View allAll Photos Tagged strobe
1 strobe to background.
1 strobe from above-right.
1 white reflector left.
Edit with photoshop.(overlay 3 layers with scrathes)
Speedotron strobe at CR behind me bounced into umbrella. Another with reflector direct into the chimney for slight "drama" and to give more contrast than what the umbrella is putting out.
First time shooting with my own, Sam wasn't around since he was still living in Van, so I rocked out by myself. I didnt do too bad I think, let me know what I can improve on though.
And sorry if people are still actually following this stream, I'll be uploading more now I promise!
Captured: 30/08/2016 15:28:07
Camera: NIKON D750 (NIKON CORPORATION)
Lens: 150.0-600.0 mm f/5.0-6.3
Focal Length: 240 mm
ISO Speed: 200
Aperture: f/8
Shutter Speed: 1/640 sec
Set Up _ 2 strob with square softbox in front of model, 2 strob with square softbox in side of model for sidelight & 1 more strob with square softbox in the back for background.
Strobe Highway
Canon EOS 600 with EF 1.8/50 (I)
F/8, Aperture Priority AE, ISO 50
Kodak VP+ 200 expired 2/2002
Exposed 26.6.2021
Digitized with DSLR
Gaming: on the EOS 600 you can set the number of exposures for a frame from 1 to 9, in addition the camera has a fast motor drive, up to 5 fps when the continuous AF is switched off. Here I select 5 exposures, exposure correction -2 EV, continuous shooting, manual focus and aperture priority AE. Then I pressed the shutter button until the camera stopped after 5 exposures automatically and the film was transported. Yes, there is no reason for the camera to stop (not until the end of the film), because continuous shooting is selected, but a clever programmer had thought of that case and built in that stop, nice. As you can see, I didn't use a tripod.
If you want to estimate the speed of a car, perhaps of the silver one in the foreground:
It is perhaps 4 to 5 m long, so it moves about 7 m per frame.
Duration from frame to frame: 1 / 5 fps = 0.2 s
7 m / 0.2 s = 35 m/s = 126 km/h ~ 79 mph
Experimenting strobe with long exposure.
Nasif. Taken at Martyred Intellectuals Monument, Rayerbazar, Dhaka, Bangladesh.
Please don't use or alter this image on websites, blogs or any other media without my explicit permission. © All rights reserved.
Her eyes are blue, and blue eyes up close are a celestial phenomenon: nebulae as seen through telescopes, the light of unnamed stars diffused through dusts and elements and endlessness.--Laini Taylor, paraphrased
Model: Ash Tayler
Promotion of my good friend (in the middle).
Two flashes:
YN-560III @1/8 with 1/4 CTO through the 100 cm umbrella from the top;
bare SB-700 @1/16 behind the subjects in thу slave mode
Took some time today to expand on my challenge of photographing smoke. I ended up with 11 interesting photo's that show how amazing a single trail of smoke can appear when captured in a photograph and "colorized" to enhance some of the details. Like flames in a fire or clouds in the sky, these smoke trails can - with a little imagination - become nearly anything!
Photographs were taken of smoke rising from a single incense stick, using two (2) off camera strobes set at varying power levels ranging from 1/2 power to 1/8 power. One flash was set at just over 90 degrees to the camera (to reduce lens glare). The second strobe was set in front of the smoke and below the incense stick facing upwards.
Smoke-Champagne Vapor Trail (4599)
Comments and constructive feedback are always appreciated!
Strobe on high power with beauty dish above and very slightly to right hand side/front of model. Strobe on medium power with soft box pointing to background. Triggered via remote rf. Huge reflector below scene pointing white to model.
Bit of a test we tried at the Essex group shoot.
The background was white and there was quite a bit of ambient light which made this pigging difficult. Much easier on a black background in a dark room.
580EX II camera left, 554EZ camera right both set in "Multi" mode at 3Hz, 6 flashes and 1/32 power. Triggered with RF-602 wireless.
I've been on a real black and white kick recently and I'm not sure why. You'll never guess where this idea struck me......in the shower.....what a shock. I tried a few color versions of this shot but none of them really worked. I think that the B&W really suits the vibe.
I've been catching up on some of my contacts photostreams recently and its really amazing what some people can do with a camera.....this shot has got to be one of my favorite shots of all time.
Thanks for looking!
Russ
Model: Sophie
Hair: Carrie & Emma
Make-up: Emma
Strobist
Key: SB-900 through softbox
Fill (under): SB-900 through brolly
Hair: SB-900 through grid spot
This is most of the camera gear (on the electronics side) I own. Check notes for details.
In the Pelican 1550 (center), I carry my cameras & glass--everything except the 70-200 f2.8 IS. Still trying to figure out whether to stuff it in here or not. I'll probably end up getting the padded divider kit for a little more stuffing room.
In the Seahorse SE520's, I carry all the miscellaneous stuff--wires, filters, spare clamps, bungees, Pocket Wizards, whatever. I usually only travel with one, so it's my "useful" case and the other is mostly for storage.
I throw a reusable silica pack in each box just for good measure.
Most of the time I pack out what I need in a Lowepro Vertex 300AW, but this is how I store everything when I won't be shooting for a while, or going on long road trips.
I originally got these boxes when I was the ship's photographer onboard USS LOS ANGELES (SSN 688). They were much safer being stowed in the belly of the beast, since it's near impossible to move about without banging against everything. Plus, in a submarine atmosphere (which contains multiple known carcinogens, and is a generally oily and unpleasant environment) the airtight seal protected my gear from contamination from airborne refrigerant, oil, polyamine, and paint fumes.
Not included is my laptop & paraphernalia, other travel options, and my light stands & modifiers. Stay tuned!
Sp / Sp.
Flash Force Attack :
- 580 ex ii - 1/2 power - 45 degrees model´S right.
- 430 ex ii - 1/2 power 70mm zoom - direct on the graffitti.
More on the high-speed strobe project:
vincenta.scripts.mit.edu/home/index.php?option=com_conten...
and yes, that is a paper towel in the back.
Single light above and LHS of frame with soft box on quarter power, single light behind model with dark purple gel attached on high power.
This was a difficult one to set up. We had to light the stained glass -- otherwise it would have been very dark -- and then we had to light each ghost separately. The intention was to process it to look like an episode of "Twilight Zone". I was so addicted to reruns of that show when I was a kid.
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Model: Loren Burgos
Hmua: Kim Templonuevo
John Tepaurel 2013
All photographs and text appearing in this album are copyrighted to John Tepaurel. All Rights Reserved 2013. The photographs may not be copied, reproduced, redistributed, manipulated, projected, used or altered without the prior express written permission of John Tepaurel.
John A. Tepaurel Digital Photography johntepaurel@yahoo.com
It's been to long since I've played around with the strobes in class. I debated for awhile whether or not to upload this shot or the Black&Whtie version. I went with this one. (Duh) What do you think?
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Camera info:
Canon T1i, Canon EF 135mm f/2L, f/8, 1/200s, ISO 100
Strobist Info:
-AlienBee B800 shot through a Reflective umbrella boomed above camera and in front of subject. 8 feet high and 5 feet away from subject. 1/8 Power
-AlienBee B800 shot through a White Beauty Dish camera left 5 feet high & 5 feet from subject. 1/2 power
-AlienBee B800 with 9 inch reflector behind subject for rim. 1/2 Power
-Flash trigged with CyberSync triggers
Comments? Crit?
Canon EOS 7D
EF24-70mm f/2.8L USM
This was a fun shot of my brother. Thanks bro for letting me hold you hostage for a few hours! Taken at Golden Gards a few hours before sunset. I originally had an idea of my head much like a photo of an athlete leaving the locker room to enter the stadium shot from behind but my brain just wasn't giving me the shot I wanted!
Instead of my moving all my lights, I quickly recomposed and shot against the nearest wall for a quick headshot.
Strobist info: I changed things up a little bit by adding a
nikon speedlite through a cowboy studio softbox on the ground pointed up at him for a nice fill.
A canon 430exII was place behind him and my camera left for the rim to light on his cheek and help cut up his jawline.
The Key is another 430EXII camera right and just above his head.
Captured using Sync and Delay, with a microphone sensor and delay of 1.4 ms.
PC: Vincent T, Kiran W, Christina S, Anish P, for MIT 6.163 Fall 2015