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I did indeed arrange these two leaves for the photo shot; backlit and reflector used; raw conversion in macOS High Sierra photo editor and processed in Luminar. When it comes to producing punchy monochrome images I feel the 16MB X-Pro1 is still able to hold its own.
The Westerbork Synthesis Radio Telescope (WSRT for short), is a radio telescope consisting of fourteen separate parabolic antennas in the forests near Hooghalen and Westerbork in Drenthe. The WSRT was commissioned in 1970 and is still used for astronomical observations.
The fourteen pieces of 25m diabolic reflector antennas are arranged in an east-west direction over a length of 2.8 kilometers, with a mutual distance of 144m. By means of the radio synthesis technique, a telescope with a distance of 2.8 kilometers (diameter) can be simulated in this way (aperture synthesis). Ten antennas have a fixed position, two on a rail of 300 m and two on a rail of 200 m, over which these four can be driven (the rail is flat from above, of a crane track). The telescopes are in an equatorial arrangement: one of the rotating axes points to the North Star. As a result, the x-y polarisation is stopped relative to the radio source during the 12-hour measurement. The first two radio telescopes are equipped with the Multi Frequency Front End (1998), which is cryogenically cooled and has 6 frequency bands (different feeds). These are used for Very Long Baseline Interferrometry (collaboration with other telescopes and a satellite), making it part of the European VLBI network, testing and Galileo (European GPS) calibration measurements. The MFFE’s have different receivers that are sensitive to radio radiation between 350 MHz and 8.3 GHz (wavelengths between 92 cm and 3.6 cm).
Apertif was opened on 13 September 2018. Apertif is built in the other 12 RTs, and consists of PhasedArrayFeed (PAF) antennas, each frontend consists of 121 dipoles with which 37 bundles can be made electronically, for a quick sky survey.
In addition to Apertif, a set-up of 40 super-fast servers is connected: ARTS. This instrument continuously records the sky signals in many bands. In the case of a rapid gamma burst (Gamma Ray Burst), the radiation characteristics for the largest burst are included.
The WSRT is managed by the ASTRON, in Dwingeloo.
..--- ----. ----. / --... ----. ..--- / ....- ..... ---..
The Westerbork Synthesis Radio Telescope (WSRT) is an aperture synthesis interferometer built on the site of the former World War II Nazi detention and transit camp Westerbork, north of the village of Westerbork, Midden-Drenthe, in the northeastern Netherlands.
Overview
The WRST comprises fourteen 25-metre radio telescopes deployed in a linear array arranged on a 2.7 kilometres (1.7 mi) East-West line, of which 10 are in a fixed equidistant position, 2 are nearby on a 300 m rail track, and 2 are located a kilometer eastwards on another 200 m rail track. It has a similar arrangement to other radio telescopes such as the One-Mile Telescope, Australia Telescope Compact Array and the Ryle Telescope. Its Equatorial mount is what sets it apart from most other radio telescopes, most of which have an Altazimuth mount. This makes it specifically useful for specific types of science, like polarized emission research as the detectors maintain a constant orientation on the sky during an observation. Ten of the telescopes are on fixed mountings while the remaining two dishes are movable along two rail tracks. The telescope was completed in 1970 and underwent a major upgrade between 1995 – 2000.[1]
The telescopes in the array can operate at several frequencies between 120 MHz and 8.3 GHz with an instantaneous bandwidth of 120 MHz and 8092-line spectral resolution.[2] The WSRT is often combined with other telescopes around the world to perform very-long-baseline interferometry (VLBI) observations, being part of the European VLBI Network.[3] The telescope is operated by ASTRON, the Netherlands Institute for Radio Astronomy.
WSRT performed a major upgrade in 2013 as part of the APERTIF (APERture Tile In Focus) project, where the current detectors are replaced with focal-plane arrays.[4] This will allow a 25x larger field of view and will be used for large scale surveys of the northern sky, bringing back focus on the Hydrogen line for which it was originally designed, but also large pulsar searches and other science. The Telescope has been out of operation since 2015 and is planned to be back in full operation in winter 2019.
Source: en.wikipedia.org/wiki/Westerbork_Synthesis_Radio_Telescope
Mass Effect
- 4320x7680 via GeDoSaTo;
- ReShade framework injected with ENB injector;
- M.E.U.I.T.M w/ .ini tweaks;
- UE3 commands (PlayersOnly, FOV, Pause, etc).
- Tilt and DoF via Erika Tschinkel's cheat table.
The Synthesis Man is a true visionary, a master of collaboration and connection. He understood that success is not achieved through individual efforts alone but rather through the ability to bring together diverse ideas, perspectives, and resources to create something more significant than the sum of its parts. The ability to harness the potential of others and work towards shared goals is a skill that sets the Synthesis Man apart from the instinctual superior.
Blogger
www.jjfbbennett.com/2023/05/21st-synthesis-man.html
JJFBbennett Art Directory
Contemporary Positional Art and Socio-Fictional Writings
It is about being creative and innovative with knowledge
Massud has a deep history going back to his days in the electronic community since 2007, as part of I.C.Records , respectively. even so,he pushes beyond his combined discographies to date, flexing impossibilities, building rhythms from arrhythmia, teasing veiled textures from bold iterations of Synth Patterns. his distinctive fusion of sculpturing through shapeshifting software, programming subtractive and matrix modular synthesis to create playful shivering digital textures wich oscillate with and against algorithmically mapped percussion samples; smeared synthetic chords levitate in the distance; stabs of digital noise punctuate the mix in twitchy; time-distorting patterns; the deliberation and control over distinctive textures and particles is obsessive; the end results of each individual track unfold with an organic temperament.
Evanescence - Amy Lee
Synthesis with Orchestra 2018
Le Grand Rex, Paris, France | 28/03/2018
Live report soon on MusicWaves
Philippe Bareille
When the ice withdrew after last ice age it deposited an enormous amount of stones along the Stavern (just outside Larvik, Norway) coast. A sunset soon a year ago. Foreground is a blend of several exposures. Also a separate exposure for the sky.
Já me feri no espinho daquela flor
Já lhe dei beijos que marcaram nosso amor
Queria ser Romeu e Julieta no passado
Um sonho épico que eleva o ser amado
Flores, música de Ivete Sangalo, composta por Carlinhos, Roberto Moura, Gutemberg e Tica Mahatma
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I have hurt in the thorn that flower
We already gave him kisses that marked our love
I wanted to be Romeo and Juliet in the past
A dream that brings the epic be loved
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Add Flickr Explore #490 em 25/5/2008
We were scrambling over rebar, sand slopes and rotten concrete. Meandering through pools of black oil. Sending little avalanches of rocks as we went down again, running into another dead end. Somewhere along the way, a space opened up, where the chaos of nature collided with the violent stillness of concrete, creating something stronger than both of these forces on their own. I came to love these spaces more than anything else.
UNESCO World Heritage Site
Outstanding Universal Value
Brief synthesis
Situated in North Yorkshire, the 18th century designed landscape of Studley Royal water garden and pleasure grounds, including the ruins of Fountains Abbey, is one harmonious whole of buildings, gardens and landscapes. This landscape of exceptional merit and beauty represents over 800 years of human ambition, design and achievement.
Studley Royal Park is one of the few great 18th century gardens to survive substantially in its original form, and is one of the most spectacular water gardens in England. The landscape garden is an outstanding example of the development of the ‘English’ garden style throughout the 18th century, which influenced the rest of Europe. With the integration of the River Skell into the water gardens and the use of ‘borrowed’ vistas from the surrounding countryside, the design and layout of the gardens is determined by the form of the natural landscape, rather than being imposed upon it. The garden contains canals, ponds, cascades, lawns and hedges, with elegant garden buildings, gateways and statues. The Aislabies’ vision survives substantially in its original form, most famously in the spectacular view of the ruins of Fountains Abbey itself.
Fountains Abbey ruins is not only a key eye catcher in the garden scheme, but is of outstanding importance in its own right, being one of the few Cistercian houses to survive from the 12th century and providing an unrivalled picture of a great religious house in all its parts.
The remainder of the estate is no less significant. At the west end of the estate is the transitional Elizabethan/Jacobean Fountains Hall, partially built from reclaimed abbey stone. With its distinctive Elizabethan façade enhanced by a formal garden with shaped hedges, it is an outstanding example of its period.
Located in the extensive deer park is St Mary’s Church, a masterpiece of High Victorian Gothic architecture, designed by William Burges in 1871 and considered to be one of his finest works.
Criterion (i): Studley Royal Park including the ruins of Fountains Abbey owes its originality and striking beauty to the fact that a humanised landscape was created around the largest medieval ruins in the United Kingdom. The use of these features, combined with the planning of the water garden itself, is a true masterpiece of human creative genius.
Criterion (iv): Combining the remains of the richest abbey in England, the Jacobean Fountains Hall, and Burges’s miniature neo-Gothic masterpiece of St Mary’s, with the water gardens and deer park into one harmonious whole, Studley Royal Park including the ruins of Fountains Abbey illustrates the power of medieval monasticism and the taste and wealth of the European upper classes in the 18th century.
During a cold night in March i decided to drive 170km from Amsterdam to Westerbork in the east of Holland to make pictures of this radio telescope. It was a very cold night but the sky was clear with no moon. Light pollution in Holland is quite intense and it is clearly visible in those pictures. The Westerbork Synthesis Radio Telescope consists of a linear array of 14 antennas with a diameter of 25 meters arranged on a 2.7 km East-West line. It is located next to the Westerbork concentration camp, using by Nazis in WW2 as a transit camp and nowadays a museum.
original painting by: Bill Rogers
Please visit The Mermaid And The Mythologist and all my recent works.
Click on the shot to see it over black background !!!
In the previous exhibited shot we've talked about light and its significant contribution to an excellent shot ... In this one, let's talk about SYNTHESIS !!!!!
The above seen shot was taken out of one of my cameras but not when I was holding it ... In order to be able to move more freely with my NIKON D90, I gave my compact camera to my daughter Smaragda, letting her loose to freely express herself any way she felt like ... Confident that interesting shots though can only come out of my rather "experienced" photographic activities, I didn't even cast a glance to the shots that came out of the Panasonic DMC - ZX1 ...
Yesterday night I saw the above seen shot ... I truly tell you my friends that not even one of the captures that came out of my DSLR can reach the "intelligence" of the above seen shot !!! It actually encompasses five levels of interesting to look at photographic elements that they succeed one another in an elegant and rather amazing way ... In the far background, the total loss of the horizon's horizontal character (it is called DUTCH TILT as my good Flickr friend ZGRIAL www.flickr.com/photos/zgrial/ pointed out to me) ascribes an exceptionally artistic aura to the whole synthesis, just because it actually cleverly breaks another one of our "traditional photographic rules " ... An extraordinary SYNTHETIC EFFORT without a shadow of a doubt !!!!
The truth is that my daughter, even though she is only thirteen years old, is exceptionally gifted in putting up interesting scenes ... She actually knows how to show MORE using LESS ... and this is a true gift !!!
I truly hope that she will take up photography as a hobby or "whatever" throughout her adult life ...
EXIF: Panasonic Lumix DMC-ZX1, ISO 200, f 3,3, focal length 4,5 mm, auto white balance, HDR made by only one original shot with shutter speed 1/200 s, accurately conveying the scene's exact lighting conditions to the viewer, flash did not fire ...
© Copyright - All rights reserved
UNESCO World Heritage Site
Outstanding Universal Value
Brief synthesis
Situated in North Yorkshire, the 18th century designed landscape of Studley Royal water garden and pleasure grounds, including the ruins of Fountains Abbey, is one harmonious whole of buildings, gardens and landscapes. This landscape of exceptional merit and beauty represents over 800 years of human ambition, design and achievement.
Studley Royal Park is one of the few great 18th century gardens to survive substantially in its original form, and is one of the most spectacular water gardens in England. The landscape garden is an outstanding example of the development of the ‘English’ garden style throughout the 18th century, which influenced the rest of Europe. With the integration of the River Skell into the water gardens and the use of ‘borrowed’ vistas from the surrounding countryside, the design and layout of the gardens is determined by the form of the natural landscape, rather than being imposed upon it. The garden contains canals, ponds, cascades, lawns and hedges, with elegant garden buildings, gateways and statues. The Aislabies’ vision survives substantially in its original form, most famously in the spectacular view of the ruins of Fountains Abbey itself.
Fountains Abbey ruins is not only a key eye catcher in the garden scheme, but is of outstanding importance in its own right, being one of the few Cistercian houses to survive from the 12th century and providing an unrivalled picture of a great religious house in all its parts.
The remainder of the estate is no less significant. At the west end of the estate is the transitional Elizabethan/Jacobean Fountains Hall, partially built from reclaimed abbey stone. With its distinctive Elizabethan façade enhanced by a formal garden with shaped hedges, it is an outstanding example of its period.
Located in the extensive deer park is St Mary’s Church, a masterpiece of High Victorian Gothic architecture, designed by William Burges in 1871 and considered to be one of his finest works.
Criterion (i): Studley Royal Park including the ruins of Fountains Abbey owes its originality and striking beauty to the fact that a humanised landscape was created around the largest medieval ruins in the United Kingdom. The use of these features, combined with the planning of the water garden itself, is a true masterpiece of human creative genius.
Criterion (iv): Combining the remains of the richest abbey in England, the Jacobean Fountains Hall, and Burges’s miniature neo-Gothic masterpiece of St Mary’s, with the water gardens and deer park into one harmonious whole, Studley Royal Park including the ruins of Fountains Abbey illustrates the power of medieval monasticism and the taste and wealth of the European upper classes in the 18th century.
UNESCO World Heritage Site
Outstanding Universal Value
Brief synthesis
Situated in North Yorkshire, the 18th century designed landscape of Studley Royal water garden and pleasure grounds, including the ruins of Fountains Abbey, is one harmonious whole of buildings, gardens and landscapes. This landscape of exceptional merit and beauty represents over 800 years of human ambition, design and achievement.
Studley Royal Park is one of the few great 18th century gardens to survive substantially in its original form, and is one of the most spectacular water gardens in England. The landscape garden is an outstanding example of the development of the ‘English’ garden style throughout the 18th century, which influenced the rest of Europe. With the integration of the River Skell into the water gardens and the use of ‘borrowed’ vistas from the surrounding countryside, the design and layout of the gardens is determined by the form of the natural landscape, rather than being imposed upon it. The garden contains canals, ponds, cascades, lawns and hedges, with elegant garden buildings, gateways and statues. The Aislabies’ vision survives substantially in its original form, most famously in the spectacular view of the ruins of Fountains Abbey itself.
Fountains Abbey ruins is not only a key eye catcher in the garden scheme, but is of outstanding importance in its own right, being one of the few Cistercian houses to survive from the 12th century and providing an unrivalled picture of a great religious house in all its parts.
The remainder of the estate is no less significant. At the west end of the estate is the transitional Elizabethan/Jacobean Fountains Hall, partially built from reclaimed abbey stone. With its distinctive Elizabethan façade enhanced by a formal garden with shaped hedges, it is an outstanding example of its period.
Located in the extensive deer park is St Mary’s Church, a masterpiece of High Victorian Gothic architecture, designed by William Burges in 1871 and considered to be one of his finest works.
Criterion (i): Studley Royal Park including the ruins of Fountains Abbey owes its originality and striking beauty to the fact that a humanised landscape was created around the largest medieval ruins in the United Kingdom. The use of these features, combined with the planning of the water garden itself, is a true masterpiece of human creative genius.
Criterion (iv): Combining the remains of the richest abbey in England, the Jacobean Fountains Hall, and Burges’s miniature neo-Gothic masterpiece of St Mary’s, with the water gardens and deer park into one harmonious whole, Studley Royal Park including the ruins of Fountains Abbey illustrates the power of medieval monasticism and the taste and wealth of the European upper classes in the 18th century.
(aka 'Kiss my Bark & Get off my Roots')
Sometimes I branch out.
See the real deal here, as captured by Emo 'Amy' Biedermann, fellow absurdity expert: I Am A Tree
Whether you are putting Buns and me on hobby horses at The Chamber or watering my roots as a dark nurse at Le Monde Perdu: you rock, Amy. I salute you with a 'Pommes Gabel'.
"I am the lungs of the earth! Now where did I leave my lighter again?"
(Hubert Crackanthorpe)
Please remember to take care of your trees. And of all boys & girls & anyone between and beyond those limiting categories: everyone deserves to be watered (most often not literally though, you sneaky golden shower aficionados!)
Tree Tune: Belly - Feed the Tree
Disclaimer: This image is a work of fiction. Any resemblance to real foliage, living or dead, is purely coincidental. No trees, real or imaginary, are being targeted or represented.
Zwiggelte
"The Westerbork Synthesis Radio Telescope (WSRT) is an aperture synthesis interferometer built on the site of the former World War II Nazi detention and transit camp Westerbork, north of the village of Westerbork, Midden-Drenthe, in the northeastern Netherlands.
The WRST comprises fourteen 25-metre radio telescopes deployed in a linear array arranged on a 2.7 kilometres (1.7 mi) East-West line, of which 10 are in a fixed equidistant position, 2 are nearby on a 300 m rail track, and 2 are located a kilometer eastwards on another 200 m rail track. It has a similar arrangement to other radio telescopes such as the One-Mile Telescope, Australia Telescope Compact Array and the Ryle Telescope. Its Equatorial mount is what sets it apart from most other radio telescopes, most of which have an Altazimuth mount. This makes it specifically useful for specific types of science, like polarized emission research as the detectors maintain a constant orientation on the sky during an observation. Ten of the telescopes are on fixed mountings while the remaining two dishes are movable along two rail tracks. The telescope was completed in 1970 and underwent a major upgrade between 1995 – 2000." (Wikipedia)
Source & more information: en.wikipedia.org/wiki/Westerbork_Synthesis_Radio_Telescope
leica iiia
industar 22
ilford delta 400
scanned with lumix gh2
tweaked with alien skin exposure
a synthesis
Un gioco di parole, fra fotografia, photos (che in greco vuol dire luce) e sintesi... una foglia autunnale, ormai logora, offre un piccolo buco dal quale far passare la luce del sole e evidenziare cosi anche le sue meravigliose nervature
#padova #sole #foglia #sintesi #photosynthesis #fotosintesi #autunno #buco #hole
UNESCO World Heritage Site
Outstanding Universal Value
Brief synthesis
Situated in North Yorkshire, the 18th century designed landscape of Studley Royal water garden and pleasure grounds, including the ruins of Fountains Abbey, is one harmonious whole of buildings, gardens and landscapes. This landscape of exceptional merit and beauty represents over 800 years of human ambition, design and achievement.
Studley Royal Park is one of the few great 18th century gardens to survive substantially in its original form, and is one of the most spectacular water gardens in England. The landscape garden is an outstanding example of the development of the ‘English’ garden style throughout the 18th century, which influenced the rest of Europe. With the integration of the River Skell into the water gardens and the use of ‘borrowed’ vistas from the surrounding countryside, the design and layout of the gardens is determined by the form of the natural landscape, rather than being imposed upon it. The garden contains canals, ponds, cascades, lawns and hedges, with elegant garden buildings, gateways and statues. The Aislabies’ vision survives substantially in its original form, most famously in the spectacular view of the ruins of Fountains Abbey itself.
Fountains Abbey ruins is not only a key eye catcher in the garden scheme, but is of outstanding importance in its own right, being one of the few Cistercian houses to survive from the 12th century and providing an unrivalled picture of a great religious house in all its parts.
The remainder of the estate is no less significant. At the west end of the estate is the transitional Elizabethan/Jacobean Fountains Hall, partially built from reclaimed abbey stone. With its distinctive Elizabethan façade enhanced by a formal garden with shaped hedges, it is an outstanding example of its period.
Located in the extensive deer park is St Mary’s Church, a masterpiece of High Victorian Gothic architecture, designed by William Burges in 1871 and considered to be one of his finest works.
Criterion (i): Studley Royal Park including the ruins of Fountains Abbey owes its originality and striking beauty to the fact that a humanised landscape was created around the largest medieval ruins in the United Kingdom. The use of these features, combined with the planning of the water garden itself, is a true masterpiece of human creative genius.
Criterion (iv): Combining the remains of the richest abbey in England, the Jacobean Fountains Hall, and Burges’s miniature neo-Gothic masterpiece of St Mary’s, with the water gardens and deer park into one harmonious whole, Studley Royal Park including the ruins of Fountains Abbey illustrates the power of medieval monasticism and the taste and wealth of the European upper classes in the 18th century.
My digital cherry blossom experiment. A test of rules, recursion, and randomness, with a bit of an origami feel to it.
Modeled entirely in Structure Synth and rendered with sunflow. Check it out large.
©2008 David C. Pearson, M.D.
Zwiggelte
"The Westerbork Synthesis Radio Telescope (WSRT) is an aperture synthesis interferometer built on the site of the former World War II Nazi detention and transit camp Westerbork, north of the village of Westerbork, Midden-Drenthe, in the northeastern Netherlands.
The WRST comprises fourteen 25-metre radio telescopes deployed in a linear array arranged on a 2.7 kilometres (1.7 mi) East-West line, of which 10 are in a fixed equidistant position, 2 are nearby on a 300 m rail track, and 2 are located a kilometer eastwards on another 200 m rail track. It has a similar arrangement to other radio telescopes such as the One-Mile Telescope, Australia Telescope Compact Array and the Ryle Telescope. Its Equatorial mount is what sets it apart from most other radio telescopes, most of which have an Altazimuth mount. This makes it specifically useful for specific types of science, like polarized emission research as the detectors maintain a constant orientation on the sky during an observation. Ten of the telescopes are on fixed mountings while the remaining two dishes are movable along two rail tracks. The telescope was completed in 1970 and underwent a major upgrade between 1995 – 2000." (Wikipedia)
Source & more information: en.wikipedia.org/wiki/Westerbork_Synthesis_Radio_Telescope
Mexico City, a vibrant metropolis, stands on the ancient ruins of Tenochtitlan, the Aztec capital. This historic layering is part of what earned the city and its Xochimilco district the UNESCO World Heritage designation. Xochimilco is renowned for its network of canals and artificial islands, known as chinampas, which are a testament to the area's pre-Hispanic past and its subsequent development during the colonial period.
These sites not only reflect the cultural synthesis of indigenous and Spanish influences but also continue to be an integral part of Mexico City's identity.
IMG_1551
PSX[tnyplnt[crpsq&flpvtcl
GPP[2exHDRcomp
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Don't use or reproduce this image on Websites/Blog or any other media without my explicit permission.
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