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Structure Security conference at the Golden Gate Club in San Francisco on Tuesda & Wednesday September 27-28, 2016
shooting data :
Panasonic DMC-LX1
lens : 28-112 mm ( 16:9 ) : 28 mm
program auto exposure : - 1.33 EV
manual focussing : 3-6 feet zone setting, 6-15 feet zone setting
shooting mode : continuously
ISO : 80
date : Wed. 23 Aug. 2006
place : the upper deck of my junction station, JR Higashi-Kanagawa station south-east area, Yokohama canal, on the road of Route 15
JR --- Japan Railroad or something
higashi --- east
note :
I used my LX1 on 28 mm with 3-6 feet zone setting and 6-15 feet zone setting.
I used 3-6 feet zone setting for the person.
and I used 6-15 feet zone setting for the canal mainly.
and naturally,
LX1's battery was dead in 2 hours usually.
That was the place just near the main road to my Dai-koku Pier.
...
my frivolities
I went shooting with LX1 and W5.
W5 was using for the evening and night.
my W5 has f 2.8 and f 5.6.
and my W5 still had made stains on f 5.6 at that night.
but in the night, it is very hard to get f 5.6 naturally.
so I could use my W5 in my Dai-koku Pier with manual exposure for the evening and with auto exposure for the night.
I had to use my W5 by manual focussing with f 2.8.
but I did the normal mistake naturally again.
at first,
I had been shooting my W5 by manual focussing with f 2.8.
and soon I had been shooting my W5 by manual focussing with f 5.6.
and soon later I had been shooting my W5 with auto exposure entirely.
I found it on my Dai-koku Oo-hashi ( big bridge ) in the night.
I had already been shooting over 200 jpgs until then.
My memory stick pro could accept only around 250 jpgs plainly.
I couldn't do my shooting from the evening again.
It had already all been passing.
All the causes had been hidden in my W5's tiny little pushing buttons.
It comes from my frivolities.
...
Leica M8
my W5 had already come back from SONY for repairing with no cost.
so,
I don't have a need to use my frivolities any more.
the manual exposure setting was not my shooting style naturally.
I had been shooting by manual exposure in my film lording type camera days.
The film lording type camera days could not be coming any more for me probably.
That has two simply reasons,
One is from my monetary reason.
and the other,
Leica had released Leica M8 already.
The most of all someone had been saying like this.
" I only shoot film ! "
The monetary reason person had been using the plastic digital cameras.
With no monetary reason person would be soon using Leica M8 naturally.
I have been simply loved Leica since 1978.
M8 is my too much more more far away dreaming still now.
aibii_blue
Mon. 23 Oct. 04:13 PM 2006
edited : added ISO 80
Mon. 23 Oct. 07:15 PM 2006
Nei giorni 25-27 ottobre 2018 si è svolto all’Università di Pavia il convegno internazionale dal titolo “The shaping of transitivity and argument structure: theoretical and empirical perspectives”. Tutte le informazionii sono consultabili sul seguente link: sites.google.com/universitadipavia.it/tasf/stas2018-confe....
Three-alarm fire damages Los Gatos home
On Wednesday, July 11, 2013 at 1304 hours, units of the Santa Clara County Fire Department responded to reports of a residential structure fire at 16341 Lavender Lane in an unincorporatd area of Los Gatos.
The fire was initially reported by neighbors and appeared to have started on the second floor with flames quickly spreading to the attic. Construction workers across the street from the burning home left their worksite to check for occupants inside the house. They discovered a male that had been sleeping and assisted in getting him out of the house.
As the fire continued to burn additional alarms were struck summoning more firefighters to the scene to provide relief for crews that had responded on the first alarm. There were no injuries reported, but the home is uninhabitable. The fire was declared under control in just under 2.5 hours.
Units attached to this event:
Battalion 3 (Bowden), Battalion 2 (Darbro), 2A3, 2A4
Engine 6, Engine 3, Engine 17, Engine 11, Engine 2
Rescue 17, Hazmat 2, Truck 5, Truck 1
Safety, Fire Support Unit 3
San Jose Mutual Aid Resources
Battalion 10, Engine 9, Truck 9
Amazing structure outside the Serpentine Gallery, wood. Very popular. Had a stage for bands etc and a central area for dancing. Nice!
See BuildingDIY
Gigaom Structure Connect conference at Mission Bay Conference Center in San Francisco, CA on Tuesday & Wednesday October 21-22, 2014.
Structure Security conference at the Golden Gate Club in San Francisco on Tuesda & Wednesday September 27-28, 2016
Built in phases between 1911 and 1959, this Prairie and Organic Modern-style house and office were designed by Frank Lloyd Wright to serve as his family residence and studio, with two fires leading to substantial reconstruction of the house in 1914 and 1925. The house, which is named “Taliesin”, Welsh for “Shining Brow” or “Radiant Brow”, referring to the hill upon which it is situated, is a long and rambling structure with multiple sections built at different times, with the building serving as a living laboratory for Wright’s organic design philosophy, as well as growing with Wright’s family, wealth, and business. The house sits on a hill surrounded by fields, but is notably located below the top of the hill, which Wright saw as being such a significant feature of the landscape that it should remain untouched by the house’s presence. The house’s westernmost wings served as the home of livestock and farm equipment, as well as a garage, later becoming housing for the Taliesin Fellowship, where aspiring architects apprenticed with Frank Lloyd Wright. The central wing served as the Frank Lloyd Wright studio, where Wright and his apprentices and employees worked on projects for clients, as well as where Wright often met with clients. The eastern wing served as the Wright family’s residence, and was rebuilt twice, in 1914 and 1925, after being destroyed by fire, and is overall the newest section of the complex, though some portions of the west and central wings were added after the main phase of construction of the residence was complete.
The house is clad in stucco with a wooden shingle hipped and gabled roof, with stone cladding at the base and on piers that often flank window openings, large casement windows, clerestory windows, outdoor terraces and balconies, stone chimneys, and glass french doors, all of which connect the interior of the building to the surrounding landscape. The interior of the buildings feature vaulted ceilings in common areas, stone floors, stone and plaster walls, decorative woodwork, custom-built furniture, and multiple decorative objects collected by Wright during his life. The exterior of the house has a few areas distinctive from the rest of the structure, with a cantilevered balcony extending off the east facade drawing the eye towards the surrounding landscape from the living room of the residence, next to a large set of glass doors that enclose the living room and adjacent bedroom from a shallower cantilevered terrace, while to the west of the residence, and south of the central wing, is a landscaped garden, which rests just below the crest of the hill.
The building was the full-time home of Wright from 1911 until 1937, when Wright began to spend his winters at Taliesin West in Phoenix, Arizona, due to the effects of the Wisconsin winters on his health. For the rest of Wright’s life, the house was the summer home of Wright and the Taliesin Fellowship, and following his death, the house was deeded to the Frank Lloyd Wright Foundation, which operated and maintained the house as a museum and the home of multiple programs until 1990. Since 1990, the house has been under the stewardship of the nonprofit Taliesin Preservation Inc., which operates the house in conjunction with the Frank Lloyd Wright Foundation. The building is a contributing structure in the Taliesin Historic District, listed on the National Register of Historic Places in 1973, and designated a National Historic Landmark in 1976. Taliesin was one of eight Frank Lloyd Wright buildings listed as The 20th-Century Architecture of Frank Lloyd Wright World Heritage Site by UNESCO in 2019. Today, Taliesin is utilized as a museum, offering tours and interpretation of Frank Lloyd Wright’s life and work.
Chieh Huang, President, Global Collaboration Village, World Economic Forum; Kathleen O'Reilly, Senior Managing Director; Accenture Executive Sponsor, World Economic Forum Program; Global Lead, Deal Structuring and Pricing, Accenture, USA; Olivier M. Schwab, Managing Director, World Economic Forum; Sanford Climan, President, Entertainment Media Ventures, USA; speaking in Reception @ Global Collaboration Village session at the World Economic Forum Annual Meeting 2025 in Davos-Klosters, Switzerland, 22/1/2025, 18:00 – 19:30 at Congress Centre - Global Collaboration Village Room. Reception. Copyright: World Economic Forum / Chris Heeney