View allAll Photos Tagged speculation
There was some speculation that Red Sonja and the Sparta Warrior had the same headsculpt with different hair. If the Sparta Warrior is different, it might only be subtle changes in the paint job. Even so, for some reason I find I like the Spartan's sculpt a bit more than Sonja's. It might be a little soft, but I guess not having any expectations for the Spartan makes it easier to accept her as she is.
Reconstruction of the Terme Boxer, 2018, bronze cast, 128 x 110 x 55 cm, recostruction created by Vinzenz Brinkmann and Ulrike Koch-Brinkmann (Liebieghaus Skulpturensammlung, Frankfurt am Main, Sammlung Stäelisches Kunstinstitut)
Burnt Norton
Time present and time past
Are both perhaps present in time future
And time future contained in time past.
If all time is eternally present
All time is unredeemable.
What might have been is an abstraction
Remaining a perpetual possibility
Only in a world of speculation.
What might have been and what has been
Point to one end, which is always present.
Footfalls echo in the memory
Down the passage which we did not take
Towards the door we never opened
Into the rose-garden. My words echo
Thus, in your mind.
But to what purpose
Disturbing the dust on a bowl of rose-leaves
I do not know.
Other echoes
Inhabit the garden. Shall we follow?
Quick, said the bird, find them, find them,
Round the corner. Through the first gate,
Into our first world, shall we follow
The deception of the thrush? Into our first world.
There they were, dignified, invisible,
Moving without pressure, over the dead leaves,
In the autumn heat, through the vibrant air,
And the bird called, in response to
The unheard music hidden in the shrubbery,
And the unseen eyebeam crossed, for the roses
Had the look of flowers that are looked at.
There they were as our guests, accepted and accepting.
So we moved, and they, in a formal pattern,
Along the empty alley, into the box circle,
To look down into the drained pool.
Dry the pool, dry concrete, brown edged,
And the pool was filled with water out of sunlight,
And the lotos rose, quietly, quietly,
The surface glittered out of heart of light,
And they were behind us, reflected in the pool.
Then a cloud passed, and the pool was empty.
Go, said the bird, for the leaves were full of children,
Hidden excitedly, containing laughter.
Go, go, go, said the bird: human kind
Cannot bear very much reality.
Time past and time future
What might have been and what has been
Point to one end, which is always present.
T. S. Eliot Poems
The Four Quartets
This is the last of this series for now, tomorrow being Valentines Day I need to liven up and get all lovey dovey again lol. I'll revisit this horror scene in Spring and Summer. :-)
Happy Friday the 13th my flicke friends, :-) and thank you all for your support and friendship. :-))
The ex Polaris nuclear submarines Resolution, Renown, Revenge, and Repulse that have been berthed here at Babcock Rosyh since 2015.
There are rumours/speculation and reports that this former dockyard could become a disposal centre for the safe disposal of old nuclear submarines, with the extremely hazardous waste sent overseas for further destroying.
After speculation that Stagecoach Manchester's Magic Bus operation would finish in the new year it came as a surprise when a number of Enviro 400's were treated to a coat of the blue magic paint.
With First now having an increased presence on the Wilmslow Road corridor this may be one of the reasons to retain Magic Bus. 19223 is seen on Wilmslow Road on the morning of 6th January 2015 not long after being released back to traffic.
Baphomet (/ˈbæfoʊmɛt/; from Medieval Latin Baphometh, Baffometi, Occitan Bafometz) is a term originally used to describe an idol or other deity that the Knights Templar were accused of worshipping and that subsequently was incorporated into disparate occult and mystical traditions. It appeared as a term for a pagan idol in trial transcripts of the Inquisition of the Knights Templar in the early 14th century.[The name first came into popular English usage in the 19th century, with debate and speculation on the reasons for the suppression of the TemplarsSince 1856, the name Baphomet has been associated with a "Sabbatic Goat" image drawn by Eliphas Levi which contains binary elements representing the "sum total of the universe" (e.g. male and female, good and evil, etc.The name Baphomet appeared in July 1098 in a letter by the crusader Anselm of Ribemont: Sequenti die aurora apparente, altis vocibus Baphometh invocaverunt; et nos Deum nostrum in cordibus nostris deprecantes, impetum facientes in eos, de muris civitatis omnes expulimus. As the next day dawned, they called loudly upon Baphometh; and we prayed silently in our hearts to God, then we attacked and forced all of them outside the city walls. A chronicler of the First Crusade, Raymond of Aguilers, called the mosques Bafumarias. The name Bafometz later appeared around 1195 in the Occitan poems "Senhors, per los nostres peccatz" by the troubadour Gavaudan. Around 1250 a poem bewailing the defeat of the Seventh Crusade by Austorc d'Aorlhac refers to Bafomet. De Bafomet is also the title of one of four surviving chapters of an Occitan translation of Ramon Llull's earliest known work, the Libre de la doctrina pueril, "book on the instruction of children". Two Templars burned at the stake, from a French 15th-century manuscript. When the medieval order of the Knights Templar was suppressed by King Philip IV of France, on Friday October 13, 1307, Philip had many French Templars simultaneously arrested, and then tortured into confessions. Over 100 different charges had been leveled against the Templars. Most of them were dubious, as they were the same charges that were leveled against the Cathars and many of King Philip's enemies; he had earlier kidnapped Pope Boniface VIII and charged him with near identical offenses of heresy, spitting and urinating on the cross, and sodomy. Yet Malcolm Barber observes that historians "find it difficult to accept that an affair of such enormity rests upon total fabrication".The "Chinon Parchment suggests that the Templars did indeed spit on the cross," says Sean Martin, and that these acts were intended to simulate the kind of humiliation and torture that a Crusader might be subjected to if captured by the Saracens, where they were taught how to commit apostasy "with the mind only and not with the heart". Similarly Michael Haag suggests that the simulated worship of Baphomet did indeed form part of a Templar initiation ritual. The indictment (acte d'accusation) published by the court of Rome set forth ... "that in all the provinces they had idols, that is to say, heads, some of which had three faces, others but one; sometimes, it was a human skull ... That in their assemblies, and especially in their grand chapters, they worshipped the idol as a god, as their saviour, saying that this head could save them, that it bestowed on the order all its wealth, made the trees flower, and the plants of the earth to sprout forth."The name Baphomet comes up in several of these confessions. Peter Partner states in his 1987 book The Knights Templar and their Myth, "In the trial of the Templars one of their main charges was their supposed worship of a heathen idol-head known as a 'Baphomet' ('Baphomet' = Mahomet)."The description of the object changed from confession to confession. Some Templars denied any knowledge of it. Others, under torture, described it as being either a severed head, a cat, or a head with three faces.The Templars did possess several silver-gilt heads as reliquaries,including one marked capud lviiim,another said to be St. Euphemia,and possibly the actual head of Hugues de Payens. The claims of an idol named Baphomet were unique to the Inquisition of the Templars.Karen Ralls, author of the Knights Templar Encyclopedia, argues that it is significant that "no specific evidence [of Baphomet] appears in either the Templar Rule or in other medieval period Templar documents."Gauserand de Montpesant, a knight of Provence, said that their superior showed him an idol made in the form of Baffomet; another, named Raymond Rubei, described it as a wooden head, on which the figure of Baphomet was painted, and adds, "that he worshipped it by kissing its feet, and exclaiming, 'Yalla,' which was," he says, "verbum Saracenorum," a word taken from the Saracens. A templar of Florence declared that, in the secret chapters of the order, one brother said to the other, showing the idol, "Adore this head—this head is your god and your Mahomet."Modern scholars such as Peter Partner and Malcolm Barber agree that the name of Baphomet was an Old French corruption of the name Muhammad, with the interpretation being that some of the Templars, through their long military occupation of the Outremer, had begun incorporating Islamic ideas into their belief system, and that this was seen and documented by the Inquisitors as heresy.Alain Demurger, however, rejects the idea that the Templars could have adopted the doctrines of their enemies. Helen Nicholson writes that the charges were essentially "manipulative"—the Templars "were accused of becoming fairy-tale Muslims." Medieval Christians believed that Muslims were idolatrous and worshipped Muhammad as a god, with mahomet becoming mammet in English, meaning an idol or false god. This idol-worship is attributed to Muslims in several chansons de geste. For example, one finds the gods Bafum e Travagan in a Provençal poem on the life of St. Honorat, completed in 1300.In the Chanson de Simon Pouille, written before 1235, a Saracen idol is called Bafumetz.
Alternative etymologies
Knights Templar Seal representing the Gnostic figure Abraxas. While modern scholars and the Oxford English Dictionary state that the origin of the name Baphomet was a probable Old French version of "Mahomet",alternative etymologies have also been proposed.In the 18th century, speculative theories arose that sought to tie the Knights Templar with the origins of Alchemy.Bookseller, Freemason and Illuminatus [33] Christoph Friedrich Nicolai (1733–1811), in Versuch über die Beschuldigungen welche dem Tempelherrenorden gemacht worden, und über dessen Geheimniß (1782), was the first to claim that the Templars were Gnostics, and that "Baphomet" was formed from the Greek words βαφη μητȢς, baphe metous, to mean Taufe der Weisheit, "Baptism of Wisdom". Nicolai "attached to it the idea of the image of the supreme God, in the state of quietude attributed to him by the Manichaean Gnostics", according to F. J. M. Raynouard, and "supposed that the Templars had a secret doctrine and initiations of several grades" which "the Saracens had communicated ... to them." He further connected the figura Baffometi with the pentagram of Pythagoras:
What properly was the sign of the Baffomet, 'figura Baffometi,' which was depicted on the breast of the bust representing the Creator, cannot be exactly determined ... I believe it to have been the Pythagorean pentagon (Fünfeck) of health and prosperity: ... It is well known how holy this figure was considered, and that the Gnostics had much in common with the Pythagoreans. From the prayers which the soul shall recite, according to the diagram of the Ophite-worshippers, when they on their return to God are stopped by the Archons, and their purity has to be examined, it appears that these serpent-worshippers believed they must produce a token that they had been clean on earth. I believe that this token was also the holy pentagon, the sign of their initiation (τελειας βαφης μετεος).
Émile Littré (1801–1881) in Dictionnaire de la langue francaise asserted that the word was cabalistically formed by writing backward tem. o. h. p. ab, an abbreviation of templi omnium hominum pacis abbas, 'abbot' or 'father of the temple of peace of all men.' His source is the "Abbé Constant", which is to say, Alphonse-Louis Constant, the real name of Eliphas Levi.
Hugh J. Schonfield (1901–1988),one of the scholars who worked on the Dead Sea Scrolls, argued in his book The Essene Odyssey that the word "Baphomet" was created with knowledge of the Atbash substitution cipher, which substitutes the first letter of the Hebrew alphabet for the last, the second for the second last, and so on. "Baphomet" rendered in Hebrew is בפומת; interpreted using Atbash, it becomes שופיא, which can be interpreted as the Greek word "Sophia", meaning wisdom. This theory is an important part of the plot of the novel The Da Vinci Code.
Joseph Freiherr von Hammer-Purgstall
Joseph von Hammer-Purgstall (1774-1856) associated a series of carved or engraved figures found on a number of supposed 13th century Templar artifacts (such as cups, bowls and coffers) with the Baphometic idol.
In 1818, the name Baphomet appeared in the essay by the Viennese Orientalist Joseph Freiherr von Hammer-Purgstall, Mysterium Baphometis revelatum, seu Fratres Militiæ Templi, qua Gnostici et quidem Ophiani, Apostasiæ, Idoloduliæ et Impuritatis convicti, per ipsa eorum Monumenta "Discovery of the Mystery of Baphomet, by which the Knights Templars, like the Gnostics and Ophites, are convicted of Apostasy, of Idolatry and of moral Impurity, by their own Monuments"), which presented an elaborate pseudohistory constructed to discredit Templarist Masonry and, by extension, Freemasonry. Following Nicolai, he argued, using as archaeological evidence "Baphomets" faked by earlier scholars[citation needed] and literary evidence such as the Grail romances, that the Templars were Gnostics and the "Templars' head" was a Gnostic idol called Baphomet.
His chief subject is the images which are called Baphomet ... found in several museums and collections of antiquities, as in Weimar ... and in the imperial cabinet in Vienna. These little images are of stone, partly hermaphrodites, having, generally, two heads or two faces, with a beard, but, in other respects, female figures, most of them accompanied by serpents, the sun and moon, and other strange emblems, and bearing many inscriptions, mostly in Arabic ... The inscriptions he reduces almost all to Mete[, which] ... is, according to him, not the Μητις of the Greeks, but the Sophia, Achamot Prunikos of the Ophites, which was represented half man, half woman, as the symbol of wisdom, unnatural voluptuousness and the principle of sensuality ... He asserts that those small figures are such as the Templars, according to the statement of a witness, carried with them in their coffers. Baphomet signifies Βαφη Μητεος, baptism of Metis, baptism of fire,or the Gnostic baptism, an enlightening of the mind, which, however, was interpreted by the Ophites, in an obscene sense, as fleshly union ... the fundamental assertion, that those idols and cups came from the Templars, has been considered as unfounded, especially as the images known to have existed among the Templars seem rather to be images of saints.
Hammer's essay did not pass unchallenged, and F. J. M. Raynouard published an "Etude sur 'Mysterium Baphometi revelatum'" in Journal des savants the following year. Charles William King criticized Hammer saying he had been deceived by "the paraphernalia of ... Rosicrucian or alchemical quacks,"[43] and Peter Partner agreed that the images "may have been forgeries from the occultist workshops." At the very least, there was little evidence to tie them to the Knights Templar—in the 19th century some European museums acquired such pseudo-Egyptian objects,[citation needed] which were catalogued as "Baphomets" and credulously thought to have been idols of the Templars.
Eliphas Lévi
Androgyne of Heinrich Khunrath, Amphitheatrum Sapientiae Aeternae.
Later in the 19th century, the name of Baphomet became further associated with the occult. Eliphas Levi published Dogme et Rituel de la Haute Magie ("Dogma and Rituals of High Magic") as two volumes (Dogme 1854, Rituel 1856), in which he included an image he had drawn himself which he described as Baphomet and "The Sabbatic Goat", showing a winged humanoid goat with a pair of breasts and a torch on its head between its horns (illustration, top). This image has become the best-known representation of Baphomet. Lévi considered the Baphomet to be a depiction of the absolute in symbolic form and explicated in detail his symbolism in the drawing that served as the frontispiece:
The goat on the frontispiece carries the sign of the pentagram on the forehead, with one point at the top, a symbol of light, his two hands forming the sign of occultism, the one pointing up to the white moon of Chesed, the other pointing down to the black one of Geburah. This sign expresses the perfect harmony of mercy with justice. His one arm is female, the other male like the ones of the androgyne of Khunrath, the attributes of which we had to unite with those of our goat because he is one and the same symbol. The flame of intelligence shining between his horns is the magic light of the universal balance, the image of the soul elevated above matter, as the flame, whilst being tied to matter, shines above it. The beast's head expresses the horror of the sinner, whose materially acting, solely responsible part has to bear the punishment exclusively; because the soul is insensitive according to its nature and can only suffer when it materializes. The rod standing instead of genitals symbolizes eternal life, the body covered with scales the water, the semi-circle above it the atmosphere, the feathers following above the volatile. Humanity is represented by the two breasts and the androgyne arms of this sphinx of the occult sciences.
Witches' Sabbath
Lévi's depiction of Baphomet is similar to that of The Devil in early Tarot. Lévi, working with correspondences different from those later used by S. L. MacGregor Mathers, "equated the Devil Tarot key with Mercury," giving "his figure Mercury's caduceus, rising like a phallus from his groin."
Lévi believed that the alleged devil worship of the medieval Witches' Sabbath was a perpetuation of ancient pagan rites. A goat with a candle between its horns appears in medieval witchcraft records, and other pieces of lore are cited in Dogme et Rituel.
Le Diable, from the early eighteenth century Tarot of Marseilles by Jean Dodal.
Below this figure we read a frank and simple inscription—THE DEVIL. Yes, we confront here that phantom of all terrors, the dragon of the all theogenies, the Ahriman of the Persians, the Typhon of the Egyptians, the Python of the Greeks, the old serpent of the Hebrews, the fantastic monster, the nightmare, the Croquemitaine, the gargoyle, the great beast of the Middle Ages, and—worse than all these—the Baphomet of the Templars, the bearded idol of the alchemist, the obscene deity of Mendes, the goat of the Sabbath. The frontispiece to this ‘Ritual’ reproduces the exact figure of the terrible emperor of night, with all his attributes and all his characters.... Yes, in our profound conviction, the Grand Masters of the Order of Templars worshipped the Baphomet, and caused it to be worshipped by their initiates; yes, there existed in the past, and there may be still in the present, assemblies which are presided over by this figure, seated on a throne and having a flaming torch between the horns. But the adorers of this sign do not consider, as do we, that it is a representation of the devil; on the contrary, for them it is that of the god Pan, the god of our modern schools of philosophy, the god of the Alexandrian theurgic school and of our own mystical Neoplatonists, the god of Lamartine and Victor Cousin, the god of Spinoza and Plato, the god of the primitive Gnostic schools; the Christ also of the dissident priesthood.... The mysteries of the Sabbath have been variously described, but they figure always in grimoires and in magical trials; the revelations made on the subject may be classified under three heads—1. those referring to a fantastic and imaginary Sabbath; 2. those which betray the secrets of the occult assemblies of veritable adepts; 3. revelations of foolish and criminal gatherings, having for their object the operations of black magic.
Lévi's Baphomet, for all its modern fame, does not match the historical descriptions from the Templar trials, although it may also have been partly inspired by grotesque carvings on the Templar churches of Lanleff in Brittany and
Saint-Merri in Paris, which depict squatting bearded men with bat wings, female breasts, horns and the shaggy hindquarters of a beast,[unreliable source] as well as Eugène Viollet-le-Duc's vivid gargoyles that were added to Notre-Dame de Paris about the same time as Lévi's illustration.[citation needed]
Goat of Mendes
Banebdjedet
Lévi called his image "The Goat of Mendes", possibly following Herodotus' account that the god of Mendes—the Greek name for Djedet, Egypt—was depicted with a goat's face and legs. Herodotus relates how all male goats were held in great reverence by the Mendesians, and how in his time a woman publicly copulated with a goat. E. A. Wallis Budge writes,
At several places in the Delta, e.g. Hermopolis, Lycopolis, and Mendes, the god Pan and a goat were worshipped; Strabo, quoting (xvii. 1, 19) Pindar, says that in these places goats had intercourse with women, and Herodotus (ii. 46) instances a case which was said to have taken place in the open day. The Mendisians, according to this last writer, paid reverence to all goats, and more to the males than to the females, and particularly to one he-goat, on the death of which public mourning is observed throughout the whole Mendesian district; they call both Pan and the goat Mendes, and both were worshipped as gods of generation and fecundity. Diodorus (i. 88) compares the cult of the goat of Mendes with that of Priapus, and groups the god with the Pans and the Satyrs. The goat referred to by all these writers is the famous Mendean Ram, or Ram of Mendes, the cult of which was, according to Manetho, established by Kakau, the king of the IInd dynasty.Historically, the deity that was venerated at Egyptian Mendes was a ram deity, Banebdjedet (literally Ba of the lord of djed, and titled "the Lord of Mendes"), who was the soul of Osiris. Lévi combined the images of the Tarot of Marseilles Devil card and refigured the ram Banebdjed as a he-goat, further imagined by him as "copulator in Anep and inseminator in the district of Mendes".
Aleister Crowley
The Baphomet of Lévi was to become an important figure within the cosmology of Thelema, the mystical system established by Aleister Crowley in the early twentieth century. Baphomet features in the Creed of the Gnostic Catholic Church recited by the congregation in The Gnostic Mass, in the sentence: "And I believe in the Serpent and the Lion, Mystery of Mysteries, in His name BAPHOMET."[55]
In Magick (Book 4), Crowley asserted that Baphomet was a divine androgyne and "the hieroglyph of arcane perfection": Seen as that which reflects. "What occurs above so reflects below, or As above so below" The Devil does not exist. It is a false name invented by the Black Brothers to imply a Unity in their ignorant muddle of dispersions. A devil who had unity would be a God... 'The Devil' is, historically, the God of any people that one personally dislikes... This serpent, SATAN, is not the enemy of Man, but He who made Gods of our race, knowing Good and Evil; He bade 'Know Thyself!' and taught Initiation. He is 'The Devil' of The Book of Thoth, and His emblem is BAPHOMET, the Androgyne who is the hieroglyph of arcane perfection... He is therefore Life, and Love. But moreover his letter is ayin, the Eye, so that he is Light; and his Zodiacal image is Capricornus, that leaping goat whose attribute is Liberty. For Crowley, Baphomet is further a representative of the spiritual nature of the spermatozoa while also being symbolic of the "magical child" produced as a result of sex magic. As such, Baphomet represents the Union of Opposites, especially as mystically personified in Chaos and Babalon combined and biologically manifested with the sperm and egg united in the zygote. Crowley proposed that Baphomet was derived from "Father Mithras". In his Confessions he describes the circumstances that led to this etymology: I had taken the name Baphomet as my motto in the O.T.O. For six years and more I had tried to discover the proper way to spell this name. I knew that it must have eight letters, and also that the numerical and literal correspondences must be such as to express the meaning of the name in such a ways as to confirm what scholarship had found out about it, and also to clear up those problems which archaeologists had so far failed to solve ... One theory of the name is that it represents the words βαφὴ μήτεος, the baptism of wisdom; another, that it is a corruption of a title meaning "Father Mithras". Needless to say, the suffix R supported the latter theory. I added up the word as spelt by the Wizard. It totalled 729. This number had never appeared in my Cabbalistic working and therefore meant nothing to me. It however justified itself as being the cube of nine. The word κηφας, the mystic title given by Christ to Peter as the cornerstone of the Church, has this same value. So far, the Wizard had shown great qualities! He had cleared up the etymological problem and shown why the Templars should have given the name Baphomet to their so-called idol. Baphomet was Father Mithras, the cubical stone which was the corner of the Temple.
Modern interpretations and usage
The Devil in the Rider-Waite tarot deck.
Lévi's Baphomet is the source of the later Tarot image of the Devil in the Rider-Waite design. The concept of a downward-pointing pentagram on its forehead was enlarged upon by Lévi in his discussion (without illustration) of the Goat of Mendes arranged within such a pentagram, which he contrasted with the microcosmic man arranged within a similar but upright pentagram. The actual image of a goat in a downward-pointing pentagram first appeared in the 1897 book La Clef de la Magie Noire by Stanislas de Guaita. It was this image that was later adopted as the official symbol—called the Sigil of Baphomet—of the Church of Satan, and continues to be used among Satanists.Promotional poster for Léo Taxil, Les Mystères de la franc-maçonnerie dévoilés (1886), adapts Lévi's invention. Baphomet, as Lévi's illustration suggests, has occasionally been portrayed as a synonym of Satan or a demon, a member of the hierarchy of Hell. Baphomet appears in that guise as a character in James Blish's The Day After Judgment.[citation needed] Christian evangelist Jack T. Chick claimed that Baphomet is a demon worshipped by Freemasons,a claim that apparently originated with the Taxil hoax. Léo Taxil's elaborate hoax employed a version of Lévi's Baphomet on the cover of Les Mystères de l'Alchimie dévoilés, his lurid paperback "exposé" of Freemasonry, which in 1897 he revealed as a hoax intended to ridicule the Catholic Church and its anti-alchemic propaganda. In 2014 The Satanic Temple commissioned an 8 1/2 foot statue of Baphomet to stand alongside a monument of the Ten Commandments at Oklahoma State Capitol, citing "respect for diversity and religious minorities" as reasons for erecting the monument. After the Ten Commandments monument was vandalized plans to erect the Baphomet statue were put on hold as the Satanic Temple did not want their statue to stand alone by the Oklahoma capitol. The Oklahoma Supreme Court declared all religious displays illegal and on 25 July 2015 the statue was erected near a warehouse in Detroit, as a symbol of the modern Satanist movement. The Satanic Temple may take the statue to Arkansas where another 10 Commandments monument is proposed. Baphomet appears in Dungeons & Dragons as a powerful demon lord, and is also known as the "Horned King", or the "Prince of Beasts". Baphoment is followed by minotaurs and other savage creatures. He desires the end of civilizations so all creatures may embrace their most basic, brutal instincts. He is described as a massive, black minotaur, with blood around his mouth and red eyes. He wears an iron crown topped with the heads of his enemies, along with spiked armor. He wields a huge glaive, named "Heartcleaver", but commonly fights with his hooves, claws, and horns. He rules of the 600th layer of The Abyss, known as the "Endless Maze", and is the sworn enemy of Yeenoghu, another demon lord.
Cascading Universe & Garden of Cosmic Speculation, 2 of the gardens at Portrack House near Dumfries. The house features garden designs by Charles Jencks. The house is only open to the public on one day a year.
Canon 5D MKII, Canon 17-40mm, F11, 17mm, ISO200, Exp 1/250 Seconds
Hitech Soft Grad 0.6
~Brian Kerr Photography~'s photos on Flickriver
Please do not use this image on websites, blogs or any other media without asking my written permission. All rights reserved.....© Brian Kerr Photography 2011
Warkworth Castle in Northumberland is forever associated with the Percy Earls of Northumberland but the site did not start with them. Indeed there is some mystery over who first built it and when. Located on a tight bend in the River Coquet and about a mile from the sea, the castle sits on the neck of this land which means that the enclosed space becomes an outer ward with the river as its moat on three sides. The medieval church and modern village now occupy the bend.
As an easy to defend site, close to the English/Scottish border, the speculation is that it may have had some sort of fortification well before the present building but this is now elusive - especially so if the first fortification was of mere earth and timber. Henry, son of King David I of Scotland, was granted the site around 1139 AD and he, in turn, granted salt pans to various local monks. As the new Earl of Northumberland the old guide book speculates that he either built the first castle or he improved an existing motte and bailey with new stone walls; the guide book certainly notes ‘Norman’ foundations at various points in the current building. A castle certainly exists in documents of 1157 AD.
King John of England confirmed the castle to Robert of Clavering in 1199 AD. Robert spent much time in the area as Sheriff of Northumberland and was gifted other local estates. He is thought to have built the main gateway, some of the walls and improved the Great Hall. He may also have built or improved the keep but this work has since vanished under the large and luxurious later Percy building. The Claverings held the castle but such was its importance that royal troops were also garrisoned here at times - at the king’s expense - due to the Scottish wars. In 1322 the constable of the castle sent 26 light horsemen (hobilars) to join the English army. The Scots were beaten off in 1327 and again the following year when Robert The Bruce besieged it.
The last Clavering male died in debt in 1332 and the castle eventually passed to Henry, the second Lord Percy of Alnwick. He improved the gatehouse and walls and may have added the Grey Mare’s Tail tower on the eastern side. From this time onwards Warkworth was the second castle home of the Percys and much favoured by them. The third Percy lord was a great soldier in the 100 Years War in France and was created Earl of Northumberland in 1377 before winning the battles of Otterburn and Homildon Hill against the Scots.
Sometime during this period extensive building work was carried out by the Percys with the keep on the motte being rebuilt as a sumptuous and comfortable building with decent accommodation, ample water management and drainage. It even had a very modern feature - a light well extending down the centre of the building to draw in both light and fresh air. For the ‘grim north’ this was a very princely home.
However after supporting Henry IV’s 1399 coup against Richard II, the Percys fell out with King Henry and rebelled - leading to executions and a period of disgrace. During this time Warkworth was attacked by a royal army with gunpowder artillery and it surrendered after seven discharges of the royal cannons. It is thus the first British castle to be successfully attacked by artillery despite the claims of nearby Bamburgh Castle.
John, Duke of Bedford held the castle for 11 years before it was returned to the next Percy - Henry, Earl of Northumberland. He was drawn into disputes with the junior Nevilles (the Earls of Salisbury and Warwick) but was supported by the senior Nevilles, the Earls of Westmoreland, who had their own issues with the junior Nevilles. Inevitably all this was mostly about money and inheritance. It paved the way to private battles between these families BEFORE the so-called Wars of the Roses. Indeed the first Battle of St Albans in 1455 may be more of a Mafia-style ‘hit’ as the Yorkists were lead by the three Richards (York, Salisbury and Warwick) and the principal dead were the Duke of Somerset, Henry Percy and a Percy kinsman, Lord Clifford.
The castle passed into Yorkist hands and - at various times - the Earl of Warwick directed sieges at Alnwick, Bamburgh and Dunstanburgh using Warkworth as his base. Warwick’s brother John Neville was given the castle and the earldom of Northumberland for a time but Edward IV eventually returned it to Henry Percy, the 4th Earl of Northumberland. John Neville was thus ‘downgraded’ to 1st Marquis of Montague and was thoroughly alienated by this action, leading to John joining his brother Warwick in rebellion against Edward IV. Warkworth’s Montague Tower is probably his work.
The 4th Percy earl carried out some work in his own right. One oddity is that a collegiate church was planned right in front of the keep which would have cut the keep off from the rest of the inner bailey. We know this as the present church foundations contain a tunnel which would have passed under the massive building to allow access to the keep from the bailey. However the guide book suggests the church was never finished and that the foundation crypts were partly buried and then became used for storage.
Henry the 4th earl became infamous for not supporting King Richard III at Bosworth in 1485. He then managed to get himself killed by the locals at Cocklodge in 1489 and is now buried in Beverley Cathedral. Later Percys got involved in the 16th century religious conflicts in England and none of them came out of it well. One even got involved in the Gunpowder Plot against the new Protestant King James I of England. One footnote is that King James visited Warkworth in this period and found it ruined and overrun by goats and sheep in every chamber. Some of his party went into the castle and were: “Much moved to see it so spoiled and so badly kept”.
Later Percys favoured Alnwick over Warkworth and it was one of these (now a Duke) who turned the site over to the future Ministry of Public Building and Works in 1922. It is now an English Heritage site and well worth a visit.
Four separate edits from one original photograph delivered together in two uneven reflections and then also each given up upon as their individual own projection. Mono presented first and colour to follow in looking at the contemporary vista around one large megalith. The electricity lines, field patterns, road and rail ways all hugging the shore within the distance give inspiration of modern lines of communication and vital sources of human habitation revealing the paths that brought our ancestors to raise this orthostat that still has distant still standing companions. The potential pattern of other now lost stones lies within the fabric of the countryside and the reach of the waterfront of different lifestyles that began to leave traces on the ground and we now can in certain speculation look at what has been and what still remains to be found.
For 11 more pictures from the same visit please see,
Easter Broomhouse Standing Stone Prehistoric Perspectives on a Megalith Marker
For 25 more pictures from the same visit please see,
Easter Broomhouse Standing Stone a Megalith Marker on a Prehistoric Perspectives
flickr.com/photos/phhsykes/albums/72177720302449302
© PHH Sykes 2022
phhsykes@gmail.com
Easter Broomhouse Standing Stone (Prehistoric)
canmore.org.uk/site/57622/easter-broomhouse
Spott Church
Witches' Stone, Spott
canmore.org.uk/site/57667/witches-stone-spott
Also The Modern Antiquarian and The Megalithic Portal
Easter Broomhouse Standing Stone
www.themodernantiquarian.com/site/1492/
Easter Broomhouse Standing Stone
www.megalithic.co.uk/article.php?x=368000&y=676600
Witches' Stone, Spott
www.themodernantiquarian.com/site/6453/witches_stone.html
Witches' Stone, Spott
www.megalithic.co.uk/article.php?sid=8239
Pencraig Hill Standing Stone (Prehistoric)
www.themodernantiquarian.com/site/1494/pencraig_hill_stan...
Pencraig Hill Standing Stone (Prehistoric)
Strathalbyn.
A Special Survey of 4,000 acres was taken out along the Angas River in 1839 for George Hall (secretary to Governor Gawler) and William Mein and others. Land was surveyed from the mouth of the Angas along the river to about where Macclesfield is now situated. Other contributors to the Mouth of the Angas Special Survey were Strathalbyn settlers including: 806 acres purchased by Dr John Rankine, Blackwood Park; 166 acres purchased by William Rankine, Glenbarr; 410 acres purchased by Donald McLean; 81 acres purchased by Edward and Charles Stirling of Hampton and later the Lodge. William and Nicol Mein kept 728 acres for themselves but George Hall (who kept about 930 acres) was a Colonial Office employee with an eye on speculation. He also paid £4,000 for the Great Bend Special Survey along the River Murray from Morgan to Blanchetown but it was claimed this was taken for Governor Gawler but in Hall’s name to avoid scandal! But the land was not worth £1 per acre! The Meins were graziers and also took out Occupational Licenses for leasehold land in 1843. They were Scots so they donated £600 for the building fund for the Presbyterian Church in Adelaide in 1840. But in 1843 they dissolved a business partnership in Adelaide and they appear to have left the colony perhaps to join their relatives in NSW. Meins did not stay on to become Strathalbyn pioneers unlike the Rankines, McLeans and Stirlings. The other prominent early founder was William Dawson- hence the creek flowing in front of Glen Barr is the Dawson Creek which enters the Angas River in Strathalbyn. Dawson Banks is another of the grand old properties in Strathalbyn.
Stirlings chose their land to the north of the town and built Hampden and the Lodge; John Rankine chose his land to the north of the town and built Blackwood Park whilst brother William Rankine chose land to the south on Dawson Creek and built Glenbarr house. The first public building in the fledgling town of Strathalbyn was the Strathalbyn Hotel erected in 1840 and the second was probably St. Andrews Presbyterian Church which opened in 1844 with additions in 1869. As most of the settlers were Scottish the name chosen for the town was Scottish and the first church was Presbyterian. The first farmer to produce a crop was David Gollan. His interest in wheat led him to open the first flour mill in 1850 in the centre of the town. Mill Bridge adjacent to the flourmill bridged the Angas River. As the town progressed quickly a local council was formed in 1854 with the Stirlings, Rankines and Archibald McLean (investor in Langhorne Creek) being among the first councillors. The Stirlings were especially important to Strathalbyn. Edward Stirling (the father) joined into a partnership with (Sir) Thomas Elder and Robert Barr Smith in 1855. Stirling stayed with the company as it funded the Moonta and Wallaroo copper mines in 1861 then he withdrew but remained as an investor in the mines. The company went on to become Elder Smith and Co the most successful SA 19th century company. Edward Stirling had two sons, (Sir) Edward Stirling a famed surgeon who lived at St. Vigeans at Stirling and (Sir) Lancelot Stirling, local Member of Parliament for the Strathalbyn district, sheep and cattle breeder and company director. The Stirlings lived in the family home Hampden until it burnt down around 1870. Then they moved into the Lodge which was extended and remained the family home for Sir Lancelot Stirling after his father Edward died in 1873. Lancelot lived there until he died in 1932. The Stirlings of Strathalbyn also owned and operated Nalpa Station on Lake Albert. The Lodge is now the centre of a new suburban development at Strathalbyn.
From the beginning Strathalbyn prospered because of its access to water from the Angas River, its reliable rainfall, its genial climate for cropping and from the patronage of its wealthy founders. The town was laid out in 1840 and blocks sold at that time. The discovery of silver, lead and zinc at nearby Wheal Ellen mine in 1857 further boosted the growing town. The mine closed a short time later but re-opened in 1869 and operated until closure in 1888. It briefly re-opened from 1910-14 for the last phase. Until recently Strathalbyn had another zinc mine conducted by Terramin Mining which started operations in 2007. The zinc from here was sent to Nyrstar refinery at Port Pirie for smelting. The mining occurred 360 metres below the ground surface. The mine had a life of five years and closed in late 2013 ending the jobs of 115 local people. But Strathalbyn has always had a range of local industry. A foundry operated in the town from the mid 1850s as well as the usual businesses of blacksmith, saddlery etc, and the town handled coach services to Wellington via Langhorne Creek from around 1854. It was also one of the first towns in SA to have its own gas works started by David Trenouth in 1868. By 1870 the small urban centre of Strathalbyn had gas street lights! The gas works operated until 1917 when an electrical service took over power provision. From an early date Strathalbyn also had its own newspaper and printing press the Southern Argus housed in Argus House which was built 1867/68. The Southern Argus which is still published, is SA’s oldest country newspaper. In 1912 it established an offshoot - the Victor Harbor Times. In terms of transportation and the transport of goods Strathalbyn prospered as it was the terminus of the horse drawn tram service from Port Elliott and Goolwa in 1869. That is why the Terminus Hotel is so named. In 1884 that line was converted to a broad gauge rail line for steam engines and linked at Mt Barker with the line to Adelaide. Strathalbyn had a flour mill from 1850 as noted above and in the 1860s the town had its own brewery. The heyday of business boom for Strathalbyn was in the 1860s and 1870 when so many of the fine town buildings were erected. Heritage buildings are shown on map above and they include:
Commercial Street/Dawson Street.
•At the northern end of Commercial Street on the corner with North Parade is the Doctor’s Residence. 26 North Parade. Dr Herbert built a grand 8 roomed residence here in 1858. Dr Ferguson purchased it in 1869 and added and altered the verandas. Dr Shone bought it in 1897. Dr Formby took it over in 1907 and kept it until he sold it to Dr Fairley in 1979! Note the double chimneys and the ogee(S shaped) gutters above the bay windows and the 1850s French windows.
•On the northern end of Commercial Street is the Wesleyan Methodist Church which was built in 1874. It replaced the demolished Methodist church built in 1854. Built of random stone, semi rounded windows etc. It became the only Methodist church at the time of Methodist amalgamations in 1900 .It closed around the time of amalgamation with the Presbyterians and Congregationalists in 1977. The Hall was added in 1939.
•Blackwell House, 18 Commercial Street. A two storey bluestone structure from the 1860s. It was much altered in 1912 when the parapet along the roof was removed, the slate replaced with iron and the upper balcony added.
•The former Power House 1917 –when gas works closed. Became Council Chamber 1939 when ETSA arrived.
•Coleman Mill store. Fine stone building with few windows. Built 1864. Coleman bought the mill from Gollan.
•1850 flour mill which was sold to Laucke’s in 1938. Commercial Rd and Mill Street an imposing four storey structure. Note the four storeys, purple sandstone, and little windows.
•Beside the mill is Water Villa house. The earliest part dates from 1849 and the Italianate bay window sections are 1879. David Gollan the owner of the 1850 flour mill built this as his residence. It is a mixture of stones. Note the French doors in the old original part of the house onto the veranda.
•Argus House, 1868. 33 Commercial Street. It was a print works and residence and shop.
•Post Office 1911. 37 Commercial Street.
•Savings Banks of South Australia. A fine two storey structure for the bank and manager’s residence. Built in 1930. It has rough stone, prominent gables, repeating arches, wooden doors, and terra cotta tiles.
•Church of Christ. Opened in 1873.Limestone walls, arched windows.
•Masonic Hall built in 1896 but Lodge established 1866.Additons 1912 and 1957.
Rankine Street/Albyn Terrace.
•Strathalbyn Police Station (1855) and Court House (1865) now the National Trust Museum.
•National Bank 2 Albyn Terrace. Squared stone blocks, two storeys and a dominant building. Elaborate porch and balcony and decorative window surrounds etc. Erected in 1869. Nearby Norfolk Island pine was planted in 1895.
•Tucker & Sons solicitors at 8 Albyn Terrace. Have a look at all the shops along Albyn Terrace a great 19th century streetscape still largely intact. It was used in the film “Picnic at Hanging Rock.”
High Street.
•London House general store at 7 High Street 1867. Now an antiques shop. Cobb and Co used to use the stables at the rear for the daily coaching service to Adelaide. London House had the first telephone in Strathalbyn in 1883.
•Robin Hood hotel erected in 1855 and still standing. 18 High Street.
•The Strathalbyn library 9 High Street. Opened 1922 with a classical façade with good symmetry.
•The Town Hall at 11 High Street. 1874 opened as a two storey stone structure with fancy parapet as an institute building. The parapet is supported by paired brackets.
Other locations- Chapel Street, East Terrace and South Terrace.
•St. Andrews Uniting Church (formerly Presbyterian) 1844 for main church with transept added 1857. Manse erected 1854. 1869 tower completed, bell donated by Edward Stirling. Clock installed 1895. Church hall on the opposite corner was built in 1911.
•Former Primitive Methodist Church 1861 was sold to the Anglican Church as a church hall in 1901 following the Methodist amalgamation. It was sold to the Foresters Lodge in 1912(when Anglicans purchased the former Catholic Church) and much later it as sold to the Scouts.
•St. Barnabas Catholic Church 2 Chapel Street. This was a late addition to Strathalbyn being erected in 1913. But Catholic services began in 1881 when a Catholic church was consecrated in Rowe St. The first priest arrived in 1906. A presbytery as built 1911 in East Tce and then church two years later. The 1881 church was sold in 1913 as Anglican parish hall called St. Barnabas. It is on the corner of Rowe and Murray street.
•Christ Church Anglican Church 7 East Terrace. The tower on Christ Church was erected from donations on the death of Sir Lancelot Stirling in 1932. The tower opened in 1933 but the church was built in 1871.
•Railway Station on South Terrace erected 1883 in time for opening of broad gauge line to Adelaide and start of branch line trains to Milang from Sandergrove siding.
•Two storey residence attached to Rowe’s foundry in South Terrace. Britannia House as it is known was built in 1855.
Another shot showing what was around in the aftermath of the Bolton garage vandal attack (earlier photostream shot refers). MDS is one of several National 2s urgently drafted in from Stagecoach Western. This particular example still carries the pre-Stagecoach Western livery, Western fleetnumber and a small Strathclyde PTE notice on the front radiator.
During the attack at the garage itself, those involved managed to get a National 2 started and then bounced it around the yard, colliding into all and sundry. Press coverage at the time did raise the speculation that there may have been some insider involvement, especially around how the gang managed to fire up the bus. A Stagecoach spokesman was quoted as saying, without a trace of irony, that their buses weren't the easiest to get started...
Bolton, Moor Lane Bus Station, 11/01/1997.
I leave these speculations to others. It’s quite possible that my work represents a search for beauty in the most prosaic and ordinary places. One doesn’t have to be in some faraway dreamland in order to find beauty. Saul Leiter
Kodak Portra 160 120 Film
Tetenal Colortec C-41
Pre wash 5 mins at dev temp 38.5Deg
Dev 3.15 mins - invert 2 times every 30 secs
Blix 4 mins - invert 2 times every 30 secs
Wash 4 mins - Change water every 30 secs
Stabiliser 1 mins - invert 2 times every 30 secs
Wash 5 mins to clear residue of chemicals
The Australian Meat Employees Industry Union Building was built for the Bank of New South Wales in 1887. It was third building which the bank had constructed. Built by Townsville builder Denis Kelleher at a cost of £7,500, the building was probably designed by Sydney architect John Smedley, with construction supervised by architect WM Eyre of the Townsville firm of Eyre and Munro and Brisbane architect FDG Stanley.
The Bank of New South Wales was the second banking company to be established in Townsville. The Australian Joint Stock Bank opened on the 19th of February 1866 and the Bank of New South Wales on the 20th of March 1866.
The Bank of New South Wales was founded in 1817 in Sydney, New South Wales. In 1851 Robert Towns, a Sydney businessman, became a shareholder. During the early 1860s Towns formed a business partnership with John Melton Black in his North Queensland properties and investment speculations, including the establishment of a port on Cleveland Bay. Keen to protect his investment in the new settlement at the port and to encourage the expansion of the Bank of New South Wales into North Queensland, Towns facilitated the establishment of a branch of the bank in Townsville within a year of settlement.
The first branch building, leased from Towns and Black, was located in Flinders Street East near the site of the present building, but the managers and staff soon complained that the building was hot and plagued by mosquitoes from Ross Creek. A decision was made to move after Queensland Bank Inspector, Alexander Archer, reported that the bank and its records were unsafe located amongst a group of wooden buildings.
The second bank building and a manager's residence were constructed in 1869 on the corner of Wickham Street and The Strand on the present Customs House site. While these premises were well placed for the sea breezes, the building was again deemed unsuitable because of the distance from the centre of town and the difficulty of access via Wickham Street.
By August 1875 the Bank of New South Wales had purchased a new site closer to the centre of town while still taking advantage of the sea breezes. However, the block on the corner of Flinders and Wickham Streets remained undeveloped for a further twelve years, despite Brisbane architect James Cowlishaw calling tenders on the 8th of January 1883 for the erection of banking premises at Townsville for the Bank of New South Wales.
During the 1860s, Cowlishaw had supervised the construction of the Brisbane branch of the Bank of NSW for Sydney architect GA Mansfield, and was also involved in the construction of branches in Bowen and Rockhampton. It is not certain whether the 1883 tender for a new bank building in Townsville was for a building designed by Cowlishaw, or another design by Mansfield to be supervised by Cowlishaw. However, newspaper reports of 1887 suggest that, either way, the 1883 design for a Bank of New South Wales in Townsville was not constructed.
By October 1887 however, the Townsville Herald noted that FDG Stanley, architect for three buildings being erected in Townsville including the Bank of NSW, inspected these with his local representative Mr WM Eyre who was supervising their construction. Three months later on the 24th of December 1887, the same newspaper congratulated the architect Mr Smedley of Sydney for his design of the newly completed Bank of New South Wales building. This suggests Smedley was Mansfield's successor as the bank's design architect in Sydney, and Eyre was the local supervising architect with Stanley his senior partner.
The new premises included the banking chamber, manager and accountant's offices, strong rooms and ablution facilities. The manager's residence included nine private rooms, kitchen, bathroom linen press and pantry. Included in the complex were stables, a coach house and a messenger's room.
In 1925 Townsville architect Walter Hunt supervised alterations to the building including the installation of the pressed metal ceiling in the banking chamber. The work was carried out by contractor J Hillman.
On 17 November 1931 the Bank of Commerce amalgamated with the Bank of New South Wales. In Townsville the combined businesses operated from the Flinders St/Wickham Street offices until the 12th of January 1935 when the main office of the bank moved to new premises at the corner of Flinders and Stokes Streets.
The former premises became known as the East Flinders Street Branch of the Bank of New South Wales, with the branch operating from the building until it was sold. Historical Services Section of the Westpac Banking Corporation provided information that the property was sold in 1940 for £2500 but titles information indicates that the building was not sold until the 26th of February 1941 when the Australian Meat Industry Employees Union (Queensland Branch) [AMIEU] purchased it.
With the threat of invasion of Australia by Japan during the early years of WWII, Townsville was selected as the supply base for the allied forces in the south west Pacific. By 1941 many buildings in the city had been requisitioned including the former Bank of New South Wales from the AMIEU.
A detachment of Area Signals personnel established a telegraph, switchboard and dispatch rider service in the building prior to February 1942. For a short time after Pearl Harbour, Col Frank North, Commander of the Townsville area, established his headquarters in the building along with the Signals Corp. During this period PMG style switchboards were installed and the communication centre connected to service units being established throughout the region. Telegraph facilities in the building were linked to Charters Towers and to units further west as well as to Victoria Barracks, Brisbane. Part of the first floor was also used as living quarters for the Area Signals Officer and Operations Officer.
During this period, a concrete bunker was constructed at the rear of the property to house a cypher group who worked to decode Japanese messages. Pigeon lofts were also built in the yard to supply ships and aircraft with carrier pigeons.
Towards the end of 1942 or early 1943, the switch installation became a security monitor of all telephone calls, both civil and military, emanating from North Queensland. About twenty AWAs manned the switch which was connected to the Security Monitoring Centre at Stuart, south of Townsville. The monitoring unit remained in the building until the end of the war.
The AMIEU, located in Denham Street during the war, did not move into this building until about 1948. For the next three decades the AMIEU building became a bastion of the Labor movement in Townsville and North Queensland, with the building and surrounding area becoming a focus for workers seeking permits to work at the Ross River Meatworks, seeking social security in the Queensland Building diagonally opposite, and visiting the Tattersalls Hotel, across Wickham Street which was a favourite recreation venue for all those who lived and worked in the area.
From the late 1940s until the early 1970s, the building was a hive of activity and the centre of labour issues for North Queensland. During this period. apart from the AMIEU, the Trades and Labour Council and the Seaman's Union operated at various times from offices on the first floor, and later the Communist Party had an office on the Wickham Street verandah.
The Seamen's Union, miners unions, the Trades and Labour Council and affiliated unions, and particularly the Communist Party were involved in the 1948 Railway Strike; a strike which highlighted the conflict between the unions and the Labor Party and a conflict which was to split the party a few years later. The Seamen's Union and various mining and craft unions played active roles in this conflict with the Queensland Government and the industrial court over wage fixing measures introduced by the court in 1939. This conflict was to raise questions of fundamental importance to a democratic society, such as the extent of civil liberties, the use of violence, and the distortion of truth.
The labour organisations in this building were also involved in the Mount Isa Strike of 1964/1965 when the Qld Trades and Labour Council, representing unionists at the mine, came into conflict with Mount Isa Mines management over bonus payments. The Communist Party was also involved to a lesser degree through union officials and members who were members of the Communist Party.
From 1 January 1954 Remington Rand Charters Pty Ltd leased most of the ground floor and part of the first floor of the building. They had a showroom of typewriters and business machines in the banking chamber, a workshop at the rear, and accounting branch offices upstairs connected by a stairs to the banking chamber. A partition in the corridor divided them from the other tenants. Remington Rand vacated the building early in the 1970s, then for several years ex-employees continued to work from the building. The ground floor has remained vacant since these workshops closed in the late 1970s.
About 1962 - 1963, the toilets on the first floor were altered to divide the single male toilet into male and female toilets. This became necessary after the introduction of a Federal award which, after some 60 years, again allowed women to work at the meatworks, and so women would be coming to the union offices in the building for their work tickets.
There were also apparently substantial wrought iron gates in the Flinders Street fence and at the Wickham Street entrance, which have all been removed.
During the VP50 Celebrations in 1995, a small ceremony was held in the building and a plaque presented recognising the service of the men and women of the Royal Australian Corps of Signals here during WWII.
Source: Queensland Heritage Register.
Based on an archer from the west pediment of Temple of Aphaia now in Munich, 2019, marble stucco on PMMA (acylic), egg tempera, tin, wood, and gold foil, 96 x 77 x 55 cm, created by Vinzenz Brinkmann and Ulrike Koch-Brinkmann (Liebieghaus Skulpturensammlung, Frankfurt am Main, property of the Städelscher Museums-Verein e.V.)
With temps well below freezing, the retreating waters of Still Creek leave icicles behind.
My speculation on the sequence:
We had heavy rains, and the creeks and rivers ran high with water. It being late autumn many leaves were transported in the water, and (in the case of this picture) were caught on a branch in the stream.
A dry cold snap hit, and for days on end the temps were well-below freezing, but no precipitation, and the creeks and rivers slowly receded, leaving the leaves frozen to the branches and vertical ice formations coming off the tips of stems and twigs as the water level dropped. Not exactly traditional icicles, as they are formed not by dripping water, but by retreating water. You could see this all along the banks of the stream.
The Postcard
A postally unused postcard that was published by Charles Skilton & Fry Ltd. The card, which has a divided back, was printed in Great Britain. The photography was by Lord Lichfield, courtesy of Weidenfeld Publishers Ltd.
Princess Margaret, Countess of Snowdon
Princess Margaret, Countess of Snowdon, was born on the 21st. August 1930. She was the younger daughter of King George VI and Queen Elizabeth, and the younger sister and only sibling of Queen Elizabeth II.
Margaret spent much of her childhood with her parents and sister. Her life changed at the age of six when King Edward VIII, her paternal uncle, abdicated to marry divorcée Wallis Simpson. Margaret's father became king, and her sister became heir presumptive, with Margaret second in line to the throne.
Margaret's position in the line of succession diminished over the following decades as Elizabeth's children and grandchildren were born. During the Second World War, the two sisters stayed at Windsor Castle despite suggestions that they should be evacuated to Canada. During the war years, Margaret was too young to perform official duties and continued her education, being nine years old when the war broke out and turning 15 just after hostilities ended.
From the 1950's onwards, Margaret became one of the world's most celebrated socialites, famed for her glamorous lifestyle and reputed romances. Most famously, she fell in love in the early 1950's with Peter Townsend, a married RAF officer in the royal household.
In 1952, Margaret's father died, her sister became queen, and Townsend divorced his wife. He proposed to Margaret early in the following year. Many in the government believed that he would be an unsuitable husband for the Queen's 22-year-old sister, and the Archbishop of Canterbury refused to countenance her marriage to a divorced man.
Margaret abandoned her plans with Townsend and married Antony Armstrong-Jones in 1960; the Queen created him Earl of Snowdon. The couple had two children, David and Sarah, and divorced in 1978. Margaret did not remarry.
Margaret was a controversial member of the British royal family. Her divorce received much negative publicity, and her private life was for many years the subject of speculation by the media and royal watchers. Her health deteriorated in the last 20 years of her life. She was a heavy smoker for most of her adult life, and had a lung operation in 1985, a bout of pneumonia in 1993 as well as three strokes between 1998 and 2001.
Annus Horribilis
Margaret died in London at the age of 71 on the 9th. February 2002, following a fourth stroke. Margaret's death contributed to the Queen's 'Annus Horribilis' to which she referred in a speech at the London Guildhall on the 24th. November 1992.
Other events contributing to the Queen's awful year of 1992 included:
-- The publication of photographs of Diana sitting alone on a bench at the Taj Mahal when she was on a trip to India with Charles on the 11th. February 1992.
-- In March Andrew and Sarah announced their separation.
-- In April, Princess Anne and Mark Phillips divorced.
-- In June, Andrew Morton's biography of Diana was published. The book was controversial as it detailed Diana's suicidal unhappiness within her marriage, and her struggles with depression. At the time of publication, Buckingham Palace denied any cooperation between the princess and Morton, but it was later revealed that Diana was the main source behind the book's content.
-- In August, there were scandals in the tabloids relating to both Sarah and Diana.
-- In November, there was an enormously destructive fire at Windsor Castle which prompted controversy over who should pay for the restoration.
After the Queen's Guildhall speech, the Annus Horribilis continued unabated -- on the 9th. December, Charles and Diana announced their separation.
Princess Margaret - The Early Years
Princess Margaret was born at 9:22 p.m. on the 21st. August 1930 at Glamis Castle in Scotland, her mother's ancestral home, and was affectionately known as Margot within the royal family. She was the first member of the royal family in direct line of succession to be born in Scotland since the 1600's.
She was delivered by Sir Henry Simson, the royal obstetrician. The Home Secretary, J. R. Clynes, was present to verify the birth. The registration of her birth was delayed for several days to avoid her being numbered 13 in the parish register. Margaret was baptised in the private chapel of Buckingham Palace on the 30th. October 1930 by Cosmo Lang, the Archbishop of Canterbury.
At the time of her birth, Margaret was fourth in the line of succession to the British throne. Her father was the Duke of York (later King George VI), the second son of King George V and Queen Mary. Her mother was the Duchess of York (later Queen Elizabeth The Queen Mother), the youngest daughter of the 14th. Earl and the Countess of Strathmore and Kinghorne.
The Duchess of York originally wanted to name her second daughter Ann Margaret, as she explained to Queen Mary in a letter:
"I am very anxious to call her Ann
Margaret, as I think Ann of York
sounds pretty, & Elizabeth and Ann
go so well together."
King George V disliked the name Ann but approved of the alternative, Margaret Rose.
Margaret's early life was spent primarily at the Yorks' residences at 145 Piccadilly (their town house in London) and Royal Lodge in Windsor. The Yorks were perceived by the public as an ideal family: father, mother and children, but unfounded rumours that Margaret was deaf and mute were not completely dispelled until her first main public appearance at her uncle Prince George's wedding in 1934.
Margaret was educated alongside her sister, Elizabeth, by their Scottish governess, Marion Crawford. Margaret's education was mainly supervised by her mother, who in the words of Randolph Churchill "never aimed at bringing her daughters up to be more than nicely behaved young ladies".
When Queen Mary insisted upon the importance of education, the Duchess of York commented:
"I don't know what she meant.
After all, I and my sisters only
had governesses, and we all
married well — one of us very
well".
Margaret resented her limited education, especially in later years, and criticised at her mother. However, Margaret's mother told a friend that she "regretted" that her daughters did not go to school like other children, and the employment of a governess rather than sending the girls to school may have been done only at the insistence of King George V.
J. M. Barrie, author of Peter Pan, read stories to the sisters as children.
Margaret's grandfather, George V, died when she was five, and her uncle acceded as King Edward VIII. Less than a year later, on 11 December 1936, in the abdication crisis, he left the throne to marry Wallis Simpson, a twice-divorced American, whom neither the Church of England nor the Dominion governments would accept as queen. The Church would not recognise the marriage of a divorced woman with a living ex-husband as valid.
Edward's abdication made a reluctant Duke of York the new king, and Margaret became second in line to the throne with the title The Princess Margaret to indicate her status as a child of the sovereign. The family moved into Buckingham Palace; Margaret's room overlooked The Mall.
Margaret was a Brownie in the 1st. Buckingham Palace Brownie Pack, formed in 1937. She was also a Girl Guide and later a Sea Ranger. She served as President of Girlguiding UK from 1965 until her death in 2002.
At the outbreak of World War II, Margaret and her sister were at Birkhall, on the Balmoral Castle estate, where they stayed until Christmas 1939, enduring nights so cold that drinking water in carafes by their bedside froze. They spent Christmas at Sandringham House before moving to Windsor Castle for much of the remainder of the war.
Viscount Hailsham wrote to Prime Minister Winston Churchill to advise the evacuation of the princesses to the greater safety of Canada, to which their mother famously replied:
"The children won't go without me.
I won't leave without the King.
And the King will never leave."
At Windsor, the princesses staged pantomimes at Christmas in aid of the Queen's Wool Fund, which bought yarn to knit into military garments. In 1940, Margaret sat next to Elizabeth during their radio broadcast for the BBC's Children's Hour, addressing other children who had been evacuated from cities. Margaret spoke at the end by wishing all the children goodnight.
Unlike other members of the royal family, Margaret was not expected to undertake any public or official duties during the war. She developed her skills at singing and playing the piano, often tunes from stage musicals. Her contemporaries thought she was spoiled by her parents, especially her father, who allowed her to take liberties not usually permissible, such as being allowed to stay up to dinner at the age of 13.
Crawford despaired at the attention Margaret was getting, writing to friends:
"Could you this year only ask
Princess Elizabeth to your party?
Princess Margaret does draw all
the attention, and Princess
Elizabeth lets her do that."
Elizabeth, however, did not mind this, and commented:
"Oh, it's so much easier when
Margaret's there — everybody
laughs at what Margaret says".
King George described Elizabeth as his pride and Margaret as his joy.
Princess Margaret and the Post-War Years
At the end of the war in 1945, Margaret appeared on the balcony at Buckingham Palace with her family and Prime Minister Winston Churchill. Afterwards, both Elizabeth and Margaret joined the crowds outside the palace, incognito, chanting:
"We want the King, we want the Queen!"
On the 15th. April 1946, Margaret was confirmed into the Church of England. On the 1st. February 1947, she, Elizabeth and their parents embarked on a state tour of Southern Africa. The three-month-long visit was Margaret's first visit abroad, and she later claimed that she remembered "every minute of it".
Margaret's chaperone was Peter Townsend, the King's equerry, and very firm toward Margaret, whom he apparently considered an indulged child. Later that year, Margaret was a bridesmaid at Elizabeth's wedding. In the next three years, Elizabeth had two children, Charles and Anne, whose births moved Margaret further down the line of succession.
In 1950, the former royal governess, Marion Crawford, published an unauthorized biography of Elizabeth's and Margaret's childhood years, titled The Little Princesses, in which she described Margaret's "light-hearted fun and frolics" and her "amusing and outrageous antics".
The Margaret Set
Around the time of Princess Elizabeth's wedding in November 1947, the press started to follow the social life of "unconventional" Margaret and her reputation for vivacity and wit. As a beautiful young woman, with an 18-inch waist and "vivid blue eyes", Margaret enjoyed socialising with high society and young aristocrats, including Sharman Douglas, the daughter of the American ambassador, Lewis Williams Douglas.
A celebrated beauty known for her glamour and fashion sense, Margaret was often featured in the press at balls, parties, and nightclubs with friends who became known as the "Margaret Set". The number of her official engagements increased, and she joined a growing number of charitable organisations as president or patron.
Favoured haunts of the Margaret Set were The 400 Club, the Café de Paris and the Mirabelle restaurant. Anticipation of an engagement or romance between Margaret and a member of her set were often reported. In 1948, international news grew that her engagement to "Sunny", the Marquess of Blandford, would be announced on her 18th. birthday.
Similar speculation moved to the Hon. Peter Ward, then Billy Wallace and others. The set also mixed with celebrities, including Danny Kaye, whom she met after watching him perform at the London Palladium in February 1948. He was soon accepted by the royal social circle.
In July 1949, at a fancy dress ball at the American Ambassador's residence, Margaret performed the can-can on stage, accompanied by Douglas and ten other costumed girls. A press commotion ensued, with Kaye denying he had taught Margaret the dance. Press interest could be intrusive. During a private visit to Paris in 1951, Margaret and Prince Nicholas of Yugoslavia were followed into a nightclub by a paparazzo who took photographs of them until British detectives physically removed him from the club.
In 1952, although Margaret attended parties and debutante balls with friends such as Douglas and Mark Bonham Carter, the set were seen infrequently together. They regrouped in time for Coronation season social functions. In May 1953, Margaret met singer Eddie Fisher when he performed at the Red, White and Blue Ball.
She asked him to her table and he was "invited to all sorts of parties". Margaret fell out with him in 1957, but years later, Fisher still claimed the night he was introduced to her was the greatest thrill of his lifetime. In June 1954, the Set performed the Edgar Wallace play 'The Frog' at the Scala Theatre. It was organized by Margaret's by now best girlfriend Judy Montagu with Margaret as Assistant Director.
The play drew praise for raising £10,500 for charity, but was also criticised for incompetent performances. By the mid 1950's, although still seen at fashionable nightspots and theatre premieres, the set was depleted by its members getting married. As Margaret reached her late twenties unmarried, the press increasingly turned from predicting whom she might marry to suspecting she would remain a spinster.
'Romances' and the Press (1947–1959)
The press avidly discussed "the world's most eligible bachelor-girl" and her alleged romances with more than 30 bachelors, including David Mountbatten and Michael I of Romania, Dominic Elliot, Colin Tennant (later Baron Glenconner), Prince Henry of Hesse-Kassel, and future Prime Minister of Canada John Turner.
Most had titles and almost all were wealthy. Blandford and Lord Dalkeith, both wealthy sons of dukes, were the likeliest potential husbands. Her family reportedly hoped that Margaret would marry Dalkeith, but, unlike him, the princess was uninterested in the outdoors. Billy Wallace, sole heir to a £2.8 million (£78 million today) fortune and an old friend, was reportedly Margaret's favourite date during the mid-1950's.
During her 21st. birthday party at Balmoral in August 1951, the press was disappointed to only photograph Margaret with Townsend, always in the background of pictures of royal appearances, and to her parents a safe companion as Elizabeth's duties increased.
The following month her father underwent surgery for lung cancer, and Margaret was appointed one of the Counsellors of State who undertook the King's official duties while he was incapacitated. Her father died five months later, on the 6th. February 1952, and her sister became Queen.
Romance with Peter Townsend
-- The Early Relationship
During the war, the King suggested choosing palace aides who were highly qualified men from the military, instead of only aristocrats. Told that a handsome war hero had arrived, the princesses met Townsend, the new equerry, on his first day at Buckingham Palace in 1944; Elizabeth reportedly told her sister, 13 years old, "Bad luck, he's married".
A temporary assignment of three months from the RAF became permanent. George VI and the Queen Mother were fond of Townsend; the king reportedly saw the calm and efficient combat veteran as the son he never had. He may have been aware of his daughter's infatuation with the non-titled and non-wealthy Townsend, reportedly seeing the courtier reluctantly obey the princess's order to carry her up palace stairs after a party.
Townsend was so often near Margaret that gossip columnists overlooked him as a suitor for the princess. When their relationship began is unclear. The princess told friends she fell in love with the equerry during the 1947 South Africa tour, where they often went riding together. Her biographer Craig Brown stated that, according to a National Trust curator, Townsend requested the bedroom next to hers during a trip to Belfast in October 1947.
In November 1948, they attended the inauguration of Queen Juliana of the Netherlands. In later life, Townsend admitted at this point there was an attraction between them, but neither of them ever acknowledged it to one another. Not long after he discovered his wife Rosemary was involved in an extramarital affair, which ended.
Contemporary anecdotes about their closeness then dissipated until late 1950, when friendship seems to have rekindled, coinciding with Townsend's appointment as Deputy Master of the Household and the breakdown of his marriage.
From the spring of 1951 came several testimonies of a growing romantic attraction. A footman told how the King diverted the pair's picnic plans, adding that whatever the King and Queen knew about the developing relationship, few royal staff failed to notice as it was obvious to them.
Townsend said that his love for Margaret began in Balmoral in 1951, and recalled an incident there in August when the princess woke him from a nap after a picnic lunch while the King watched, to suggest the King knew. Townsend and his wife separated in 1951, which was noticed by the press by July.
Margaret was grief-stricken by her father's death and was prescribed sedatives to help her sleep. Of her father she wrote:
"He was such a wonderful person,
the very heart and centre of our
happy family."
Margaret was consoled by her deeply-held Christian beliefs, sometimes attending church twice daily. She re-emerged attending events with her family in April, and returned to public duties and the social scene when official mourning ended in June.
American newspapers noted her increasing vitality and speculated that she must be in love. With the widowed Queen Mother, Margaret moved out of Buckingham Palace and into Clarence House in May 1953, while her older sister, now Queen, and her family moved out of Clarence House and into Buckingham Palace. After the king's death, Townsend was appointed Comptroller of Margaret's mother's restructured household.
In June 1952, the estranged Townsends hosted Queen Elizabeth II, Prince Philip and Princess Margaret at a cocktail party at their home. A month later, Rosemary Townsend and her new partner John de László attended judging at the Royal Windsor Horse Show. It is thought that the romance between Margaret and Townsend began around this time.
The first reports that Townsend and Margaret wished to marry began in August 1952, but these remained uncommon. The Townsend divorce in November was mentioned little in Britain and in greater detail abroad. After the divorce was finalized in December 1952, however, rumours spread about him and Margaret; the divorce, and shared grief over the death of the king in February 1952, likely helped them come together within the privacy of Clarence House, where the princess had her own apartment.
-- The Marriage Proposal
Private Secretary to the Queen Sir Alan Lascelles wrote that Townsend came to tell him that he had asked Margaret to marry him shortly before Christmas 1952. Other sources claim it occurred in April 1953. He was 15 years her senior, and had two children from his previous marriage. Margaret accepted and informed her sister, the Queen, whose consent was required by the Royal Marriages Act 1772.
During the abdication crisis, the Church of England refused to countenance the remarriage of the divorced.
Queen Mary had recently died, and, after the coronation of Elizabeth II, the new queen planned to tour the Commonwealth for six months. She told her sister:
"Under the circumstances, it isn't
unreasonable for me to ask you
to wait a year."
Although foreign media speculated on Margaret and Townsend's relationship, the British press did not. After reporters saw her plucking fluff from his coat during the coronation on the 2nd. June 1953. Townsend later said:
"I never thought a thing about it,
and neither did Margaret. After
that the storm broke."
The People first mentioned the relationship in Britain on the 14th. June 1953. With the headline "They Must Deny it NOW", the front-page article warned that "scandalous rumours about Princess Margaret are racing around the world", which the newspaper stated were "of course, utterly untrue".
The foreign press believed that the Regency Act 1953—which made Prince Philip, the Queen's husband, regent instead of Margaret on the Queen's death—was enacted to allow the princess to marry Townsend, but as late as the 23rd. July most other British newspapers except the Daily Mirror did not discuss the rumours. Acting Prime Minister Rab Butler asked that "deplorable speculation" end, without mentioning Margaret or Townsend.
The constitutional crisis that the proposed marriage caused was public. The Queen was advised by Lascelles to post Townsend abroad, but she refused, and instead transferred him from the Queen Mother's household to her own, although Townsend did not accompany Margaret as planned on a tour of Southern Rhodesia.
Prime Minister Churchill personally approved of "a lovely young royal lady married to a gallant young airman" but his wife reminded Churchill that he had made the same mistake during the abdication crisis. His cabinet refused to approve the marriage, and Geoffrey Fisher, Archbishop of Canterbury, did not approve of Margaret marrying a divorced man; opponents said that the marriage would threaten the monarchy as Edward VIII's had.
The Church of England Newspaper said that:
"Margaret is a dutiful churchwoman
who knows what strong views leaders
of the church hold in this matter."
However the Sunday Express—which had supported Edward and Wallis—asked:
"IF THEY WANT TO MARRY,
WHY SHOULDN'T THEY?"
Churchill discussed the marriage at the 1953 Commonwealth Prime Ministers' Conference held with the coronation; the Statute of Westminster 1931 requires Dominion parliaments to also approve any Bill of Renunciation changing the line of succession.
The Canadian government stated that altering the line twice in 25 years would harm the monarchy. Churchill informed the Queen that both his cabinet and Dominion prime ministers were against the marriage, and that Parliament would not approve a marriage that would be unrecognized by the Church of England unless Margaret renounced her rights to the throne.
Prince Philip was reportedly the most opposed to Townsend in the royal family, while Margaret's mother and sister wanted her to be happy, but could not approve of the marriage. Besides Townsend's divorce, two major problems were financial and constitutional.
Margaret did not possess her sister's large fortune, and would need the £6,000 annual civil list allowance and £15,000 additional allowance Parliament had provided for her upon a suitable marriage. She did not object to being removed from the line of succession to the throne, as the Queen and all her children dying was unlikely, but receiving parliamentary approval for the marriage would be difficult and uncertain.
At the age of 25 Margaret would not need Elizabeth's permission under the 1772 Act; she could, after notifying the Privy Council of the United Kingdom, marry in one year if Parliament did not prevent her. If Churchill told the Queen, however, one could easily leave the line of succession, another could easily enter the line, dangerous for a hereditary monarchy.
The Queen told the couple to wait until 1955, when Margaret would be 25, avoiding the Queen having to publicly disapprove of her sister's marriage. Lascelles—who compared Townsend to Theudas "boasting himself to be somebody"—hoped that separating him and Margaret would end their romance.
Churchill arranged for Townsend's assignment as air attaché at the British Embassy in Brussels; he was sent on the 15th. July 1953, before Margaret's return from Rhodesia on the 30th. July. The assignment was so sudden that the British ambassador learned about it from a newspaper. Although the princess and Townsend knew about his new job, they had reportedly been promised a few days together before his departure.
-- Press Coverage
For two years, press speculation continued. In Brussels, Townsend only said that "The word must come from somebody else". He avoided parties and being seen with women. With few duties (the sinecure was abolished after him), Townsend improved his French and horsemanship. He joined a Belgian show jumping club and rode in races around Europe.
Margaret was told by the Church that she would be unable to receive communion if she married a divorced man. Three quarters of Sunday Express readers opposed the relationship, and Mass-Observation recorded criticism of the "silly little fool" as a poor example for young women who emulated her. Other newspaper polls showed popular support for Margaret's personal choice, regardless of Church teaching or government.
97% of Daily Mirror readers supported marriage, and a Daily Express editorial stated that even if the Archbishop of Canterbury was displeased:
"She would best please the vast
majority of ordinary folk by finding
happiness for herself".
The couple were not restricted on communicating by mail and telephone. Margaret worked with friends on charity productions of Lord and Lady Algy and The Frog, and publicly dated men such as Tennant and Wallace. In January 1955, she made the first of many trips to the Caribbean, perhaps to distract, and as a reward for being apart, from Townsend.
The attaché secretly travelled to Britain; while the palace was aware of one visit, he reportedly made other trips for nights and weekends with the princess at Clarence House—her apartment had its own front door—and friends' homes.
That spring Townsend for the first time spoke to the press:
"I am sick of being made to hide in
my apartment like a thief, but whether
I can marry involves more people than
myself".
He reportedly believed that his exile from Margaret would soon end, their love was strong, and that the British people would support marrying. Townsend received a bodyguard and police guard around his apartment after the Belgian government received threats on his life, but the British government still said nothing.
Stating that people were more interested in the couple than the recent 1955 United Kingdom general election, on the 29th. May the Daily Express published an editorial demanding that Buckingham Palace confirm or deny the rumours.
The press described Margaret's 25th. birthday, the 21st. August 1955, as the day she was free to marry, and expected an announcement about Townsend soon. Three hundred journalists waited outside Balmoral, four times as many as those later following Diana, Princess of Wales. "COME ON MARGARET!", the Daily Mirror's front page said two days earlier, asking her to "Please Make up Your Mind!".
On the 12th. October Townsend returned from Brussels as Margaret's suitor. The royal family devised a system in which it did not host Townsend, but he and Margaret formally courted each other at dinner parties hosted by friends such as Mark Bonham Carter. A Gallup poll found that 59% of Britons approved of their marrying, with 17% opposed.
Women in the East End of London shouted "Go on, Marg, do what you want" at the princess. Although the couple were never seen together in public during this time, the general consensus was that they would marry. Crowds waited outside Clarence House, and a global audience read daily updates and rumours on newspaper front pages.
The Manchester Guardian said on the 15th. October:
"Nothing much else than Princess
Margaret's affairs is being talked
of in this country, Now the Nation
Waits."
Observers interpreted Buckingham Palace's request to the press to respect Margaret's privacy—the first time the palace discussed the princess's recent personal life—as evidence of an imminent betrothal announcement,
As no announcement occurred—the Daily Mirror on the 17th. October showed a photograph of Margaret's left hand with the headline "NO RING YET!"—the press wondered why. The News Chronicle wrote:
"Parliamentarians are frankly puzzled
by the way the affair has been handled.
If a marriage is on, why not announce it
quickly?
If there is to be no marriage, why allow
the couple to continue to meet without
a clear denial of the rumours?"
Why a betrothal did not occur is still unclear. Margaret may have been uncertain of her desire, having written to Prime Minister Anthony Eden in August that:
"It is only by seeing him in this way
that I feel I can properly decide
whether I can marry him or not".
Margaret may have told Townsend as early as the 12th. October that governmental and familial opposition to their marriage had not changed; it is possible that neither they nor the Queen fully understood until that year how difficult the 1772 Act made a royal marriage without the monarch's permission.
An influential 26th. October editorial in The Times stating that "The Queen's sister married to a divorced man (even though the innocent party) would be irrevocably disqualified from playing her part in the essential royal function" represented The Establishment's view of what it considered a possibly dangerous crisis.
It convinced many, who had believed that the media were exaggerating, that the princess really might defy the Church and royal standards. Leslie Weatherhead, President of the Methodist Conference, now criticized the proposed marriage.
Townsend recalled that:
"We felt mute and numbed at
the centre of this maelstrom."
The Queen also wanted the media circus to end. Townsend only had his RAF income and, other than a talent for writing, had no experience in other work. He wrote in his autobiography that:
"The princess could have married
me only if she had been prepared
to give up everything -- her position,
her prestige, her privy purse.
I simply hadn't the weight, I knew it,
to counterbalance all she would have
lost"
Kenneth Rose described Margaret's potential marriage as "life in a cottage on a Group Captain's salary".
Royal historian Hugo Vickers wrote that:
"Lascelles's separation plan
had worked, and the love
between them had died".
Margaret's authorized biographer Christopher Warwick said that:
"Having spent two years apart, they
were no longer as in love as they had
been. Townsend was not the love of
her life – the love of her life was her
father, King George VI, whom she
adored".
More than 100 journalists waited at Balmoral when Eden arrived to discuss the marriage with the Queen and Margaret on the 1st. October 1955. Lord Kilmuir, the Lord Chancellor, that month prepared a secret government document on the proposed marriage.
According to a 1958 biography of Townsend by Norman Barrymaine and other accounts, Eden said that his government would oppose in Parliament Margaret retaining her royal status. Parliament might pass resolutions opposing the marriage, which the people would see as a disagreement between government and monarchy; Lord Salisbury, a High Anglican, might resign from the government rather than help pass a Bill of Renunciation.
While the government could not prevent the marriage when Margaret become a private individual after a Bill of Renunciation, she would no longer be a Counsellor of State, and would lose her civil list allowance; otherwise, taxpayers would subsidise a divorced man and the princess's new stepsons. The Church would consider any children from the marriage to be illegitimate. Eden recommended that, like Edward VIII and Wallis, Margaret and Townsend leave Great Britain for several years.
Papers released in 2004 to the National Archives disagree. They show that the Queen and Eden (who had been divorced and remarried himself) planned to amend the 1772 Act. Margaret would have been able to marry Townsend by removing her and any children from the marriage from the line of succession, and thus the Queen's permission would no longer be necessary. Margaret would be allowed to keep her royal title and her allowance, stay in the country, and even continue with her public duties.
Eden described the Queen's attitude in a letter on the subject to the Commonwealth prime ministers as:
"Her Majesty would not wish to stand
in the way of her sister's happiness".
Eden himself was sympathetic. He wrote:
"Exclusion from the Succession would
not entail any other change in Princess
Margaret's position as a member of the
Royal Family."
In the 28th. October 1955 final draft of the plan, Margaret would announce that she would marry Townsend and leave the line of succession. As prearranged by Eden, the Queen would consult with the British and Commonwealth governments, and then ask them to amend the 1772 Act. Eden would have told Parliament that it was "out of harmony with modern conditions"; Kilmuir estimated that 75% of Britons would approve of allowing the marriage.
He advised Eden that the 1772 Act was flawed, and might not apply to Margaret anyway. The decision not to marry was made on the 24th. October, and for the following week, Margaret was in disputes about the release and wording of her statement, which was released on the 31st.
It is unverified what or when she was told about proposals, drafted on the 28th., four days after the decision was made. By the early 1980's she was still protesting to biographers that the couple had been given false hope that marriage was possible, and she would have ended the relationship sooner had she been informed otherwise.
The Daily Mirror on the 28th. October discussed The Times's editorial with the headline "THIS CRUEL PLAN MUST BE EXPOSED". Although Margaret and Townsend had read the editorial the newspaper denounced as from "a dusty world and a forgotten age", they had earlier made their decision and written an announcement.
-- The End of the Relationship
On the 31st. October 1955, Margaret issued a statement:
"I would like it to be known that I have decided
not to marry Group Captain Peter Townsend.
I have been aware that, subject to my renouncing
my rights of succession, it might have been possible
for me to contract a civil marriage.
But mindful of the Church's teachings that Christian
marriage is indissoluble, and conscious of my duty
to the Commonwealth, I have resolved to put these
considerations before others.
I have reached this decision entirely alone, and in
doing so I have been strengthened by the unfailing
support and devotion of Group Captain Townsend."
"Thoroughly drained, thoroughly demoralized", Margaret later said, she and Townsend wrote the statement together. She refused when Oliver Dawnay, the Queen Mother's private secretary, asked to remove the word "devotion". The written statement, signed "Margaret", was the first official confirmation of the relationship.
Some Britons were disbelieving or angry while others, including clergy, were proud of the princess for choosing duty and faith; newspapers were evenly divided on the decision. Mass-Observation recorded indifference or criticism of the couple among men, but great interest among women, whether for or against.
Kenneth Tynan, John Minton, Ronald Searle, and others signed an open letter from "the younger generation". Published in the Daily Express on 4 November, the letter said that the end of the relationship had exposed The Establishment and "our national hypocrisy".
Townsend recalled that:
"We had reached the end of the road, our
feelings for one another were unchanged,
but they had incurred for us a burden so
great that we decided together to lay it
down".
The Associated Press said:
"Margaret's statement is almost a
rededication of her life to the duties
of royalty, making unlikely any
marriage for her in the near future,"
The princess may have expected to never marry after the long relationship ended, because most of her eligible male friends were no longer bachelors.
Barrymaine agreed that Margaret intended the statement to mean that she would never marry, but wrote that Townsend probably did not accept any such vow to him by the princess, and his subsequent departure from Britain for two years was to not interfere with her life.
Townsend said:
"We both had a feeling of unimaginable
relief. We were liberated at last from this
monstrous problem."
After resigning from the RAF and travelling around the world for 18 months, Townsend returned in March 1958; he and Margaret met several times, but could not avoid the press ("TOGETHER AGAIN") or royal disapproval. Townsend again left Britain to write a book about his trip; Barrymaine concluded in 1958 that:
"None of the fundamental obstacles to
their marriage has been overcome – or
shows any prospects of being overcome".
Townsend said during a 1970 book tour that he and Margaret did not correspond, and they had not seen each other since a "friendly" 1958 meeting:
"Just like I think a lot of people
never see their old girl friends".
Their love letters are in the Royal Archives, and will not be available to the public until 100 years after Margaret's birth, February 2030. These are unlikely to include Margaret's letters. In 1959, she wrote to Townsend in response to him informing her of his remarriage plans, accusing him of betraying their vow not to marry anyone else, and requesting her love letters to him be destroyed.
He claimed he had complied with her wishes, but kept this letter and an envelope of burned shards of the vow she had sent, eventually destroying these also. He was apparently unaware Margaret had already broken the pact by her engagement to Billy Wallace, as it wasn't revealed until many years later.
In October 1993, a friend of Margaret revealed she had met Townsend for what turned out to be the last time before his death in 1995. She hadn't wanted to attend the reunion they'd both been invited to, in 1992, for fear it might be picked up by the press, so she asked to see him privately instead.
Margaret said that he looked "exactly the same, except he had grey hair". Guests said he hadn't really changed, and that they just sat chatting like old friends. They also found him disgruntled and had convinced himself that in agreeing to part, he and Margaret had set a noble example which seemed to have been in vain.
Marriage to Antony Armstrong-Jones
Billy Wallace later said that:
"The thing with Townsend was a girlish
nonsense that got out of hand. It was
never the big thing on her part that
people claim".
Margaret accepted one of Wallace's many proposals to marry in 1956, but the engagement ended before an official announcement when he admitted to a romance in the Bahamas; "I had my chance and blew it with my big mouth", Wallace said.
Margaret did not reveal this publicly until an interview and subsequent biography with Nigel Dempster in 1977.
Margaret met the photographer Antony Armstrong-Jones at a supper party in 1958. They became engaged in October 1959. Armstrong-Jones proposed to Margaret with a ruby engagement ring surrounded by diamonds in the shape of a rosebud. She reportedly accepted his proposal a day after learning from Townsend that he intended to marry a young Belgian woman, Marie-Luce Jamagne, who was half his age and greatly resembled Margaret.
Margaret's announcement of her engagement, on the 26th. February 1960, surprised the press, as she had concealed the romance from reporters.
Margaret married Armstrong-Jones at Westminster Abbey on the 6th. May 1960. The ceremony was the first royal wedding to be broadcast on television, and it attracted viewing figures of 300 million worldwide. 2,000 guests were invited for the wedding ceremony.
Margaret's wedding dress was designed by Norman Hartnell and worn with the Poltimore tiara. She had eight young bridesmaids, led by her niece, Princess Anne. The Duke of Edinburgh escorted the bride, and the best man was Dr. Roger Gilliatt. The Archbishop of Canterbury Geoffrey Fisher conducted the marriage service.
Following the ceremony, the couple made the traditional appearance on the balcony of Buckingham Palace. The honeymoon was a six-week Caribbean cruise aboard the royal yacht Britannia. As a wedding present, Colin Tennant gave her a plot of land on his private Caribbean island, Mustique. The newlyweds moved into rooms in Kensington Palace.
In 1961, Margaret's husband was created the Earl of Snowdon. The couple had two children (both born by Caesarean section at Margaret's request): David, born 3rd. November 1961, and Sarah, born 1st. May 1964.
The marriage widened Margaret's social circle beyond the Court and aristocracy to include show business celebrities and bohemians. At the time, it was thought to reflect the breaking down of British class barriers. The Snowdons experimented with the styles and fashions of the 1960's.
Separation and Divorce
Both parties in the marriage regularly committed adultery. Antony had a series of affairs, including with long-term mistress, Ann Hills, and Lady Jacqueline Rufus-Isaacs, daughter of the 3rd Marquess of Reading. Anne De Courcy’s 2008 biography summarises the situation with a quote from a close friend: "If it moves, he'll have it."
Reportedly, Margaret had her first extramarital affair in 1966, with her daughter's godfather Anthony Barton, a Bordeaux wine producer. A year later she had a one-month liaison with Robin Douglas-Home, a nephew of former British Prime Minister Alec Douglas-Home.
Margaret claimed that her relationship with Douglas-Home was platonic, but her letters to him (which were later sold) were intimate. Douglas-Home, who suffered from depression, died by suicide 18 months after the split with Margaret.
Claims that she was romantically involved with musician Mick Jagger, actor Peter Sellers, and Australian cricketer Keith Miller are unproven. According to biographer Charlotte Breese, entertainer Leslie Hutchinson had a "brief liaison" with Margaret in 1955.
A 2009 biography of actor David Niven included assertions, based on information from Niven's widow and a good friend of Niven's, that he had had an affair with the princess, who was 20 years his junior. In 1975, the Princess was listed among women with whom actor Warren Beatty had had romantic relationships.
John Bindon, an actor from Fulham, who had spent time in prison, sold his story to the Daily Mirror, boasting of a close relationship with Margaret.
Beyond adultery, the marriage was accompanied by drugs, alcohol, and bizarre behaviour by both parties, such as his leaving lists of "things I hate about you" for the princess to find between the pages of books she read.
According to biographer Sarah Bradford, one note read:
"You look like a Jewish
manicurist and I hate you".
By the early 1970's, the Snowdons had drifted apart. In September 1973, Colin Tennant introduced Margaret to Roddy Llewellyn. Llewellyn was 17 years her junior. In 1974, she invited him as a guest to Les Jolies Eaux, the holiday home she had built on Mustique. It was the first of several visits.
Margaret described their relationship as "a loving friendship". Once, when Llewellyn left on an impulsive trip to Turkey, Margaret became emotionally distraught and took an overdose of sleeping tablets. She later said:
"I was so exhausted because
of everything that all I wanted
to do was sleep".
As she recovered, her ladies-in-waiting kept Lord Snowdon away from her, afraid that seeing him would distress her further.
In February 1976, a picture of Margaret and Llewellyn in swimsuits on Mustique was published on the front page of the News of the World. The press portrayed Margaret as a predatory older woman and Llewellyn as her toyboy lover. On the 19th. March 1976, the Snowdons publicly acknowledged that their marriage had irretrievably broken down and had decided to separate.
Some politicians suggested removing Margaret from the civil list. Labour MPs denounced her as "a royal parasite" and a "floozie". On the 24th. May 1978, the decree nisi for their divorce was granted. In the same month, Margaret was taken ill, and diagnosed as suffering from gastroenteritis and alcoholic hepatitis, although Warwick denied that she was ever an alcoholic.
On the 11th. July 1978, the Snowdons' divorce was finalized. It was the first divorce of a senior member of the British royal family since Princess Victoria Melita of Edinburgh's in 1901. On the 15th. December 1978, Snowdon married Lucy Lindsay-Hogg, but he and Margaret remained close friends.
In 1981, Llewellyn married Tatiana Soskin, whom he had known for 10 years. Margaret remained close friends with them both.
Princess Margaret's Public Life
Among Margaret's first official engagements was launching the ocean liner Edinburgh Castle in Belfast in 1947. Subsequently, Margaret went on multiple tours of various places; in her first major tour she joined her parents and sister for a tour of South Africa in 1947. Her tour aboard Britannia to the British colonies in the Caribbean in 1955 created a sensation throughout the West Indies, and calypsos were dedicated to her.
As colonies of the British Commonwealth of Nations sought nationhood, Princess Margaret represented the Crown at independence ceremonies in Jamaica in 1962 and Tuvalu and Dominica in 1978. Her visit to Tuvalu was cut short by an illness, which may have been viral pneumonia, and she was flown to Australia to recuperate.
Other overseas tours included East Africa and Mauritius in 1956, the United States in 1965, Japan in 1969 and 1979, the United States and Canada in 1974, Australia in 1975, the Philippines in 1980, Swaziland in 1981, and China in 1987.
In August 1979, Louis Mountbatten, 1st. Earl Mountbatten of Burma, and members of his family were killed by a bomb planted by the Provisional Irish Republican Army. That October, while on a fundraising tour of the United States on behalf of the Royal Opera House, Margaret was seated at a dinner reception in Chicago with columnist Abra Anderson and Mayor Jane Byrne.
Margaret told them that the royal family had been moved by the many letters of condolence from Ireland. The following day, Anderson's rival Irv Kupcinet published a claim that Margaret had referred to the Irish as "pigs". Margaret, Anderson and Byrne all issued immediate denials, but the damage was already done. The rest of the tour drew demonstrations, and Margaret's security was doubled in the face of physical threats.
Princess Margaret's Charity Work
Margaret's main interests were welfare charities, music and ballet. She was president of the National Society for the Prevention of Cruelty to Children (NSPCC) and of the Royal Scottish Society for the Prevention of Cruelty to Children (Children 1st.) and Invalid Children's Aid Nationwide (also called 'I CAN').
She was Grand President of the St. John Ambulance Brigade and Colonel-in-Chief of Queen Alexandra's Royal Army Nursing Corps. She was also the president or patron of numerous organisations, such as the West Indies Olympic Association, the Girl Guides, Northern Ballet Theatre, Birmingham Royal Ballet, Scottish Ballet, Tenovus Cancer Care, the Royal College of Nursing, and the London Lighthouse (an AIDS charity that has since merged with the Terrence Higgins Trust).
In her capacity as president of the Royal Ballet, she played a key role in launching a fund for Dame Margot Fonteyn, who was experiencing financial troubles. With the help of the Children's Royal Variety Performance, she also organized yearly fundraisers for NSPCC.
Princess Margaret's Illness and Death
Margaret's later life was marred by illness and disability. She began smoking cigarettes in her early teens, and had continued to smoke heavily for many years thereafter. In the 1970s, she suffered a nervous breakdown and was treated for depression by Mark Collins, a psychiatrist from the Priory Clinic. Later on, she suffered from migraines, laryngitis, and bronchitis. On the 5th. January 1985, she had part of her left lung removed; the operation drew parallels with that of her father 34 years earlier. In 1991, she gave up smoking, though she continued to drink heavily.
In January 1993, Margaret was admitted to hospital for pneumonia. She experienced a mild stroke on the 23rd. February 1998 at her holiday home in Mustique. Early the following year, she suffered severe scalds to her feet in a bathroom accident, which affected her mobility in that she required support when walking and sometimes used a wheelchair.
Margaret was hospitalized on the 10th. January 2001, due to loss of appetite and swallowing problems after a further stroke. By March 2001, strokes had left her with partial vision and paralysis on the left side. Margaret's last public appearances were at the 101st. birthday celebrations of her mother in August 2001, and the 100th. birthday celebration of her aunt Princess Alice, Duchess of Gloucester, that December.
Princess Margaret died in the King Edward VII's Hospital, London, at 06:30 (GMT) on the 9th. February 2002, at the age of 71, one day after having suffered another stroke that was followed by cardiac problems, and three days after the 50th. anniversary of her father's death.
Her sister's eldest son, Charles, then Prince of Wales, paid tribute to his aunt in a television broadcast. UK politicians and foreign leaders sent their condolences as well. Following her death, private memorial services were held at St. Mary Magdalene Church and Glamis Castle.
Margaret's coffin, draped in her personal standard, was taken from Kensington Palace to St. James's Palace before her funeral. The funeral was held on the 15th. February 2002, the 50th anniversary of her father's funeral. In line with her wishes, the ceremony was a private service at St. George's Chapel, Windsor Castle, for family and friends.
Unlike most other members of the royal family, Princess Margaret was cremated, at Slough Crematorium. Her ashes were placed in the Royal Vault in St. George's Chapel before being transferred to the tomb of her parents, King George VI and Queen Elizabeth The Queen Mother (who died seven weeks after Margaret), in the King George VI Memorial Chapel two months later. Princess Margaret had opted to be cremated so that her remains could fit alongside her father King George VI’s grave in a vault that was made especially to hold him specifically.
In keeping with her rebellious reputation, the princess broke from what was typically expected of a royal family member and chose to be cremated. Princess Margaret was the first member of the royal family to be cremated since the procedure became legal.
A state memorial service was held at Westminster Abbey on the 19th. April 2002. Another memorial service to mark the 10th. anniversary of Margaret and the Queen Mother's death was held on the 30th. March 2012 at St George's Chapel, Windsor Castle, which was attended by the Queen and other members of the royal family.
The Legacy of Princess Margaret
Observers often characterized Margaret as a spoiled snob capable of cutting remarks and hauteur. Critics claimed that she even looked down on her grandmother Queen Mary because Mary was born a princess with the lower "Serene Highness" style, whereas Margaret was a "Royal Highness" by birth. Their letters, however, provide no indication of friction between them.
Margaret could also be charming and informal. People who came into contact with her could be perplexed by her swings between frivolity and formality. Former governess Marion Crawford wrote in her memoir:
"Impulsive and bright remarks she
made became headlines and, taken
out of their context, began to produce
in the public eye an oddly distorted
personality that bore little resemblance
to the Margaret we knew."
Margaret's acquaintance Gore Vidal, the American writer, wrote: "She was far too intelligent for her station in life". He recalled a conversation with Margaret in which, discussing her public notoriety, she said:
"It was inevitable, when there are
two sisters and one is the Queen,
who must be the source of honour
and all that is good, while the other
must be the focus of the most
creative malice, the evil sister".
As a child, Margaret enjoyed pony shows, but unlike other family members she did not express interest in hunting, shooting, and fishing in adulthood. She became interested in ballet from a very young age, and enjoyed participating in amateur plays. She directed one such play, titled The Frogs, with her aristocratic friends as cast members.
Actors and movie stars were among the regular visitors to her residence at Kensington Palace. In January 1981, she was the castaway in an episode of BBC Radio 4's Desert Island Discs. There she chose Tchaikovsky’s Swan Lake as her favourite piece of music. In 1984, she appeared as herself in an episode of the radio drama The Archers, becoming the first member of the royal family to take part in a BBC drama.
Princess Margaret's private life was for many years the subject of intense speculation by media and royalty watchers. Her house on Mustique, designed by her husband's uncle Oliver Messel, a stage designer, was her favourite holiday destination. Allegations of wild parties and drug taking also surfaced in the media.
Following Margaret's death, her lady-in-waiting, Lady Glenconner, said that Margaret was devoted to the Queen and tremendously supportive of her. Margaret was described by her cousin Lady Elizabeth Shakerley as:
"Somebody who had a wonderful
capacity for giving a lot of people
pleasure, and she was making a
very, very, very good and loyal
friend".
Another cousin, Lord Lichfield, said that:
"Margaret was pretty sad towards
the end of her life because it was
a life unfulfilled".
The Independent wrote in Townsend's 1995 obituary that:
"The immense display of popular sentiment and interest
in the relationship can now be seen to have constituted
a watershed in the nation's attitude towards divorce".
The Archbishop of Canterbury and the Church received much of the popular anger toward the end of the relationship. Randolph Churchill believed that rumours that Fisher had intervened to prevent the Princess from marrying Townsend has done incalculable harm to the Church of England.
A Gallup poll found that 28% agreed, and 59% disagreed, with the Church's refusal to remarry a divorced person while the other spouse was alive. Biographer Warwick suggests that Margaret's most enduring legacy is an accidental one. Perhaps unwittingly, Margaret paved the way for public acceptance of royal divorce. Her life, if not her actions, made the decisions and choices of her sister's children, three of whom divorced, easier than they otherwise would have been.
Eden reportedly told the Queen in Balmoral when discussing Margaret and Townsend that, regardless of outcome, the monarchy would be damaged. Harold Brooks-Baker said
"In my opinion, this was the turning point to
disaster for the royal family. After Princess
Margaret was denied marriage, it backfired
and more or less ruined Margaret's life.
The Queen decided that from then on,
anyone that someone in her family wanted
to marry would be more or less acceptable.
The royal family and the public now feel
that they've gone too far in the other direction".
Princess Margaret's Fashion and Style
During her lifetime, Princess Margaret was considered a fashion icon. Her fashion earned the nickname 'The Margaret Look'. The princess, dubbed a 'royal rebel' styled herself in contrast to her sister's prim and timeless style, adopting trendy mod accessories, such as brightly coloured headscarves and glamorous sunglasses.
Margaret developed a close relationship with atelier Christian Dior, wearing his designs throughout her life and becoming one of his most prominent customers. In 1950, he designed a cream gown worn for her 21st. birthday, which has been cited as an iconic part of fashion history. Throughout the decade, the princess was known for wearing floral-print dresses, bold-hued ballgowns and luxurious fabrics, accessorising with diamonds, pearls, and fur stoles.
British Vogue wrote that Margaret's style 'hit her stride' in the mid-60's, where she was photographed alongside celebrities like The Beatles, Frank Sinatra and Sophia Loren. Princess Margaret was also known for her "magnificent" hats and headdresses, including a canary feather hat worn on a 1962 Jamaica visit and a peacock feather pillbox hat to the 1973 Royal Ascot.
Marie Claire stated that the princess "refused to compromise" on her style later in life, continuing with trends of big sleeves and strapless evening gowns.
In April 2007, an exhibition titled Princess Line – The Fashion Legacy of Princess Margaret opened at Kensington Palace, showcasing contemporary fashion from British designers such as Vivienne Westwood inspired by Princess Margaret's legacy of style. Christopher Bailey's Spring 2006 collection for Burberry was inspired by Margaret's look from the 1960's.
Princess Margaret's Finances
In her lifetime, Margaret's fortune was estimated to be around £20 million, with most of it being inherited from her father. She also inherited pieces of art and antiques from Queen Mary, and Dame Margaret Greville left her £20,000 in 1943.
In 1999, her son, Lord Linley, sold his mother's Caribbean residence Les Jolies Eaux for a reported £2.4 million. At the time of her death Margaret received £219,000 from the Civil List. Following her death, she left a £7.6 million estate to her two children, which was cut down to £4.5 million after inheritance tax.
In June 2006, much of Margaret's estate was auctioned by Christie's to meet the tax and, in her son's words, "normal family requirements such as educating her grandchildren", though some of the items were sold in aid of charities such as the Stroke Association.
Reportedly, the Queen had made it clear that the proceeds from any item that was given to her sister in an official capacity must be donated to charities.
A world record price of £1.24 million was set by a Fabergé clock. The Poltimore Tiara (shown in the above photograph), which Margaret wore for her wedding in 1960, sold for £926,400. The sale of her effects totalled £13,658,000.
The Poltimore Tiara
You know the photograph: Princess Margaret lying in a bath and wearing nothing but a tiara on her head. The photograph which was taken by her husband, famed photographer Antony Armstrong-Jones, was not released to the public until 2006, four years after Margaret's death.
As flirtatious as it is shameless, the photograph consolidated her status as the eternal rebel of the British Royal House. Margaret once said about herself:
"Disobedience is my fun."
Eleven years later, the portrait was withdrawn from the public eye, but the image remains ingrained in the minds of the world, to such an extent that The Crown included a scene about it in the third season. In fact the image is still readily accessible on the Internet.
Despite the fact that much of what was so shocking about the image had to do with the fact that it was taken in a bath, it acquired iconic status due to the presence of the tiara: grand, resplendent and downright stunning.
The tiara has a lot of history. Known as the Poltimore tiara, it originally belonged to Lady Poltimore, the wife of the 2nd. Baron Poltimore. Made in 1870 by London's House of Garrard, it is the epitome of Victorian-era jewellery style: diamond scrolls evoking flora and nature.
Lady Poltimore wore this fantastic creation, whose support is made up of gold and silver, at the coronation of King George V in 1911.
The 4th. baron put it up for auction in January 1959, and it was then that Princess Margaret acquired it for £5,500.
It was purchased for Princess Margaret on the advice of Lord Patrick Plunkett, Deputy Master of the Household, prior to the official announcement of her engagement to Antony Armstrong-Jones.
Despite having access to the crown jewels (the Duchess of Cambridge, for example, wore tiaras borrowed from the Queen), the then-29-year-old princess wanted something she could call uniquely hers.
Sara Prentice, Creative Director of the House of Garrard, says:
“It's very modern. It is becoming more and
more common for women to buy for themselves,
but looking back to 1959, the truth is that she
chose it for herself. She had to charm him to
do it."
A year and a half later, on the 6th. May 1960, Princess Margaret wore her tiara on the most important of occasions: her wedding to Antony Armstrong-Jones at Westminster Abbey. The tiara has been part of history ever since. It is the tiara most associated with Princess Margaret.
Margaret's wedding was the tiara's most high-profile outing. In 1977 she wore it again for the Shah of Iran's state visit to the United Kingdom.
While no tiara can be considered functional, the design of the Poltimore tiara allowed for multiple uses. It could be transformed into a necklace (which Margaret did in 1960) or, if she wanted to, into 11 different brooches.
The tiara appears to be practically floating when worn. This is because the bracket is entwined with a brown ribbon that matched Margaret 's hair color. Thus, only the ribbon-covered portion sank into her hair, while her spectacular jewellery remained fully in view.
Prentice estimates that such a piece would take around six months to make.
The Poltimore tiara was sold in 2006 at Christie's by Margaret's children Viscount Linley and Lady Sarah Chatto in order to raise funds to cover unexpectedly high inheritance taxes. The tiara went to an Asian buyer for £926,400.
Since the Christie's sale of the Poltimore, the tiara's current whereabouts are unknown. A number of observers felt that the royal family should have taken the opportunity to buy the historic piece, but they didn't.
Reconstruction of the Small Herculaneum Woman, 2019, marble stucco on plaster cast, egg tempera, and gold foil 185 x 56 x 65 cm, created by Vinzenz Brinkmann and Ulrike Koch-Brinkmann (Liebieghaus Skulpturensammlung Frankfurt, on permanent loan from Johann Wolfgang Goethe-Universität, Frankfurt am Main)
Ethiopian Prime Minister Meles Zenawi has died at the age of 57, state media say, after weeks of speculation about his health.
On the picture:
In a filthy clinic, Balto has his left leg in a bamboo split that serves as a cast. His family and his cows have come to keep him company. He is lying on the ground, surrounded by fodder for the animals and by a stifling smoke coming from the fire that his wife is using to cook.
“I was walking peacefully in my field when soldiers began shooting at me for no reason… I was shot with a bullet in my knee. I was lucky, that day 11 people were killed and the soldiers threw four of their bodies off a bridge. They were eaten by hyenas, we only found their bones…”
For security reasons, i cannot show his face, even if he asked me to.
As Meles Zenawi has passed away, things may change, but i 'm not so sure as the government had months to prepare the next step...
© Eric Lafforgue
I am the Storm
60 x 90 cm
Glass, beads, tiles, amethyst, stoneware, mirror, nuggets, TG, crockery and paper
Wedi backing
Grouted in dark lilac
The Great Goddess is not only the giver of life, she also takes it away. She is warmth, sustenance, shelter... she is storms, earthquakes, destruction. Mother Nature is not always gentle and kind - once unleashed, her rage is both awe inspiring and terrifying.
This mosaic shows one of her less peaceful aspects. Here, she is the storm. She is driving the storm, the storm is driving her. But she is also spinning out of control - no one can control the power of the storm, not even she herself. No one knows where its going or where the pieces will fall once it has blown itself out.
The swirls of the storm incorporate pictures of some of the scary, crazy, amazing, wonderful, terrible influences currently pulling our world in different directions. Whether the influences are for good or bad is a matter of opinion, where it will end a matter of speculation, but I know I'm not alone in feeling frightened. The storm however isn't frightened, she just is. Her face is an island of calm in the centre of all the surrounding chaos, she looks serene and joyous - who doesn't love a good storm?
The pictures within the mosaic are not in any particular symbolic order of up/down, right/left, good/bad, dark/light... I placed them where they fitted in best according to the colour of the mosaic.
On the top left hand side there's a picture of a cockroach. Cockroaches are not usually seen as forces for good, but I put it here as a hopeful image. It represents the life force in every living being. You often hear that after a nucular war the only suvivors would be the cockroaches - apparently that is not based on fact, but I do believe, if the worst comes to the worst and we manage to wipe out all of humankind and probably a large number of the other inahbitants of Earth while we're at it... I belive that life will continue in some form or other. And if its the cockroaches who survive, good for them.
Below that is the sun... from which we get warmth, light, vitamin D, solar flares, skin cancer, global warming... it shows us that behind the clouds of even the fiercest storm, the sun will still be shining. Admittedly it might take a while for it to get through after a nucular Winter, but it will be there.
Starting from the centre of the dark upper swirl the first image is of Angela Merkel, Chancellor of Germany. I see her as an island of sanity and stability in the current political landscape. I think we should have far more women in postions of power, and btw, women are entitled to being just as falible as men are. I also think that a strong and united Europe is a very desirable thing in these times of shifting power balances. The world would probably be a better place if we had more politicians like Angela Merkel running things.
The next picture is of a woman wearing a niqab, standing for equal rights, obviously. But also against Islamophobia - I purposly chose a woman with a slightly challenging expression. I'm amazed at how much agression and fear a picture like this will often provoke. I once had a fascinating conversation with a women who wears a veil in public. She is articulate, intelligent, and has a great sense of humour. She wears a veil by choice because it is part of her culture and part of her belief system. I still object deeply to cultures that force women (or men) to cover up whatever parts of their anatomy - ours too! Free the nipple! But hating and fearing individuals because they are different is not the solution. So the niqab itself and the reactions to it disturb me about equally.
The next one is Malala - no need for explaination, right? A force for good against unbelievable odds, and an inspiration to us all. If she can still stand up fearlessly for what is right, after all she's been through, surely we can persevere and turn these current developments around!
Next up is a bunch of newspapers. They're from the UK in this case, but they stand for the press in general, all over the world. Some people think that journalists need to be controlled and persecuted... some think they should be free to write what they want about whatever they want. Some people think they always lie, some people think they're in the pockets of various interest groups. Its funny, I feel that in the last half year or so, journalists have moved from being shifty blighters who we need to keep a good eye on, to definitely absolutely being the good guys, a major defence against totalitarian regimes everywhere. This is a classic case of only appreciating something once you might loose it... Free press , please oh please lets keep free press!
Putin. What can I say? I do not like what is happening over there one little bit. I'd really rather not find out what he is working towards.
And on the right hand point of the upper swirl we have Trump. I was worried this mosaic would end up centered too much on the US, because the problems and challenges facing us are global. But lets face it, this mosaic was concieved and inspired by his election and his actions ever since. So yes, it is US centric.
Following the swirl, we come to the Pope. I am highly suspicious of organised religion, religious fundamentalism is resonsable for so much intollerance and hate the world over. So its very interesting that I included the heads of two major organised religions on this mosaic as forces for good. This current pope impresses me no end.
Next is a picture of two hands holding onto prison bars, sybolising lack or loss of basic freedoms for far too many people around the world, and fear that this will increase if things continue the way they seem to be headed now. Don't get me started on for profit prisons! How could that ever be a good idea???
To the left of the Goddess' arms we have the Damai Lama, the second religious leader on this mosaic. He was delt a very difficult hand and has against all odds become a figure who is rightfully admired and revered all the world over. I'm taking Tibet to represent anexed or supressed countries and peoples. China has a lot to answer for in this case and is certainly also observing current global developments with great interest.
Left of the Dalai Lama is a pile of books. Knowledge, or rather lack of it, is the root of many of the more sinister current trends. The books here are old, because knowledge and understanding of our past helps us understand the present and may help us shape the future.
The final image on this swirl is a selection of News outlet logos - representing free press again, but also internet comunication. It has never before been easier to get information on any topic whatsoever, it has proabably never been harder to suppress information either, or to spread false information... it has also never been harder to sift through all the information and try to decide what is true and what is fake. For better or worse, this is technology shaping our world today.
On the right hand side of the Goddess' hair there is a picture of some demonstrators in pussy hats from the women's marches in the US. It is inspiring to see people going out and standing up peacefully for what they believe to be right. Not only in the US, I had pictures of peaceful demonstrations from all over the place, but picked this one because... well: pussy hats, they are cool. Lets hope there are enough people who will continue to do so, that people will be legally allowed to do so... and that it will make a difference.
The blue streak at the hight of her naval, from left to right: First off a LGBT rainbow fist. Equal rights for all... lets hope these rights will not be eroded in the US and that more people all over the world will be able to live and love freely the way they want. Although right now, in too many places, it seems to be going in the other direction.
The next picture is one of the boats in the Mediterranean full of refugees from Syria. It was very hard to choose some of these pictures, and this one, while I was sticking glass to it, then grouting and polishing the tess, I was aware that every little dot on that picture is a human being who has been through horrors I don't even want to imagine. These here are the "lucky" ones, the ones who made it to the Mediterranean and who were sighted before their boat capsized - if anyone who has to flee their country can ever be considered lucky.
The third picture in this row is a group of test tubes/flacons - science, knowledge, research, a blessing or a curse? On the one hand I am deeply in favour of scientific peer reviewed studies as a mothod for gaining knowledge on any subject you care to name. Research should be as independant as possible, but at the same time it is very expensive and can also lead to enormous profits. Letting the free market decide on prices for drugs - for instance - is evidently not a good idea. And don't get me started on for profit health care. That is rather a lot for a couple of test tubes to stand in for though, isn't it?
To the right of her navel there is a puddle of water covered by a film of oil. The colours are beautiful... oil-contaminated water not so much. Renewable energy sources, anyone?
Next is a picture of a whale, just because. These creatures are so fascinating, we know so little about them, and who knows if they'll even last long enough for us to learn more.
The final image in this row is Brexit - another shocking and unexpected vote, another "where on earth is this all going to end?" moment. Buckle up, because like it or not, we're going to find out.
The light strip of clouds from left to right: The first picture is of a bundle of banknotes, because so much nowadays comes down to money - lack of it, wanting more of it, having too much of it. Plenty of studies show that higher income inequality reduces the quality of life for both the haves and the have nots, but at the same time income inequality is increasing at an alarming rate all over. Go figure.
To the left of her knees is a "coexist" sign. I have nothing against any religions or beliefs, so long as they also respect mine. For goodness' sake just live an let live, why is this so hard?
Too much of religion seems to be about hating, suppressing and controling others.
To the right of her knees there's an image of five interlinking hands with five different skin colours. What goes for religion also goes for skin colour... live and let live, we're all in this together. Unfortunatey racism isn't just going to dissapper anytime soon.
The next one is more of the same: The black power sign, another inspiring instance of people standing up for their rights. Its nowhere near where it should be, work in progress... And like so much else here, in the current political climate, things will likely get worse before they get better.
Finally, an archve picture of an atomic mushroom cloud. Too many atomic bombs are in the hands of people who are too trigger happy by far. I don't even want to think about it. But unfortunately I do.
The last Swirl by her feet, starting from the right and working inwards: The first image is one of the most chilling to me. It is of a perfectly nice US family posing with their guns. Seriously, I just don't get the thing Americans have for guns. I live in a country where many housholds have a gun - but locked away for use in the case of war, not paraded around on a Sunday afternoon picknick!
The next is a Polar bear... who may soon become extinct because of global warming and the melting of the ice caps.
To the right of her feet is a lovely picture representing another whole mixture of politics and
religion, a conflict with no end in sight, which can stand for many more similar situations all over the world.
To the left of her feet: A wolf. Wolves are coming back to Switzerland after having been extinct here for many years, which is very cool. Then there are people who don't want them to make a comeback and keep shooting them. The kind of story that is playing out in many places around the world..
The picture right on the left of this swirl is one of the protestors of Standing Rock, a man on a horse facing a line of tanks. The outcome was sadly expected and disapointing, but what a heartwarming show of solidarity and pride in their heritage. People all over the world were rooting for them. Renewable energy sources, anyone?
Going on down: The Chinese Wall - standing in for all kinds of walls built between all kinds of boundries. History doesn't seem to show this to be a particularly successful way of going about things, but hey, people keep on trying.
The next image is of parched earth. Global warming, floods, draught... Is access to clean drinking water a right or a privelege? Will the earth be able to sustain an ever growing population?
The next is another very nasty picture: a sea turtle caught in piece of plastic. The amount of plasic in our oceans in horrendous, and that is another thing that is likely to get worse before it might one day hopefully get better.
The last image on this swirl is a tank. Because war. I don't want to live through one if at all possible. I'm sure a great many other people don't want to either. I expect people living in a war zone would really like it to stop. There are absolutley things worth fighting for... but lets try to work towards less wars, yeah?
The very last picture on the bottom left hand side is a small dandelion working its way through asphalt. Isn't it amazing how you can have six feet of concrete, and somewhere underneath there is a little seed just patiently waiting to work its way through? Life cannot be contained.
There are speculations that the cows can see their fate via dream.
Before they are sacrificed, they are often given a bath.
images of a new 'construct,' basically by-products of my mental design exploration, not sure what to tag these with exactly
The Dixie Walesbilt Hotel, known as the Grand Hotel in later years, is one of a small number of skyscrapers built in the 1920s that still stand today and is a prime example of how optimistic people were during the Florida land boom. Built in 1926, it found financing through a stock-sale campaign in the local business community, costing $500,000 after it was completed(which equates to about $6 million today.)
The building architecture, masonry vernacular with hints of Mediterranean-Revival, is also a good example of the time is was built. It was designed by two well-known architects at the time, Fred Bishop who designed the Byrd Theatre in Virginia, and D.J. Phipps, whose designed both the Wyoming County Courthouse and Jail and the Colonial Hotel in Virginia.
The hotel was constructed using the “three-part vertical block” method, which became the dominant pattern in tall buildings during the 1920s. Three-part buildings are composed of a base, shaft and a cap, all noticeably visible.
The hotel opened as the “Walesbilt” in January 1927, shortly after the land boom had started to collapse and two years before the Great Depression began. It’s also best to note that the hotel opened around the same time the Floridan Hotel in Tampa opened, another hotel built during the Florida land boom.
In 1972, the hotel was purchased by Anderson Sun State and renamed the “Groveland Motor Inn”. The firm completely renovated the hotel and used it to host visitors to the area who were interested in Green Swamp, land sectioned off for land development. At the time there was heavy speculation in the land because of it’s close proximity to Walt Disney World and were selling for around $5,000 an acre at the time. That ended after a state cabinet designation of the swamp as an area of critical state concern, placing the land off-limits to any large land developments. The firm filed for foreclosure and the hotel was auctioned off in 1974. Despite RCI Electric purchasing the hotel, it remained empty for many years afterwards.
n 1978, the hotel was signed over to the Agape Players, a nationally known religious music and drama group, who would assume the mortgage and would pay the costs to make improvements to meet city fire and safety standards. The hotel was renamed the “Royal Walesbilt” and after extensive improvements were made, it became the headquarters for the Agape Players; using it as a teaching facility and the base from which the group launched their tours. In addition, they operated a restaurant, an ice cream parlor on the lobby floor and a “Christian hotel” on the upper floors, catering mostly to groups. The Agape Players disbanded in 1985 and put the property up for sale
Victor Khubani, a property investor from New York acquired the property and renamed the hotel “Grand”. The hotel closed briefly in December 1988, due to a variety of code violations and causing the owner to later pay $14,000 in fines. On August 31, 1990 it was added to the U.S. National Register of Historic Places, possibly for tax exemption reasons. In October 1991, The State Fire Marshall’s Office gave the owner one year to install a new sprinkler system and in May 1993, the code enforcement board gave Khubani until March to complete the work.
In March 1994, the hotel closed due to multiple code violations and was to remain closed until a new fire sprinkler system was installed. To reopen, the fire escapes and elevator, which did not function, would have to be repaired as well. In 1995, the hotel was auctioned off to a redevelopment firm, which dismantled part of the interior for reconstruction, which was never completed.
Since then, the hotel has deteriorated, becoming an eyesore to many of the residents of Lake Wales and nicknamed “The Green Monster” for the greenish color it has acquired from over the years. In 1995, it was even jokingly mentioned to become a sacrifice to “the bomb”, an economic boom that occurred in parts of Florida where movie production companies would pay cities to blow up buildings for their movies. In 2007, the city foreclosed on the structure for more than $700,000 in unpaid code fines, with hopes in finding someone to restore it.
Development firm, Dixie-Walesbilt LLC announced plans to restore the hotel, signing into an agreement with the city of Lake Wales in February 2010. By the agreement, the city would retain ownership of the building until a defined amount of work had been accomplished. The work must be completed within 16 months and the amount of money invested must succeed at least $1.5 million. The building would then be handed off the Dixie Walesbilt LLC, where they may continue with private funding or other methods to for debt funding.
Ray Brown, President of Dixie Walesbilt LLC, planned to invest $6 million into the renovation, with original plans to put retail stores on the ground floor and using the upper floors for as many as 40 condominiums.
On June 2, 2011, the city of Lake Wales agreed to deed the building off to Ray Brown in a 4-1 vote, after meeting the requirements of the redevelopment agreement. Though Brown submitted a list of costs to the city totaling $1.66 million, Mayor Mike Carter wasn’t satisfied with the results so far, pointing out that Brown failed to repair the windows and repaint the building. Previous owners had put tar on the building and then painted over it, so much of Brown’s investment went to stripping the tar off the exterior walls.
To repaint the building, Brown would also have to resurface the hotel with hydrated lime to replicate the original skin as well as the window frames would need to be constructed of Douglas fir, red cedar and gulf cypress. According to Brown, previous owners who renovated the building rarely removed the building original elements. They carpeted over intricate tile flooring, stuck tar paper above skylights and placed modern drinking fountains in front of the originals. He estimated about 98 percent of the building is still in it’s original form.
Restoration of the building’s exterior began in January 2015 and included surface repair, pressure washing, paint removal, chemical treatment, and a comprehensive resurfacing of the exterior.
While the original plans were for turning the building into condominiums, that has since changed and current plans call for operating the building as a boutique hotel. The hotel will feature geothermal cooling as opposed to traditional air conditioning, a permanent art gallery as well as theme gallery showings throughout the year, and the best WiFi/internet in the city. The project is expected to be completed in 18 to 24 months.
Credit for the data above is given to the following websites:
www.fox13news.com/news/lake-wales-city-officials-aim-to-r...
www.cityoflakewales.com/505/Dixie-Walesbilt-Hotel
www.abandonedfl.com/dixie-walesbilt-hotel/
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As I was approached by adifferentminifigure I want to state that this is only speculation. Please do not threaten them in any way because of unfounded speculation, as this is morally inacceptable. Some of the renders and printing look very similar to Cyclopsbrick's renders and printing which lead me and a few other people to this speculation.
At The Garden of Cosmic Speculation.
Dumfries, 2012.
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After months of speculation, British Steel finally closed their Redcar steel works on Friday 19th February 2010
I managed to gain access to the shuttered plant a few days later on Tuesday 23rd February
Speculative apartment developments such as these at Xian are typical of modern China. A massive building boom has caused every city to be surrounded by tower blocks built on borrowed money. The problem is that there are far more apartments than buyers/renters and vast numbers stand empty whilst yet more are built nearby. I can only see this ending in some sort of financial collapse in the building industry in China. For now it provides employment for thousands, probably millions.
Wien - Decke der Peterskirche
Peterskirche (English: St. Peter's Church) is a Baroque Roman Catholic parish church in Vienna, Austria. It was transferred in 1970 by the Archbishop of Vienna Franz Cardinal König to the priests of the Opus Dei.
The oldest church building (of which nothing remains today) dates back to the Early Middle Ages, and there is speculation that it could be the oldest church in Vienna. That Roman church was built on the site of a Roman encampment.
This church was replaced with a Romanesque church with a nave and two aisles. It is believed to have been established by Charlemagne around 800, although there is no evidence supporting this view. At the outside of the church, there is a relief sculpture by R. Weyr consecrated to the founding of the church by Charlemagne. In any case, a church of Saint Peter in Vienna is first mentioned in 1137. Around the end of the 12th century, the church became part of the Schottenstift.
The old church burned down in 1661 and was given only makeshift repairs. The decision to build a new church was taken up with the arrival of the Fraternity of the Holy Trinity of which the emperor Leopold I was a member. He had taken a vow to rebuild this church when Vienna was ravaged by the plague in 1679-1680.
The construction of the new Baroque church was begun around 1701 under Gabriele Montani, who was replaced by Johann Lukas von Hildebrandt in 1703. The design was inspired by the St. Peter's Basilica of the Vatican in Rome. By 1722, most of the building was finished, and in 1733, the Peterskirche was finally consecrated to the Holy Trinity. The new church was the first domed structure in baroque Vienna. Due to the confinement of available space, it was built in a very compact form, with its oval interior housing an astonishing amount of space and rectangular attachments. The church makes an overwhelming impression on the visitor with its surprisingly rich interior filled with golden stucco.
The Peterskirche is located on Petersplatz, right next to Graben and just west of the Pestsäule. The street Jungferngasse cuts through the pedestrian zone and leads directly to the church. The Peterskirche is largely obscured by the surrounding buildings, and can only be seen clearly from directly in front.
(Wikipedia)
Die Rektoratskirche St. Peter ist eine römisch-katholische Kirche im 1. Wiener Gemeindebezirk Innere Stadt. Das heutige Kirchengebäude wurde 1733 vollendet und geweiht. Die seelsorgliche Betreuung der Peterskirche wurde 1970 vom Wiener Erzbischof Kardinal König Priestern des Opus Dei übertragen.
Die erste Peterskirche, von der heute keine sichtbaren Reste mehr vorhanden sind, ging bis in die Spätantike zurück und war somit die älteste Kirche und Pfarre der Stadt Wien. Sie entstand in der zweiten Hälfte des 4. Jahrhunderts, indem ein Kasernengebäude des römischen Lagers Vindobona zu einer einschiffigen Saalkirche basilikaler Art umgebaut wurde.
Die Kirche selbst soll von Kaiser Karl dem Großen um 792 gegründet worden sein, was jedoch nicht nachgewiesen ist. Erstmals wird 1137 eine Kirche des heiligen Petrus in Wien urkundlich erwähnt. Gegen Ende des 12. Jahrhunderts fiel die Kirche an das Schottenstift. Im Jahr 1661 brannte das Gebäude aus und wurde nur notdürftig instand gesetzt. Der Beschluss, eine neue Kirche zu bauen, wurde allerdings erst 1676 mit der Übersiedelung der Erzbruderschaft der Allerheiligsten Dreifaltigkeit in Angriff genommen.
Um 1701 wurde auf Initiative Kaiser Leopolds I. mit dem Neubau begonnen. Die alte Peterskirche, die wohl schon ziemlich verfallen war, wurde samt dem umliegenden Friedhof abgerissen. Die Planung und der Baubeginn (Fundamente) der neuen Peterskirche erfolgten unter Gabriele Montani. Ab 1703 setzte Johann Lucas von Hildebrandt den Bau nach verändertem Plan fort und 1708 war er im Rohbau vollendet. Sein Bauführer war Franz Jänggl, auch Baumeister Francesco Martinelli ist dokumentiert. Der Steinmetzauftrag wurde dem Wiener Meister Johann Carl Trumler übergeben, der den erforderlichen harten Kaiserstein, unter anderem für den umlaufenden Sockel, aus dem kaiserlichen Steinbruch anforderte.
Die Bauarbeiten zogen sich noch bis 1722 hin, erst zu diesem Zeitpunkt war der Bau größtenteils abgeschlossen. Die neue Kirche war der erste Kuppelbau des barocken Wien. Das Sakralgebäude verfügt über eine sehr kompakte Form, einen ovalen Innenraum mit erstaunlich viel Platz und rechteckigen Anbauten.
Joachim Georg Schwandtner, Superintendent der Erzbruderschaft der Allerheiligsten Dreifaltigkeit, stiftete einen Portalvorbau, der 1751–1753 nach Plänen von Andrea Altomonte aus Gutensteiner Marmor angebaut wurde.
Die Peterskirche befindet sich auf dem Petersplatz, unmittelbar neben dem Graben, kurz nach (westlich) der Pestsäule. Dort durchschneidet die Habsburgergasse die Fußgängerzone (danach Jungferngasse) und führt direkt zur Kirche. Die Peterskirche verschwindet fast zwischen den hohen Häusern, und sie ist erst zu sehen, wenn man davorsteht.
(Wikipedia)
The view down 7th Street toward Francisco compresses about a century of downtown Los Angeles speculation into a single frame. The Pacific Mutual Building holds the middle distance — a 1908 Beaux-Arts office block by John Parkinson and George Edwin Bergstrom with later additions, its terracotta-clad shaft topped by a row of steep Flemish gables and finials that read as a deliberate Northern European flourish on what was, at the time, a frontier financial district. Behind it the AON Center (Charles Luckman, 1973) carries the early-1970s corporate slab idiom: bronze-tinted curtain wall, ground-to-cornice piers, the sponsor's mark on the parapet. To the right the buff stone and dark glass of one of the Wells Fargo Center towers (Skidmore, Owings & Merrill, 1983) closes the canyon.
The composition reads the city the way a New Yorker would expect a city to be read — a crosswalk-level vanishing point with the historic building framed by glass — and it's something LA itself often resists offering. The DASH electric shuttle at left, the pedestrian-scaled traffic island at right, and the empty crosswalk all argue for a downtown that's still negotiating what it wants to be. The early sun is doing the work of separating the terracotta from the steel.
Im Appenzeller Hinterland sind am 13. Januar die Sylvesterchläuse unterwegs, und wünschen "Es guets Neus" in der Tradition des Julianischen Kalenders.13 January, «Old New Year's Eve», the «Chläuse» make their way around the Appenzell hinterland. The origin and meaning of this ancient custom are the subject of speculation, because few written documents exist.
Number of minifigures: 8
Characters included:
Heroes
- Spider-Man
- Spider-Man 2099
- Spider-Girl
- Spider-Man Noir
- Spyder Knight
- Spider-Ham
Villains
- Spider Goblin
- Electro
Henryton State Hospital is a now-closed hospital complex in Marriottsville, in southern Carroll County, Maryland, just across the Howard County line. The complex is located within Patapsco Valley State Park and along its southern end runs CSX's Old Main Line Subdivision and is very close to the Henryton Tunnel. The Henryton State Hospital center, or the Henryton Tuberculosis Sanatorium as it was called, was erected in 1922 by the Maryland Board of Mental Hygiene. It was established as a facility to treat African Americans suffering from tuberculosis.[1] This was one of the first such facilities in Maryland erected to provide African Americans with the same level of treatment as whites.
The original complex opened in 1922 and consisted of 6 main buildings and one utility plant. These buildings were erected between the years of 1921 and 1923. The establishment of the Henryton Sanatorium was one of the final steps in Maryland’s program to treat all of the state's tubercular patients. In the late twenties and early thirties the tuberculosis rate among African Americans in Maryland was quadruple what the rate was among whites.[1] This placed a heavy burden on the hospital to deal with the increasing number of patients. In 1938 the hospital was budgeted $270,000 for the construction of new buildings to house 200 more patients.[1] The new buildings roughly doubled the size of the overall facility, and several more municipal buildings added even more space to the complex. However, by the time the new buildings were completed in 1946, the tuberculosis rates had dropped, leaving much more room than was necessary.
In the decades since the facility’s closure, the Henryton State Hospital complex has become a haven for vandals, drifters, and drug addicts. The façade of most of the buildings have been extensively damaged and are covered in graffiti. Most of the windows have been broken out, making the grounds around the hospital very dangerous. The doors to all of the buildings have been broken in, allowing access to the inside. Although the furnishings and equipment were removed before the facility closed, there is still remarkable damage from people going through. Henryton has been the site of many suspicious fires since its closure, the most well-known of them taking place in the early morning of December 19, 2007.[citation needed] Henryton caught fire on April 28, 2011.[2] Initial speculation of this fire was believed to be suspicious in nature, but after fire marshalls conducted their investigation, it was believed to have been sparked by a lightning strike in the roof area.[citation needed] Firefighters arrived on the scene with heavy fire throughout the roof. Severe storms had passed through the area during the time that the fire was reported.
Henryton has suffered from extensive damage over the years
In this incident, the auditorium and cafeteria sections of the complex were engulfed with flames. The blaze took 80 firefighters from 3 counties to extinguish. The burned areas have since been demolished and removed. The 2011 fire affected the Physician and Nurses Cottage, destroying the roof. Visiting the Henryton State Hospital complex without the expressed written consent of the Maryland DHMH is trespassing, but the possible charges and fines seem not to deter most vandals. However, the decades of wear on the buildings without maintenance and the presence of large quantities of asbestos make Henryton a dangerous place to explore.
Since its closing, many attempts to purchase the land have been made, but most potential buyers, after having been approved to buy, have had their proposal for usage vetoed by local government and the like.[citation needed] The land on which the old Henryton Center rests goes on the market occasionally (every 5–6 years or so) and then is removed from the market. The state of Maryland spends a large amount of money to maintain the property minimally and occasionally patrol, and it is an expense that the state seems eager to be rid of.
British Real Photograph postcard. Photo: Metro-Goldwyn-Mayer.
Lupe Velez (1908-1944), was one of the first Mexican actresses to succeed in Hollywood. Her nicknames were 'The Mexican Spitfire' and 'Hot Pepper'. She was the leading lady in such silent films as The Gaucho (1927), Lady of the Pavements (1928), and Wolf Song (1929). During the 1930s, her well-known explosive screen persona was exploited in a series of successful films like Hot Pepper (1933), Strictly Dynamite (1934), and Hollywood Party (1934). In the 1940s, Vélez's popularity peaked after appearing in the Mexican Spitfire films, a series created to capitalise on Vélez's well-documented fiery personality. She had several highly publicised romances and a stormy marriage. In 1944, Vélez died of an intentional overdose of the barbiturate drug Seconal. Her death and the circumstances surrounding it have been the subject of speculation and controversy.
Lupe Vélez was born María Guadalupe Villalobos Vélez in 1908 in the city of San Luis Potosí in Mexico. She was the daughter of Jacobo Villalobos Reyes, a colonel in the army of the dictator Porfirio Diaz, and his wife Josefina Vélez, an opera singer according to some sources, or vaudeville singer according to others. She had three sisters: Mercedes, Reina and Josefina, and a brother, Emigdio. The family was financially comfortable and lived in a large home. At the age of 13, her parents sent her to study at Our Lady of the Lake (now Our Lady of the Lake University) in San Antonio, Texas. It was at Our Lady of the Lake that Vélez learned to speak English and began to dance. She later admitted that she liked dance class, but was otherwise a poor student. Denny Jackson at IMDb: "Life was hard for her family, and Lupe returned to Mexico to help them out financially. She worked as a salesgirl for a department store for the princely sum of $4 a week. Every week she would turn most of her salary over to her mother, but kept a little for herself so she could take dancing lessons. By now, she figured, with her mature shape and grand personality, she thought she could make a try at show business." She began her career as a performer in Mexican vaudeville in 1924. She initially performed under her paternal surname, but after her father returned home from the war, he was outraged that his daughter had decided to become a stage performer. She chose her maternal surname, "Vélez", as her stage name and her mother introduced Vélez and her sister Josefina to the popular Spanish Mexican vedette María Conesa, "La Gatita Blanca". Vélez debuted in a show led by Conesa, where she sang 'Oh Charley, My Boy' and danced the shimmy. Aurelio Campos, a young pianist, and friend of the Vélez sisters recommended Lupe to stage producers, Carlos Ortega and Manuel Castro. Ortega and Castro were preparing a season revue at the Regis Theatre and hired Vélez to join the company in March 1925. Later that year, Vélez starred in the revues 'Mexican Rataplan' and '¡No lo tapes!', both parodies of the Bataclan's shows in Paris. Her suggestive singing and provocative dancing was a hit with audiences, and she soon established herself as one of the main stars of vaudeville in Mexico. After a year and a half, Vélez left the revue after the manager refused to give her a raise. She then joined the Teatro Principal but was fired after three months due to her "feisty attitude". Vélez was quickly hired by the Teatro Lirico, where her salary rose to 100 pesos a day. In 1926, Frank A. Woodyard, an American who had seen Vélez perform, recommended her to stage director Richard Bennett, the father of actresses Joan and Constance Bennett. Bennett was looking for an actress to portray a Mexican cantina singer in his upcoming play 'The Dove'. He sent Vélez a telegram inviting her to Los Angeles to appear in the play. Vélez had been planning to go to Cuba to perform, but quickly changed her plans and traveled to Los Angeles. However, upon arrival, she discovered that she had been replaced by another actress.
While in Los Angeles, Lupe Vélez met the comedian Fanny Brice. Brice recommended her to Flo Ziegfeld, who hired her to perform in New York City. While Vélez was preparing to leave Los Angeles, she received a call from MGM producer Harry Rapf, who offered her a screen test. Producer and director Hal Roach saw Vélez's screen test and hired her for a small role in the comic Laurel and Hardy short Sailors, Beware! (Fred Guiol, Hal Yates, 1927). After her debut, Vélez appeared in another Hal Roach short, What Women Did for Me (James Parrott, 1927), opposite Charley Chase. Later that year, she did a screen test for the upcoming Douglas Fairbanks feature The Gaucho (F. Richard Jones, 1927). Fairbanks was impressed by Vélez and hired her to appear in the film with him. The Gaucho was a hit and critics were duly impressed with Vélez's ability to hold her own alongside Fairbanks, who was well known for his spirited acting and impressive stunts. Her second major film was Stand and Deliver (Donald Crisp, 1928), produced by Cecil B. DeMille. That same year, she was named one of the WAMPAS Baby Stars. Then she appeared in Lady of the Pavements (1929), directed by D. W. Griffith, and Where East Is East (Tod Browning, 1929), starring Lon Chaney as an animal trapper in Laos. In the Western The Wolf Song (Victor Fleming, 1929), she appeared alongside Gary Cooper. As she was regularly cast as 'exotic' or 'ethnic' women that were volatile and hot-tempered, gossip columnists took to referring to Vélez as "Mexican Hurricane", "The Mexican Wildcat", "The Mexican Madcap", "Whoopee Lupe" and "The Hot Tamale". Lupe Vélez made the transition to sound films without difficulty. Studio executives had predicted that her accent would likely hamper her ability to make the transition. That idea was dispelled after she appeared in the all-talking Rin Tin Tin vehicle, Tiger Rose (George Fitzmaurice, 1929). The film was a hit and Vélez's sound career was established. Vélez appeared in a series of Pre-Code films like Hell Harbor (Henry King, 1930), The Storm (William Wyler, 1930), and the crime drama East Is West (Monta Bell, 1930) opposite Edward G. Robinson. The next year, she appeared in her second film for Cecil B. DeMille, Squaw Man (Cecil B. DeMille, 1931), opposite Warner Baxter, in Resurrection (Edwin Carewe, 1931), and The Cuban Love Song (W.S. Van Dyke, 1931), with the popular singer Lawrence Tibbett. She had a supporting role in Kongo (William J. Cowen, 1932) with Walter Huston, a sound remake of West of Zanzibar (Tod Browning, 1928) which tries to outdo the Lon Chaney original in morbidity. She also starred in Spanish-language versions of Universal films like Resurrección (Eduardo Arozamena, David Selman, 1931), the Spanish version of Resurrection (1931), and Hombres en mi vida (Eduardo Arozamena, David Selman, 1932), the Spanish version of Men in Her Life (William Beaudine, 1931) in which Lois Moran had starred.
In 1932, Lupe Vélez took a break from her film career and traveled to New York City where she was signed by Broadway impresario Florenz Ziegfeld, Jr. to take over the role of "Conchita" in the musical revue 'Hot-Cha!'. The show also starred Bert Lahr, Eleanor Powell, and Buddy Rogers. Back in Hollywood, Lupe switched to comedy after playing dramatic roles for five years. Denny Jackson at IMDb: "In 1933 she played the lead role of Pepper in Hot Pepper (1933). This film showcased her comedic talents and helped her to show the world her vital personality. She was delightful." After Hot Pepper (John G. Blystone, 1933) with Edmund Lowe and Victor McLaglen, Lupe played beautiful but volatile, characters in a series of successful films like Strictly Dynamite (Elliott Nugent, 1934), Palooka (Benjamin Stoloff, 1934) both opposite Jimmy Durante, and Hollywood Party (Allan Dwan, a.o., 1934) with Laurel and Hardy. Although Vélez was a popular actress, RKO Pictures did not renew her contract in 1934. Over the next few years, Vélez worked for various studios as a freelance actress; she also spent two years in England where she filmed The Morals of Marcus (Miles Mander, 1935) and Gypsy Melody (Edmond T. Gréville, 1936). She returned to Los Angeles the following year where she appeared in the final part of the Wheeler & Woolsey comedy High Flyers (Edward F. Cline, 1937). In 1938, Vélez made her final appearance on Broadway in the musical You Never Know, by Cole Porter. The show received poor reviews from critics but received a large amount of publicity due to the feud between Vélez and fellow cast member Libby Holman. Holman was irritated by the attention Vélez garnered from the show with her impersonations of several actresses including Gloria Swanson, Katharine Hepburn, and Shirley Temple. The feud came to a head during a performance in New Haven, Connecticut after Vélez punched Holman in between curtain calls and gave her a black eye. The feud effectively ended the show. Upon her return to Mexico City in 1938 to star in her first Mexican film, Vélez was greeted by ten thousand fans. The film La Zandunga (Fernando de Fuentes, 1938) co-starring Arturo de Córdova, was a critical and financial success. Vélez was slated to appear in four more Mexican films, but instead, she returned to Los Angeles and went back to work for RKO Pictures. In 1939, Lupe Vélez was cast opposite Leon Errol and Donald Woods in the B-comedy, The Girl from Mexico (Leslie Goodwins, 1939). Despite being a B film, it was a hit with audiences and RKO re-teamed her with Errol and Wood for a sequel, Mexican Spitfire (Leslie Goodwins, 1940). That film was also a success and led to a series of eight Spitfire films. Wikipedia: "In the series, Vélez portrays Carmelita Lindsay, a temperamental yet friendly Mexican singer married to Dennis 'Denny' Lindsay (Woods), an elegant American gentleman. The Spitfire films rejuvenated Vélez's career. Moreover, they were films in which a Latina headlined for eight films straight –a true rarity." In addition to the Spitfire series, she was cast in such films as Six Lessons from Madame La Zonga (John Rawlins, 1941), Playmates (David Butler, 1941) opposite John Barrymore, and Redhead from Manhattan (Lew Landers, 1943). In 1943, the final film in the Spitfire series, Mexican Spitfire's Blessed Event (Leslie Goodwins, 1943), was released. By that time, the novelty of the series had begun to wane. Velez co-starred with Eddie Albert in the romantic comedy, Ladies' Day (Leslie Goodwins, 1943), about an actress and a baseball player. In 1944, Vélez returned to Mexico to star in an adaptation of Émile Zola's novel Nana (Roberto Gavaldón, Celestino Gorostiza, 1944), which was well-received. It would be her final film. After filming wrapped, Vélez returned to Los Angeles and began preparing for another stage role in New York.
Lupe Vélez's temper and jealousy in her often tempestuous romantic relationships were well documented and became tabloid fodder, often overshadowing her career. Vélez was straightforward with the press and was regularly contacted by gossip columnists for stories about her romantic exploits. Her first long-term relationship was with actor Gary Cooper. Vélez met Cooper while filming The Wolf Song in 1929 and began a two-year affair with him. The relationship was passionate but often stormy. Reportedly Vélez chased Cooper around with a knife during an argument and cut him severely enough to require stitches. By that time, the rocky relationship had taken its toll on Cooper who had lost 45 pounds and was suffering from nervous exhaustion. Paramount Pictures ordered him to take a vacation to recuperate. While he was boarding the train, Vélez showed up at the train station and fired a pistol at him. During her marriage to actor Johnny Weissmuller, stories of their frequent physical fights were regularly reported in the press. Vélez reportedly inflicted scratches, bruises, and love-bites on Weissmuller during their fights and "passionate love-making". In July 1934, after ten months of marriage, Vélez filed for divorce citing cruelty. She withdrew the petition a week later after reconciling with Weissmuller. In January 1935, she filed for divorce a second time and was granted an interlocutory decree that was dismissed when the couple reconciled a month later. In August 1938, Vélez filed for divorce for a third time, again charging Weissmuller with cruelty. Their divorce was finalised in August 1939. After the divorce became final, Vélez began dating actor Guinn "Big Boy" Williams in late 1940. They were reportedly engaged but never married. Vélez was also linked to author Erich Maria Remarque and the boxers Jack Johnson and Jack Dempsey. In 1943, Vélez began an affair with her La Zandunga co-star Arturo de Córdova. De Córdova had recently moved to Hollywood after signing with Paramount Pictures. Despite the fact that de Córdova was married to Mexican actress Enna Arana with whom he had four children, Vélez granted an interview to gossip columnist Louella Parsons in September 1943 and announced that the two were engaged. Vélez ended the engagement in early 1944, reportedly after de Córdova's wife refused to give him a divorce. Vélez then met and began dating a struggling young Austrian actor named Harald Maresch (who went by the stage name Harald Ramond). In September 1944, she discovered she was pregnant with Ramond's child. She announced their engagement in late November 1944. On 10 December, four days before her death, Vélez announced she had ended the engagement and kicked Ramond out of her home. On the evening of 13 December 1944, Vélez dined with her two friends, the silent film star Estelle Taylor and Venita Oakie. In the early morning hours of 14 December, Vélez retired to her bedroom, where she consumed 75 Seconal pills and a glass of brandy. Her secretary, Beulah Kinder, found the actress's body on her bed later that morning. A suicide note addressed to Harald Ramond was found nearby. Lupe Vélez was only 36 years old. More than four-thousand people filed past her casket during her funeral. Her body was interred in Mexico City, at Panteón Civil de Dolores Cemetery. Velez' estate, valued at $125,000 and consisting mostly of her Rodeo House home, two cars, jewelry, and personal effects were left to her secretary Beulah Kinder with the remainder in trust for her mother, Mrs. Josephine Velez. Together with Dolores del Rio, Ramon Novarro, and José Mojica, she was one of the few Mexican people who had made history in the early years of Hollywood.
Sources: Denny Jackson (IMDb), Wikipedia, and IMDb.
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