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Billy Stutter poster in front of The Manitoba Theatre Centre (MTC). July 18/2010. Winnipeg, Manitoba, Canada
AFC Wulfs stuttering start to the season continued with a comprehensive defeat at the hands of high flying league newcomers St Andrews
Blurring motion.
White balance: daylight.
Aperture: 20
Shutter speed: 1/320
IOS: 1600
The challenges that I had with this one was timing and lighting also.
Julia Boberg (Institute for Stuttering Treatment and Research, Einer Boberg (SLP, University of Alberta, co-founder (with Deborah Kully) of the Institute for Stuttering Treatment and Research), Will Webster (Carleton University, neuropsychology researcher). Taken by William Webster.
AFC Wulfs stuttering start to the season continued with a comprehensive defeat at the hands of high flying league newcomers St Andrews
Artist | Thomas Demand (b.1964 in Germany)
Title | 浴室 Badezimmer / Bathroom (1997)
C-Print/水晶裱 Diasec
160 x 122 cm
Exhibitor | 臺北市立美術館 Taipei Fine Arts Museum
Exhibition | 歷史的結舌 The Stutter of History
這件作品德曼重現了一張惡名昭彰的新聞照片，照片拍攝的是瑞士日內瓦博里瓦格酒店的浴缸。1987年10月11日，德國石勒蘇益格 •荷爾斯泰因州部長烏韋•巴舍爾在此被發現身亡，表面上是自殺，但也有眾多謀殺的陰謀論流傳著。當時巴舍爾捲入了一場政治醜聞，被指控聘請私家偵探，想揭露其政黨對手的私生活醜聞。他因此被迫辭職後，飛往日內瓦並入住博里瓦格酒店，試圖與一名線民會面，希望能證明自己的清白。然而，一天後，記者發現了他冰冷的屍體，拍下了那張震驚世人的照片，這個影像成為一場新聞攝影倫理以及照片左右政治敘事的議題核心。德曼在這件作品中清除了政治人物的身體，只留下了政治劇場中的空間背景給觀眾。
In Bathroom (1997), Demand recreates an infamous news photograph of a bathtub in the Hotel Beau-Rivage in Geneva, Switzerland, where Uwe Barschel, the Minister of the German state Schleswig Holstein, was found dead on October 11, 1987, of an apparent suicide that has been variously theorized as a murder. Barschel was the center of a political scandal in which he was accused of hiring a private detective to uncover damaging information about the sex life of one of his party's political opponents. Having been forced to resign his position, Barschel flew to Geneva and checked into the Beau Rivage Hotel where he was hoping to meet an informant with information that would clear him of any wrongdoing in the scandal. The image of Barschel's lifeless body taken by the journalist who discovered his body one day later became the center of a story about the ethics of photojournalism as well as the use of photographs in constructing political narratives.
Demand empties the image of the politician's body and leaves the viewer with only the scenographic remnants of the political theater of images.
TFA327