View allAll Photos Tagged strobe
I took this picture during some spare time with my girlfriend at her home, and improvvised something..... we had a good time :) Some more pictures on my page
Strobist : Single shot thru umbrella to camera left.
Shot @ Home Studio :)
Strobe info - Vivatar 285HV, 1/16 pwr on camera's right to the eye level & a reflector to my front :)
Btw, i have started doing shoots for clients.. so, if anyone is interested in getting their family/kids/teens portrait done.. you can mail me at sowmya0304@gmail.com
Exposure set to capture the ambient light of the dashboard. To highlight the steering wheel one YN5600III speedlight was used on camera right with a Rogue grid with 25°. Power was at 1/16 th controlled via the YN560TX controller.
Stéfany Des Rosiers Two 300 w/s strobes ( one full power, one 1/3 on right side , one speedlight over ) one softbox on right, no on the left . triggered by cactus V5
One half of Kite at their excellent show at The Dome, London.
This shot was actually something of an experiment too.
Turns out, Kodak Gold will push to 3200, just about!
I LOVE the lighting and vibe of this, even though the focus is iffy (using a rangefinder in the dark with only strobe lighting is HARD haha)
It really captures the atmosphere of that night :)
Shot with my Fujica GW690 at f3.5 1/30th, on Kodak Gold 200 in 120.
Developed +4 stops with Bellini's C-41 kit, as always in my kitchen sink!
Underwater abstract art
This is a closeup of an encrusting sponge (Nara nematifera)
Location- Awase, Okinawa-Japan
Depth: 65feet
We went out to the blocks ( artificial reef ) with Destiny Charters. A great location for macro photography. Get out and try some new diving spots on the east side of the Island-
Check them out- highly recommended professional service!
Camera 70d 60mm macro
Ikelite Underwater housing
Ikelite strobes x 2
1 Light&Motion sola light
Captured: 30/08/2016 15:22:44
Camera: NIKON D750 (NIKON CORPORATION)
Lens: 150.0-600.0 mm f/5.0-6.3
Focal Length: 220 mm
ISO Speed: 200
Aperture: f/8
Shutter Speed: 1/640 sec
A flood of family pics... This is Grayson... If a strobe is defined as an externally triggered light source, then I guess this flashlight shot is my first strobe...
I'm kinda' a DIY sorta' guy, and so I really enjoy building my own sorts of lighting devices, clamping/mounting systems, along with doing some basic electronic modifications. All of this is quite in line with the whole Strobist way of thinking and working, and I've been meaning to post some of my DIY builds onto Flickr for some time. What you see above is a simple lil' device that's turned out to be amazingly handy for me -- insanely handy at times -- and It's also pretty dang' cheap to build (about $2.20). Five of these suckers in the kit bag costs less than a pound of (good) coffee.
Basically, what I have here is a clamp that's strong enough to hold some fairly heavy lighting gear, and a long enough spud sticking out of the clamp so that an umbrella stand/hot shoe mount can be screwed down onto it. I regularly mount my small Chimera Soft Box onto this clamp, a Photoflex hot shoe mount, a Vivitar 285 (with either E-bay trigger or Pocket Wizard), etc, etc...
All of the parts for this (or very similar parts) can be found at Home Depot, Lowe's, Ace Hardware, whatever... You might have to do a bit of poking around in order to find the most important part of this set-up (the "coupling nut"), though you'll likely discover all sorts of other fun and interesting stuff while wandering around. Here's the full parts and price list:
Home Depot "Greenie" Clamp -- $.99
One inch long, 5/16th Coupling Nut -- $.80
One-and-a-quarter inch, 5/16th-20 bolt -- $.24
**Note** I was just e-mailed and told that a 5/16th bolt has an "18 thread, not a 20."
Two Flat Washers -- $.12
One Split Washer (a/k/a: "locking washer") - $.05
Construction of this should be fairly obvious once you have all the parts together, though some drilling (with a 5/16th bit) will be necessary in order to get the bolt through the handle of the clamp.
All in all, this is quite similar to a clamping device that Mr. Strobist (David Hobby) used in his "Speed Lighting a Gym" tutorial, though I do think that the use of the coupling nut is a bit of an improvement. The hexagonal design of the nut keeps any sort of object that's mounted onto the clamp from shifting or spinning around.
Here's a link to Strobist's "Speedlighting a Gym" article:
strobist.blogspot.com/2007/02/on-assignment-speedlighting...
Myself, I've included some real world examples of the clamp in use along with this posting. Just click through the slideshow for the next two images.
*****************December 10th -- A Quick Heads Up*****************
For those of you who have an interest in some of the other DIY gear that I've been working on, I have a very brief posting on my blog (doesn't everyone have a blog these days?) in which I show a really crappy photo of a new strobe mount that I've just built -- a flexible strobe mount with a big clamp at one end of the arm. If the "click link" above doesn't work, here's how to find my blog:
www.theglobalphotographer.blogspot.com
I'll end up writing quite a bit more material about the flexible strobe mount in just a few more days -- still doing a shakedown cruise with it -- for the moment, what I have up on the blog is sorta' a sneak preview
Matt
**************************************************************************
A moon jelly (Aurelia aurita) drifts near the surface at Blackbird Caye, Belize. The petal pattern in the center of the jellyfish is its gonads, and it feeds on other jellies, plankton, and mollusks. Unfortunately (or fortunately) for jellyfish, their mouth is also their anus, so they get to taste their meal twice. Yum!
I saw a video last night by Bryan Peterson that showed how to make this image, and decided to try it myself. This was done by shooting through a windows screen that was sprayed with an emulsion of water and cooking oil, and an out of focus colorful scarf behind the screen. I used all three of my Kenko extension tubes in order to get close to the screen. Here's a link to that video which is on Adorama's learning center ..... www.adorama.com/ALC/Article.aspx?googleid=0013661&ali....
The only change I did to Bryan's technique was to aim a Strobie 130 flash through a snoot to brighten up the background. The strobe was in manual mode and was triggered by a Tiny Trigger from scottrobertstudio.com.
Other pictures featuring bright colors and emulsions can be seen in my pretentiously named, Emulsion Art set. www.flickr.com/photos/9422878@N08/sets/72157625787156195/...
ISO100
exposure1/125 @ f.16
Strobist: 1 Strobe directly behind - 1 Strobe slightly to the left
Ratio: 8:1
Triggered Via cable from Macro Light.
Blog: www.mnphotoblog.com
Playing with my new camera, its new macro filter, along with my big strobe and a box of matches. My first attempt at smoke. I think I may have to get some incense and do more of this now.
Three light set-up.
One overhead 22 inch beauty dish.
Two edge lights in small soft boxes from behind.
This image is protected by copyright, no use of this image shall be granted without the written permission from Joel Grimes.
For more behind the scenes, blog and tutorials visit my site:
Altadena, California, USA
Model and makeup : Lake Sharp
Costume : Rose Dessaint and Bridget Philips
Assistants : Linda and Jeff
My first experience to fake outside the light using strobes.
Day was overcast so I need to use the strobe to re-create the golden light.
Light rig using 3 Strobe Einstein 640W :
- Back light : fake sun using 8.5-inch High Output Reflector, Honeycomb Grids and orange LEE gel
- Front left light " 47" foldable octabox
- Front right " 10" x 36" foldable stripbox
Thanks James to lend your fantastic strobe kit !
-----
Modele et maquillage : Lake Sharp
Costume : Rose Dessaint et Bridget Philips
Assistants : Linda et Jeff
Ma première expérience pour simuler un éclairage naturel avec de flash.
Cette journée était brumeuse, me faisant perdre cette belle lumière d'hiver que j'avais constater la veille lors de mon repérage.
Pour cette photo j'ai utilisé 3 flashs Einstein 640W :
- Derrière le modele : Un faux soleil utilisant 8.5-inch High Output Reflector, une grille d'abeille et un filtre LEE orange
- Devant á gauche : 47 pouce softbox (octabox)
- Devant á droite : 10" x 36" foldable stripbox
Merci á James pour le prêt de son fantastique ensemble de flash studio !
Model: Marion
ISO 100, 50 mm, f/4,5, 1/160 Sek.
Say hello again to Marion. These pictures were taken during a spontaneous photo session next to our pool. Her tan was imported directly from the sunny beaches of Italy. She returned from her family vacation the prior day. Played around with the colors a bit, some skin retouching in Photoshop... et voilà!
Strobist info: The whole nine yards. My Nissin Di866 at full power shot into a Westcott umbrella from very high left. One bare LumoPro LP120 from the back left at 1/2 power for rim and water reflection. Another bare LP120 at 1/4 power to the front right for fill. All fired by Cactus V4 radio triggers.
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El modo Multi o estroboscópico puede dar unos resultados asombrosos si es bien usado. Como pueden ver en la fotografía tomada, capté a la actriz Nayra Ortega en diferentes momentos mientras hacia una acrobacia. Para hacer dicha captura los parámetros que use fueron:
Flash:
Modo Multi
20 - 5 hz
24mm
1/32
Cámara:
1/125
ISO 100
F 5.6
Made a trip to Medicine Hat to hang out/shoot photos with my buddy Justin, who is also a killer photographer. Justin had this awesome idea to have all the lights/modifiers we had with us up in the shot. Here's the resulting frame
Check out his work!
Strobist info:
too much to type out, i'm sure you can see them all.
Triggered via Cybersyncs
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