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Waiting at platform 5 in Sevenoaks station is 4-SUB 4308. The very solid concrete footbridge still has quite a build up of soot on it, also visible is the large billboard offering "Cheap trips to Brighton, Folkestone, Eastbourne and Hastings"
Peter Shoesmith, undated, early to mid 1960's, Peter has a shot of a class 71 hauled 'Golden Arrow' taken at the same time.
Peter Shoesmith 11/07/1959
Copyright Geoff Dowling & John Whitehouse; all rights reserved
Xerem, RJ - Brasil - 11/06/2022 - CTVL -
Campeonato Metropolitano Sub-14. Jogo Fluminense x Sao Cristovao.
FOTO DE MAILSON SANTANA/FLUMINENSE FC
IMPORTANTE: Imagem destinada a uso institucional e divulga磯, seu uso comercial estᠶetado incondicionalmente por seu autor e o Fluminense Football Club.
IMPORTANT: Image intended for institutional use and distribution. Commercial use is prohibited unconditionally by its author and Fluminense Football Club.
IMPORTANTE: Im᧥n para uso solamente institucional y distribuici㮮 El uso comercial es prohibido por su autor y por el Fluminense Football Club
Saturday's cloud free night offered up the opportunity to stay up late and shoot some more star trails. Driving back along the A130 into Southend a few days back I looked up at the bridges and thought they'd make a great spot for some light trails, especially the very last bridge as the road goes up a hill and round a bend - offering some good light trail shapes - it also looks out of the pylons and sub-station supplying the electricity to Southend. It turned out, looking on Google Earth, that the bridge is actually a public footpath and not a road - ideal for setting up a camera for some long exposures without the worry of passing traffic.
So - 9.30 Sat evening I made my way out to "Doublegate Lane" and set the kit up in the dark to get the shot I wanted - I fired off a few test shots to make sure I was happy with the composition and adjusted to suit.
I ended up taking 45 30sec exposures - half as much as I usually do for stair trails but I bailed early as it looked like it was clouding over and I wanted to recompose for another batch of shots. Wish I hadn't now as the other batch were a bit of a failure because of lens fogging (again! when will I learn?) and the cloud held off. You win some you lose some I guess.
Overall I'm happy with the final image - The sky is comprised of all 45 images overlaid, the red tail lights are taken from one image and the headlights are taken from one image and comped together in PS Elements.
Towards the end of 4-SUB operation on the Southern Region one train got repainted into Southern Railway colours. Here it is at Chipstead, on the Tattenham Corner branch, on a Railtour in February 1983.
Xerém - RJ - Brasil - 25/08/2020 - CTVL -
Treino da Equipe Sub-20 do Fluminense.
FOTO DE MAILSON SANTANA/FLUMINENSE FC
IMPORTANTE: Imagem destinada a uso institucional e divulgação, seu uso comercial está vetado incondicionalmente por seu autor e o Fluminense Football Club.
IMPORTANT: Image intended for institutional use and distribution. Commercial use is prohibited unconditionally by its author and Fluminense Football Club
IMPORTANTE: Imágen para uso solamente institucional y distribuición. El uso comercial es prohibido por su autor y por el Fluminense Football Club
I made this revamp of 6878 Sub-Orbital Guardian around a year ago. I wanted to keep it small, true to the original scale and use of the vehicle. This sacrifices poseability in the legs, though it will still shuffle quite well.
A gender-bent version of "Sub-Zero" from the Mortal Kombat games.
I used some new techniques (Dodge tool) along with the Elemental Action and a fractal brush to really bring her ice-generating attack to life.
CP Military Unit 7021 leans into one of the many curves through Palgrave Ontario on the Mactier sub leading train 421
Josh Dulak and I spent less than 24 hours in South Dakota, but we were very satisfied with what we caught.
First up we caught 570 out of Philip on one of the slowest sections of the DME; the PRC.
All in all, Josh and I covered most of the DME in a couple days, photographing both the extreme western end near Belle Fourche and the extreme eastern end in Winona.
Today we have Sub- Ordinaries. They are used just like Ordinaries.
Other Notes
Daughters may wear their father's coat of arms in a Lozenge shape.
As two men can not bear the exact same coat of arms at the same time, the Label is also used to mark the first son.
Panorámica subiendo el cerro el Plomo a 5200 mts aproximadamente, justo antes del último aliento a la cumbre.
Bald Eagle BAEA (Haliaeetus leucocephalus)
in
dead part of
Gary Oak
(Quercus garryana)
(Private - Restricted Access)
Pendray Farm
North Saanich BC
Saanich Peninsula
Capital Regional District
DSCN8711
Something a little different from the usual happenings on the M&P sub. Recent snow and wind has caused quite the built up of snow along the M&P. Enough to justify breaking out the Jordan Spreader that remains dormant in the Portage yard for most of the year. The chase was easy and I got plenty of shots but what the camera had a harder time showing was the fifteen plus car convey that followed the move. Although it was blue sky's and sunshine for all of the trip the thermometer never got above 0 (with wind chills even colder).
Arlington, Wisconsin
CP 2276 CP 402872
Spanish postcard by Oscar-Cine, Hospitalet (Barcelona).
Michel Subor (1935), is a French actor who gained initial fame with the starring role in Jean-Luc Godard's second feature, Le Petit Soldat (1960). He acted in a couple of American films, including Alfred Hitchcock's Topaz (1969) as Claude Jade's husband. In 1999, he played Forestier in Beau Travail, a highly praised variation of Billy Budd, directed by Claire Denis. He continued to work with her.
Michel Subor was born Mischa Subotzki in Paris, France in 1935, to anti-Bolshevik parents from the Soviet Union who had immigrated a few years earlier. His father was an engineer in Moscow, and his mother was born in Azerbaijan. Michel Subor has a sister who moved to the United States as an adult. His career started with small roles in Frou-Frou (Augusto Genina, 1955) with Dany Robin, and the comedy Un drôle de dimanche/A Strange Sunday (Marc Allégret, 1958), followed by playing Jean Richard's son in the comedy Mon pote le gitan/My buddy the Gypsy (François Gir, Guy Lionel, 1959). He had his first leading role as the lover of Brigitte Bardot's character in the sexy comedy La Bride sur le Cou/Please, Not Now! (Roger Vadim, 1961). The year before Subor had completed his most important early role in Jean-Luc Godard's Le Petit Soldat/The Little Soldier (1960). The film was banned from release in France for three years because it refers to the use of torture on both the French and Algerian sides during the Algerian struggle for independence. Subor plays Bruno Forestier, a young, disillusioned man who becomes involved in politics, yet in spite of the fact that he stands up to torture and commits murder because of this involvement, he does not have deep political beliefs. Subor also provided the narrator's voice in another classic of the Nouvelle Vague, Jules et Jim (François Truffaut, 1962).
Michel Subor worked with the director Paul Gégauff, in Le reflux/The Reflux (1965), adapted from a novel by Robert Louis Stevenson. But the producer had not acquired the rights and the film was left unfinished. Subor was also cast in some American films. He appeared in Clive Donner's comedy What's New, Pussycat? (1965) alongside Peter Sellers, Peter O'Toole, and Woody Allen. Later, he starred in Alfred Hitchcock's Cold War-themed thriller Topaz (1969), as the journalist François Picard, the husband of Claude Jade. Subor spent the next three decades focusing on his television career, starring in many French series and TV movies. In the cinema, he appeared in Jean-Louis Bertucelli's drama L'imprécateur/The Imprecator (1977) and Gérard Blain's Le rebelle/The Rebel (1980) but felt he never made the transition to mainstream cinema. Blain used Subor again in Amen he (1999). That year's renewal of Subor's career included a role in Claire Denis's psychological military drama Beau Travail, as a Foreign Legion captain named Bruno Forestier. Denis named his character after the role he played in the Godard film. Her variation of Billy Budd, set in Djibouti on the Red Sea, received high praise. Jonathan Crow at AllMovie: "Within the film's elegant opening montage, Denis sets up the French Legion's estrangement to Djibouti's harsh landscape, and the French empire's estrangement from its distant, glorious past. Denis details obsessively not only the rituals of military life but the half-naked bodies of the legionnaires in a manner that both recalls and obliquely mocks Leni Riefenstahl. The constant motif of the male form also sets up the homoerotic tension between Galoup (Denis Lavant), Commanding Office Bruno Forestier (Michel Subor), and underling Sentain (Gregoire Colin)." The next year he was in Sauvage Innocence/Wild Innocence (Philippe Garrel, 2000). Subor has since worked with Denis on L'Intrus/The Intruder (2005), White Material (2009), starring Isabelle Huppert, and Les Salauds/Bastards (2013) with Vincent Lindon and Chiara Mastroianni.
Sources: Wikipedia and IMDb.
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