View allAll Photos Tagged strobe
Exposure set to capture the ambient light of the dashboard. To highlight the steering wheel one YN5600III speedlight was used on camera right with a Rogue grid with 25°. Power was at 1/16 th controlled via the YN560TX controller.
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One Strobe Lighting : SB900 In a Shoot thru umbrella at camera right.
Nikon D7100
f/5 | 1/250 | ISO 800 | 70MM
1 SB600 @ 1/4 power for fill in shoot thru umbrella boomed above subjects.
Strobe triggered by Phottix Atlas II
(title inspired by the song "Stories To Tell" by Dave Barnes)
Made a trip to Medicine Hat to hang out/shoot photos with my buddy Justin, who is also a killer photographer. Justin had this awesome idea to have all the lights/modifiers we had with us up in the shot. Here's the resulting frame
Check out his work!
Strobist info:
too much to type out, i'm sure you can see them all.
Triggered via Cybersyncs
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Shot @ Home Studio :)
Strobe info - Vivatar 285HV, 1/16 pwr on camera's right to the eye level & a reflector to my front :)
Btw, i have started doing shoots for clients.. so, if anyone is interested in getting their family/kids/teens portrait done.. you can mail me at sowmya0304@gmail.com
580exII with medium softbox high cam left, 1 strobe point at wall cam right
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Image taken on Wed. 09/12/2018 at The Phoenix Zoo. SB-800 thru Gary Fong Lightsphere on camera. Lightroom CC + Photoshop CC. Nikon D850 + 70-200mm f/2.8 VR Thanks so much for viewing!😊
Strobist: Two speedlights, one against the background with a colored gel, one for the glass. With the second one I tried two alternatives: (1) a self-made snoot (rolled black cardboard), (1) an indirect light by flashing against a piece of white paper. The second one yields a nice softbox effect by enlarging the light source. The speedlights are triggered via a "Jokie" light barrier.
Post processing in Photoshop: Cloning out some spots, slightest contrast increase, white balance, sharpening.
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You wanna try this yourself? Don't do it, it's an incredible mess.
You still wanna? Take water instead of cream.
Still wanna use cream? Make sure, your partner is not at home! :-)
Captured: 30/08/2016 15:22:44
Camera: NIKON D750 (NIKON CORPORATION)
Lens: 150.0-600.0 mm f/5.0-6.3
Focal Length: 220 mm
ISO Speed: 200
Aperture: f/8
Shutter Speed: 1/640 sec
A flood of family pics... This is Grayson... If a strobe is defined as an externally triggered light source, then I guess this flashlight shot is my first strobe...
A brand new Vauxhall Movano Commercial Vehicle Unit seen parked at a Commercial Vehicle check on Embankment, London.
Multiple strobe set-up in the exhaust chamber of cell 4. The pipes are what's left of the inhibitor torches, and would have had high pressure gas pumped through them and ignited. The powerful flames, resisting the 2000mph wind would then burn off any excess fuel in the exhaust gasses reducing the risk of explosion. I wouldn't have liked to stand there while that was going on.
One of the few shots we took that shows the scale of this place!
strobe info: single 580 exII with sto fen omni bounce left of camera fired with flexTT5
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Altadena, California, USA
Model and makeup : Lake Sharp
Costume : Rose Dessaint and Bridget Philips
Assistants : Linda and Jeff
My first experience to fake outside the light using strobes.
Day was overcast so I need to use the strobe to re-create the golden light.
Light rig using 3 Strobe Einstein 640W :
- Back light : fake sun using 8.5-inch High Output Reflector, Honeycomb Grids and orange LEE gel
- Front left light " 47" foldable octabox
- Front right " 10" x 36" foldable stripbox
Thanks James to lend your fantastic strobe kit !
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Modele et maquillage : Lake Sharp
Costume : Rose Dessaint et Bridget Philips
Assistants : Linda et Jeff
Ma première expérience pour simuler un éclairage naturel avec de flash.
Cette journée était brumeuse, me faisant perdre cette belle lumière d'hiver que j'avais constater la veille lors de mon repérage.
Pour cette photo j'ai utilisé 3 flashs Einstein 640W :
- Derrière le modele : Un faux soleil utilisant 8.5-inch High Output Reflector, une grille d'abeille et un filtre LEE orange
- Devant á gauche : 47 pouce softbox (octabox)
- Devant á droite : 10" x 36" foldable stripbox
Merci á James pour le prêt de son fantastique ensemble de flash studio !
Model: Marion
ISO 100, 50 mm, f/4,5, 1/160 Sek.
Say hello again to Marion. These pictures were taken during a spontaneous photo session next to our pool. Her tan was imported directly from the sunny beaches of Italy. She returned from her family vacation the prior day. Played around with the colors a bit, some skin retouching in Photoshop... et voilà!
Strobist info: The whole nine yards. My Nissin Di866 at full power shot into a Westcott umbrella from very high left. One bare LumoPro LP120 from the back left at 1/2 power for rim and water reflection. Another bare LP120 at 1/4 power to the front right for fill. All fired by Cactus V4 radio triggers.
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Ring flash effect with large light sources rocks! :P
Comments of all sorts are - as always - highly appreciated!
Lighting info
- Key: 1 Quadra A Head / Elinchrom Octa 135cm / straight on, behind camera
triggered with Elinchrom Skyports
Gear info
- 5D II @ 1/100s, ISO250
- 24mm ƒ/1.4L II @ f/14
7D+18-135mm|250s|f8|iso160|fl18mm
strobist info : using 3 ligh softbox v180+gel+trigger
1 lighting put on the top + 1 lighting i put on foreground + 1 light on the background
Explore#498 April 5 2009
test shot! la kasi model! self timer mode nainip ako kaya almost out of screen
Janaina
Strobe info: a single remote SL 580EXII on the left side, inside a 60x60cm softbox, with 1/2 CTO gel.
Curitiba, Brazil.
Cape Maeda
Okinawa, Japan
Canon G7X Mark II
Recsea CW housing
Z240 external strobes
Sola photo 1200 L&M
Tusa TUL 1000 flood light
my first attempt at a composite image
Strobe:
Background:
HDR of 3 separate images
Foreground:
2 AB800 @ 1/2 power behind subject left and right, bare.
1 SB28 @ 1/2 power in medium softbox camera left
triggered by 2 radiopopper jrx recievers
Some new macro tubes, a black chopping board and a strobe makes for a nice looking Kenneth Cole cuff link advert. Flash with umbrella set above and slightly behind the subject
Iv'e been working on my posing as well as post production.
Shot this using three lights.
One strip box to her left to simulate the light from the window. Another stripbox to her right. And a a big octabox behind the camera toward her as a fill light.
PP:
frequency separation to keep the texture but balance the light on her skin.
Added grain and used curves and HSL for the color.