View allAll Photos Tagged stage_design

20.08.13

Sustainable theatre under construction at the RWCMD - photo: Nick Treharne

We revised the Collide stage design in order to incorporate a 6x22 projected image. The multi-projector display was a test to explore what it would take to employ this technology for our weekly services

TEDxArendal 2016 Mind Matters

Cher at Ceasar's, Las Vegas 2008 show. Stage design by Jeremy Railton and Entertainment Design Corporation.

Building the Market Place street carts. Photo by Susanna Clemente

Building the Market Place street carts. Photo by Susanna Clemente

VISUAL COMPOSER PERFORMANCE

I perform my music with my interactive stage design.

It is best to experience my performance live.

I use Ableton Live with an M-Audio Microphone & Keyboard, and the keys of my MacBook Pro to make my tracks.

For this video, I am using an instrumental, but I am also a recording artist.

I make my music, write the lyrics, record my vocals, mix and master my albums.

I then create all the visuals.

I create every single aspect of my work to give you a spherical 4 dimensional experience of my Art.

To create the interactive animation, I write code in Processing (Open Source Programming Language based on Java).

In this video, my hands are controlling the visuals. For this, I use the Leap Motion sensor.

I use a Processing Library by onformative (a studio for generative design based in Berlin) called LeapMotionForProcessing to animate my visuals using Leap Motion.

The animation follows my hand movements in real-time and on key with accurate precision.

The visual is an animation within an animation with symmetry, which makes it a bit more challenging to control, making it even more fun.

Some of the visuals are generated by the music's decibel levels.

The main drive behind my work is PLAY. Play leads to fun, which leads to joy. Following our joy is the driving force in my life, and I want to share it with others. This is why I create interactive installations where people and children of different races and religions get to play and have loads of fun in a magical environment.

The VISUAL COMPOSER PERFORMANCE is a emotional piece with a dark track I made to expose the pain I feel everyday trying to survive in society. I perceive that the social system is set up by certain people to their benefit, while it is handicapping many others for whom it does not fit. I also see that many are unhappy with their jobs. Physicians and lawyers have high rates of suicide according to reports I have read. This is a time for us to question everything, and create a new social ecosystem that benefits all. Including the animals going instinct. I understand the Survival of The Fittest approach, but it does not have to be this way. I understand that nature is very violent and brutal, such as humans, but I also see a greater reality than this animalistic self-destroying one. It takes heart and courage to do what you love all day and all night all of the time forever. If you are willing to die for what you perceive as your purpose, then you are a Freedom Fighter… or simply, an Artist.

Thank you for watching this video and possibly sharing it.

Love Universal to All

Unity In Diversity

WillpowerStudios.com

RWCMD Linbury Gallery and Foyer, September 4th. Photo by Emma Shepherd

Bute Theatre set-up,

Photo by Ollie Edwards, 30 August 2013

Garrick Theatre Southport, auditorium from stage. Designed by George E Tonge and opened in 1932 with 1,600 seats in stalls, circle and 8 boxes. It was a replacement for the Opera House which had burned down in December 1929, and was in an art deco style. Acquired by Essoldo in 1957, it was converted into a cinema, retaining the stage, but with seating reduced to 1,500. Bingo was introduced part-time in 1963, and quickly became full time as the Lucky 7 Club, later Top Rank and finally Mecca. After the enforced COVID lockdown, the club closed in 2021. Grade 2 listed.

 

Southport, Lancashire / Merseyside, North West England - Garrick Theatre / Mecca Bingo, Lord Street / Kingsway

A scanned negative from November 1995, image reworked 2021.

Detailed photoshop rendering of a stage design for a new television show about to be launched. Show is called "What's The Word" with Dinahsty.

RWCMD Linbury Gallery and Foyer, September 4th. Photo by Emma Shepherd

RWCMD Linbury Gallery and Foyer, September 4th. Photo by Emma Shepherd

A theatrical adaptation of Thomas Bernhard's The Loser, featuring two performers playing Martin Bauer's score and an actor in the role of Bernhard's Narrator.

 

Minou Maguna's stage design called for 3 channels of video to evoke the relationships between the 3 characters who meet while studying with Vladimir Horowitz. The Narrator and Wertheimer find their lives emptied of meaning once they hear Glenn Gould's brilliant interpretation of the Goldberg Variations and give up their lifelong obsession with the piano in deference to Gould's superior talent.

 

For El Malogrado I shot location footage with the team in Buenos Aires and the muddy Pampas outside the city. Image processing and compositing is used to evoke the three prodigies' personas. A custom MIDI system controls 3 laptops running GRID to perform the 3 channel video score. Other sections are performed by rescanning video feeds warped by the live music signal.

 

Based on the novel by Thomas Bernhard

Composed, written and directed by Martin Bauer

Pablo Ruiz: actor

Oscar Pizzo (Italia), Lucas Urdampilleta (Argentina): piano

Art Direction by Minou Maguna

Jorge Chikiar: sound design

video design and performance by Benton-C Bainbridge

text selection and actor direction by Héctor Díaz

Con el auspicio de la Fundación Antorchas

This is a drawing of the Sleeping Beauty set and stage design from above as it was actually built. As you can see there were 8 platforms measuring 4x8', 3 large staircases, and Beauty's tower with 3 steps total. The drawing also indicates the curtain line for the curtain that we rigged up on metal poles.

 

The most amazing thing about this set is that it was mobile! After each practice I led a team of no less than 3 people to disassemble the stage and store strategically in a small storage room.

5 September 2013. Photo by Valeria Pacchiani

A short 3-week series on Prayer. The stage design is not changing from "a mighty wind" series bit.ly/pAR6kJ so I was asked to keep some similar elements (namely the wind swirls).

 

any suggestions?

5 September 2013. Photo by Valeria Pacchiani

5 September 2013. Photo by Valeria Pacchiani

5 September 2013. Photo by Valeria Pacchiani

RWCMD Linbury Gallery and Foyer, September 4th. Photo by Emma Shepherd

Process for stage design

RWCMD Linbury Gallery and Foyer, September 4th. Photo by Emma Shepherd

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5 September 2013. Photo by Valeria Pacchiani

VISUAL COMPOSER PERFORMANCE

I perform my music with my interactive stage design.

It is best to experience my performance live.

I use Ableton Live with an M-Audio Microphone & Keyboard, and the keys of my MacBook Pro to make my tracks.

For this video, I am using an instrumental, but I am also a recording artist.

I make my music, write the lyrics, record my vocals, mix and master my albums.

I then create all the visuals.

I create every single aspect of my work to give you a spherical 4 dimensional experience of my Art.

To create the interactive animation, I write code in Processing (Open Source Programming Language based on Java).

In this video, my hands are controlling the visuals. For this, I use the Leap Motion sensor.

I use a Processing Library by onformative (a studio for generative design based in Berlin) called LeapMotionForProcessing to animate my visuals using Leap Motion.

The animation follows my hand movements in real-time and on key with accurate precision.

The visual is an animation within an animation with symmetry, which makes it a bit more challenging to control, making it even more fun.

Some of the visuals are generated by the music's decibel levels.

The main drive behind my work is PLAY. Play leads to fun, which leads to joy. Following our joy is the driving force in my life, and I want to share it with others. This is why I create interactive installations where people and children of different races and religions get to play and have loads of fun in a magical environment.

The VISUAL COMPOSER PERFORMANCE is a emotional piece with a dark track I made to expose the pain I feel everyday trying to survive in society. I perceive that the social system is set up by certain people to their benefit, while it is handicapping many others for whom it does not fit. I also see that many are unhappy with their jobs. Physicians and lawyers have high rates of suicide according to reports I have read. This is a time for us to question everything, and create a new social ecosystem that benefits all. Including the animals going instinct. I understand the Survival of The Fittest approach, but it does not have to be this way. I understand that nature is very violent and brutal, such as humans, but I also see a greater reality than this animalistic self-destroying one. It takes heart and courage to do what you love all day and all night all of the time forever. If you are willing to die for what you perceive as your purpose, then you are a Freedom Fighter… or simply, an Artist.

Thank you for watching this video and possibly sharing it.

Love Universal to All

Unity In Diversity

WillpowerStudios.com

photo by ©Paul Wright

 

The stage of the Crystal Palace Park Concert Platform.

 

The Crystal Palace Park Concert Platform, located in Crystal Palace, London, is an outdoor stage, designed by Ian Ritchie Architects. The building was nominated for the RIBA's Stirling Prize award in 1998. The project received the 'Excellence in Design' award from the American Institute of Architects. The platform is located in Crystal Palace Park, in the London Borough of Bromley. It is known locally as the "rusty laptop".

 

Its outer surface is made entirely of deep red oxidiesed Corten A steel above an oak stage. The first concert performance took place at the Concert Platform in August 1997.

 

The Crystal Palace Concert Bowl previously stood on the same site and hosted the Crystal Palace Garden Parties concerts between 1971 and 1980. The first of the Garden Parties took place in May 1971 with Rod Stewart and The Faces plus Pink Floyd. In 1980 Bob Marley and the Wailers played there.

VISUAL COMPOSER PERFORMANCE

I perform my music with my interactive stage design.

It is best to experience my performance live.

I use Ableton Live with an M-Audio Microphone & Keyboard, and the keys of my MacBook Pro to make my tracks.

For this video, I am using an instrumental, but I am also a recording artist.

I make my music, write the lyrics, record my vocals, mix and master my albums.

I then create all the visuals.

I create every single aspect of my work to give you a spherical 4 dimensional experience of my Art.

To create the interactive animation, I write code in Processing (Open Source Programming Language based on Java).

In this video, my hands are controlling the visuals. For this, I use the Leap Motion sensor.

I use a Processing Library by onformative (a studio for generative design based in Berlin) called LeapMotionForProcessing to animate my visuals using Leap Motion.

The animation follows my hand movements in real-time and on key with accurate precision.

The visual is an animation within an animation with symmetry, which makes it a bit more challenging to control, making it even more fun.

Some of the visuals are generated by the music's decibel levels.

The main drive behind my work is PLAY. Play leads to fun, which leads to joy. Following our joy is the driving force in my life, and I want to share it with others. This is why I create interactive installations where people and children of different races and religions get to play and have loads of fun in a magical environment.

The VISUAL COMPOSER PERFORMANCE is a emotional piece with a dark track I made to expose the pain I feel everyday trying to survive in society. I perceive that the social system is set up by certain people to their benefit, while it is handicapping many others for whom it does not fit. I also see that many are unhappy with their jobs. Physicians and lawyers have high rates of suicide according to reports I have read. This is a time for us to question everything, and create a new social ecosystem that benefits all. Including the animals going instinct. I understand the Survival of The Fittest approach, but it does not have to be this way. I understand that nature is very violent and brutal, such as humans, but I also see a greater reality than this animalistic self-destroying one. It takes heart and courage to do what you love all day and all night all of the time forever. If you are willing to die for what you perceive as your purpose, then you are a Freedom Fighter… or simply, an Artist.

Thank you for watching this video and possibly sharing it.

Love Universal to All

Unity In Diversity

WillpowerStudios.com

Client: Alda events / Armin van Buuren

Stage Design: 250K

Visuals & Operating: Eyesupply.tv

Pictures: Eyesupply.tv

Wedding Stage Design

Detailed photoshop rendering of a stage design for a new television show about to be launched. Show is called "What's The Word" with Dinahsty.

5 September 2013. Photo by Valeria Pacchiani

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