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CalArts School of Critical Studies reading in Butler Building #4

 

CIA-20080319-7065

Photo by Scott Groller

© CalArts 2008

I want to do a painting of Dumbledore. I received paint and some canvases for X-mas so now I can get to it.

Study in Lavender image 5 of 8 - taken with Canon EOS40D w/ 100mm macro lens.

made by my Beauty and Madzia :-))

please add a note ;))

Study of an Old Woman

By Nicholaes Maes

 

This drawing shows the same woman featured in Study of an Old Woman hanging nearby, but the technique is very different. Here there are no careful, feather-light contours, but strong, almost bold, outlines and heavily accentuated hatching lines.

[National Gallery]

 

Part of Nicolaes Maes: Dutch Master of the Golden Age

(February to September 2020)

 

From illicit goings-on in servants’ quarters to portraits of high society, Nicolaes Maes captured life upstairs and downstairs in the Dutch Golden Age.

Starting his career as one of Rembrandt’s most talented pupils, this exhibition – the first in the UK devoted to Maes – charts the artist’s rise to fame.

Through nearly 50 paintings and drawings, it follows Maes’s move away from paintings of historical and biblical scenes, where Rembrandt’s influence is most clear, to the scenes of everyday life and portraits that made him one of the most sought-after artists of his time.

Maes was an astute businessman, and produced over 900 portraits, adapting his style to reflect the high fashion and decoration of the second half of the 17th century. But it is his ‘genre’ scenes – which often feature the central character eavesdropping and breaking the fourth wall to interact directly with the viewer – which best reveal Maes’s inventive and distinct style.

[National Gallery]

 

Taken in the National Gallery

Visitors view objects in the Center's Collection of Prints and Drawings. There are 20,000 drawings and watercolors and 30,000 prints in the Center's collection, giving a comprehensive history of British graphic art.

Nature Color Studies.

Yet again „the walk“, I guess you know every single tree as well as I do right now ... BUT: I tried few things with the rendering, both while taking the shots and when processing them. When shooting I used a Kenko Nostaltone Orange, which is basically a diffusor and warming filter combined. That's where the color and softness comes from. I used a zoom lens all the way open, which gives vignette and fall off and a bit of additional softness. when proscessing them in LR and PS I payed attention to „fill the highlights with color“ and control the highlights in general. There was a beautiful „soft sunshine“ today (partially cloudy), and the light was so nice I hope I could capture that a little bit at least.

Quick study of my wife riding the exercise bike. It was tough, as she was constantly moving (obviously).

 

More on this sketch, and my artwork in general, at my blog.

Looking over the shoulders of my little Papillon friend.

 

Costumes sketches, pencil on paper.

A boat at dock in Big Tub Basin, near Tobermory, Ontario.

Launch of Summer 2013 Studies by Emily O'Reilly

 

Photo by Dermot Roantree

A nice working environment for students. I have a whole list of college and Affordable universities on www.studyawake.com for students in America you can check it out your self

Oh Jean, how hard you study.

Three weeks in Marseille France, studying at EuroMed School of Management through my MBA program at PSU. Here are the pics of the events that went down when I wasn't in class.

The Study Abroad Fair was held in the University Ballroom of the MLK Jr. University Union on the campus of Eastern Illinois University on February 2, 2023. (Hannah Fergurson)

Being totally impressed by my two favourite flickr photographers who's photostreams you can see here: www.flickr.com/photos/lesbianburrito/ and here: www.flickr.com/photos/kanegledhill/ I decided to give it a try with long exposures. These're some of the very first results.

 

This is one of the buildings of the Swiss Federal Institute.

 

Hoya ND400 HMC

CPL: Nicna PRO1-D

266 sec. @ f/20

  

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