match the mood of the music.
What was perhaps most interesting to me in editing this is there was an effect I wanted, and I knew exactly how I would have done it if I'd been painting this picture instead of it being a photo. After some thought I was able to figure out how to translate the technique into Photoshop, and now I've got another tool in my kit :)
Model: Jolene Jakobs.
A Bell System ad from 1962 discussing All-Number Calling.
The fictional telephone number 311-555-2368 is shown as an example. This number was used sometimes on television shows - producers of shows and movies were encouraged to use numbers with a 555- prefix. Before All-Number Calling it would be KLondike 5-2368.
2011 Jan 16 - 16h32 UT -
exp.time : 1/500 sec - ISO 100 - focal: 300 mm -
no stacking - cccr exp50 p70
Head pressure, medically referred to as intracranial pressure, is pressure between the skull and the brain. Too much pressure in the head can restrict blood flow to the brain and press on structures in the brain. It is a serious medical condition that has the potential to cause severe damage to the brain or spinal cord. Contact your doctor if you experience pressure in the head. Symptoms of abnormal head pressure include lethargy, behavior changes, headache, seizures and vomiting.Even though it is tempting to think of our energy body as a sort of plumbing system with tubes and vents, the reality is completely different. Our energy system is more like clouds of gases that merge and mingle and sometimes cramp up. Or even better, you can imagine it as different coloured streams of water that weave and intermingle and sometimes freeze into ice. These different coloured water streams are our thoughts and emotions and when we try to suppress these thoughts and emotions they “freeze“ and we experience them as “blocks“ in our mind and body.he head chakras (forehead and crown) have to do with the mental part of our being which consists of our thoughts, concepts and beliefs on the intellectual and spiritual levels. When we experience head pressure we are literally suppressing certain thoughts that we do not want to think. It is this suppression that we experience as the head pressure and it happens completely unconsciously. People without kundalini also often unconsciously suppress certain thoughts but due to their greater unawareness they do not feel the pain of this suppression – they are more numb.In the kundalini process, a thirst awakens in us for expanded consciousness and more spirituality. However, there may be still parts of our old ego alive that do not want to have certain spiritual insights and defend themselves by rigorously suppressing ideas that challenge the old ego. So, this is the inner conflict that plays itself out in our head chakras – the fight for spiritual insights and authenticity on the one hand and the resistance of our old ego that is not yet ready to accept some humbling insights on the other.
Before I tell you what kind of thoughts people typically suppress, I need to give you a little warning. If you are a person with head pressure you will probably not like what I am about to tell you for the very reason that you have repressed these kinds of insights in the first place. But everything in this article is based on my work with hundreds of clients who had kundalini syndrome. All the clients who could take the following advice on board now have much less head pressure or none at all.
In my experience, most people with head pressure suppress self-critical thoughts. These people describe themselves as laid-back, easy going and even loving towards themselves. They do not criticise themselves and when others criticise them, they either completely ignore it or they get angry. However, in order to be a spiritually mature person, it is important that we clearly see our many flaws (without beating ourselves up about them) and then get to work to eliminate these flaws.
For people with low self-esteem, this is not difficult to do as they are usually too self-critical to start with. But it is those people who like themselves and have a high opinion of themselves who are most prone to pressure in the head chakras during the kundalini process. (If you do not like this insight, remember that I warned you!
Before I tell you what kind of thoughts people typically suppress, I need to give you a little warning. If you are a person with head pressure you will probably not like what I am about to tell you for the very reason that you have repressed these kinds of insights in the first place. But everything in this article is based on my work with hundreds of clients who had kundalini syndrome. All the clients who could take the following advice on board now have much less head pressure or none at all.
In my experience, most people with head pressure suppress self-critical thoughts. These people describe themselves as laid-back, easy going and even loving towards themselves. They do not criticise themselves and when others criticise them, they either completely ignore it or they get angry. However, in order to be a spiritually mature person, it is important that we clearly see our many flaws (without beating ourselves up about them) and then get to work to eliminate these flaws.
For people with low self-esteem, this is not difficult to do as they are usually too self-critical to start with. But it is those people who like themselves and have a high opinion of themselves who are most prone to pressure in the head chakras during the kundalini process. (If you do not like this insight, remember that I warned you!
Kundalini awakening symptoms include strange body sensations like shaking, tingling or the feeling of moving energy. On the psychologically level we often experience greatly intensified emotions and a general over-sensitivity to ‘everything’. And on the spiritual level we may experience a great increase of spiritual interest but also a lot of confusion.
The first thing that I explain to all my kundalini clients is that a kundalini awakening and its symptoms can be compared with the awakening of our sexual drive during puberty. Both processes have a lot in common.
First of all, both processes are irreversible. No matter, how much we yearn to go back to the carefree innocence of our childhood, puberty endows us with strong sexual urges that cannot be ignored. In the same way there is no going back once kundalini has made its presence known in our body and mind.
In both processes, puberty as well as kundalini awakening, we are endowed with a lot more power than we previously had. In puberty we develop the awesome power to create a new human being and during a kundalini awakening we receive powers like clairvoyance, supernatural abilities and ultimately the ability to manifest ourselves as a divine being.
But until we are able to harvest the full rewards of these newly awakened powers we have to change radically. As we all know, the transition from being a child to a happy parent usually entails many years of difficulties until we learn to channel our sex drive into loving relationships. Everything has to change during these years – our self-image, our relationships, our ability to take responsibility for our actions and generally our entire outlook on life.
In order to manage this process it is paramount to live as peacefully, lovingly and healthily as possible. Anything that could upset ourselves further like taking drugs, having promiscuous sex or experimenting on our mind with meditation without the help of an experienced kundalini teacher should be avoided.
It is good to have a spiritual outlook on life and develop trust in a divine power. But it is important not to overdo spiritual practices as they make the kundalini stronger. If you feel inclined to meditate daily it is paramount only to do this under the guidance of an experienced meditation teacher who has gone through a kundalini experience themselves.
Do ask your local meditation teacher if they have gone through this but do not be surprised if they haven’t because real kundalini awakenings are still very rare. Luckily, in the age of the internet you can also try to find a teacher online and build a trusting relationship in order to get guidance about how to meditate.
It is particularly important to avoid any form of energy healing like reiki or acupuncture. These forms of healing are devised for people who are not in a kundalini process and often do a very good job. But once we have become over-sensitive during a kundalini process these healing modalities can aggravate us severely.
A comparison with puberty can explain why this is. Imagine being upset about your emerging sexual needs and you go to an energy healer to get rid of them. It is obvious that this is doomed to fail. Our libido, as well as the kundalini, is far stronger than these approaches and we will only end up in even more suffering if we try to remove of either of them.
Another thing to avoid is breathing exercises like re-birthing or yogic breathing. Both are powerful ways to alter our body and brain chemistry and can have disastrous consequences if used even slightly in the wrong way. Breathing exercises can be compared with prescription drugs. They should only be used when administered by a skilful physician and certainly not to someone who is seriously challenged by a kundalini process.
I have had many kundalini clients who read all sorts of horror stories on the internet and were very afraid. It is this fear that makes kundalini symptoms far worse than they need be. Just think of how a teenage girl would feel who is repeatedly told that there is the risk of being murdered by her own husband. While this may be true in extremely rare cases, it is not helpful to frighten young people in this way.
The same can be said about kundalini. In rare cases people may deal with it so badly that they end up in a very painful place. But in order for this to happen a lot of negative factors have come together and it is not useful to frighten yourself with these ideas on top of the challenges that kundalini entails anyway. So I strongly advise people to stay away from reading any frightening material about kundalini.
A kundalini awakening is a very individual and personal process, just like the development of a satisfying sexuality after puberty is a very personal process. People usually benefit a great deal from personal guidance in both processes.
For a kundalini awakening, you need an experienced spiritual teacher who has gone through this process themselves – just like all youths need guidance about sexuality and relationships from someone who has mastered these areas themselves.
People also benefit from guidance about how to deal with their budding clairvoyance, which can be very confusing and frightening for the unprepared mind. However, the biggest challenge is always the very personal material that emerges from one’s unconscious mind during this process, requiring personal advice.
Finally, it is paramount to adjust your spiritual practices to accommodate the kundalini so that it flows calmly and steadily and does not erupt in fits and starts. In order to do this, you need a personal relationship to a kundalini teacher who can guide you in this way.
Blender / Cycles
For 3D effect - look at the center of image then slowly cross your eyes until like objects overlap.
Rubbermaid HomeFree series is a fully customizable closet system that offers the unique flexibility of telescoping clothing rods and expanding shelves to make the most of your space.
Not quite the solar system as I only have 4 planets and the moon. These are left to right - Venus, Mars, Saturn, Jupiter, and the moon. A series of individual photos stacked to show my efforts to date capturing the planets using a 150 mm Maksutov MK67 scope. I am hoping to update as I get better images of the planets, but success is reliant as much on technique as on finding a night with clear seeing.
© Copyright Tommy Simms All Rights Reserved.
This was taken at a local roller skating rink. There are several disco balls hanging from the ceiling.
1-3660
Transit Systems: Bustech CDi - Cummins ISL Euro 6, m/o 6729 (1621) at Liverpool completed Route T80 from Parramatta - Taken 15/7/22 at 16:09
Add filters to your ultra wide angle lenses with WonderPana! Learn more: fotodioxpro.com/collections/wonderpana
BACK TO THE HOMELANDS!!
good day with kryt, system and ruda. a wall we did when i took a holiday back to the uk.
SCL / L&N Family Lines Rail System operated C&O LIMA 4-8-4 Greenbrier J-3-a class steam locomotive # 614, is seen leading the southbound Safety Express passenger train past a diamond and SAL style block signal north of Ocala, Florida, February, 1981. The train was operating on the former SAL main line as it heads to Tampa.