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Pipping structure | Washington County | 2010 | CPS 313 | Contact Paul Sebo, paul.sebo@co.washington.wi.us
I am delighted that I can now post some contemporary photographs. The conditions of my permits for South Bay kite aerial photography include a hiatus each year from the end of February to the start of September to avoid disturbing nesting birds. Thus, I eagerly await the start of fall and with it the chance to do some fieldwork.
On this occasion, I made a Saturday trip to the Eden Landing Ecological Reserve (ELER) near Hayward, California. I launched the kite from the west end of Salt Pond E13 and walked its northern perimeter to the Oliver Salt Works ruins. After hanging out at the new observation platform there, I then walked the levee separating E13 from E12. When I first started photographing at ELER this area was a dusty plain, the disused remnants of a former salt operation. Several years ago, as part of ELER’s Phase I Project, the restoration managers built a series of new levees and flow control structures so that the area could be tuned to serve as wildlife habitat. The levees created small sub-ponds, which have slightly different salinities and thus different colors.
After making my way down the levee to the pumphouse at the eastern end of the ponds, I paused to swap kites. The Sutton 30 I was using became painfully overpowered as the afternoon breeze freshened. Up went the Sutton 16, which was much more pleasant to handle and had ample lifting capacity. I then retraced my steps back up the levee and around Oliver Salt while shooting from a lower altitude. Altogether it was a pleasant day.
I am taking these documentary photographs under a Special Use Permit from the California Department of Fish & Wildlife. Kite flying is prohibited over the Eden Landing Ecological Reserve without a Special Use Permit.
shooting data :
Panasonic DMC-LX1
lens : 28-112 mm ( 16:9 ) : 28 mm
program auto exposure : - 1.33 EV
manual focussing : 3-6 feet zone setting, 6-15 feet zone setting
shooting mode : continuously
ISO : 80
date : Wed. 23 Aug. 2006
place : the upper deck of my junction station, JR Higashi-Kanagawa station south-east area, Yokohama canal, on the road of Route 15
JR --- Japan Railroad or something
higashi --- east
note :
I used my LX1 on 28 mm with 3-6 feet zone setting and 6-15 feet zone setting.
I used 3-6 feet zone setting for the person.
and I used 6-15 feet zone setting for the canal mainly.
and naturally,
LX1's battery was dead in 2 hours usually.
That was the place just near the main road to my Dai-koku Pier.
...
my frivolities
I went shooting with LX1 and W5.
W5 was using for the evening and night.
my W5 has f 2.8 and f 5.6.
and my W5 still had made stains on f 5.6 at that night.
but in the night, it is very hard to get f 5.6 naturally.
so I could use my W5 in my Dai-koku Pier with manual exposure for the evening and with auto exposure for the night.
I had to use my W5 by manual focussing with f 2.8.
but I did the normal mistake naturally again.
at first,
I had been shooting my W5 by manual focussing with f 2.8.
and soon I had been shooting my W5 by manual focussing with f 5.6.
and soon later I had been shooting my W5 with auto exposure entirely.
I found it on my Dai-koku Oo-hashi ( big bridge ) in the night.
I had already been shooting over 200 jpgs until then.
My memory stick pro could accept only around 250 jpgs plainly.
I couldn't do my shooting from the evening again.
It had already all been passing.
All the causes had been hidden in my W5's tiny little pushing buttons.
It comes from my frivolities.
...
Leica M8
my W5 had already come back from SONY for repairing with no cost.
so,
I don't have a need to use my frivolities any more.
the manual exposure setting was not my shooting style naturally.
I had been shooting by manual exposure in my film lording type camera days.
The film lording type camera days could not be coming any more for me probably.
That has two simply reasons,
One is from my monetary reason.
and the other,
Leica had released Leica M8 already.
The most of all someone had been saying like this.
" I only shoot film ! "
The monetary reason person had been using the plastic digital cameras.
With no monetary reason person would be soon using Leica M8 naturally.
I have been simply loved Leica since 1978.
M8 is my too much more more far away dreaming still now.
aibii_blue
Mon. 23 Oct. 04:13 PM 2006
edited : added ISO 80
Mon. 23 Oct. 07:15 PM 2006
The kind of creature you might meet in the twilight zone (between awake and sleep, abstract and concrete, here and there). They act very alien also, never even remotely fitting your preconceptions, so be careful! It has that same kind of spooky, dark non-descript background.
Its ok, its not real. Its a representation.
Gigaom Structure Data event at Pier 60, Chelsea Piers in New York, NY on Wednesday March 19, 2014. (© Photo by Jakub Mosur).
Questa immagine è di proprietà © Marco Brambilla, tutti i diritti sono riservati. l'immagine non può essere utilizzata senza autorizzazione del proprietario.
This image is copyright © Marco Brambilla, all right reserved. This image cannot be used without permission of the owner.
Further to the west on the spit are the buildings of the second phase. The most distinctive structures built during this phase were the two Vibration Test Buildings, now commonly referred to as ‘The Pagodas’ (National Trust buildings E2 and E3). The specification for the Vibration Test Buildings included the ability to withstand the accidental detonation of 400lbs (181.4kg) of high explosives; they were designed by G W Dixon ARIBA for the UK Atomic Energy Authority and are identical. Both Vibration Test Buildings, their control room and centrifuge were constructed in 1960.
They comprise a large reinforced concrete central cell 16.47m (54ft) by 7.30m (24ft) covered by a massive reinforced concrete roof supported on sixteen reinforced concrete columns. To the south and east of the main chambers are self-contained plant rooms. The main access to the building is from the south through an entrance passage which was originally sealed by a pair of outward opening metal covered wooden doors. On its western side, adjacent to the main entrance passage is a blocked doorway that led to a small staff room and toilet. Inside the buildings on the eastern side of the passageway one set of stairs gives access down to the main test cell and another to a walkway around the top of the chamber. At the end of the passageway is a lift pit, which allowed test pieces to be lowered on to the floor of the main test cell. To assist in manoeuvring heavy objects there are a number of substantial steel eyelets screwed into the underside of the roof. A travelling crane also ran on rails mounted on a ledge beneath the windows, a loose plate on the floor recorded ‘Becker twin Lift Maximum Working Load 40 tons serial A-2647-2’.
The floor of the main cell is formed of parallel and narrowly spaced steel ‘I’ section beams for test rigs to be firmly secured to the structure. To either side are cable ducts. At the same time as being vibrated objects might also be placed in jackets to simulate extremes of heat and cold, or in a portable altitude chamber to mimic the effects of altitudinal changes. Set into the north wall are seven steel plates with vertical cruciform slots that were also used for securing tests rigs or monitoring equipment. Below these are eight pipes opening from the service passageway to the north. In the south wall are three steel plates with horizontal slots, above the plate is stencilled 1-27ft and below it 1-7.5m. The walkway around three sides of the cell was originally protected by a handrail and there is another handrail fixed to the main wall. Running around the wall is a cable conduit and attached to the wall are various pipes for carrying electrical wires, switches, junction boxes and pressure gauges. Signs on the wall above the lift pit record ‘Telephone Instrument Room’, ‘Vac Pump Running, Vac Pump Stopped’ with associated light fittings. At the north east corner of the cell is a doorway to the rear service passage running east to west along the north side of the building. To the east a flight of stairs gives access to the eastern plant room. To the west another set of stairs provides access to the northern side of the lift pit, the upper walkway and to an emergency escape passage through the north side of the traverse. To the south of the main cell are free-standing Burwell brick-built plant rooms. The main plant room is entered through two sets of double doors on its south side, internally are four machinery mounting plinths. Attached to its west wall is a metal cabinet that probably housed equipment to operate the hydraulic compressor for the internal lift. At the eastern end of the building is a store room with a blocked doorway to the south.
Shot for my first photography course assignment, Light and Shadows.
This was my favorite one of the bunch I think. I happened upon this early in the morning at a local park gazebo.
This is one of those situations where I was hoping there wasn't any morning joggers going by to see me laying down flat on my stomach, hanging off the gazebo with a camera. Would have been a bit weird.
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KOI Music Fest. Sept 18/2010 @ The Wax Kitchener
www.myspace.com/wearestructures
Fave Band! Mad stoked that I got to see these guys again!