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Category: Mineral species

 

Chemical formula: MnCO3

 

Strunz classification: 05.AB.05

 

Molar mass: 114.95 g/mol

 

Mohs scale hardness: 3.5-4

 

Specific gravity: 3.5 to 3.7

 

Density: 3.7 g/cm³

 

Optical properties: Uniaxial (-)

 

Birefringence: δ = 0.218

  

Site-specific sculptures and installations by East Anglian artists forming a trail around the River Waveney Trust site.

Intersection of technology and creativity: Ze Frank

Carnyx listening on the transaction being made.

Recife - Centro- Pernambuco - Brasil

 

*site specific

 

*Plic*

gabrieow@gmail.com

 

verão 2011

The Ambient Performance of Quiet Spaces is a site-specific exploration of experience at the border of perception and imagination. It was set in Washington DC’s McKinley Theater in the Carnegie Library and performed continually between 8pm-3am. The Carnegie Library, the first public library in Washington, was decommissioned in the late 70’s and it is now a performance and event venue.

 

In this work, the shared physical, public space of the library is reconfigured so that its new visitors: the audience, robotic cameras and performers are equally engaged in moments of private and public reflection. The form of the work is the active transposition of subject and object and of content and meaning between these three constituencies. This process of transposition is a reference to contemporary digital culture’s ongoing assimilation of earlier cultural forms.

 

Working with performer Nick Horan, we each took turns on stage, quietly reading and at times engaging with the installation. Two PTZ IP cameras were programed to scan the stage, the audience and each other, similarly pondering their environment. The resulting images were projected onto the screen behind the stage. A soundtrack composed of ambient sounds from existing public libraries, recordings of the preparation of the materials for the installation and ambient sounds from recent installations played quietly throughout the performances.

 

The Ambient Performance of Quiet Spaces featured an installation of various materials on the stage of the theater that included: card catalog cards, *prepared books (with tape, acetate, LEDs/electronics/code), cables, computers, projectors and IP cameras.

 

*prepared books included:

> James Joyce’s Ulysses containing excerpts from Emmanuel Levinas’ Totality and Infinity

> John Beecroft’s Kipling: A Selection of His Stories and Poems containing card catalog cards for books related to technology and its impact on the library system

> John B. Noss’ Man’s Religions

> Milan Kundera’s The Unbearable Lightness of Being

 

video/audio of the project: vimeo.com/147043745

Commissioned by Dancing in the Streets and Casita Maria Center for Arts & Education as part of The South Bronx Culture Trail, PASEO is a roving site-specific performance by choreographer/director Joanna Haigood and music director Bobby Sanabria that celebrates the Hunts Point and Longwood sections of the South Bronx and their astounding contribution to Latin music. With performances by over 80 dancers, musicians, poets, actors, and community members, fire escapes, stoops, and sidewalks will come alive with Latin music and dance, stickball games, and street scenes evoking the neighborhoods’ vibrant street life and cultural vitality during the 1940s-‘60s.

 

Over 80 dancers, musicians, poets, and actors, including dancers Ramon Ramos Alayo and Franck Muhel, members of Los Pleneros de la 21, and stellar Bronx-based artists, including Arthur Aviles, La Bruja, percussionist and poet Angel Rodriguez, the Puerto Rican folklorico ensemble Danza Fiesta, the Los Monstritospercussion ensemble, Bobby Sanabria’s nine-piece ensemble, Ascension, and guest musicians who came of age in the neighborhood, including the legendary Alegre All Star timbalero Orlando Marin, The Last Mambo King.

At 18 November 2009 video performance Omega-level mutant by radical phenomenologist Edwin Stolk went into premiere on You Tube, the performance refers to a next stage in human evolution, a new time-specific non-fixed era, rooted in subjective complexity and depending on rhizomatic-mobility.

 

The artist becomes an Omega-level mutant; a prototype of the contemporary traveller whos passage through signs and formats refers to a contemporary experience of what I call rhizomatic-mobility (5) . The contemporary traveller could also been seen as a subjective- terrorist. When you critically study the work, a new type of form is appearing, the journey-form, made of lines drawn both in space and time, materialising trajectories rather than destinations. The form of the video performance expresses a course, a wandering, rather than a fixed space-time.

 

Video you can find here:

 

www.youtube.com/watch?v=y7MK6ng9zvE

 

Fairy Ring, temporary site-specific installation

thermoplastic objects, organic matter, time, light, nature

2021 | 962 square feet | 26 ft. inner diameter

I Heart Rail Trail: Lights | temporary site-specific, pubic work at Atherton Mill, Charlotte, NC by Artist: Meredith Connelly

 

✩ f o l l o w ➭ A L A I A ✩

Instagram ➭ www.instagram.com/HiAlaia

TikTok ➭ www.tiktok.com/@hialaiashow

Facebook ➭ www.facebook.com/HiAlaiaShow

Website ➭ bit.ly/HiAlaiaWebsite

Subscribe to Hi Alaia Channel ➭ www.youtube.com/@HiAlaia

 

Alaia - Joyful with such excellence and beauty to inspire with grandeur admiration. ~ @HiAlaia

 

#HiAlaia #HiAlaiaShow #Alaia #Alaïa

 

For Business and Promotional Inquiries:

HiAlaia@yahoo.com

Nike Air Trainer 1.3 Max Breathe MP Manny Pacquiao, Men’s Size 11, White, Varsity Royal, Varsity Red, 513697-100, UPC: 00883212824851, 2011, 360 Max Air unit, Manny Pacquiao edition, white Hyperfuse as the base, gradient Blue to Red Midsole, Nike Swoosh Branding, Icy Outsole, Pac Man Trainer, Manny-specific colors and logos, custom insoles, anodized finish on the heel, embossed Manny Pacquiao's logo, Low top men's sneaker, colorway that mimics the flag of the Philippines, Pacquiao graphics on the tongue, "PAC" and "MAN" is written on the lace tips, the phrase 'Equality, Valor, Truth' written on inner tongue, limited release, Translucent Outsole, 777, Reddealsonline, Sneaker collection

PrintOclock - Tarifs et dlais de choc

 

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5. Southern blot analysis of the root-specific gene GOS9 in indica (IR36) and japonica (T309) plants and T309 cell suspensions. Total DNA was extracted from roots and green tissues of 10-d-old plantlets and from cell suspensions. 3 μg DNA was digested with Eco RI (E), Bam HI (B), Hin d III (H), Eco RV (V), Pst I (P), or Sac I (S) (panel A). In panel B, results for 2 cell suspensions (S 2 and S 3 ), T309 leaves (L), and roots (R) are shown. Patterns of independently initiated suspensions were identical (S 3 was a gift from E.C. Cocking, University of Nottingham; S 2 was initiated at Leiden). After electrophoresis, DNA was blotted and hybridized with a 32 P-labeled cDNA clone in pBluescript corresponding to half of the second exon and the entire third exon of the gene. M = lambda DNA digests used as marker. For further details, see previous figures.

 

books.google.com.ph/books/irri?id=B4KrnP8cMQAC&lpg=PA...

 

Part of the image collection of the International Rice Research Institute (IRRI)

Site specific theatre theater performance perform performance art

site-specific theatricality installation site specific create process San Francisco bay area

Poland Prague Cargo Ship Art ship Theatrical

Theatrically devised collaborate collaborative

collaboratively thetre thatre theter theatr theate

teatr divadlo predstaveni predstavani ensemble work

artwork scultpture installation umeni compose composed

composer hudba react reaction place site room

performed Boston New York Los Angeles experimental

avant garde experiment performative installation

instalation install sculpt puppet puppeteer oakland

company scrap and salvage James Mulligan Rafal

Klopotowski Emiko Lewis Frank Lee Erin Blendu Eric

ANdler Molly Rhodes Emily Rosenthal Allison Wyper

bluespace 1000 van ness 1k this end up #3 hold piwnica

marchewy lorca project

 

Specific Design Assessment

-Antique aesthetic street-side clock located at the entrance of the plaza

  

Relevant Land Use Code Sections

20.25A.160.E.2.e - Create attractive views and focal points

20.25A.160.E.2.k - Use artistic elements and water features where possible

20.25A.160.E.2.l - Use design elements, such as surface materials, furnishings, landscaping and pedestrian-scale lighting that are high quality, functional, and environmentally sustainable

Car specific mounting adapter bolted in. Numbers on adapter towards rear of car. Bolts used are 5/16-18 x1" grade 8 with double washers.

In my visual art's course, I was studying the installation site-specific piece "The Spiral Jetty", which heavily inspired my site-specific piece. Ein-El-Sokhna is where all the beach houses are located, where we've got to build sandcastles as children and swim and collect shells. It is well known for the variety of sea creatures, beautiful rocks, pebbles and shells found on its beaches. I have created this installation piece on the beach aiming to share with the audience the nostalgic feeling of building things on the beach, while also aiming to portray the simple beauty of the place by using left-over muscle shells, from a seafood dinner, and connecting them with pebbles I found on the beach. The spiral represents the golden ratio, as it is ac mathematical pattern that's found throughout many natural sources. It signifies beauty, the shape has been inspired by the spiral jetty by Robert Smithson, as it also aimed for its audience to reconnect and show how it developed in connection to natural occurrences.

28 August 2021 - Rabi’e Bada’am from FAO Implementing Partner BCHR speaks on the radio in Mukalla in Hadramout governorate to raise awareness about COVID-19. Radio-based spots and programmes for COVID-19 sensitization complemented site-specific posters, brochure and flier distribution, in-person trainings, and provision of face masks.

 

The radio component of the awareness raising campaign took two forms. “The first was through broadcasting outreach sessions about COVID-19 protection measures and the impact of this pandemic on people’s living conditions. The second form was through broadcasting a number of short radio spots at different times throughout the day,” said Bada’am. “Thanks to these methods, many people were educated on COVID-19 prevention measures.”

 

Photo credits must be given to: ©FAO/Sulaiman Al-Sharabi. Editorial use only. Copyright FAO.

Stadttheater Giessen.

WORLD WI(L)DE WALKING.

SITE SPECIFIC PERFORMANCE VON FÉLIX DUMÉRIL.

Premiere 08.05.2016.

Choreographie/Inszenierung: Félix Duméril.

Bühne und Kostüme: Ann-Sophie Paar.

Dramaturgie: Maite Beisser.

TänzerInnen: William Banks / Yuki Kobayashi / Francesco Mariottini / Kristina Norri / Célia Ronsmans / Alberto Terribile / Alice Weber / Skip Willcox.

Foto: Rolf K. Wegst.

Nutzungsrechte beim Urheber .

Nutzungshonorar zzgl 7% MwSt

Sport Specific Performance and our golf supplements were on hand to support Jordan Farmar of the World Champion Los Angeles Lakers at his celebrity golf classic. We talked sports, golf, and more with celebrities including Jordan, Lakers teammate Luke Walton, baseball great Darryl Strawberry, former Laker Byron Scott, PGA Tour pro and recent runner up of the US Open Ricky Barnes, NFL QB and former Heisman Trophy winner Matt Leinart, and more.

www.SportSpecificPerformance.com

I chose Philosophy instead of Art as my specific option during three years of high school. Therefore, I chose Art as my complementary option the last year. Throughout the year, we were assigned to realize a documentary for the Nyon International Film Festival called « Visions du réel ». There is where I met the friend with whom I did the « Broomsticks & Broken glass » project which will be shown later on. We realized the documentary together, it got released on a small TV channel called “Nyon région télévision” and we received an award for it when we graduated. I chose squats as a subject because I was going through a period of my life where normality bored me and I needed originality. I heard there were 4 squats in my small town, which is much given the population. I was very curious to discover alternative culture and to share through the documentary what is so present yet unseen in everyday life. Before filming, this project required a whole process of entering this world, being integrated and gain trust from squatters in front of the camera. We did not set an idea of what we wanted to show on the camera because we wanted to stay as neutral as possible. We lived the experience and filmed the whole time. Nevertheless, I do not think we succeeded in showing a neutral perspective. We received complaints from squatters because they thought we only showed the negative and debauched side. I agree with them that we do not show their cultural and sustainable projects such as saving supermarkets unsold food, permaculture, questioning society, artistic workshops… But it was difficult to make them collaborate with us and we filmed the reality (like the name of the festival indicates) of what we saw and lived.

www.youtube.com/watch?v=pA3H-TOckR4

Site specific theatre theater performance perform performance art

site-specific theatricality installation site specific create process San Francisco bay area

Poland Prague Cargo Ship Art ship Theatrical

Theatrically devised collaborate collaborative

collaboratively thetre thatre theter theatr theate

teatr divadlo predstaveni predstavani ensemble work

artwork scultpture installation umeni compose composed

composer hudba react reaction place site room

performed Boston New York Los Angeles experimental

avant garde experiment performative installation

instalation install sculpt puppet puppeteer oakland

company scrap and salvage James Mulligan Rafal

Klopotowski Emiko Lewis Frank Lee Erin Blendu Eric

ANdler Molly Rhodes Emily Rosenthal Allison Wyper

bluespace 1000 van ness 1k this end up #3 hold piwnica

marchewy lorca project

 

site-specific intervention / installation

in collaboration with Yevgeniya Kaganovich

breathing sculptures

latex, rubber, custom electronics + software

dimensions variable, 2011

A site-specific sonic event that’s both performance and installation, Sound Spandrel: Science Museum highlights peripheral and overlooked building spaces by exploring their musical attributes. The tonalities of heating and cool- ing systems, the buzz of light bulbs, the percussive pat- terns of footsteps and door slams, all inspire a live score sourced from the sounds of the building itself, and elec- tronically blended back into the space by the artists.

 

Performing musicians include: Charles Gillett, John Kannenberg, Bethany Lacktorin, Joe Nagel, and Davu Seru. Instrumentation features guitar, saxophone, zither, cymbal, bells, mbira, and digitally manipulated recordings of the actual space.

 

Photograph courtesy the artist.

 

northernspark.org/projects/sound-spandrel-science-museum....

In specific, Holy Week is the week just before Easter that extends from Palm Sunday until Holy Saturday and marks the last week of Lent. It has earned the name 'Holy', according to the Orthodox Church, due to the significant events that take place for Christianity in regard to the sufferings of Jesus Christ.

 

Saturday evening is filled with the anticipation of celebrating Easter Sunday. In some areas, people begin to gather in the churches and squares in cities, towns and villages by 11pm for the Easter liturgies. A few minutes before midnight, all the lights are turned off and the priest exits the altar holding candles lit by the Holy Light, which is distributed to everyone inside and outside the church. At midnight, the priest exits the church and announces the resurrection of Jesus. Many people carry large white candles called lambada, and the church bells toll as the priests announce “Christ is Risen!” at midnight. Each person in the crowd replies with a similarly joyous response.

The capital of the Republic of Cyprus is also its cultural heartbeat.

 

Nicosia is the capital and largest city on the island of Cyprus, as well as its main business centre.

 

There is one thing the photograph must contain, the humanity of the moment.

 

We are making photographs to understand what our lives mean to us.

 

The best thing about a picture is that it never changes, even when the people in it do.

 

The camera is an instrument that teaches people how to see without a camera.

 

I really believe there are things nobody would see if I didn’t photograph them.

 

Professor Dave Worsley is leading a project - called SPECIFIC - looking at how buildings can capture, store and release their own energy.

 

"At SPECIFIC we're developing smart coatings for building materials: coatings that will allow buildings to generate, store and release their own heat and electricity using energy from the sun.

 

Buildings account for around a third of global carbon dioxide emissions, and electricity distribution systems are under increasing stress as demand for power rises.

 

By generating and storing energy from a renewable source at the point of use we can go a long way to addressing the significant challenges our energy systems are facing.

 

I'll be talking about some of the innovative coating technologies we're developing at SPECIFIC, and exploring the challenges we face in bringing such innovative ideas to market."

 

Photo by Peter Knowles

 

Details of events and speakers:

 

www.swansea.ac.uk/texas-showcase/showcasespeakers/

 

Specific Design Assessment

-The open space is bordered by multiple restaurants, some of which include outdoor seating, and lead to the lobby entrance of the building

-Outdoor restaurant seating includes movable furniture and overhead protection

  

Relevant Land Use Code Sections

20.25A.160.E.2.h - Define and animate the edges of publicly accessible open space with well-proportioned building bases, permeable façades, and Active Uses at grade

A Room-A Loom began as a site-specific weaving experiment by Julia Sherman at workspace, a small project space in East L.A. Materials used thus far in the L.A. loom have included weeds, old clothing, Halloween costumes, computer cables, bubble wrap, plastic bags, John Baldessari's toilet paper, Sheep Dog fur, raw wool, yarn, pants, jeans, blankets, burlap sacks, palm fronds, pom-poms and more.

Copy is the first of several project spaces spanning the country and beyond to undertake A Room - A Loom. Eventually, there will be a group exhibition with all of the weavings from the various participating spaces.

 

A Room-A Loom began as a site-specific weaving experiment by Julia Sherman at workspace, a small project space in East L.A. Materials used thus far in the L.A. loom have included weeds, old clothing, Halloween costumes, computer cables, bubble wrap, plastic bags, John Baldessari's toilet paper, Sheep Dog fur, raw wool, yarn, pants, jeans, blankets, burlap sacks, palm fronds, pom-poms and more.

Copy is the first of several project spaces spanning the country and beyond to undertake A Room - A Loom. Eventually, there will be a group exhibition with all of the weavings from the various participating spaces.

Specific marketing images created for page headers on website and for any other online marketing purposes, i.e., social media.

La Delice Pastry Shop and Candy Store Chocolate specific on 3rd Avenue and 27th Street Kips Bay New York City - 03/30/2017 - NYC - Mystery Magic Chef outside mannequin Superchef Comicbook super hero comic book comics standee Halloween stand up store stores popup Bake Bakery Easter candy store entrance Pop n Fresh Mannequins dummy wax sculpture standees butler domestic hat uniform chocolate 2017 Mysterious

I have stupid fascination for smoking - to be specific, shooting smoke. Also my shirt is rad as hell!

A site specific graffiti project curated by Anneta Papadatou @ Vamiali's gallery 22 February -24 March 2012

site-specific intervention / installation

in collaboration with Yevgeniya Kaganovich

breathing sculptures

latex, rubber, custom electronics + software

dimensions variable, 2011

SPECIFIC:

GENERAL: Deadbolt performs at PJ's Lager House. Photographed Sat., Oct. 16, 2010

(Donna Terek )

The Ambient Performance of Quiet Spaces is a site-specific exploration of experience at the border of perception and imagination. It was set in Washington DC’s McKinley Theater in the Carnegie Library and performed continually between 8pm-3am. The Carnegie Library, the first public library in Washington, was decommissioned in the late 70’s and it is now a performance and event venue.

 

In this work, the shared physical, public space of the library is reconfigured so that its new visitors: the audience, robotic cameras and performers are equally engaged in moments of private and public reflection. The form of the work is the active transposition of subject and object and of content and meaning between these three constituencies. This process of transposition is a reference to contemporary digital culture’s ongoing assimilation of earlier cultural forms.

 

Working with performer Nick Horan, we each took turns on stage, quietly reading and at times engaging with the installation. Two PTZ IP cameras were programed to scan the stage, the audience and each other, similarly pondering their environment. The resulting images were projected onto the screen behind the stage. A soundtrack composed of ambient sounds from existing public libraries, recordings of the preparation of the materials for the installation and ambient sounds from recent installations played quietly throughout the performances.

 

The Ambient Performance of Quiet Spaces featured an installation of various materials on the stage of the theater that included: card catalog cards, *prepared books (with tape, acetate, LEDs/electronics/code), cables, computers, projectors and IP cameras.

 

*prepared books included:

> James Joyce’s Ulysses containing excerpts from Emmanuel Levinas’ Totality and Infinity

> John Beecroft’s Kipling: A Selection of His Stories and Poems containing card catalog cards for books related to technology and its impact on the library system

> John B. Noss’ Man’s Religions

> Milan Kundera’s The Unbearable Lightness of Being

 

video/audio of the project: vimeo.com/147043745

A further tour to Fourvière, Lyon, France for a specific visit of l'Antiquaille on October 20, 2022. I did also a new Kodak Tri-X film with my Zorki-4K camera and its Jupiter-8 1:2 f=50 mm normal lens.

 

The Zorki was loaded with the Kodak Tri-X (TX) exposed for 400 ISO using a Minolta Autometer III lightmeter fitted with a 10° viewfinder for selective measuring privileging the shadows. After exposure the film was processed at 20°C using Tetenal Ultrafin developer at dilution 1+10 for 9min.

 

Jardin de la Visitation, October 20, 2022

69005 Lyon

France

 

After process the film was digitalized using a Sony A7 body and a Minolta Slide Duplicator with a Minolta Auto Bellows III with a lens Minolta Bellow Macro Rokkor 50mm f/3.5.

 

After several films, and the range finder adjusted, I found the Zorki-4K very pleasant to use. The camera is clearly very reliable and the film smoothly advanced and rewound. I equipped the lens with a FOCA UV-protection filter (Made in France) and the hood of my Focaflex. All views are presented either framed or full-size.

 

About the camera :

 

This camera was manufactured in 1977 by KMZ company ( Красногорский механический завод, Krasnogorskiy Mechanicheskiy Zavod) located in the Moscow region. KMZ also manufactured the ZENIT SLR's among many other productions. Zorki 4K was produced between 1972 to 1978 and the previous Zorki models were inspired by the Leica II since 1949. This model 'Made in USSR" is branded in roman characters, intentionally for exportation. Other Zorki 4K were also branded in Cyrillic as "Зоркий". Zorki 4K was sold basically either with this Jupiter-8 lens 1:2 f=50mm or the Industar lens1:3.5 f=50mm. The Jupiter-8 is a Sonnar Zeiss optical formula and fits to the Zorki body using the screwing M39 Leica mount.

 

Its was sold to me in August 2022 from Austria with its original ever-ready leather bag, a front lens cap and a small shade hood accessory Minolta D42KA. The shade hood and filter of my Focaflex also fit to the Jupiter lens (Leica standard 42 mm filter)

A trading system is simply a group of specific rules, or parameters, that determine entry and exit points for a given equity.

These points, known as signals, are often marked on a chart and prompt the execution of a trade.

A good trading system must make money, limit risk, be composed of stable parameters and have a stable time series.

Excella Trader is a powerful trading system. With Excella Trader you can get number of technical indicators, Chart, Trading Systems, Option Stratagies ….etc.

Calculations can be based upon historical price data.

The historical price is downloaded by the software manually.

This software can be used for anyone who is having basic computer knowledge.

This system is meant to generate buy/sell tips for NSE listed stocks as well as futures.

 

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for demo contact 9605995500

 

For more details visit excellatrader.com or excellatrader.blogspot.in .

Photographic documentation of "The Fear of Loss", a site-specific performance piece choreographed by Nadine Joseph with score by Daniel Nubian. The piece was performed by Nadine Joseph and Daniel Nubian in the men's toilet at Wits Theatre, University of the Witwatersrand, Johannesburg, South Africa. 14 May 2015. Shot on Nikon D800 with a single Nikkor 24mmf1.4 lens.

I don't remember the specific reason JetBlue brought this lovely A320 to Airventure 2011, but I am glad they did. The arrival caught me by surprise, all I saw was a big white tail roaring down 18R. However, when it taxied back up to the square I was ready for it...classy too that they thought to bring along one of their theme jets...July 27, 2011.

 

Copyright

All my photographic images are copyrighted. All rights are reserved. Please do not use, copy or edit any of my photographs without my written permission. If you want to use my photo for commercial or private use, please contact me.

A further tour to Fourvière, Lyon, France for a specific visit of l'Antiquaille on October 20, 2022. I did also a new Kodak Tri-X film with my Zorki-4K camera and its Jupiter-8 1:2 f=50 mm normal lens.

 

The Zorki was loaded with the Kodak Tri-X (TX) exposed for 400 ISO using a Minolta Autometer III lightmeter fitted with a 10° viewfinder for selective measuring privileging the shadows. After exposure the film was processed at 20°C using Tetenal Ultrafin developer at dilution 1+10 for 9min.

 

Le Bistrot Tête d'Oie, October 20, 2022

Rue du Président Pierre Marion

69005 Lyon

France

 

After process the film was digitalized using a Sony A7 body and a Minolta Slide Duplicator with a Minolta Auto Bellows III with a lens Minolta Bellow Macro Rokkor 50mm f/3.5.

 

After several films, and the range finder adjusted, I found the Zorki-4K very pleasant to use. The camera is clearly very reliable and the film smoothly advanced and rewound. I equipped the lens with a FOCA UV-protection filter (Made in France) and the hood of my Focaflex. All views are presented either framed or full-size.

 

About the camera :

 

This camera was manufactured in 1977 by KMZ company ( Красногорский механический завод, Krasnogorskiy Mechanicheskiy Zavod) located in the Moscow region. KMZ also manufactured the ZENIT SLR's among many other productions. Zorki 4K was produced between 1972 to 1978 and the previous Zorki models were inspired by the Leica II since 1949. This model 'Made in USSR" is branded in roman characters, intentionally for exportation. Other Zorki 4K were also branded in Cyrillic as "Зоркий". Zorki 4K was sold basically either with this Jupiter-8 lens 1:2 f=50mm or the Industar lens1:3.5 f=50mm. The Jupiter-8 is a Sonnar Zeiss optical formula and fits to the Zorki body using the screwing M39 Leica mount.

 

Its was sold to me in August 2022 from Austria with its original ever-ready leather bag, a front lens cap and a small shade hood accessory Minolta D42KA. The shade hood and filter of my Focaflex also fit to the Jupiter lens (Leica standard 42 mm filter)

Montage of luna Nera installaiton works for this project in Nizhny Novgorod Russia. Collaboration with Dirizhable.

Match-specific front cover of 32-page (£2) programme National Conference League amateurs Siddal issued in April 2013 for a Challenge Cup third round tie with semi-pro visitors Keighley Cougars. The game was switched from Chevinedge to Huddersfield YMCA RUFC's Laund Hill Stadium because of the latter's superior facilities. A crowd of 560 watched Cougars win 30-14.

When a company says a specific developer is ideal for their film stock, they're often right! D-76 does make P30 sing!

 

You can read the full review online

www.alexluyckx.com/blog/index.php/2018/01/31/ccrfrb-revie...

 

Nikon F5 - AF-S Nikkor 14-24mm 1:2.8G - Film Ferrania P30 @ ASA-80

Kodak D-76 (Stock) 7:00 @ 20C

Scanner: Epson V700

Editor: Adobe Photoshop CC (2018)

A specific button was chosen but I decided to make up all the designs into buttons. I liked them all.

SPECIFIC INFO: Haf Life played Santarchy at PJ's Lager House.

GENERAL INFO: Lager House, Saturday, Dec.18, 2010. Photographs by Donna Terek, 313-598-0179

   

i had a specific photo in mind today, actually, i have had the idea for awhile, but it just hasn't worked out yet. the weather or light or tents from a huge ski swap are preventing me from getting this particular photo that i want. it is one i had done way back when i started shooting. its a tree with its red leaves, and blackcomb mountain half covered in snow and a blue sky. my attempt at it last year was okay then, but now i know that the sky is to light blue amongst other things, and i want to reshoot it now with my new knowledge and new equipment. but it hasn't happened yet (you can see the old photo if you go back far enough in my photo stream) anyway, while i was scoping "the shot" i came across some other stuff, like these stairs. i got an idea to do shots with "lines" as a theme. so i have a few here, and i will try to add more. I got excited looking for lines. it was fun having a goal. anyway, that has been my afternoon. and i love having my new and first computer to edit and flickr my photos with. Yeah Macbook Pro. maybe i should photograph it for my photostream. see, another idea. i just LOVE LOVE LOVE photography.

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