View allAll Photos Tagged synthesis
Diözesanes Zentrum Sankt Nikolaus / Limburg an der Lahn / Hesse / Germany
Album of Germany (the west): www.flickr.com/photos/tabliniumcarlson/albums/72157713209...
SITIO HISTÓRICO DE WATERMILLS DE SAULT-AU-RÉCOLLET - Montreal, Canadá.
- Estructura conmemorativa que representa la ubicación original de la chimenea Watermills del pueblo de Sault-au-Récollet, así como a todos los propietarios del sitio Mills a lo largo de los años. Desde 1726 Simon Sicard construyó para los sulpicianos una presa y un aserradero en la Rivière des Prairies. Los molinos se utilizaron para diversos fines: molino de grano, trituradora, sierra, clavos, cardado y papel gris, algunos hasta 1970. El sitio histórico fue creado en 1998 por la Communauté urbaine de Montréal para resaltar todo el complejo industrial Watermill.
WATERMILLS HISTORICAL SITE OF SAULT-AU-RÉCOLLET - Montreal, Canada.
- Commemorative structure representing the original location of the Sault-au-Récollet village Watermills fireplace as well as all the owners of the Mills site through the years. Since 1726 Simon Sicard built for the Sulpicians a dam and a sawmill on the Rivière des Prairies. The mills were used for various purposes: grain mill, grist, saw, nails, carding and gray paper, some until 1970. The historical site was created in 1998 by Communauté urbaine de Montréal to highlight all of the Watermill industrial complex.
- SITE HISTORIQUE DES MOULINS DE SAULT-AU-RÉCOLLET à Montréal.
Structure commémorative représentant l'emplacement d'origine de la cheminée des Moulins à eau du village de Sault-au-Récollet, ainsi que tous les propriétaires du site au travers les années. En 1726, Simon Sicard débute la construction, d'une digue et d'un moulin à scie pour les Sulpiciens, sur la rivière des Prairies. Les moulins furent utilisés à des fins diverses: moulin à grains, à farine, à scie, à clous, à carder et à papier gris, certains jusqu'en 1970. Pour mettre en valeur l'ensemble de ce complexe industriel, la Communauté urbaine de Montréal crée en 1998 le site des moulins.
Abiding by the rules of synthesis, when standing in front of an interesting vista, stands as a guaranty that you will capture a most presentable frame ... One of those rules is to present your main theme from within a physical environmental framework ... This way, both your main theme is better exhibited and your frame's foreground acquires additional interest ...
Also when the ambient physical light calls for shutter speeds close to the area of 1 second for proper exposures. a monopod may prove extremely useful ... It's less heavy than a tripod and it adjusts easily to almost all ground inclinations ...
The above seen frame presents the eastern entrance of Potidea's canal at Chalkidiki on a lightless, rainy afternoon of spring 2017 ....
NIKON D90 DSLR with Tamron 18-200mm f/3.5-6.3 Di II VC lens, manual mode, shutter speed 1/10 s, ISO 100, f 8, focal length 22 mm, use of HOYA ND X 2 filter, manually adjusted white balance, center weighted average metering mode, HDR processing derived from only one RAW file, flash didn't go off, use of a monopod...
SÍNTESE ASSIMÉTRICA DO SENSÍVEL
Asymmetric synthesis of the sensitive
[São Paulo, 2021]
[Street photography]
Folow me on Instagram too / Me siga no Instagram também: www.instagram.com/yuribittar/
O teatro da vida é representar, e não repetir. Captamos apenas um “resto” da realidade, um reflexo, algo assimétrico, impreciso, sensível.
#sinteseassimetrica #yb_sas #deleuze #fotografiaderua #fotoderua #fotografiacallejera #streetphotography #streetphoto #streetlovers #SPinternational #porlacalle #SPicollective #allacalle_spc #urbanlife #saopaulo #saopaulocity #sampa #sampalovers #sp_streets #brcolor #colorstreets #mobgrafia #mobgraphy #metrosp #transportepublico
Nikon D5300 + Sigma 17-50mm f/2.8 EX DC OS HSM
f/2.8 2.0s ISO100 50mm
www.facebook.com/Vita.Kapa.Photography/photos/a.984007895...
I had a diptych with this photo...but it turned out "blah"
so I wanted to recreate it. However, I couldn't find the right photo to combine it with for a diptych so I ended up combining another photo with it. Now I have this...which is okay. I just realllly want to do a diptych though =/
Remnants of bill posters and adhesive on the window of an empty shop in Bilbao.
I have processed this photo very differently from empty words, another photo looking through the same window, shot a minute later than this photo.
UNESCO World Heritage Site
Outstanding Universal Value
Brief synthesis
Situated in North Yorkshire, the 18th century designed landscape of Studley Royal water garden and pleasure grounds, including the ruins of Fountains Abbey, is one harmonious whole of buildings, gardens and landscapes. This landscape of exceptional merit and beauty represents over 800 years of human ambition, design and achievement.
Studley Royal Park is one of the few great 18th century gardens to survive substantially in its original form, and is one of the most spectacular water gardens in England. The landscape garden is an outstanding example of the development of the ‘English’ garden style throughout the 18th century, which influenced the rest of Europe. With the integration of the River Skell into the water gardens and the use of ‘borrowed’ vistas from the surrounding countryside, the design and layout of the gardens is determined by the form of the natural landscape, rather than being imposed upon it. The garden contains canals, ponds, cascades, lawns and hedges, with elegant garden buildings, gateways and statues. The Aislabies’ vision survives substantially in its original form, most famously in the spectacular view of the ruins of Fountains Abbey itself.
Fountains Abbey ruins is not only a key eye catcher in the garden scheme, but is of outstanding importance in its own right, being one of the few Cistercian houses to survive from the 12th century and providing an unrivalled picture of a great religious house in all its parts.
The remainder of the estate is no less significant. At the west end of the estate is the transitional Elizabethan/Jacobean Fountains Hall, partially built from reclaimed abbey stone. With its distinctive Elizabethan façade enhanced by a formal garden with shaped hedges, it is an outstanding example of its period.
Located in the extensive deer park is St Mary’s Church, a masterpiece of High Victorian Gothic architecture, designed by William Burges in 1871 and considered to be one of his finest works.
Criterion (i): Studley Royal Park including the ruins of Fountains Abbey owes its originality and striking beauty to the fact that a humanised landscape was created around the largest medieval ruins in the United Kingdom. The use of these features, combined with the planning of the water garden itself, is a true masterpiece of human creative genius.
Criterion (iv): Combining the remains of the richest abbey in England, the Jacobean Fountains Hall, and Burges’s miniature neo-Gothic masterpiece of St Mary’s, with the water gardens and deer park into one harmonious whole, Studley Royal Park including the ruins of Fountains Abbey illustrates the power of medieval monasticism and the taste and wealth of the European upper classes in the 18th century.
During a cold night in March i decided to drive 170km from Amsterdam to Westerbork in the east of Holland to make pictures of this radio telescope. It was a very cold night but the sky was clear with no moon. Light pollution in Holland is quite intense and it is clearly visible in those pictures. The Westerbork Synthesis Radio Telescope consists of a linear array of 14 antennas with a diameter of 25 meters arranged on a 2.7 km East-West line. It is located next to the Westerbork concentration camp, using by Nazis in WW2 as a transit camp and nowadays a museum.
What a rare and sublime opportunity this was! - to capture the union of waterfall and sea; the beauty of each uniting in a synthesis of motion and light.
UNESCO World Heritage Site
Outstanding Universal Value
Brief synthesis
Situated in North Yorkshire, the 18th century designed landscape of Studley Royal water garden and pleasure grounds, including the ruins of Fountains Abbey, is one harmonious whole of buildings, gardens and landscapes. This landscape of exceptional merit and beauty represents over 800 years of human ambition, design and achievement.
Studley Royal Park is one of the few great 18th century gardens to survive substantially in its original form, and is one of the most spectacular water gardens in England. The landscape garden is an outstanding example of the development of the ‘English’ garden style throughout the 18th century, which influenced the rest of Europe. With the integration of the River Skell into the water gardens and the use of ‘borrowed’ vistas from the surrounding countryside, the design and layout of the gardens is determined by the form of the natural landscape, rather than being imposed upon it. The garden contains canals, ponds, cascades, lawns and hedges, with elegant garden buildings, gateways and statues. The Aislabies’ vision survives substantially in its original form, most famously in the spectacular view of the ruins of Fountains Abbey itself.
Fountains Abbey ruins is not only a key eye catcher in the garden scheme, but is of outstanding importance in its own right, being one of the few Cistercian houses to survive from the 12th century and providing an unrivalled picture of a great religious house in all its parts.
The remainder of the estate is no less significant. At the west end of the estate is the transitional Elizabethan/Jacobean Fountains Hall, partially built from reclaimed abbey stone. With its distinctive Elizabethan façade enhanced by a formal garden with shaped hedges, it is an outstanding example of its period.
Located in the extensive deer park is St Mary’s Church, a masterpiece of High Victorian Gothic architecture, designed by William Burges in 1871 and considered to be one of his finest works.
Criterion (i): Studley Royal Park including the ruins of Fountains Abbey owes its originality and striking beauty to the fact that a humanised landscape was created around the largest medieval ruins in the United Kingdom. The use of these features, combined with the planning of the water garden itself, is a true masterpiece of human creative genius.
Criterion (iv): Combining the remains of the richest abbey in England, the Jacobean Fountains Hall, and Burges’s miniature neo-Gothic masterpiece of St Mary’s, with the water gardens and deer park into one harmonious whole, Studley Royal Park including the ruins of Fountains Abbey illustrates the power of medieval monasticism and the taste and wealth of the European upper classes in the 18th century.
UNESCO World Heritage Site
Outstanding Universal Value
Brief synthesis
Situated in North Yorkshire, the 18th century designed landscape of Studley Royal water garden and pleasure grounds, including the ruins of Fountains Abbey, is one harmonious whole of buildings, gardens and landscapes. This landscape of exceptional merit and beauty represents over 800 years of human ambition, design and achievement.
Studley Royal Park is one of the few great 18th century gardens to survive substantially in its original form, and is one of the most spectacular water gardens in England. The landscape garden is an outstanding example of the development of the ‘English’ garden style throughout the 18th century, which influenced the rest of Europe. With the integration of the River Skell into the water gardens and the use of ‘borrowed’ vistas from the surrounding countryside, the design and layout of the gardens is determined by the form of the natural landscape, rather than being imposed upon it. The garden contains canals, ponds, cascades, lawns and hedges, with elegant garden buildings, gateways and statues. The Aislabies’ vision survives substantially in its original form, most famously in the spectacular view of the ruins of Fountains Abbey itself.
Fountains Abbey ruins is not only a key eye catcher in the garden scheme, but is of outstanding importance in its own right, being one of the few Cistercian houses to survive from the 12th century and providing an unrivalled picture of a great religious house in all its parts.
The remainder of the estate is no less significant. At the west end of the estate is the transitional Elizabethan/Jacobean Fountains Hall, partially built from reclaimed abbey stone. With its distinctive Elizabethan façade enhanced by a formal garden with shaped hedges, it is an outstanding example of its period.
Located in the extensive deer park is St Mary’s Church, a masterpiece of High Victorian Gothic architecture, designed by William Burges in 1871 and considered to be one of his finest works.
Criterion (i): Studley Royal Park including the ruins of Fountains Abbey owes its originality and striking beauty to the fact that a humanised landscape was created around the largest medieval ruins in the United Kingdom. The use of these features, combined with the planning of the water garden itself, is a true masterpiece of human creative genius.
Criterion (iv): Combining the remains of the richest abbey in England, the Jacobean Fountains Hall, and Burges’s miniature neo-Gothic masterpiece of St Mary’s, with the water gardens and deer park into one harmonious whole, Studley Royal Park including the ruins of Fountains Abbey illustrates the power of medieval monasticism and the taste and wealth of the European upper classes in the 18th century.
Wartburg / Eisenach / Thuringia / Germany
Album of Germany: www.flickr.com/photos/tabliniumcarlson/albums/72157626068...
📍 La Habana
Havana is a synthesis of all Cuba, capital of the island and one of the most beautiful cities in Latin America.
The charm of the “Pearl of the Caribbean” continues to act, whoever knows it returns enriched and conquered.
Renewed, it offers everything imaginable in terms of colonial architecture.
Its most important neighborhoods, Old Havana, Vedado, Miramar, Centro Havana and the Malecón will make you enjoy the memories of the old architecture.
Havana is the tropical splendor, which gathers the best of Spain, the best of Africa and the best of the Antilles. Havana, with its old American cars, its hustle and bustle, its bare buildings, its history, its people and its rhythms leaves no one indifferent.
That being said, would you like to visit Cuba ?
If the answer is yes, so you may want to check my new Photography Tour !
This journey is completely different than any other trips. We will travel at the rhythm of light, and the focus is to take time to enjoy the place and meet people.No endless exhaustive excursions collection tourist sites. The Goal here is to be there, and live the country.
And the best part ?
You'll be accompanied by a photographer (alias me 😁 ), that will give you all his secret tips to build award winning images that will Wow your friends and family !
What else could you dream about ?
🌎 Planet Cuba Photography Tour Workshop 2023 & 2024 🌎
👉 tristanphotos.com/tours/cuba-photo-tour/
👉 Link in Bio
And if you would like to learn more about La Habana , please check out my FREE travel guide full of valuable tips and beautiful photos
🌎 La Habana: Complete Travel Guide 2022 🌎
👉 wego-planet.com/havana-travel-guide/
👉 Link in Bio
Now your turn
Would you like to visit La Habana ? Or maybe do you have any question ? Either way let me know in the comments below ! 🎉
Niterói / Brazil
[EXPLORE - 2014-05-14]
Album of Brazil: www.flickr.com/photos/tabliniumcarlson/albums/72157643060...
This picture is quite different from everything else that I have been doing lately, which is, to me, refreshing. At this point in my life, everything is a matter of synthesis. All of the thoughts, experiences, and impressions of my life are being accumulated and fused into a single system, into a single being. I feel a connection to my past (my ancestry in my body, my skin, my movements), a connection to the world around me (my sense of self disintegrating into a bigger picture), and a connection to the future (my vision for what is to come flying away from me, out of reach).
This photo went through several stages of being, and at one point I even threatened to burn a hole in it, so as to add text and a more literal perspective. I had a lit match in my hand, this photo in the other, and was about to bring the two together when suddenly my subconscious screamed for me to stop. I always complain about when an artist's "message" becomes too obvious, when it overpowers the creation. An artwork's message is, I think, an entity that should always be left subjective to the viewer, and to add text to this particular image would only serve to defeat that purpose.
UNESCO World Heritage Site
Outstanding Universal Value
Brief synthesis
Situated in North Yorkshire, the 18th century designed landscape of Studley Royal water garden and pleasure grounds, including the ruins of Fountains Abbey, is one harmonious whole of buildings, gardens and landscapes. This landscape of exceptional merit and beauty represents over 800 years of human ambition, design and achievement.
Studley Royal Park is one of the few great 18th century gardens to survive substantially in its original form, and is one of the most spectacular water gardens in England. The landscape garden is an outstanding example of the development of the ‘English’ garden style throughout the 18th century, which influenced the rest of Europe. With the integration of the River Skell into the water gardens and the use of ‘borrowed’ vistas from the surrounding countryside, the design and layout of the gardens is determined by the form of the natural landscape, rather than being imposed upon it. The garden contains canals, ponds, cascades, lawns and hedges, with elegant garden buildings, gateways and statues. The Aislabies’ vision survives substantially in its original form, most famously in the spectacular view of the ruins of Fountains Abbey itself.
Fountains Abbey ruins is not only a key eye catcher in the garden scheme, but is of outstanding importance in its own right, being one of the few Cistercian houses to survive from the 12th century and providing an unrivalled picture of a great religious house in all its parts.
The remainder of the estate is no less significant. At the west end of the estate is the transitional Elizabethan/Jacobean Fountains Hall, partially built from reclaimed abbey stone. With its distinctive Elizabethan façade enhanced by a formal garden with shaped hedges, it is an outstanding example of its period.
Located in the extensive deer park is St Mary’s Church, a masterpiece of High Victorian Gothic architecture, designed by William Burges in 1871 and considered to be one of his finest works.
Criterion (i): Studley Royal Park including the ruins of Fountains Abbey owes its originality and striking beauty to the fact that a humanised landscape was created around the largest medieval ruins in the United Kingdom. The use of these features, combined with the planning of the water garden itself, is a true masterpiece of human creative genius.
Criterion (iv): Combining the remains of the richest abbey in England, the Jacobean Fountains Hall, and Burges’s miniature neo-Gothic masterpiece of St Mary’s, with the water gardens and deer park into one harmonious whole, Studley Royal Park including the ruins of Fountains Abbey illustrates the power of medieval monasticism and the taste and wealth of the European upper classes in the 18th century.
Synthesis of the forest. Each piece of fruit is turned from a different wood.
The Apple is Yew. The right side Pear is Banskia(Seed Pod) and the far pear is Burr Elm
Photo and textures are my own. All rights reserved. Do not use without explicit permission.
Thanks to all for your visits, comments, awards and favorites! Very much appreciated!!!
photo by Nala Kurka
Mea Culpa
Hair by 3636 with pearls/flowers/feathers from Tukinowaguma--modified
Earrings, ring, bracelet from ((Crystal line)) --bracelet modified from necklace
UNESCO World Heritage Site
Outstanding Universal Value
Brief synthesis
Situated in North Yorkshire, the 18th century designed landscape of Studley Royal water garden and pleasure grounds, including the ruins of Fountains Abbey, is one harmonious whole of buildings, gardens and landscapes. This landscape of exceptional merit and beauty represents over 800 years of human ambition, design and achievement.
Studley Royal Park is one of the few great 18th century gardens to survive substantially in its original form, and is one of the most spectacular water gardens in England. The landscape garden is an outstanding example of the development of the ‘English’ garden style throughout the 18th century, which influenced the rest of Europe. With the integration of the River Skell into the water gardens and the use of ‘borrowed’ vistas from the surrounding countryside, the design and layout of the gardens is determined by the form of the natural landscape, rather than being imposed upon it. The garden contains canals, ponds, cascades, lawns and hedges, with elegant garden buildings, gateways and statues. The Aislabies’ vision survives substantially in its original form, most famously in the spectacular view of the ruins of Fountains Abbey itself.
Fountains Abbey ruins is not only a key eye catcher in the garden scheme, but is of outstanding importance in its own right, being one of the few Cistercian houses to survive from the 12th century and providing an unrivalled picture of a great religious house in all its parts.
The remainder of the estate is no less significant. At the west end of the estate is the transitional Elizabethan/Jacobean Fountains Hall, partially built from reclaimed abbey stone. With its distinctive Elizabethan façade enhanced by a formal garden with shaped hedges, it is an outstanding example of its period.
Located in the extensive deer park is St Mary’s Church, a masterpiece of High Victorian Gothic architecture, designed by William Burges in 1871 and considered to be one of his finest works.
Criterion (i): Studley Royal Park including the ruins of Fountains Abbey owes its originality and striking beauty to the fact that a humanised landscape was created around the largest medieval ruins in the United Kingdom. The use of these features, combined with the planning of the water garden itself, is a true masterpiece of human creative genius.
Criterion (iv): Combining the remains of the richest abbey in England, the Jacobean Fountains Hall, and Burges’s miniature neo-Gothic masterpiece of St Mary’s, with the water gardens and deer park into one harmonious whole, Studley Royal Park including the ruins of Fountains Abbey illustrates the power of medieval monasticism and the taste and wealth of the European upper classes in the 18th century.
UNESCO World Heritage Site
Outstanding Universal Value
Brief synthesis
Situated in North Yorkshire, the 18th century designed landscape of Studley Royal water garden and pleasure grounds, including the ruins of Fountains Abbey, is one harmonious whole of buildings, gardens and landscapes. This landscape of exceptional merit and beauty represents over 800 years of human ambition, design and achievement.
Studley Royal Park is one of the few great 18th century gardens to survive substantially in its original form, and is one of the most spectacular water gardens in England. The landscape garden is an outstanding example of the development of the ‘English’ garden style throughout the 18th century, which influenced the rest of Europe. With the integration of the River Skell into the water gardens and the use of ‘borrowed’ vistas from the surrounding countryside, the design and layout of the gardens is determined by the form of the natural landscape, rather than being imposed upon it. The garden contains canals, ponds, cascades, lawns and hedges, with elegant garden buildings, gateways and statues. The Aislabies’ vision survives substantially in its original form, most famously in the spectacular view of the ruins of Fountains Abbey itself.
Fountains Abbey ruins is not only a key eye catcher in the garden scheme, but is of outstanding importance in its own right, being one of the few Cistercian houses to survive from the 12th century and providing an unrivalled picture of a great religious house in all its parts.
The remainder of the estate is no less significant. At the west end of the estate is the transitional Elizabethan/Jacobean Fountains Hall, partially built from reclaimed abbey stone. With its distinctive Elizabethan façade enhanced by a formal garden with shaped hedges, it is an outstanding example of its period.
Located in the extensive deer park is St Mary’s Church, a masterpiece of High Victorian Gothic architecture, designed by William Burges in 1871 and considered to be one of his finest works.
Criterion (i): Studley Royal Park including the ruins of Fountains Abbey owes its originality and striking beauty to the fact that a humanised landscape was created around the largest medieval ruins in the United Kingdom. The use of these features, combined with the planning of the water garden itself, is a true masterpiece of human creative genius.
Criterion (iv): Combining the remains of the richest abbey in England, the Jacobean Fountains Hall, and Burges’s miniature neo-Gothic masterpiece of St Mary’s, with the water gardens and deer park into one harmonious whole, Studley Royal Park including the ruins of Fountains Abbey illustrates the power of medieval monasticism and the taste and wealth of the European upper classes in the 18th century.
UNESCO World Heritage Site
Outstanding Universal Value
Brief synthesis
Situated in North Yorkshire, the 18th century designed landscape of Studley Royal water garden and pleasure grounds, including the ruins of Fountains Abbey, is one harmonious whole of buildings, gardens and landscapes. This landscape of exceptional merit and beauty represents over 800 years of human ambition, design and achievement.
Studley Royal Park is one of the few great 18th century gardens to survive substantially in its original form, and is one of the most spectacular water gardens in England. The landscape garden is an outstanding example of the development of the ‘English’ garden style throughout the 18th century, which influenced the rest of Europe. With the integration of the River Skell into the water gardens and the use of ‘borrowed’ vistas from the surrounding countryside, the design and layout of the gardens is determined by the form of the natural landscape, rather than being imposed upon it. The garden contains canals, ponds, cascades, lawns and hedges, with elegant garden buildings, gateways and statues. The Aislabies’ vision survives substantially in its original form, most famously in the spectacular view of the ruins of Fountains Abbey itself.
Fountains Abbey ruins is not only a key eye catcher in the garden scheme, but is of outstanding importance in its own right, being one of the few Cistercian houses to survive from the 12th century and providing an unrivalled picture of a great religious house in all its parts.
The remainder of the estate is no less significant. At the west end of the estate is the transitional Elizabethan/Jacobean Fountains Hall, partially built from reclaimed abbey stone. With its distinctive Elizabethan façade enhanced by a formal garden with shaped hedges, it is an outstanding example of its period.
Located in the extensive deer park is St Mary’s Church, a masterpiece of High Victorian Gothic architecture, designed by William Burges in 1871 and considered to be one of his finest works.
Criterion (i): Studley Royal Park including the ruins of Fountains Abbey owes its originality and striking beauty to the fact that a humanised landscape was created around the largest medieval ruins in the United Kingdom. The use of these features, combined with the planning of the water garden itself, is a true masterpiece of human creative genius.
Criterion (iv): Combining the remains of the richest abbey in England, the Jacobean Fountains Hall, and Burges’s miniature neo-Gothic masterpiece of St Mary’s, with the water gardens and deer park into one harmonious whole, Studley Royal Park including the ruins of Fountains Abbey illustrates the power of medieval monasticism and the taste and wealth of the European upper classes in the 18th century.