View allAll Photos Tagged stage_design
Premiere | Breslau Opera House
Choreography | Giorgio Madia
Stage Design | Kinsun Chan
Costume Design | Małgorzata Słoniowska
Customized Flexible LED Video Curtain Screen
Pitch: 50mm
size: 4m x7.2m
Protection level: IP65
pixels: RGB 5050 SMD LED
Taken by: Fisher Dakota
contact info: yuchao622@hotmail.com
All rights reserved.
Architecture / Stage Design / Music workshop;
interior design by Stephan Zimmerli / Ueli Frischknecht / Vassily Laffineur (within building by Le Corbusier, 1924-1927);
wooden structures made by Ueli Frischknecht in Chur (Graubünden, Switzerland); October 2009
CARMEN
stage design
Carmen - Georges Bizet
Seebühne - open air
Bregenz
Vorarlberg
Austria
Nikon FE2
Nikkor 105mm f/2.5 AiS
Kodak 200
Film Nr. 970355
Bild Nr. 20
20180606
low-res-scan
This is CCM Professor of Stage Design Thomas Umfrid’s second "Marriage of Figaro" project for CCM. Umfrid and Robin Guarino, "Figaro" director and head of CCM Opera, capitalized on their previous operatic collaborations to produce a classic set design for "Figaro" that will elegantly support and showcase the young CCM cast.
"The Marriage of Figaro" runs from February 10-13 in the Patricia Corbett Theater on the University of Cincinnati campus. Annunziata Tomaro conducts.
Tickets are available by contacting the CCM box office at 513-556-4183 or visiting ccm.uc.edu/boxoffice.html.
Architecture / Stage Design / Music workshop;
interior design by Stephan Zimmerli / Ueli Frischknecht / Vassily Laffineur (within building by Le Corbusier, 1924-1927);
wooden structures made by Ueli Frischknecht in Chur (Graubünden, Switzerland); October 2009
Customized Flexible LED Video Curtain Screen
Pitch: 50mm
size: 4m x7.2m
Protection level: IP65
pixels: RGB 5050 SMD LED
Taken by: Fisher Dakota
contact info: yuchao622@hotmail.com
All rights reserved.
The Little Mermaid
Ship and Underwater Scene
Set design from Willowbrook Art Camp in Tualatin, OR
Sarah Refvem
2013
Visuals and stage design by DEFRAME Collective, at Mammoth techno stage, Source on Ice 2011
pictures and cropping/color correction by Leon Lubberdink and Jessica Dreu
Customized Flexible LED Video Curtain Screen
Pitch: 50mm
size: 4m x7.2m
Protection level: IP65
pixels: RGB 5050 SMD LED
Taken by: Fisher Dakota
contact info: yuchao622@hotmail.com
All rights reserved.
Architecture / Stage Design / Music workshop;
interior design by Stephan Zimmerli / Ueli Frischknecht / Vassily Laffineur (within building by Le Corbusier, 1924-1927);
wooden structures made by Ueli Frischknecht in Chur (Graubünden, Switzerland); October 2009
photo by Claire Shovelton
Nadine Benjamin - BEAM - Everybody Can Stand In Their Own Light
Sat 26 & Sun 27 June, 5pm Britten Studio, Snape Maltings
Nadine Benjamin lead artist, co-dramaturg, composer, soprano
Darren Abrahams director, co-dramaturg, trauma specialist
Jan Rautio music director, arranger, keyboards, electronics
Decus Ensemble:
Uchenna Ngwe oboe (leader), Sarah Daramy-Williams violin, Samara Ginsberg cello
Gerrard Martin movement director, assistant director
Ellie Thompson video design
Callum Macdonald lighting design
Sarah Jane Booth costume and stage design
Claire Shovelton senior producer
Fay Jennett producer/EDI specialist
Helen Ashman stage manager
Craig White production manager
Teresa Karcher lead artist liaison
BEAM Research & Development
Mikhail Karakis visuals consultant
Sara Cowman stage manager
The drops were shipped to us whole, then our production department cut doorways into them where necessary.
Cher at Ceasar's, Las Vegas 2008 show. Stage design by Jeremy Railton and Entertainment Design Corporation.
Bühne: Alexander Polzin, Nicola Minnsen
Video/Animation: Claudia Rohrmoser/Benjamin Hohnheiser
Projektion: Jakob Guggenberger
Eine Produktion des Teatro Real Madrid 2010
Architecture / Stage Design / Music workshop;
interior design by Stephan Zimmerli / Ueli Frischknecht / Vassily Laffineur (within building by Le Corbusier, 1924-1927);
wooden structures made by Ueli Frischknecht in Chur (Graubünden, Switzerland); October 2009
Premiere | Breslau Opera House
Choreography | Giorgio Madia
Stage Design | Kinsun Chan
Costume Design | Małgorzata Słoniowska
Client: Alda events / Armin van Buuren
Stage Design: 250K
Visuals & Operating: Eyesupply.tv
Pictures: Eyesupply.tv
Marius Manole – STEVE
Antoaneta Cojocaru – HELEN
Bogdan Dumitrescu – JERKS
Mihai Cuciumeanu – EMERSON
Iulian Postelnicu – PECA
Rodica Ioana Ionescu - STAMOS
Stage design: Mihai Pacurar
Video: Ioan Cocan
DJ Yann LeBlay
Choreography: Ramona Barbulescu
Theatre director: Carmen Lidia Vidu
“I Hate Helen is not a play! But it surely is something that announces the art form of the next decades. So why don’t you take a look?” Cristina Rusiecki
For how long can you really feel you are not alone?
What about your love life?
And when does the hatred begin?
“I Hate Helen is not a play, or to put it in a better way, it is not only a play. It is more like a movie, a Cartoon Networkly cartoon, a music; it sweats urban legend (snuff is just an example) it is underground and anti-underground at the same time and it is a savoury parody.
These elements, if considered separately, are successful, but if considered together, plus the actors’ performance, they are simply unheard-of and I must say very joyful. It a mixture of multimedia, a chaos finally aligned by the thread of the parody created by the media discourse.” (Sonia Lodi )
Cher at Ceasar's, Las Vegas 2008 show. Stage design by Jeremy Railton and Entertainment Design Corporation.
stand-builders-berlin; event-agency-berlin; event-production; large-format-printing; digital-printing; stand-build; berlin-promotional-agency; event-staff; promotional-models; hostesses; set-build; stage-design; contractors; Germany; Hamburg; event-prints
stand-builders-berlin; event-agency-berlin; event-production; large-format-printing; digital-printing; stand-build; berlin-promotional-agency; event-staff; promotional-models; hostesses; set-build; stage-design; contractors; Germany; Hamburg; event-prints
Stage design, costume, interactive media design, and print design for the Steinfuß Theatre. The play staged the critical text “Geschichte meiner Einschätzung am Anfang des Dritten Jahrtausends” by German musician and poet PeterLicht. The concept is about three different boxes, through which the audience moves from scenery to scenery. We set up a pool made of styrodur, a cardboard structure, and a site fence with woven paper strips. Then there was a video projection and a remote controlled moon.
With Aline Otte, Yakub Yayla, Bianca Barabas, Duy An Tran, and others.
Director: Adelheid Schulz
17.-24.5. 2012, Stuttgart