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Exit Calm amplifier stutters to play The Victoria pub in Birmingham.
www.myspace.com/exitcalm. This is a shot of their amps LED display
A Sound of Confusion production for The Victoria pub
© 2009 www.flickr.com/wayne_john_fox, please FlickrMail me for the original images.
Thank you.
I used a fast stutter speed to stop the water in motion. I liked the textures in the rocks. I wish I could have gotten a lower angle but the rocks were to slippery to climb down while holding the camera.
NEW YORK, NEW YORK - JUNE 10: (L-R) Dr. Heather Grossman, Emily Blunt, and Eric Dinallo attends The American Institute for Stuttering's 19th Annual Gala on June 10, 2025 in New York City. (Photo by Bryan Bedder/Getty Images for The American Institute for Stuttering)
NEW YORK, NEW YORK - JUNE 10: Emily Blunt attends The American Institute for Stuttering's 19th Annual Gala on June 10, 2025 in New York City. (Photo by Bryan Bedder/Getty Images for The American Institute for Stuttering)
New directions in treating stuttering: Beyond fluency shaping - Profº Giri Hedge
Escola Superior de Saúde do Instituto Politécnico de Setúbal
Artist | Thomas Demand (b.1964 in Germany)
Title | 「日常」系列 Dailies series
Exhibitor | 臺北市立美術館 Taipei Fine Arts Museum
Exhibition | 歷史的結舌 The Stutter of History
2008年德曼的創作發生相當大的轉變，他的關注點從宏大的歷史議題轉移到生活日常的題材上，這像回到原點的必然迴圈。在系列作品《日常》，德曼把自己散步或旅遊中用iPhone 的記錄景象用紙做成模型。再將模型拍照，經過目前少見的轉染法沖洗成家居大小的傳統框裱照片。畫面中都是我們每天不經意的日常掠影，或是一個可笑的片刻—例如卡在迴風口的口香糖、插在鐵網中的塑料杯、空的冷凍優格杯擱著粉紅色的塑料湯匙、烘衣機觀景窗內靜止的一堆衣物，或是在路燈柱上被拉緊的遛狗繩，另一頭的毛小孩似乎跑到畫框外。對比於他關注的宏大歷史議題，這些作品著眼身邊常被忽略的日常片刻中，瞬間帶來的趣味、驚喜或會心一笑。每一幅《日常》都是一則故事的起頭。你看《日常21》水槽邊那塊不太穩的肥皂，是誰放的？《日常37》前門內那堆郵件到底堆了多久了，這表示什麼？《日常34》電話線杆上黃色廣告上寫了什麼？是寫「買房現金交易」？還是寵物失蹤啟事的聯絡號碼字條？是尋找《日常28》走失的那隻狗嗎？這些作品既是藝術家在地球遊走的自述，也是對日常微渺末節卻有無窮意趣的讚頌。隨著沖洗這些作品所需的材料和工藝正在迅速消失，這個系列終將告一段落，但《日常》仍將會是一個對應於藝術家其他重建邊際圖像歷史大型作品的互補對照。 當歷史結舌語塞時，德曼的《日常》填補進來。
In 2008 Demand made a radical move in his practice that in retrospect seems like an almost inevitable closing of a circle in a shift from the monumental to the personal and quotidian. For his series Dailies the artist started to construct paper models re-creating personal photographs taken with his iPhone on walks through his neighborhood and in the places he traveled. Domestically sized and printed with a soon to be defunct dyes transfer process, they are framed in a manner similar to traditional photographs and depiet seemingly ordinary and at times humorously absurd moments that we all pass by unawares each and every day-chewing gum stuck in the grill of an air return, plastic cups inserted into the holes of a chain link fence, an empty frozen yogurt cup with its pink plastic spoon, laundry sitting inert in the window of a clothes dryer, or a taut dog leash wrapped around a light post, its captive located somewhere off screen. Standing in creative opposition to the grand scale and topics of his larger historical works, they emphasize an intimacy and attention to the minor episodes and often overlooked moments of ad hoc grace, wonder, and hilarity that populate our lives. Every Daily seems to offer the opening sequence to a story that remains to be written. Who left that bar of soap perched precariously on the edge of the sink in Daily 21? How long has that pile of mail been accumulating beneath the mail slot in the front door in Daily 37, and what does it portend? What was written on the yellow photocopied poster with the takeaway tags that is stapled to the telephone pole in Daily 34? "We pay cash for homes"? A phone number to report a missing pet? Perhaps the invisible dog from Daily 28 went missing? These works are both an autobiographical account of the artist's movements through the world and a celebration of the narrative power of minor events and situations. Although this series has a quickly approaching expiration date, as the materials and process needed to print these works is quickly disappearing, the Dailies will nonetheless continue to offer a complementary personal counterpoint to Demand's more monumental photographic reconstructions of the marginal images of history. When history stutters, Demand's Dailies fill the gaps.
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177/365. Home again, home again! It promised to be a weird morning, as KtG seemed to oversleep so we had a stutter-step to start the day, then we had gravel hitting us from a truck on the way to Atwaters, and then it seemed like maybe the car was making weird noises when we pulled into the parking lot there. But then Atwaters was closed because of a burst pipe, so maybe those weird noises were just repair sounds from inside there? We called Kathy at the Beehive and she was happy to entertain KtG until Shawn arrived with her ride home, so we left Towson without jams for Boomer, but an hour earlier than we planned. We were anxious about the car, but the Count got us home without a hiccup, and because we didn't have breakfast we didn't even have to make a pit stop! Sadly, we got home just as Tooth & Claw was narrating the Main Event of the Timothy Treadwell double episodes, but that was the only flaw in the whole trip! Then we were home in time to unpack, block Jauntyhose (!), get laundry going, have lunch, put up the Christmas decorations, and then get a "reset, waking up at home" nap into the afternoon. And NOW we were truly home... and truly INTO CHRISTMAS! We sat and knit on at-home projects in the glow, listening to H&HR. Then had prudently-frozen fennel pasta for dinner, and advented, and started the new Exit advent (!), and then stayed up short-timing-it late watching M, SW. The cats were SO happy to see us, and we are SO happy to be home!
New directions in treating stuttering: Beyond fluency shaping - Profº Giri Hedge
Escola Superior de Saúde do Instituto Politécnico de Setúbal
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