View allAll Photos Tagged standdevelopment
Moving house (this is my sixth time) is always a monstrous upheaval. Last time I re-located, the problems were all in the legal formalities: in the present instance these went off reasonably smoothly and the great headache was the move itself. The two removal men ...lummee, those blokes earn their wages I can tell you... said they'd never known such a job take so long to load. That's how much stuff we had. We might have saved them some of their trouble if we'd known: the house we've moved into is a little (but not much) smaller than its predecessor and we've had to discard a great many of our belongings. I've been running a shuttle service back and forth to the council's CRC (Community Recycling Centre) and there have been some difficult partings with objects I've kept by me all my life.
But this is what I moved for. I like a bit of industrial dereliction and deplore official attempts to tidy it up, "reclaim" it, or otherwise pretend it wasn't there. A kind of dishonesty lurks ...a denial of what you once were ...a trying to be what you're not. "Dismtd Rly" avers the Ordnance Survey "Explorer" map. Not far behind the camera the railway is extant and in occasional use. At any rate the rails are shiny and a modern colour light signal burns through the day. There appears to be an opencast coal operation. I shall have to keep an eye on Realtime Trains. I loathe those OS maps that are printed on both sides. These usually give coverage of sparsely-populated regions. Having moved from an area at the edge of the Fens to another on the rim of the great wet desert of central Wales, I find myself the owner of quite a few. I am on a mission to replace them with older, but recent, equivalents of the 1:25,000 Second Series. The secondhand bookshops of Hay-on-Wye beckon. Even the "Pathfinder" (ugh!) sheets are acceptable.
Pentax ZX-M, 50 mm f1.7, Retro 80s, Rodinal 1+100, 55 min. Selfdeveloped.
May 24, 2019, Sofia. Seminary students celebrate Bulgarian Education, Culture and Slavonic Literature Day.
Leica M3 / Leitz Tele-Elmarit-M 90mm f2.8 w/Marumi YA2 Filter (Orange)
Ilford HP5+ @1600 ASA f8 1/100sec
Compard R09 One Shot (Rodinal) 1+100 20℃ 60min (Stand development)
EPSON GT-X980
I exposed my Acros for 400 iso instead of 100... So I decided to process the roll in rodinal 1+100 at 21°C during 90 minutes in stand development (agitation the first minute then 2 inversions at 30 min ant at 60 min).
Nikon F90x
Jupiter 9 85mm f/2
Fomapan 400 (@250)
FomadonR09 1+100 1-hour (semi-)stand development
CanoScan 4200f
Bronica S2A, Zenzanon MC 40mm 1:4, Rollei Infrared 400, Hoya R72 filter, dev'd in Rodinal 1+100, stand developed for ~1 hour
Photographed startrails with beloved AGFA B2 box camera on custom made platform. Film was Ilford HP5. Exposure was about 1 hour. Negative developed at home with Rodinal 1:100 (stand development) at 23ËšC. Fixed with Photographer's Formulary TF-4.
Quel plaisir d'avoir réalisé cette photo… Oui, je trouve cela magique avec une simple boîte et un tout petit trou… Une "Camera Obscura" qui m'enchante par sa simplicité et ses qualités très prometteuses. Premières photos avec cet instrument d'optique et j'aime beaucoup le rendu… Une très belle réalisation d'un artisan français qui se nomme Thierry Gonidec ( Sténocaméra ), il a certainement donné tout son amour, son travail, ses compétences, et surtout son temps pour réaliser un si bel objet… Merci…
Boîtier grand format 5x7" en bois, de 55 mm de focale et utilisé avec un Sténopé de 0,26 mm, ce qui nous fait tout de même un diaphragme à F/212…
J'aime beaucoup ce premier cliché. On est réellement dans la création avec ce super grand angle et cette belle impression de vitesse et de fuite de l'image… J'étais pourtant si près de mes arbres.
Photo réalisée sur pied, avec utilisation d'un PF très particulier et que je trouve difficile à dompter : le Rollei Ortho 25...
Calcul d'un temps de pose de 45" ce qui m'a donné avec la règle de réciprocité, un temps de 1' 52". Et finalement j'ai extrapolé ce temps à 7' pour une exposition qui me semble à peu près correcte. Avec Bien sur un flou car pendant ces 7', il y a eu du vent, les feuilles d' Automne :-) et aussi le changement de lumière du à la position du Soleil… C'est magique...
Pour le développement : Utilisation du révélateur R09 one shot en Stand dev à 1+100, avec un temps de 60' et une agitation de 1' au début et 30" à 30'. Développement réalisé en cuvette et sous lumière inactinique. J'aime assez bien ce principe du Stand dev, avec assez bien d'information dans les basses lumières.
Numérisation avec le scanner Epson V800 Photo.
Post-traitement avec Capture NX2 : Léger recadrage et légère augmentation de l'exposition.
Le Processus Créatif est bien là … Je n'ai plus qu'à continuer dans ce grand format en prenant des éléments beaucoup plus fixes.
Flickr pour APPRENDRE - PARTAGER - TRANSMETTRE !!!!!!
Abandoned barn and house shot on Kodak TMY 400 about 2005. Developed in 2020 in Rodinal 1:84 (6ml in 500ml) stand developed for 60 minutes. Accidental Art, probably Yashica J-35. Color added in post, trying to adjust for blown out whites.
Apologies for shooting this again, but I really like this bench.
Bronica S2A, Nikkor-P 200mm 1:4, Ilford HP5+, stand developed in Rodinal 1+100 for ~1 hour.
Location: IFC, Central, Hong Kong
Leica M5
Leitz Noctilux-M 50mm 11821 (E60)
Rollei Retro 80s @ 50
Semi-stand development
R09 One Shot (1+100)
1 hr @ 20ËšC
Chestnut Ridge Camp
Orange County, NC
Ilford FP4+
Semi Stand in Rodinal 1:100, 60 mins, 1g washing soda added per liter of working solution
Canon New F-1, FDn 50mm/f:1.4
Bronica SQAi, Zenzanon-S 80mm/f2.8, Kodak Tri-X400
Rodinal 1:100, 2hr 15min @ 20degC, agitate 30sec initially, then 2 inversions per minute for 3 minutes, then one inversion at approx 1 hour.
No, just a curious (or hungry) chicken behind the fence 😀
Nikon F3HP + Micro-Nikkor 55mm f/2.8 AiS, Kodak Tri-X + Nikon Y4 light yellow filter in Rodinal 1+100 stand development
Camera: Canon IID / Canon 50mm f1.8
Film: Kentmere 400
Developer: HC110 1+100
Process: 30m+30m Semi Stand
My "old" hand made 4x5" pinhole camera.
"new" pinhole, 0.2mm with "old" focal length of 37mm gives an aperture about f/180.
Shanghai 100 film exposed for about 5s, and developed (stand) for 2h in 1:200 R09 developer.
IN ENGLISH BELOW THE LINE
Ningú havia vist aquestes fotos fins ara, sobretot els que les varen fer. Fins que jo les he revelat ara.
Aquest carret de fet és el primer que vaig tenir pendent de revelar des de fa dècades. He esperat fins ara perquè volia dominar més la tècnica. Hi apareixen unes 7 fotos, i la darrera imatge de fet és la impressió del interior de la cà mera durant decades. Les fotos estan força degradades però es veu un paisatge desertic i una ciutat clarament no europea. Sospitava que era America, Àfrica o Australia, però curiosament la imatge d'un monument a un pedrot donà la pista a internet: Alice Springs i el seu entorn, al centre d'Australia!
De fet aquesta imatge es pot saber el punt conctret on es feu, ja que prà cticament no ha canviat: ANZAC Hill.
S'anomena "found film" a aquelles fotografies en pel•licula o placa que es troben sense revelar dins cà meres velles o per altres racons. La gracia és que ningú ha vist mai aquestes fotografies.
Al contrari que la majoria de carrets trobats a internet, aquest no va venir amb un paquet d'altres, sino que el vaig trobar dins la seva cà mera, una Ensign Commando fabricada el 1948. El que no sé és si l'autor era australià o un turista britanic.
Aquest rodet en blanc i negre, de format 120, era del tipus Kodak Verichrome Pan, fabricat entre 1956 i aproximadament 1970. Revelat amb HC110 "stand" durant quasi una hora.
ca.wikipedia.org/wiki/Alice_Springs
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Nobody, even less the author, had seen these pictures until now. Until I've developed them in the dark room.
There are about 7 photos in this roll film, and the last image is in fact the impression of the inside of the camera for decades. The photos are quite degraded but you see a desert landscape and a clearly non-European city. I suspected it was America, Africa or Australia, but curiously the image of an odd boulder monument gave the clue to the internet: Alice Springs and its surroundings, in central Australia!
In fact I can pinpoint this image, as this place has hardly changed: ANZAC Hill.
They call "found film" at those images in film or plates that are find undeveloped inside old cameras or in other places, like boxes or old houses.
This one was not bought in a pack with others as usual, but found inside an Ensign Commando camera I bought from somebody in the UK, made in 1948. What I don't know if it's original owner was Australian or a British tourist in Australia.
This one was a b&w 120 format Kodak Verichrome Pan film, produced from 1956 to c.1970. Stand developed in HC110 for almost an hour.
Bronica S2A, Nikkor-P 75mm 1:2.8, Rollei Infrared 400, Hoya R72 filter, dev'd in Rodinal 1+100, stand developed for ~1 hour