View allAll Photos Tagged standdevelopment

Leica M3 / Carl Zeiss Planar T* 50mm f2 ZM

Rollei Retro400s @1600 ASA f2 1/10sec

Compard R09 One Shot (Rodinal) 1+100 20℃ 60min (Stand development)

EPSON GT-X980

Rollei TE 35 | APX 100 NEW 100@800

Rodinal 1+100 / 80,0 Min / 20°C Info

Leica M6, Carl Zeiss C Biogon 2,8/35 ZM". Fomapan 100, Acurol-N (1:100) 60' 20°C. Stand development. Scan from negative film. © All rights reserved. This photograph is Copyright and may NOT in part or in whole be reproduced in any electronic or printed medium without prior permission from the photographer.

As seen on the boardwalk in Ocean City last week. Pentax 67, Kodak Technical Pan, Rodinal 1:100 stand development, shot at EI25 and badly overexposed for that.

Yashica LM + Yashikor 80mm ƒ3.5 l Fomapan 100

Kuala Terengganu, Terengganu, Malaysia

 

Rodinal R09 (1+100) stand development for 1 hour

Ilford Rapid Fixer (1+4) for 10 minutes

Mural, Berlin-Mitte

 

Rheinmetall Weltax, Rollei RPX400, Stand development in Rollei RHS DC 1+10

Nikon F2 Photomic, Nikon Nikkor-O Auto 1:2 f=35mm. Fomapan 100, Adox Rodinal (1:100) 60' 20°C. Stand development. Scan from negative film. © All rights reserved. This photograph is Copyright and may NOT in part or in whole be reproduced in any electronic or printed medium without prior permission from the photographer.

Rolleiflex MX-EVS, Shanghai GP3 120.

Rodinal 1:100, stand developed, 60 minutes. 1 minute of soft inversions (about 15 or so) at start; 30 seconds of soft inversions (about 8) at 30 min. mark

Kentmere 100 pushed to 800 exposed with Olympus XA stand developed in Rodianl 12ml into 600ml

1/500, f/2.8, Tri-X, Canon FD 50mm f/1.8 on AE-1. HC-110, 1:160, 40 min @ 21C semi stand

Ultrafine Xtreme 400, pushed to 3200, stand developed in Rodinal, shot on Olympus Mju II

 

1/30, f/5.6, Tmax 100, Canon FD 35mm f/2 on A-1. HC-110, 1:160, 46 min semi stand

Nikon F100 | Ilford Delta 3200

 

Digitized with Negative Lab Pro

  

I ended up taking very few film shots, most of them with the 15mm super-wideangle, but I like what it did with this.

Leica MP, Voigtlander 35/1.4, tri-x --->3200, 1:200 Rodinal 2hr stand development.

Hot off the scanner after processing this last night. I took a number of variations to try to capture the nature of this plant. They live a long time, have incredible patterns, sharp ends, a dramatic death and give us tequila.

 

Nikon FA with 105mm 2.5, Ultrafine Xtreme 100 at EI80 stand processed in Caffenol.

I have written before that everything gets more behind-the-times as you travel away from London, and have asserted that the phenomenon is quantifiable. As a rule-of-thumb I suggest five years per 100 miles. Of course it works the other way around and a provincial's day out in the capital gives him a foretaste of what awaits him five or ten years down the line: stocky, sullen-faced policemen, armed with machine-guns, who despise the public they are supposed to serve, CCTV surveillance every moment you are out of doors (and, coming soon, indoors), heightened security justified by "the present threat", edgy public sculpture of severed horses' heads and charred bodies, "entitled" people ever-willing to be "offended" on the merest of pretexts, hi-viz morons, and bollards, bollards everywhere.

So, on my own reckoning, it ought to take another fifteen years or so for these things to arrive at Six Bells, Abertillery. I like an alley. Even telegraph poles ...considered unsightly in these "environmental" days... are becoming fewer as cables are routed underground; but when did you last see a telegraph pole with those ascending foot steps? Bathrooms and kitchens jut out from the backs of houses, re-roofed, alas, and without their chimney-pots. Back walls renewed with breeze blocks and patched with sections of larch-lap fencing. Gas lights are no more and satellite dishes have come. Sir Sharpnail there, staring back as I raise my camera, probably has the right idea: keep yourself to yourself and where's the food?

vienna, 2014

London, Millennium Bridge, August 2014, Olympus XA, Ilford Fp4+, f8, 1/250, Adonal 1+100 60 min. 22 Celsius, stand development, Reflecta RPS 7200.

Pentax ME with 50/1.7

Arista 200 @ 400

Caffenol CL, 20°C/68°F for 50 minutes

Pakon F135

Mamiya M645 1000s

Mamiya Sekor 80mm 1.9

Rollei Retro 80s

Kodak HC110

Stand development 1:100 1h

Agitation cont. first 30sec. Three inversions after approx. 30 min.

 

Rather good tones on this one imho. I always wonder why people bother with Rodinal. I prefer HC100 for stand development by a long shot.

Yashica Electro 35 GSN Tri-x 400 Rodinal Standdevelopment

Toyo 45A Field Camera

Schneider 210mm APO-Symmar

Lee Big Stopper (10 stop ND filter)

Fuji Acros 100

16 minutes @ f11.3

Minolta Spotmeter F

Jobo 2521 tank + 2509n

Rodinal Stand 80 minutes @20c, gentle agitation for first minute then 60 seconds of inversions after 40 minutes.

Water Stop

Ilford Rapid Fixer

Epson 4870 Scanner

under construction

--

Stand Development 1,5h

Rodinal 100+1

5 Inversions every 20 minutes

--------

www.instagram.com/daysonjupiter

River island, White River Greenway, Noblesville, Ind., Sunday, April 12, 2020. Rollei Ortho 25, Rodinal 1:100 stand development

Olympus XA, TriX, Rodinal Stand. 1:100 for 1h

Darkroom Enlarged Print

Oulu, March 2016, Pentax Pz-1p, Pentax F 50 mm, Rollei RPX 400, 1/125, f8, Adonal 1+100 22 Celsius, 60 minutes, stand development. Pacific Image Prime Film XE.

Mamiya RB67 Pro S

Mamiya Sekor C 180mm f/4.5

Fujifilm Neopan Acros 100

Lee big stopper 3.0

Rodinal semi stand development

Dslr digitized

Olympus Infinity Stylus, Fuji Superia 400, cross processed as Black and White in Rodinal 1+100, semi-stand development for 60min. Scanned on Epson V600

Cosina 1000 S

Helios 44M

Agfa Vista 200

Stand Developed Unicolor/Argentix.ca

Pakon F135

Ricoh R1 24mm,

Kodak Tri-x 400, pushed to 1600, Kodak 400 TX, expired , Rodinal, stand development, roll 391AA006

1/60, f/4, TMax 100, Canon FD 35mm f/2 on A-1. HC-110, 1:160, 46 min @ 17.5C semi stand.

The only advantage I can see with the crappy weather we are having is that you can shoot with fast lenses wide-open or close to it!

The TriX in Pyrocat HD stand development takes on a bit of "true grit" look to it. The negatives are distinctly "khaki" coloured - similar to the PMK negs. Edgy look to them too.

This is most likely at f2/0

1/15, f/2, TMax 100, Canon FD 35mm f/2 on A-1. HC-110 1:160, 40 min semi stand

Rolleiflex 2.8F Xenotar + Ilford HP5+ (HC-110, 1/90 dilution, 22 degrees, stand development 55 minutes)

Photos shot with a Olympus XA2 with a D-Zuiko 35mm f3.5 on AgfaFoto APX 400 @400 during a pure analog photo tour from Bardowick to Lüneburg on February 12, 2017. Stand developed with Adonal (Rodinal) 1+100 for 75 minutes. Fixed with Adofix 1+9 for 5 Minutes. Scanned with VueScan on a CanoScan 9000f Mark II. Post-processing in Lightroom including sharpening for prints with Nik Sharpener Pro. Self-developed AgfaPhoto APX 400 #3

Voigtlander Bessa R3M, Voigtlander Color Skopar 35 f/2,5 MC; Fomapan 400@1600, Adox Adonal (1:100) 120', 20°C. Scan from negative film..© All rights reserved. This photograph is Copyright and may NOT in part or in whole be reproduced in any electronic or printed medium without prior permission from the photographer.

My images are © Copyrighted and All Rights Reserved. This image cannot be reproduced and/or used in any form of publication, print or the Internet without my written permission.

 

www.hasselinden.com

 

www.facebook.com/PhotographerHasseLinden

Rollei TE 35 | APX 100 NEW 100@400

Rodinal 1+100 / 60,0 Min / 20°C Info

1 2 ••• 44 45 47 49 50 ••• 79 80