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I've had an interesting few weeks. The photography gods are smiling on me right now.
The wedding I assisted on opened my eyes to many things, one of those being customer service. Without customer service I'm just another shmuck who takes a pic. Who cares if you take a brilliant picture if you come across as uncaring, egocentric and self-obsessed. Not a way to win a loyal clientelle base.
Realizing this brought me to the point where I knew that I needed to step up my game and promote myself: "Put up or shut up Kat!"
Part of my current full-time job is selling advertising and so I know full well that you have to hang a shingle for someone to know you're there. Clients won't come knocking if they don't know you exist, so I setup a storefront on my photokat.ca site. Plowed it under and started from scratch. I also had an inquiry earlier this week for a last minute wedding that was a direct result of my website, okay and some free classified ads on Craigslist and Kijiji. Unfortunately, it's right smack in the middle of when I'm leading an 8 day canoe trip at a camp in northern Ontario (Why did I do that again?) so I had to politely turn it down, but suggested several other highly capable local photogs to the bride.
I'm also fortunate to have a gorgeous sister who also works as a trained graphic designer and so I recruited her to design a logo for me (I'll post it for y'all to see) and somehow I ended up with a fairly high end looking logo. Thanks sis I owe you!
My nights and an occasional work day have revolved around me reading, researching, studying and planning. I've drawn up a list of goals for Photography by Kat, created contracts, Photography Menus (price list), researched products for that menu, and just spent the last while obsessing, planning, scheming and creating what I hope will become more than just a passionate side hobby.
The goal is for Photography by Kat to be my main source of good income by the time I'm 30. For the record I'm 26 right now, so that gives me four years.
This is all very scary, and incredible, wild, exciting and yet I'm still left with feelings of inadequacy. I've also been looking at other photography sites and I keep seeing pictures I wish I had taken and that I want to take. I guess that's good, but it terrifies me and I think that's what I will always keep pushing myself at: figuring out what my style is that makes me unique.
I'm tired of seeing those posed "photojournalistic" style wedding photos or portrait sessions that everyone does but what to do that is different, creative, interesting. Everything old is new again and so maybe I need to delve into some photographic history to find something.
And that I think, is the longest, scariest thing I've written on Flickr.
Kevin Hirschi, the English Language Fellow in Tbilisi, Georgia, was invited to deliver a keynote speech at the 9th International Research Conference on American Studies at International Black Sea University. Fellow Kevin Hirschi presented on his
corpus linguistics study on negative language in newspaper editorials on Donald Trump, introducing the audience to the relevance of linguistic findings in the interdisciplinary sphere of American Studies.
Online Study MBBS in Malaysia for indian Students 2020 fees providing FREE study abroad counseling & guidance online ☎️ +91-9818560331. Talk to Study MBBS in Malaysia for free.
The Eastern Illinois University Lumpkin College summer 2023 Study Abroad trip to Florence, Italy.. (Hannah Fergurson)
'Study in Blue', an original sketch in oils of Sidmouth beach by Ian Harbour.
Painting is currently still not sold..
View more at www.ianharbour.co.uk
Our students are from Surry Community College NC , State Central Community College District CA and Fox Valley Technical College WI June 2023
Hi,
Here are my study abroad pictures from my trip to Costa Rica this
minimester. I am so sorry if they are late, I was unsure of the due date
and just recieved the email about turning things in today.
Thanks,
Marissa Lechmann
The Metropolitan Cathedral, Iași, located at no 16 on Boulevard "Ștefan cel Mare și Sfânt" is the seat of the Romanian Orthodox Archbishop of Iaşi and Metropolitan of Moldavia and Bukovina, and the largest Orthodox church in Romania.
It is dedicated to Saint Paraschiva, to the Presentation of Jesus and to Saint George.
Its form was inspired by the late Italian Renaissance style, with Baroque elements dominating the interior and exterior decorative features.
The Metropolitan Cathedral is listed in the National Register of Historic Monuments.
Two churches previously stood on the site: the White Church and the Presentation Church.
On 8 August 1826, prince Ioan Sturdza signed a decree ordering construction of the cathedral;
Two churches previously stood on the site: the White Church (15th century) and the Presentation Church (17th century).
On 8 August 1826, prince Ioan Sturdza signed a decree ordering construction of the cathedral;
Metropolitan Veniamin Costache laid the cornerstone on 3 July 1833 and guided construction in its early years.
Work began in 1833, using a neo-classical design by Viennese architects Gustav Freywald and Bucher, and continued at a rapid pace until 1841, in the latter years under the Russian architect Mihail Singurov.
In 1839, after it was completely built and covered, serious cracks had appeared on the large central arch.
At the urging of Metropolitan Iosif Naniescu (1875-1902), the newly independent Romanian state decided to start the restoration work of the cathedral.
A new cornerstone was laid on 15 April 1880.
Architect Alexandru Orăscu, rector of the University of Bucharest, designed new plans that added two rows of massive pilasters to the interior, creating a rectangular basilica shape, with a central nave and two smaller side naves.
The four detached side spires were kept, but the large central dome was eliminated and replaced with a system of four semicircular sections, separated by transverse arches.
The cathedral was consecrated on 23 April 1887, in the presence of King Carol I and Queen Elisabeth, who had donated large sums for the project.
In 1889, the relics of Saint Parascheva, patron saint of Moldavia, were brought from Trei Ierarhi Monastery and continue to attract crowds of pilgrims, particularly in the weeks around her feast day (October 14).
These are located on the right side of the vestibule, as are those of Veniamin Costache.
Standing in the centre of the Metropolitan Complex, the Great Cathedral is a monumental building of a rectangular plan with four detached towers at its corners that originally flanked an immense dome.
The cathedral is 56.70 metres long and 34.15 metres wide, and with a height of the towers of 52.92 metres, it is one of the tallest historical buildings in Moldavia.
The exterior of the Cathedral, as well as the interior, is decorated in the Baroque style.
The eastern façade has a central motif formed of six Corinthian columns erected on a stone socle, which support the architrave, above which is a high bas-relief of the Presentation of the Lord.
The western façade has eight columns separated by the entrance, above which there is a recessed balcony whose vault has a curved mosaic also showing the Presentation; above that is a stone carving of Saint George.
The roof is decorated with zinc fleurons and stylized crosses adorn both the roof and the four spires.
Gheorghe Tattarescu painted the icons and decorative elements in a style that respected Orthodox norms but also showed a Renaissance influence.
The four Biblical scenes above the central nave, the saints' faces and the decorative compositions all show an Italian neo-classical rigor, to which the artist had been exposed during his studies at Rome's Accademia di San Luca.
This creates harmony between the painting and the architectural style.
The stained glass was worked in Munich and redone after World War II, under Metropolitan Justinian Marina.
Two valuable icons painted in the 16th century are kept inside; they depict Christ Pantocrator and the Madonna and Child.
These illustrations by LeConte Stewart demonstrate properties of complimentary colors. Part of "LeConte Stewart Papers" in the Special Collections Department, J. Willard Marriott Library, University of Utah.