View allAll Photos Tagged sub
Sub Urban - HIVE
www.youtube.com/watch?v=-V8haF4D1eI&list=PLxA687tYuMW...
Location:Barcelona
Nikon Nikkor 135mm f/3.5 AI
The Sub-Suit, used for deep-sea exploration. The only downside is the lack of propellers, meaning it has to be manually lifted off the ocean floor.
Gallery . &^D
I had a handful of “bucket list” shots to get while in Winnipeg, so I was more than pleased to get a GMD-1 in full sun, and I would’ve been fine with quitting there. However, Chris wasn’t lined up to work until early evening or later, so we headed over to the Sprague Sub as we knew A437 was due before long. After not one, nor two, but THREE misfires, I knew I had to capitalize with the wooden elevator at Dufresne. I simply could not leave the prairies without bagging it, so that was that, and before long we found ourselves waiting in Dufresne. I had just enough time to fire off a couple test exposures, when we heard the conductor call the east end of Dufresne. A sign of the times with AC leader 2989 straight out of Thunder Bay with an entire train of grain empties, minus the two open hoppers on the head end. Sad but unique, as this is the only regularly scheduled westbound for CN out of Thunder Bay. There are a good number of coal and grain extras, but nothing set in stone, as they run only as needed.
Nothing was running this afternoon, so I decided to shoot what I could. Enjoy?
CTC is slowly encroaching on this location from both sides, with new signals coming up and down the BNSF Topeka Sub.
Topeka, KS, 11/8/17
CSX Train L186-26 heads North as they get onto the BNSF Birmingham Sub in North Birmingham, AL. With a colorful consist which includes CEFX AC4400CW #1043 leading a CP AC4400CW & A BNSF C44-9W
5/26/2017
Standing in the middle of a river when the temperature was -6, swinging a cage full of burning wire wool around my head, with the camera on a tripod in the river about 100m away. It was a glorious way to spend the evening
EQ: 5D mk2, Sigma 85mm f/1.4 @1.8, AL
Boah war das kalt heute. Und wie so oft, hatten mir viele Menschen etwas voraus – warme Kleidung. Morgen werde ich ganz bestimmt auch etwas warmes anziehen, denn nur Schal und Handschuhe reichen bei Temperaturen um den Gefrierpunkt nicht mehr.
Zum Mittag war ich heute auf einen der vielen Weihnachtsmärkte in der Hamburger Innenstadt. Es gab lecker Reibekuchen und zum Nachtisch gebrannte Mandeln. Mit einer Tüte gebrannte Mandeln in der Hand und der Kamera in der Tasche ging ich nun auf die Suche nach interessanten Personen. Während ich an einer Ampel wartete und mir eine Mandel nach der anderen zuführte :-) achtete ich nicht auf die andere Straßenseite, denn nachdem die Ampel auf grün umsprang und ich hinüberwollte, sah ich diesen Mann direkt in der Straßenmitte. Mit vollem Mund und auch so überhaupt nicht vorbereitet sprach ich ihn trotzdem an und entschuldigte mich erst einmal. Ich begleitete ihn wieder mit auf die Straßenseite von der ich kam und erklärte ihm mein Projekt und das ich gerade in meine Mandeln vertieft war. Er war sofort einverstanden, wollte jedoch wissen wo ich die Mandeln gekauft hatte, denn ich erzählte ihm das die wirklich lecker waren.
Viele Grüße
Markus
Guaratinguetá, SP - Brasil - Treino Fluminense sub-20 - Joilson
FOTO: LEONARDO BRASIL/ FLUMINENSE FC
IMPORTANTE: Imagem destinada a uso institucional e divulgação, seu uso comercial está vetado incondicionalmente por seu autor e o Fluminense Football Club
IMPORTANT: Image intended for institutional use and distribution. Commercial use is prohibited unconditionally by its author and Fluminense Football Club
IMPORTANTE: Imágen para uso solamente institucional y distribuición. El uso comercial es prohibido por su autor y por el Fluminense Football Club
Guaratinguetá, SP - Brasil - Treino Fluminense sub-20
FOTO: LEONARDO BRASIL/ FLUMINENSE FC
IMPORTANTE: Imagem destinada a uso institucional e divulgação, seu uso comercial está vetado incondicionalmente por seu autor e o Fluminense Football Club
IMPORTANT: Image intended for institutional use and distribution. Commercial use is prohibited unconditionally by its author and Fluminense Football Club
IMPORTANTE: Imágen para uso solamente institucional y distribuición. El uso comercial es prohibido por su autor y por el Fluminense Football Club
TopGear 2002 Season 1 (Episode 6): Renault AVANTIME on the Cool Wall: Jeremy Clarkson places the Renault AVANTIME on the very edge of the Sub-Zero section!
TopGear 2008 Season 12 (Episode 3) a used AVANTIME was recognized by the presenters Jeremy Clarkson, Richard Hammond and James May as one of the few cars that they all three liked.
www.flickr.com/photos/halfbyte/3040409681/
This is my 2002 Renault AVANTIME 2.0 16V TURBO 'NOIR NOCTURNE' photographed on our driveway.
No other car in the world has these ingenious doors and I'm sure this feature will be one of the most remembered features of this AVANTGARDE LOOKING FUTURE CLASSIC.
Detail ingenious doors: www.autoreview.ru/new_site/year2001/n13/avantime/avant-19...
THE AVANTIME HISTORY RETOLD
Renault suffered from over-capacity at their factories, and rather than letting people off, they wanted to take over the manufacture of the hugely successful Espace. So, they made the agreement with Matra that if Matra was given the task of developing this new high-spec topmodel, Renault could bring the Espace production in-house. Since Renault don't have the knowhow and expertise to produce cars like Matra do, they had to redesign the Espace, making it the conventional steel car we see marketed as "Espace IV". Matra took on the task and they came up with a series of design-ideas, all based on the "Espace III".
The Geneva motor show in March 1999 saw the unveiling of a new Renault concept car - where it was called a "Coupéspace" - which leads the way in opening up a long forgotten niche - that of a luxurious Grand Tourer Coupé with space for four adults to relax in comfort.
Poster AVANTIME 1999: www.flickr.com/photos/m_and_jiji/6920221965/
In the 1920's and '30's Renault's main products were luxurious sports models like the 1929 eight-cylinder Reinastella and 1930 Nervastella, driven by Royalty and Europe's aristocracy. The AVANTIME takes some inspiration from these powerful Grand Tourers, built to cover large distances in great comfort and style, whilst focusing firmly on the future. The AVANTIME, illustrates in a forthright manner Renault's ability to shape the future of the motor car. The manufacturer is convinced that there is room in the market for a new breed of coupe, targeted at a customer group seeking the visual distinction, rarity and driving enjoyment of a coupe with the luxury of space and comfort found in a large car or monospace, all wrapped up in a vehicle which is technologically advanced and forward looking. Styled by Patrick Le Quément, the AVANTIME was intended to combine the space of an MPV with four-place pillarless qualities of a coupé. Regarding the styling, Thierry Metroz, design project manager, said, "We wanted someone walking around the car to be continually astonished."
You sit high up, with glass all around you. The AVANTIME has no B-pillars - one thing that certainly delayed the project was getting the pillar-less design safety-approved - which adds a roadster feel to it, with windows down.
It was named the AVANTIME, which is not pronounced fully in French, but a combination 'AVANT' as in French for "ahead" and 'TIME' pronounced in english. In other words "Ahead of its time". They are quite probably right, and it will not be the first time Matra have been ahead of their time, and have spotted a niche almost before it appeared. It is an avantgarde looking car, the target group were people (former Espace-owners) whose kids have left home, but who still prefer the style and flexibility of the Espace, spiced up with a more luxurious interior and some decent performance. Very similar to the Espace the AVANTIME uses a warm-galvanized chassis in the lower part, but with the upper structure done in aluminium, to get the centre of gravity even lower than the Espace. The bodywork is still polyester, which is bonded in place. The doors are now a (galvanized) steel construction with polyester bodypanels bonded to it, making them much stronger than standard Espace doors, which were all fibreglass, with a metal frame, and in later models (J63 and JE) a side-impact steel bar about halfway up, on the inside. The frontend design is developed from the Espace, with the air-con intake moved to above the headlights, rather than the sidemirrors. The sidemirrors, on the other hand, have moved towards the door-windows again, as on the early Espace models.
Matra's engineers have avoided the top-heaviness of a minivan or SUV by fitting a lightweight aluminum superstructure to the Espace chassis. The track has been widened, the suspension lowered, and the wheels and brakes enlarged. Careful development has produced a car that feels stable at high speed on the autobahn, steers accurately, rolls only a little when cornered hard, yet smoothes all but the roughest roads. This is an impressive achievement and makes the AVANTIME fun for the driver and calm and secure for the passengers.
Renault has enlisted the services of French fashion designer Jean-Paul Gaultier to front its first-ever cross-brand advertising campaign "Créateur d'automobiles" (a one-minute spot with music by Etienne de Crécy). The pan-European ad aims to position the French motor brand as being creative and innovative, paving the way for forthcoming launches such as the new AVANTIME GT Coupe in 2001. TV advertising, by incumbent agency Publicis, breaks on October 17 (2000) and shows Gaultier designing and producing a new dress, from sketches to the finished product on the catwalk. After the fashion show, the model sees a Renault AVANTIME and is captivated by it. The ad then shows the process by which the car was created, in reverse from the completed car back to the production line. The designer's sketch is reduced to a blank piece of paper, mirroring Gaultier's process. Eric Bernard, Renault's worldwide advertising director, said: 'We're going to cause a stir with this campaign, and we hope to surprise and interest those who only think of Renault as a brand for small and medium-sized cars. 'It will trigger awareness and help us develop the new message in preparation for the launch of our new large cars.' The TV campaign's launch is being timed to coincide with the Birmingham International Motor Show, where Renault is unveiling its production version of the AVANTIME. It is being supported by press and poster activity.
Link Renault AVANTIME spot commercial 2001: www.youtube.com/watch?v=2FS3V-akz-c
In the meantime - there was a considerable delay in launching the AVANTIME - Renault had tested their design studio VEL SATIS with the public at car-shows and put the VEL SATIS into production, and hit the marked about the same time as the Avantime was finally ready. This means that Renault had two different approaches to the high-end luxury car, one being almost entirely Renault, the other a Matra. The Renault VEL SATIS has 4 doors, which should appeal to less adventurous (or more conservative) people. The AVANTIME was a two-doors only car (well, Matra did have a prototype 4-door version, but it never made it to production), but the doors are "huge" to allow for easy access, and are novel in the way they open, as they are internally hinged, making them sort of fold when you open them. Hereby even these huge doors will only require the same parkingspace as any other car, but at the same time offering excellent access. Having the AVANTIME compete with its Renault sibling obviously was not a good thing for Matra, who must have felt that Renault had not kept their part of the deal. To add insult to injury, its no secret that Renault urged their sales-organisation to push the VEL SATIS before the AVANTIME (by offering higher bonuses to the sales-people). This caused the AVANTIME to sell suficciently poor, to drain Matra for funds, and since there were no hopes for Renault helping them out, Matra decided in december 2002 that enough was enough and in April 2003 they shut down Matra Automobile and closed the factory in Romorantin. The last AVANTIME left the Matra assembly lines 18th of April 2003.
The following production figures have been published (Source: Matra France, L.Thimonner, 2003 ):
2001 : 2067
2002 : 5097
2003 : 1286
HISTORY REPEATING
Only 8450 Renault AVANTIME's were eventually built, before its abrubt end-of-life...
In the science fiction movie 'Children of men' (released 2006), the AVANTIME prototype 4-door version was seen in the cinema, Clive Owen and Julianne Moore travel in the AVANTIME until a breathtaking action sequence disrupt the journey...
Avantime has retained its feeling of novelty!
www.google.nl/url?sa=t&rct=j&q=renault%20icons%20...
The tale of Renault's short lived but stunning coupé is brought to life using interviews with the key players in the cars development, including ex Renault Head of Design Patrick Le Quement and Matra's Phillipe Guedon. With a colourful gathering of over 200 of the iconic cars at the famous Montlhery race track, the Avantime's 10th anniversary is the centre piece of this programme. Enthusiasts and experts swap opinions about what prevented this car becoming as much of a success as it perhaps should have been. Even more of the car's story is provided by Renault Avantime insiders Thierry Metroz and Carole Hurel, while current boss of Renault design, Laurens Van Den Acker gives his verdict on what makes this unique car so special.
Official Video Renault 10 Years AVANTIME, the "Coupéspace"
www.youtube.com/watch?v=MCXHroaxg8w&feature=feedu
Explore Renault AVANTIME
Canadian National Auto Rack Train E240 roars South through the Mississippi Delta at Gwin, MS. With a CN C40-8 on the point
12/29/2017
In connection with the 150th anniversary of the London & Greenwich Railway in 1986, a shuttle service was run between London Bridge and Cannon Street station. A display of various diesel and electric traction, as well as steam locomotive No.777 'Sir Lamiel', was on display at Cannon Street, which in those days was closed at the weekend.
Preserved 4-SUB unit 4732, coupled with 2-BIL 2090, were brought back into use for operating the shuttle service. The 6 car formation is seen in platform 2 at London Bridge. Today the scene has totally changed as the whole of London Bridge station has been rebuilt in connection with the Thameslink programme, which stumbled into operation last May.
Although London Bridge station as seen here looked quite modern, the BR uniforms, stencil headcode, tail lamp and screw coupling really date things. But of course this was well over 30 years ago - gulp!
Tonight's Net Flicks candidate is US Navy marked Lockheed
S-3A Viking BuAerNo.158873 on display at the 1974 Farnborough International Airshow
Nicknamed the 'Hoover' due to the noise of her two Fan-jet engines, Vikings were used for Anti-Submarine duties aboard the US Navy Super-Carriers
With the end of the Cold-War their role changed. Some were used to supply Air-to-Air re-fueling and others for Range Control duties
Potential overseas sale of a number of retired examples so far have come to naught and most of the fleet languish at AMARC with a few safely on display in Museum collections
Note the other two Aircraft in the frame - both Sub-Hunters too
On the left another Lockheed product in the form of the then latest Orion model - a P-3C 159327 and on the right - an RAF Hawker-Siddeley Nimrod MR.1 XV229
Both are now rapidly being replaced by the Boeing P-8 Poseidon, a 737 Airliner derivative
Scanned Agfa 50 Transparency
Quebec Gatineau's Montfort Sub extends for 15 miles past Montfort Jct (where it connects with the Lachute Sub) and sees sporadic service (perhaps once a week) to a handful of customers. Here a local heads north with QGRY 2008, QGRY 2006 and 9 cars.
In April 1979 a Southern Railway designed 4-SUB unit enters Battersea Park station on a down service.
This has been finished, sitting on my shelf for a long time, and I stole two pieces from my son in order to make it. And to all you purists out there, yes it does have two mega block pieces on it, you may officially hate it. So I didn't spend a whole lot of time making this, but my brother had shown me that duplo size and even larger sizes are compatible in certain ways with normal size lego, so I thought it would be fun trying to combine the 3 sizes.
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