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During a cold night in March i decided to drive 170km from Amsterdam to Westerbork in the east of Holland to make pictures of this radio telescope. It was a very cold night but the sky was clear with no moon. Light pollution in Holland is quite intense and it is clearly visible in those pictures. The Westerbork Synthesis Radio Telescope consists of a linear array of 14 antennas with a diameter of 25 meters arranged on a 2.7 km East-West line. It is located next to the Westerbork concentration camp, using by Nazis in WW2 as a transit camp and nowadays a museum.
Dried hydrangea flowers photographed in my studio. Final image created by layering 9 frames in Photoshop.
SÍNTESE ASSIMÉTRICA DO SENSÍVEL
Asymmetric synthesis of the sensitive
[São Paulo, 2021]
[Street photography]
O teatro da vida é representar, e não repetir. Captamos apenas um “resto” da realidade, um reflexo, algo assimétrico, impreciso, sensível.
#sinteseassimetrica #yb_sas #deleuze #fotografiaderua #fotoderua #fotografiacallejera #streetphotography #streetphoto #streetlovers #SPinternational #porlacalle #SPicollective #allacalle_spc #urbanlife #saopaulo #saopaulocity #sampa #sampalovers #sp_streets #brcolor #colorstreets #mobgrafia #mobgraphy #metrosp #transportepublico
An abstract image created back in 2011.... revisited. Hmmm. You'd hope that things would kind of stay the same when it comes to your art. But it may not be the case. Programs change. Interpretations change. I've started recording earlier photo art on discs because I'm not enthralled with the versions enhanced software provide. Plus, Apple (Crapple) has folded on my photo-editor (Aperture) and who knows what joys face me ahead? Anyway, this is a simple abstract reinterpreted... I guess, as life must always be (reinterpreted... or is it re-interrupted?)...
Synthesis of photographic portrait with photo of portrait painting. Both photos are taken and edited by me. The painting is a work of Vangelis Gokas in the context of the exhibition “omnia caritatis”, in Athens, Greece.
The basilica is a synthesis of the various remaking and enlargements experienced by the church. Nowadays it stands on a site which during the 17th century was occupied by a rural chapel named after the Madonna delle Grazie, e later on dedicated to the Santi Cosma and Damiano, patrons of the town. The building works were run by the architect Antonio Curri of Alberobello between 1882 and 1885, and he took inspiration from the stylistic bearings of the Neoclassical.
The well thought interchange of empty and full spaces gives the façade a light and airy effect. The scan of the pilasters, of the columns and of the two bell towers ideally linked by a balustrade, gives a sense of verticality which is even more accentuated by the soaring spires. The two bell towers, one which hosts the Meridiana (sundial) and the other the clock, reproduce on scale the central part of the façade, but they also seem to be imprinted on the main lines of the trulli. The portal is well fitted in a very refined architectonic cornice and is also embellished by a noteworthy sculptural set. High up, on line with the two ends of the pediment, are located the statues of San Pietro on the right and of San Paolo on the left. Under the pronaos, on the lunette, there is a bas-relief by Alfonso Rollo dating back to 1973 depicting Jesus Christ among the Holy Mary, San Giovanni, San Pietro and the Santi Medici. By the same artist is also the bronze portal with the eight evangelical Beatitudes, realized in 1975. The interior of the basilica has a Latin cross shape and it was widened during the first half of the 20th century. Noteworthy is the left hand side niche with the wooden statues of the SS Medici and their precious relics: an arm of San Cosma and the skull of San Damiano.
In 1938 it was elevated to Sanctuary and in 2000 it was nominated Basilica minore.
安平海邊 - 遙控飛機 / 高性能直昇機 - 可以特技飛行
Anping seashore - Pilotless plane / High performance helicopter - may the aerial acrobatics
Costa de Anping - helicóptero del plano sin piloto / del alto rendimiento - pueda la acrobacia aérea
安平海岸 - 飛行機を遠隔操作します / 高性能のヘリコプター - 演技飛行
Anping-Küste - Führerlose Fläche / Hochleistungs-Hubschrauber - kann die Luftakrobatik
I used Yahoo translater. it is the joke don't worry be happy.
Tainan Taiwan / Tainan Taiwán / 台灣台南
光圈全開
The aperture all opens
La abertura toda se abre
開きはすべて開く
Alle Blendenöffnung öffnet
原圖JPG直出無後製
Original picture JPG is straight has no children the system
El JPG original del cuadro es recto no tiene ninguÌn niño el sistema
原図JPGはずっと跡継ぎがいなくてつくることを出します
Ursprünglicher Abbildung JPG ist hat keine Kinder das System gerade
本圖無合成無折射
This chart does not have the refraction without the synthesis
Esta carta no tiene la refracción sin la síntesis
当合成がないことを求めて屈折がありません
Dieses Diagramm hat die Brechung nicht ohne die Synthese
可用放大鏡開1:1原圖
The available magnifying glass opens 1:1 original picture
La lupa disponible abre el cuadro de la original del 1:1
利用できる拡大鏡は1:1の原物映像を開ける
Die vorhandene Lupe öffnet 1:1vorlagenabbildung
Synthesis - Ample Projects.
Vivid Festival Sydney
Royal Botanical Gardens
The Vivid Festival is a annual festival of lights, music, and ideas, that runs for about 3 weeks each year in Sydney.
The main attraction is the light installations and light projections around Sydney.
Some of Sydney's most recognisable & iconic buildings are lit up by amazing light projections.
These include: Sydney Opera House, Sydney Harbour Bridge, Museum of Contemporary Art, Customs House, and Sydney Uni.
Vivid has grown to include several areas around Sydney including Circular Quay, Darling Harbour, The Rocks, Martin Place, and Chatswood.
In 2016 a few more areas were added to the festival including: The Royal Botanic Gardens, Taronga Park Zoo, and Central Park.
Also featured during the festival are concerts by local and international artists.
Thirdly, there is a series of lectures and talks on various topics.
It has become one of the biggest public events in Australia, and is recognised internationally as a major event.
Overseas & local tourists visit Sydney in numbers during the annual event.
Vivid now attracts a massive 1.5 million people each year.
As we evolve throughout the seasons of our lives, some of us, the best of us learn to blossom in between where we were and where we’re going. Orlando Florida June 14, 2020
Fluorescent: the visible or invisible radiation emitted by certain substances as a result of radiation of a shorter wavelength such as X-Rays
Synthesis: the combination of ideas to form a theory or system
Stralsund / Mecklenburg-Vorpommern / Germany
Album of Germany (the north): www.flickr.com/photos/tabliniumcarlson/albums/72157712098...
title creds to stevannn
so does anyone know where i can get film developed for reeeallly really cheap? anyone. anyone. anyone?!? kinda low on money...
Name Artwork: Synthesis.
Made by Bier & Brood.
Bier & Brood, the Rotterdam artists Koen Harmsma and Jelmer Noordeman, can do anything with black and white. Inspired by machines, nature and architecture, they possess a unique style that outlines a dark, apocalyptic or ghastly reality. This is expressed in surrealist or psychedelic images. They enjoy working in black and white to give the viewer the feeling of being able to get lost within the work, with an occasional hidden joke as a reward. The title ‘Synthesis’ refers to the digitisation of society. Hands and ears are knotted together with the telephone, faces with screens. The work questions whether we are sinking into an Internet world, a phenomenon that is only 25 years old.
Text from www.heerlenmurals.nl .
More StreetArt/Murals at www.streetartheerlen.nl or www.heerlenmurals.nl .
2010
Acrylic on unstretched, cut canvas
54 1/2 inches square
I came up with this drawing by first drawing a Grateful Dead bear in blackface. The synthesis of oppressive cultural imagery with an icon of an ostensibly harmonious, peaceful cultural movement was amusing in a twisted way, so I started brainstorming of what other kinds of symbols to pervert the bear with. The end product ends up resembling Buer, and I'm okay with that. It's an extra layer of hilarity.
The title was somewhat determined by the [America] theme of the show I made this piece for. Given the context of the show, the piece's reference to nazism(an oft-quoted quality of our political system according to some), nazism's concept of the Übermensch, and a shared last name, I got the random idea to reference Laurie Anderson's "United States". Specifically, I borrowed the titles from two songs from Anderson's work, "O Superman" and "Language is a Virus (from Outer Space)".
No real intended meaning aside from the humor that results from combining two extremes and then kinda cherrypicking references as they occur to me to add more layers to the initial gag. This was for art-nerd fun.
©Ashley Anderson
We need a new world-culture, a global synthesis of interconnectedness and global consciousness. We need a global citizenship movement that will promote social justice and social transformation. We must fight for fundamental human rights, over all national law and cultural identity—there must be equality for everyone! Global citizens are not born; they are created through social engineering. Children, you lack a global perspective on shared humanity, but we will indoctrinate you over time. Since you are part of this cult, you must help bridge the gap and rectify all misinformation. Remember, we global citizens are New World Order ambassadors. We must not only reflect on the virtues of globalism, but we must also act on them. As we reeducate the sheep, we must live a lifestyle of activism. True leaders are global citizens, whether they are CEOs, prime ministers, or just like you: Children of the Corn (Children of the Beast).
The number one (propaganda) issue that underscores our interconnectedness is climate change. The earth depends on our collective stewardship, which transcends all geopolitical borders and economies. One of our most important duties is to protect and enforce our global(ist) compacts. The health of the planet and society depends on useful idiots like us to lead the charge.
Smart cities are the engines of global control. They are full of opportunities, which we’ll exploit. This is a classic case of global multidimensionalism, which not only involves all facets of life, but is also omnipresent (The internet is borderless, and so is globalization). The most successful city is a smart city, because it’s interconnected globally. It reaches to the corners of the earth through smart technologies like the Internet of things, Artificial Intelligence, and Machine Learning. Now we are faced with a secular humanist phenomenology and a new age cosmology in which we must develop new and efficient methodologies. This paradigm shift is in perfect alignment with the values of global citizenship.
Take the jab, take the Mark. Be a sheep, awaken the dark. Bow the knee, bow in submission. Worship the Beast, son of perdition.
Children of the Corn—deeply rooted, widespread. Children of the Beast—tares uprooted, twice dead.
Matthew 24:4 “Then Jesus replied to them: ‘Watch out that no one deceives you.’”
Synthesis between ancient and modern.
The people who built the city wall would certainly be very surprised by the blue ARAL SuperWash.
Synthese zwischen alt und Moderne.
Die Menschen, die die Stadtmauer erbaut haben, würden sich über den blauen ARAL SuperWash sicherlich sehr wundern.
With its synthesis of architecture, art, decoration and ambition, the Library of Congress's Jefferson Building ranks among America's greatest achievements. When it opened November 1, 1897, writers could not find enough ways to herald the new day they saw for American civilization. The grandeur of the building, its size and scope, the noble artwork and fascinating sculpture left many Americans breathless. Many saw the new building as the fulfillment of American intellectual promise and the perfection of American art. One said that it was "likely to long remain unrivaled in this or any other country," while another opined, "Not until I stand before the judgment seat of God do I ever expect to see this building transcended."
In the late 19th century the architectural style of the Jefferson Building was said to be "Italian Renaissance." Today, it is recognized as a premier example of the Beaux Arts style, which is theatrical, heavily ornamented and kinetic. It is a style perfectly suited to a young, wealthy, and imperialistic nation in its Gilded Age. The materials — marble (15 varieties), granite (400,000 cubic feet), bronze, gold, mahogany — were expensive but would last a thousand years. In plan the Jefferson Building is a hollow rectangle with a rotunda, bookstacks and four courtyards occupying the core. (Two of the courtyards have been filled with additional bookstacks while another was partially filled with a recital hall.) Corner and central pavilions are connected by hyphens (called "curtains") and create five-part compositions on the west and east fronts.
The principal front faces the Capitol Building, rising four stories above grade with a low dome covering the central reading room. A monumental split stair featuring the Neptune Fountain rises in multiple flights to the main entrance, with three pairs of sculpted bronze doors. The granite exterior is heavily rusticated and vermiculated at the lowest level but grows finer and smoother as the walls rise. Paired Corinthian columns were employed at the central portico, which also has portrait busts of famous writers framed by circular windows. At the building's pinnacle the "Flame of Knowledge" is gold leafed, as was the copper dome until the 1930s.
328/365
it's been way too long since i posted anything, but i'm determined not to let this project die! i'm also determined to actually learn how to paint faces, so i'm continuing with my 'true colors' series. you can see the entire series here.
(many thanks to this amazing man for inspiring, posing, critiquing, and allowing me to post this in the end even though his face looks funny x )