View allAll Photos Tagged streamlined

One of the highlights of the Newbury Classic Vehicle Show was this Hillman Aero Minx Streamlined Saloon. Newbury Racecourse, Berkshire, UK. 2019/08/11

This image shows the northern terminus of an outflow channel located in the volcanic terrains of Amenthes Planum.

 

The channel sources from the Palos impact crater to the south, where water flowed into the crater from Tinto Vallis and eventually formed a paleo lake. As rising lake levels breached the crater's rim and inundated the plains to the north, the resulting high velocity, large discharge floods plucked out and eroded the volcanic plains, scouring out the "Palos Outflow Channel" and the streamlined mesa-islands on its floor.

Perhaps impression of Thor's hammer?

Streamlined trailer, Scipio, Utah

Another 'Tricycle Gear' Machine

 

While James Oliver manufactured America's first chilled iron plow in 1853, John Deere developed America's first cast steel plow in 1838. In 1892, John Froelich combined a vertical gasoline (petrol) engine with the frame of a steam traction engine to create the first gas-powered tractor. In 1918, Deere and Company bought out Froelich's Waterloo Engine Company and started to produce the world's longest running line of tractors.

 

Because of the inline intake and exhaust stacks and the seven slot grille, I believe this unit is a 'styled' Model B. Although the first Model Bs appeared in 1934, they were somewhat ugly affairs until Henry Dreyfuss redesigned and streamlined them in 1939. In 1947, Deere changed the frame from cut beam to pressed steel. They continued in production until 1952, when Deere replaced them with the Model 50. This Model B was built between in the five-year period between 1947 and 1952.

Norfolk Southern Office Car Special #951, led by a vintage 1952 streamlined EMD F9(A) diesel locomotive, passes through Lynchburg, crossing Rutherford Street near the stadium at around 12:45 PM Wednesday afternoon, May 1, 2019, en route with VIP's from Norfolk, Va., to Bluefield, WV. About two hours prior, the train hit a vehicle caught between the gates and stopped on the track in Appomattox. Sadly, the driver of the vehicle did not survive.

The Crusader was the Reading Company’s contribution to the high-speed steam-hauled prestige trains of the 1930s. Less well known than trains such as the Milwaukee Road’s Hiawatha and the LNER’s Coronation streamliners, the Crusader was launched in 1937, comprising a fixed formation of five stainless steel cars built by Budd Co., hauled by a stainless steel-shrouded streamlined Pacific class. The 5-car formation included observation cars at each end, a tavern dining car and a cocktail lounge. The service ran between the Reading Broad Street terminal in Philadelphia and the Central Railroad of New Jersey Communipaw Terminal in Jersey City - a journey of 90 miles. A ferry service connected with Manhattan. Diesel haulage replaced steam around 1950. In the final years of operation, Budd RDC railcars provided the much-depleted service. Two of the Budd streamlined coaches have survived in preservation.

Streamlined Sundays: Cars in the Park

WHEN: July 8, 2018 @ 1:00 pm – 4:00 pm

40 classic sports cars from 1967 and earlier will line the Park Blocks outside the Museum for this month’s Streamlined Sunday, a program of The Shape of Speed. Ranging from 1930’s Alfa Romeos to competition Ferraris from the 1960s, Cars in the Park is the kickoff for Keith Martin’s Sports Car Market 30th Anniversary Tour.

A rather fine trade brochure issued by English Electric showing the modern tramcars constructed for a handful of operators at their Dick, Kerr Works in Preston, Lancashire. These works had a long pedigree in the construction of British tramcars; they came to English Electric when the company was formed in 1919 by merger that included Dick, Kerr & Co. They had their origins in Glasgow in 1854 and had important engineering works in Kilmarnock acquiring the Preston works in 1893. The company did well out of the trend towards municipalisation and electrification of earlier horse and steam tramway systems.

 

By the mid-1930s British tramway systems were mostly in decline as first generation electric networks were in need of significant investment at a time when the motor bus was an established competitor that was seen as having more flexibility along with smaller capital outlays. In addition, with the growth of road raffic, the British Government had spoken out against trams on the perceived grounds of congestion and safety.

 

Nevertheless a few operators experimented with modernising their systems and tramcar fleets. Some of the operators here undertook such work rather partially, such as Sunderland and Rotherham, and the new trams added to the fleet sadly were unable to turn the tide towards abandonment. Belfast, seen here, were effectively on the cusp of converting their system to trolleybus operation, a programme that began in 1938 and doomed the tramways.

 

Edinburgh's examples were the harbingers of a large fleet of new 'standard' cars that the Corporation constructed themselves with designs drawing from the cars purchased from outside contractors such as EE and the system survived intact into the 1950s when the seemingly inevitable decision was made to abandon the system and replace trams with buses that concluded in 1956.

 

Other systems seen here, Leeds and Blackpool, were also amongst undertakings that made determined efforts to modernise their fleets and network; in the case of the former, Leeds remained relatively faithful to trams until the decision was made in the mid-1950s to abandon by 1959 and in the case of the latter Blackpool, the great Lancashire seaside resort, was to end up being the UK's last street tramway operator. These EE products, along with later cars constructed in the 1950s, enabled the trams to keep running in the resort until finally modernisation into a more 'light mass transit system' took place in the 2000's.

 

English Electric have chosen a distinctly contemporary and moderne design for the brochure here using the popular '30s deco 'streamlined' design to sell a story of modernity and technological advance. This was a real attempt to promote a new look for the increasingly derided 'old fashioned' and seemingly 'uncomfortable' tramcar that was common at the time. The cover is unashamedly based on one of Blackpool's fleet as supplied by EE.

Daisy can run much faster when she has her ears tucked in ... more aerodynamic!

+++ DISCLAIMER +++

Nothing you see here is real, even though the conversion or the presented background story might be based historical facts. BEWARE!

 

Some background:

The Focke-Wulf Fw 190 Würger (English: Shrike) was a German single-seat, single-engine fighter aircraft designed by Kurt Tank in the late 1930s and widely used during World War II. The 190 was used by the Luftwaffe in a wide variety of roles, including day fighter, fighter-bomber, ground-attack aircraft and, to a lesser degree, even night fighter.

 

The Fw 190 became the backbone of the Jagdwaffe (Fighter Force), along with the Bf 109 which it never entirely replaced. On the Eastern Front, the Fw 190 was versatile enough to use in Schlachtgeschwader (Battle Wings or Strike Wings), specialized ground attack units which achieved much success against Soviet ground forces. As an interceptor, the Fw 190 underwent improvements to make it effective at high altitude, enabling it to maintain relative parity with its Allied opponents. The Fw 190A series' performance decreased at high altitudes (usually 6,000 m (20,000 ft) and above), which reduced its effectiveness as a high-altitude interceptor, but this problem was mostly rectified in later models, particularly in the Junkers Jumo 213 inline-engine Focke-Wulf Fw 190D series (nicknamed the Dora; or Long-Nose Dora, "Langnasen-Dora"), which was introduced in September 1944.

 

The Fw 190 D was intended to improve on the high-altitude performance of the A-series enough to make it useful against the American heavy bombers of the era. In the event, the D series was rarely used against the heavy-bomber raids, as the circumstances of the war in late 1944 meant that fighter-versus-fighter combat and ground attack missions took priority.

 

To make matters worse, the D was only seen as an interim solution, as Kurt Tank made it very clear that he intended the D-9 to be a stopgap until the Ta 152 arrived. These negative opinions existed for some time until positive pilot feedback began arriving at Focke-Wulf and the Luftwaffe command structure. Sporting good handling and performance characteristics, the D-9 made an effective medium altitude, high speed interceptor, although its performance still fell away at altitudes above about 20,000 ft (6,100 m). When flown by capable pilots, the Fw 190D proved the equal of Allied types.

 

With the ever increasing threat of Allied bomber raids and the advent of the formidable Ta 152 fighter, several designs were tried in order to create a long range interceptor from the D-9. From the start it was clear that the increment in range would call for added fuel, which in turn would limit payload and performance to a level that rendered the idea pointless. Anyway, Georg Hager, a young engineer proposed a radical new idea, which was similar to the Twin Mustangs' idea which was under development at the same time in the USA for the Pacific theater: mating two Dora fuselages into a two-engined aircraft, which would meet the Luftwaffe's requirements and could mostly be built with the help of existing tools and jigs, getting it into service with almost no delay.

 

The result was the Fw 190 Z (for 'Zwilling' = Twin). The airframe was based on the single-engined D-13 fighter, only one cockpit was installed into the left fuselage, the respective space in the right fuselage was faired over and used for an internal tank.

The outer wings were directly taken from the Fw 190 D, even though the landing gear was totally redesigned: it retracted backwards into the lower fuselage and was fitted with twin wheels.

Both fuselages were connected by a new wing center section and a new tailplane, both of constant chord and simple construction. As Aluminum became scarce in the late years of WWII, some constructional changes had to be made, e. g. a rigid central wing spar made from steel. In other places, wood elements replaced Aluminum parts on the wings.

 

Two prototypes of the Z-16, how the type was officially called, were built in late 1944 and tested until March 1945. As the type proved to offer sufficient performance and no major handling problem was found, it was immediately put into production and service.

 

The Z-16 was fitted with all-weather flying equipment including the PKS12 and K-23 systems for steering and autopilot. The FuG 125 radio system, known as “Hermine”, was fitted to the aircraft, as well as a heated windscreen. The aircraft also featured a hydraulic boost system for the ailerons, which had been developed for the Ta 152. Armament consisted of six machine cannons, and this heavy armament allowed the Z-16 to deal quickly with enemy aircraft. Each fuselage carried three weapons: one 30 mm (1.18 in) MK 108 Motorkanone cannon centered within the propeller hub and two synchronized 20 mm MG 151/20 cannons located in the wing roots. Under the center wing, bombs of up to 1.000 kg caliber (2.202 lb) or drop tanks could be carried. Under the outer wings, wooden racks with 2× 12 unguided 'R4M' 55 mm (2.2 in) air-to-air rockets could be carried, too. One or two of these rockets could down even the famously rugged B-17 Flying Fortress.

 

With its two Jumo 213E engines the Z-16 was capable of speeds up to 755 km/h (472 mph) at 13,500 m (41,000 ft, using the GM-1 nitrous oxide boost) and 560 km/h (350 mph) at sea level (using the MW 50 methanol-water boost). To help it attain this speed, it used the MW 50 system mainly for lower altitudes (up to about 10,000 m/32,800 ft) and the GM-1 system for higher altitudes, although both systems could be engaged at the same time.

 

A further step in order to increase performance was the experimental installation of a jet booster: a single Junkers Jumo 004 B-1 turbojet, rated at 8.8 kN (1,980 lbf) was installed under the central wing section, with wet hardpoints for two 250 l (55 imp gal; 66 US gal) drop tanks on each side.

The results were so promising (top speed climbed to 805 km/h/500mph while range was not reduced) that this Rüstsatz measure, originally designed only as an optional feature for a Z-16/R-1, was fully integrated into the production type, which became the Fw 190 Z-17. This type was immediately ordered into series production in September 1945 and was to fully replace the Z-16, which had just been started to be delivered to the Luftwaffe.

 

Anyway, as the Jumo 004 was mostly reserved for the Me 262 'Schwalbe' jet fighter and the simpler Ta 152 still had development priority, only about 50 Z-17 and a further 40 Z-16 without the jet booster were delivered until the hostilities ended. They were exclusively used in the Zerstörer (Bomber destroyers) role. From the pilots the Fw 190 Z earned the nickname “Gurkenhobel” (Cucumber slicer), due to its unique shape, but it was nevertheless well-liked and its firepower made it an effective weapon against Allied bomber formations.

 

Plans had been made to develop the Fw 190 Z into a two-seated night fighter (with the second cockpit in the right fuselage re-installed), but this was not carried out. A high altitude version, with the long outer wings from the Ta 152 H, also remained on the drawing board, and at least one Z-16 had been tested with a 55 mm MK214 autocannon, carried in a streamlined pod under the central wing where the Z-17’s jet booster was originally installed.

  

General Focke Wulf Fw 190 Z-17 characteristics:

Crew: 1

Length: 10.20 m (33 ft 5½ in)

Wingspan: 14.580 m (47 ft 9 in)

Height: 3.35 m (11 ft 0 in)

Empty weight: 15,997 lb (7,271 kg)

Loaded weight: 4,270 kg (9,413 lb)

Max. takeoff weight: 11,632 kg (25,591 lb)

 

Powerplant:

2× Junkers Jumo 213E liquid-cooled inverted V-12, 1,287 kW (1,750 PS; 2,050 PS with MW-50 boost)

1× Junkers Jumo 004 B-1 turbojet, rated at 8.8 kN (1,980 lbf)

 

Performance:

Maximum speed: 805 km/h (500 mph) at 6,600 m (21,655 ft), 740 km/h (460 mph) at 37,000 ft (11,000 m)

Range: 1.800 mi (1.563 nmi, 2.900 km)

Service ceiling: 12,000 m (39,370 ft)

Rate of climb: 17 m/s (3,300 ft/min)

 

Armament:

2× 30 mm (1.18 in) MK 108 machine cannon with 110 RPG, firing through the propeller hubs

4× 20 mm MG 151 cannons with 250 rpg in the wing roots

Up to 1.000 kg (2.202 lb) of external ordnance at two hardpoints under the central wing, including bombs, drop tanks; under the outer wings additional hardpoints for four 50 kg (110lb) bombs, two racks with 12 unguided 'R4M' 55 mm (2.2 in) each, two pods with 2× 20mm MG 151/20 machine guns each or up to four WGr21 launch tubes.

  

The kit and its assembly:

This whif was inspired by the P-82 “Twin Mustang”, and the result is a rather bizarre creation which would nevertheless appear plausible for Germany during the late stages of WWII. Actually, Arado’s real paper project E.530 looked very similar to this creation, but it was a bigger aircraft and intended as a fast bomber.

 

Other Zwilling designs even entered the hardware stage or were very concrete: the He 111 Z bomber was built and used mainly as a glider tug, the Bf 109 Z and Me 609 were derivatives of their respective normal ancestors, there was even a Do 335 with two fuselages as a long range reconnaissance aircraft on the drawing board! With this real world background, the Fw 190, as a starting point for a Zwilling fighter, appears rather harmless...

 

Anyway, the resulting model is also not the first attempt into this direction, though, just a personal interpretation of the basic idea. The kitbashing is based on two Fw 190 D-9 kits from Italeri. While the kit is some decades old it is IMHO still a good choice (despite its fine, raised panel lines), because you get it easily and with a relatively small price tag.

 

Building the fuselages was straightforward, mostly OOB. The right cockpit was faired over with putty, and the fuselage machine guns disappeared (Fw 190 D-13 style) in front of both cockpit openings.

 

Biggest challenge were the central wing section that connects the fuselages. Just cutting the original wings and glueing them together was no option, since the leading and training edges would not be straight, and the wings have a slight anhedral. Additionally, I had to put the landing gear somewhere, and modify it, as the original Fw 190 landing gear is rather wide and it would make IMHO no sense under a twin fuselage aircraft, I have big stability doubts.

 

I finally settled on a scratched solution for both problems. For the landing gear, I took a look at the P-82 solution (new, single wheels which retract inwards, under the fuselages), and derived a totally new landing gear installation. It now features twin wheels (from the Fw 190 kits) in order to distribute the aircraft’s weight on soft ground, mounted on new struts, taken from a Me 262. This new construction became so “thick”, though, that it had to be retracted into the fuselage – the area under the cockpit was the only place to put it, but this is IMHO plausible since there is no radiator or other installment under the Fw 190’s belly. There's no place for ventral hardpoints now, but that's a small price to pay for a pure fighter.

 

With that solution found, the original landing gear wells in the wings were filled, the "inner" wings were cut away at the wing roots and a new central wing section added. This consists of a an enlarged horizontal stabilizer from a 1:100 A-10 SnapFit kit - it was perfect in span, had both straight leading and training edges, and the central fuselage part was creatively integrated into an additional idea (see below). The wing was deepened by 14mm wide with styrene strips (several layers, 2.5mm thick), and some putty was needed to blend everything together.

The final span between the fuselages was dictated by the new horizontal stabilizer. This comes from an Airfix Fw 189, the tail wheel well was filled. The outer attachment points on the fuselages' outer sides for the original stabilizers were simply faired over and sanded even.

 

But back to the new central wing section: the additional jet booster was a spontaneous idea. Even though the Zwilling layout is odd enough, adding a podded jet would make it SO weird that it would look even more like a serious, futuristic German design! And the idea is not far-fetched: Luftwaffe's RLM actually worked on such podded jet booster designs, e. g. for the Me 410, Ar 240 or He 219 as well as for some paper projects with mixed propulsion.

 

The pod’s place under the central wing section was just perfect, as the hot exhaust gasses would pass between the fuselages and under the stabilizer (without burning away the tail wheel, as on some early pod-and-boom jet fighter designs like the Yak-15). The nacelle itself comes from a leftover Hobby Boss He 162 fighter. It was taken OOB and just integrated into the lower wing. It looks so strange, but gives the aircraft a relatively compact look, too.

 

The drop tanks and their respective hardpoints come from the two Italeri kits. I had orginally intended to add air-to-air ordnance under the outer wings (two pairs of WGr21 launch tubes), but when everything came together I rather settled for the drop tanks.

  

Painting and markings:

The paint scheme is fictional, but inspired by a museum aircraft's livery: the sole surviving Fw 190 D-13, now on display in the USA. The museum aircraft's scheme looks a bit too shaggy, IMHO, but it's an interesting interpretation and uses authentic colors.

 

Basic colors for my version are RLM 82 and 83 on the upper surfaces, and RLM 76 below, with RLM 81 spots, streaks and blotches on the flanks. To make the thing look a bit more interesting I also added some “snaky” streaks with thinned RLM 76 on some upper surface areas, too. All basic tones were taken from the Modelmaster Authentic enamel line.

 

Typical for late Fw 190s, parts of the lower wings were left bare metal (painted with Revell Acrylic Aluminum), a typical result of material shortage in the late WWII stages. The leading edges were painted RLM 75 while the ailerons are RLM 76.

 

Taking this idea further, “my" Z-17 would not carry anymore a colored Reichsverteidigung fuselage band, indicating its Geschwader. From 1945 on, yellow ID markings (RLM 04) were carried: a band around the engine, sometimes with an added yellow field under the engine, and the rudder was frequently painted yellow, too. National markings were more and more simplified, and only a color-coded number and sometimes a symbol indicated the fighter’s group.

 

I used very simplified national markings on the flanks and below the wings, seen on real life Fw 190s: just black crosses without any outline. The rest of the markings were puzzled together from the scrap box, again using late war Fw 190s and Bf 109s as benchmarks.

 

I decided to put my aircraft into a Stab (Wing Commander's Chief-of-staff) squadron, so the markings differ from normal fighters. This one carries the horizontal bar for the 2. Gruppe among the Geschwader, in this case Jagdgeschwader 53, the “Pik As” [Ace of Spades] Squadron which dealt with interception tasks until the end of WWII in the southern regions of Germany

.

The chevron denotes an officer's aircraft; the “1” could denote the 1st aircraft of the Stab Gruppe in numerical order, but it's also possible that it is a personal symbol, as officers' aircraft would carry symbols instead of simple numbers, sometimes personal, non-standard icons or letters.

As the number is black I added dark green spinners, the typical ID color of the Stab flight among II. Group. A geek detail, and and I do not claim this to be correct – but German WWII aircraft would tend to be marked rather erratically, anyway, and I tried to do justice to historical benchmarks. Hey, it's a whif, after all!

  

In the end, a bizarre aircraft, but it is not as far-fetched as one might think. In this case, several single German ideas and developments were just incorporated into one model. What amazes me most is that the whole thing was assembled and painted in just three days – excluding the kit purchase and the work on the final beauty pics. Sometimes I get scared by myself...

A North Yorkshire Moors Railway volunteer polishes the firebox casing of streamlined Gresley A4 No.60007 'Sir Nigel Gresley', inside Grosmont locomotive shed, on the 5th September 2013.

The Pioneer Zephyr streamlined, articulated diesel trainset dating from 1934, on exhibit in Chicago's Museum of Science and Industry. This groundbreaking transportation system served the Chicago, Burlington & Quincy Railroad for 26 years, until it was donated to the museum in 1960.

This streamlined Heuliez GX 337 is seen here on Boulevard de Strasbourg, on 11/09/2022. It is operating Line 39 Gare Routière(Toulon Bus Station) - Lycée Golf Hôtel. © Peter Steel 2022.

Tatra T87 streamlined car seen on this year's TRUK (Tatra Register UK) rally in the Cotswolds.

Guy Simoneau - une collection conçue spécialement pour CeraMystic 2010

 

« Coup de cœur » for Guy Simoneau - a new collection created especially for CeraMystic 2010.

 

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Considéré comme un des vingt plus beaux hameaux du Québec et ce, à seulement 45 minutes au sud-est de Montréal, Mystic a le grand plaisir d’accueillir une trentaine de céramistes chevronnés. Depuis 2004, CERAMYSTIC est fière de vous inviter à cet incontournable de la céramique québécoise. Notre jardin et notre galerie vous proposent une large brochette de créations récentes incluant sculptures, objets décoratifs et fonctionnels.

 

In the picturesque hamlet of Mystic, 45 minutes south-east of Montreal, a wide array of utilitarian and decorative ceramics will be displayed in a peaceful garden setting. Now in its eighth edition (in 2011), this outdoor exhibition will be featuring the work of some 30 guest artists, from one-of-a-kind garden sculptures, to beautifully-crafted, traditional pottery and contemporary, streamlined porcelain…

 

www.ceramystic.com

 

4778

streamlined running courtesy of a mankini. Running the marathon is a ball busting event and the London event is the nuts but you don't have to be nuts to run but it might help as this guy shows he's a little nuts

The cover of a brochure I designed for the now-defunct Bicycle Museum of America at Chicago's Navy Pier featured my illustration of a streamlined Sky-King bicycle that looked like this, fully skirted wheels and all.

For an explanation about this building: www.flickr.com/photos/catchesthelight/7235107404 (I think my new grandson is on his way :>)

LMS streamlined Princess Coronation class 8P steam locomotive 6229 "Duchess of Hamilton" (British Railways 46229). York Railfest. Queens Diamond Jubilee Holiday Tuesday 05 June 2012.

 

The Princess Coronation class locomotives both streamlined and non-streamlined were the finest British steam locomotives ever built.

 

Unfortunately the immaculately restored locomotive is let down by extremely shoddy workmanship carried out when the nameplate of the locomotive was fitted as is clearly seen here.

 

Photograph copyright: Ian 10B.

Camera: Canon EOS 550D.

 

Resurrected and PP'd an old shot, with Sigma 10-20mm on Canon 30D.

IMG_5496ppedpp3

Streamlined counterweight. Not 'knifedged' in the normal manner, but rather aero-shaped like a wing.

Recent shift to AMC enables streamlined logistics services

 

By Sgt. 1st Class Jeff Troth

jefferey.l.troth.mil@mail.mil

 

CAMP CASEY, SOUTH KOREA – The logisticians who look after Warrior Country’s transportation, maintenance and supply needs are now able to provide even more robust services thanks to a recent change that gives them broader, faster reach into the Army’s overall logistics network.

 

The U.S. Army Garrison Red Cloud and Area I’s Directorate of Logistics ran the Central Issue Facility at Camp Hovey and the transportation motor pools that provide buses and vehicle maintenance in Warrior Country.

 

They did that as part of the U.S. Army Installation Management Command, of which USAG Red Cloud and Area I is a part.

 

But, effective Oct. 1, all Army DOL assets shifted from IMCOM to the U.S. Army Materiel Command. AMC is a global command that supports Army logistics worldwide.

 

The shift plugs in the DOL to AMC’s global logistics network.

And in Warrior Country, DOL is now part of the 403rd Army Field Support Brigade Area I, said DOL director Dennis Williams.

 

For Warrior Country customers, that’ll mean that when one of the 403rd AFSB’s facilities in Warrior Country runs low on an item – helmets or vehicle parts – for example, they can be shipped from another facility that does have them, even one in, say, Japan, Williams said.

 

The transition will not pose any confusion or inconvenience for DOL customers, he said.

 

“For Area I it will be transparent,” he said. “The services we did yesterday are the same services that we’ll do today and tomorrow.”

 

The Area I DOL marked the shift to AMC with a low-key patch-and-pin ceremony Oct. 3 at Camp Casey’s Carey Fitness Center.

 

There, DOL’s Soldiers traded in their seven-sided IMCOM patch for the shield-shaped AMC patch, while civilians received an AMC lapel pin.

 

“On behalf of the Army Materiel Command I want to welcome you to the new AMC family,” Col. Michael Lopez, commander of the 403rd AFSB, said during the ceremony.

 

For the more than 300 DOL Soldiers, Department of the Army Civilians and Korean civilians in Warrior Country, the 403rd AFSB is now their higher headquarters. But, they’re not alone. On Oct. 1, the 403rd also took command and control of all DOLs in Korea, Japan and Okinawa.

 

The changeover process was set in motion in March 2005 when the leadership of IMCOM and AMC decided to develop a logistics partnership to improve support to the Army and the Army’s transformation plan.

1100 New York Ave NW, Washington DC (1939-40, Streamlined Moderne-Deco, William S. Arrasmith, architect)

The Henry Ford, Dearborn, MI

Rich sophistication combines with streamlined organization in the Cakao collection. This furniture collection features refined, modern lines enhanced by a lush, dark finish that adds a welcoming air and a sense of home to the surrounding room. Sleek hardware contrasts with the dark finish, providing a subtle, polished accent. With plenty of easily accessible storage space, the collection helps you keep your home entertainment area organized and clutter under control while offering space to display treasured collectibles, plants or books. Drawers operate smoothly on Smart Glides with stops and built-in dampers for safe, easy opening and closing. The entire collection is also constructed with enduring strength and support in mind for a pleasing mix of handsome good looks, functionality and convenient organization.

 

La collection Cakao est un mariage entre grande sophistication et organisation aérodynamique. Cette collection de meubles présente des lignes raffinées et modernes rehaussées par un fini foncé et luxueux qui donne à toute la pièce un air chaleureux et une ambiance de confort. Les insertions de métal contrastent avec le fini sombre, ajoutant un accent subtil et lustré tout à la fois. Avec beaucoup d'espaces de rangement facilement accessibles, cette collection vous aide à garder votre coin audiovisuel bien organisé, libre de désordre, tout en vous offrant des espaces pour exposer vos précieuses pièces de collection, vos plantes ou vos livres. Les tiroirs glissent doucement sur les coulisses Smart Glides munies de cran d'arrêt sécuritaire et d'amortisseur. Toute la collection est conçue avec un souci de solidité pour un mélange parfait de beauté, de fonctionnalité et d'efficacité.

In 1939, as part of the New York World's Fair, the London Midland & Scottish Railway undertook the mammoth task of releasing one of their streamlined locomotives and matching train sets and shipping them across the Atlantic for display as part of the Transportation exhibits in New York. This was not the first time the LMSR had shown such panache as in 1933 they had sent the Royal Scot train to the United States on a tour.

 

The locomotive seen 'here' and that was displayed at the Fair following a journey around the US was badged up as 6220 'Coronation' and carried the streamlined crimson livery; it was in fact locomotive 6229 Duchess of Hamilton disguised and the original 6220, one of the first five of the larger class, originally carried the streamlined 'Caledonian Blue' livery. The whole Fair was overshadowed by the outbreak of war in 1939 and the train was effectively stranded in the US. The locomotive returned to the UK in 1942 and regained its original identity the following year. The carriages had to wait until 1946 until being repatriated.

 

The leaflet opens to describe the importance of the LMS and its services along with descriptions of the territory it served. There was a similar leaflet, printed in red, that was issued during the Exhibition in New York City.

Duchess of Hamilton in York Museum. 2009

Iowa Pacific (SLRG) Pullman-built streamlined heavyweight lounge observation #3306 AUDUBON PARK. Built in 1916 by Pullman in Lot #4406 to Floorplan #6-B-90 as Illinois Central Railroad (IC) 88 seat coach #2175, 1 of 39 such cars (#2168-#2206) built in that Lot. In 1947, 2 of these cars (#2188 and #2175) were rebuilt at IC's Burnham Shops to 48 seat club lounge round end observations #3305 MARDI GRAS and #3306 AUDUBON PARK respectively for the CITY OF NEW ORLEANS. In 1971, the #3305 was sold to Louis Saia (of Saia Trucking), and later went to the New Orleans Chapter of the National Railroad Historical Society (NRHS), resold in 1977 to the Roanoke Chapter, and acquired in 2010 by Iowa Pacific. The #3306 was also retired (exact year unknown) and sold to a private owner. Several years later, it was moved to a hunting lodge/ranch near McKinney, TX, and was acquired by Iowa Pacific in 2013. Seen in Iowa Pacific's ex-Denver & Rio Grande Western (D&RGW) yard in Alamosa, CO.

En 2005, notre invité d’outre-mer était Manfred Braun. Membre de Bundesverband Kunsthandwerk (Association des métiers d’arts allemands), il participe à divers événements internationaux, à Frankfort, New York, Tokyo et Cologne, ou il remporte plusieurs mentions et prix. Vaisseaux et luminaires, de grès ou de porcelaine, une collection épurée, à la fois classique et contemporaine.

 

www.manfredbraun-ceramics.de

 

Considéré comme un des vingt plus beaux hameaux du Québec et ce, à seulement 45 minutes au sud-est de Montréal, Mystic a le grand plaisir d’accueillir une trentaine de céramistes chevronnés. Depuis 2004, CERAMYSTIC est fière de vous inviter à cet incontournable de la céramique québécoise. Notre jardin et notre galerie vous proposent une large brochette de créations récentes incluant sculptures, objets décoratifs et fonctionnels.

 

www.ceramystic.com

 

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CeraMystic 2005 welcomed German ceramist, Manfred Braun. A member of Bundesverband Kunsthandwerk, he has participated in a variety of international exhibits, in Frankfort, New York, Tokyo and Cologne where he was the recipient of special mentions and awards. Luminary objects and vessels, in stoneware or porcelain, pure, elegant, contemporary designs executed with remarkable craftsmanship.

 

www.manfredbraun-ceramics.de

 

In the picturesque hamlet of Mystic, 45 minutes south-east of Montreal, a wide array of utilitarian and decorative ceramics will be displayed in a peaceful garden setting. Now in its eighth edition (in 2011), this outdoor exhibition will be featuring the work of some 30 guest artists, from one-of-a-kind garden sculptures, to beautifully-crafted, traditional pottery and contemporary, streamlined porcelain…

 

www.ceramystic.com

Streamlined tram No, 445 in Queen Street at Anne Street corner, taken on Kodachrome 1 on 13 Apl 1968

i like it, but I can't even do the model in dark blue, (I think), let alone the prototypical brunswick green. Any suggestions?

An image inspired by the Art Deco movement - more specifically the "Streamlined" Art Deco style that was developed in the USA. This could easily be the style of a cigarette case or a jewelry box -in the spirit of The Digital Modernist, perhaps it would be more likely to be a mobile phone cover.

 

Find out lots more at the website---- digitalmodernist.org.

 

My personal favorite Whyte pattern, the mighty, magnificent 4-8-4 Northern. The first of these huge streamlined J-class steam locomotives were built in Norfolk and Western Railway's East End Shops in Roanoke, Virginia, between 1941 and 1942. Number 603 was one of that first batch of four. The last survivor, No, 611, was restored to excursion status until 1994, when a series of unspecified mishaps caused the line to retire her permanently to static display at Roanoke.

(When they dump the fires for the last time on these mighty engines it makes me sad. It's like a death. But——it beats being scrapped.)

The streamlined Duchess on close inspection must be 6220 CORONATION as there's a crown above the nameplate. The bus on the right is a Blackpool Corporation Transport Burlingham bodied Leyland TD4 ?

This Dreyfuss-style streamlined 4-6-4 steam loco is numbered 5448 and is mostly modeled after a real, long-scrapped New York Central engine. The loco's tender really should say the railroad's full name of New York Central instead of its initials, but I don't want to shell out the money for all those 1 x 1 tiles, so I'm using fewer 2x2 tiles instead to spell out NYC, as it's much cheaper that way!

 

Note: As some of you might be able to guess, this loco with matching coaches were inspired by pictures of Anthony Sava's original streamlined Tequila Sunrise train from 2007... however, no instructions were used to build the engine or cars.

Commissioned version of my streamlined hudson. The tender decal didn't turn out as well as I'd hoped, I struggled for a long time trying to match new LEGO grey. I will say it looks better in person.

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