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It came out in the usual M9 Kodachrome colours and saturation which does get tedious after a while so I had a go at getting it to a Portra 400 overexposed a stop look.
Advanced simulation capabilities can model reactors, such as INL's Advanced Test Reactor shown here, from atomic scales to full-sized reactor assemblies.
For more information about INL's research projects and career opportunities, visit the lab's facebook site.
I improved my IDL routine which is used for generating syndynes and synchrones for comets and now it is capable of plotting the grids in J2000 equatorial coordinates. Please note the scale is different in these three graphics. The letter \alpha stands for right ascension and the letter \delta denotes for declination. All in Mercator projection.
Aggie (Dynamite Girls ElectroPOP Jasper) is trying out some "sea glow" saran hair, from RestoreDoll. In 2011, I speculated what she might look like with another hair color. Having some "sea glow" on hand for MH Twyla's reroot meant I could see how it looked on her for real - held on with an elastic and a clip. Definitely matches her eye shadow!
As much as I love "sea glow", it feels too intense for my tastes, for this doll anyway. I have enough sunlit blond saran to root her hair longer.
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Still working on Mandy's rooting projects, February 14, 2018. Good progress, though most of my time is spent making plugs. Gotta order more hair and keep plugging away (pun intended).
Advanced simulation capabilities can model reactors, such as INL's Advanced Test Reactor shown here, from atomic scales to full-sized reactor assemblies.
For more information about INL's research projects and career opportunities, visit the lab's facebook site.
A crude 3D simulation created using StereoPhoto Maker Pro - stereo.jpn.org/eng/stphmkr/ - and Depthy - depthy.stamina.pl/
Researchers from Michigan State University are using Mira to perform 3-D simulations of the final moments of a core-collapse supernova’s life cycle. This visualization is a volume rendering of a massive star's radial velocity. In comparison to previous 1-D simulations, none of the structure seen here would be present.
Image Credit: Sean Couch, Michigan State University
Film Simulation Kodak Panatomic X
Film Simulation = Acros + Y
Sharpness = +2
Shadows = +3
Highlights = +3
Grain = Off
Noise Reduction = 0
Dynamic Range = DR100
White Balance = Auto
Color = n/a
Website | Google + | Facebook | Twitter | Visual Ohio Blog | Best Light Photo Blog | Tumblr
A simulation shows what the grocery store aisle looks like to someone with age-related macular degeneration (AMD). AMD damages the macula, a small spot near the center of the eye’s light-sensing retina. The macula lets us see objects that are straight ahead — it’s the part of the eye used for sharp, central vision.
NIH researchers from the National Eye Institute (NEI) profiling epigenomic changes in light-sensing mouse photoreceptors have a clearer picture of how age-related eye diseases may be linked to age-related changes in the regulation of gene expression. The findings, published online April 21, 2020 in Cell Reports, suggest that the epigenome could be targeted as a therapeutic strategy to prevent leading causes of vision loss, such as AMD.
Learn more: www.nih.gov/news-events/news-releases/nei-researchers-lin...
Credit: National Eye Institute, NIH
صوره بسيطه عباره عن محاكاة الواقع بالخيال
مجسم لقارب وسط ماتبقى من مياه الأمطار يحاكي
ذلك القارب الحقيقي وسط مياه البحر
اتمنى ان تحوز على رضاكم
A crude 3D simulation created using StereoPhoto Maker Pro - stereo.jpn.org/eng/stphmkr/ - and Depthy - depthy.stamina.pl/
Film Simulation Kodak Panatomic X
Film Simulation = Acros + Y
Sharpness = +2
Shadows = +3
Highlights = +3
Grain = Off
Noise Reduction = 0
Dynamic Range = DR100
White Balance = Auto
Color = n/a
Website | Google + | Facebook | Twitter | Visual Ohio Blog | Best Light Photo Blog | Tumblr
The Fuji X-Pro1 has a very useful film simulation feature. With it, a user is able to produce images that look like they were taken with Fuji color negative films such as Fujicolor NPS and Fuji color slide films such as Provia, Velvia, and Astia.
Stacie Sicher, a registered nurse educator at Penn State Health St. Joseph Medical Center, right, looks on as Melissa Klimowicz, a nursing student from Drexel University College of Nursing and Health Professions, performs chest compressions during a code blue simulation on Thursday, Feb. 24, 2022.
These are reference images I'm using to test my new Velvia 100 RVP Film Simulation presets.
It's pretty well nailed down. With DMAX increases to Greens and Reds, and careful attention to how Velvia F used to make Reds orange and Yellows green, I made the adjustsments to reflect with known parameters of Velvia 100 RVP.
Like RVP, lighting conditions, exposures and subjects work differently with this simulation, but I used this reference set of 16 images to really stress test the preset.
In some cases, only two of the sliders need to be adjusted to suit the shooting conditions which are Exposure and White settings.
White balance needs to be adjusted manually. RVP tends to have a coolish tendency to it's images (which kind of makes sense because projector lights tended to be warmer.
White balancing with this preset requires you find your optimal results and then pull back towards cool just a little bit.
Read more about this on my blog:
frontallobbings.blogspot.ca/2013/02/fujifilm-velvia-100-r...
Participants of the 14th World Scout Moot visit the parlament of Canada to have an active role as ambasadors on a UN simulation experience
Film Simulation Agfa Color
Film Simulation = Classic Chrome
Sharpness = 0
Shadows = +1
Highlights = +2
Grain = Strong
Noise Reduction = -3
Dynamic Range = Auto
White Balance = Auto
Color = -4
ISO = Auto (6400)
Website | Google + | Facebook | Twitter | Visual Ohio Blog | Best Light Photo Blog | Tumblr
A crude 3D simulation created using StereoPhoto Maker Pro - stereo.jpn.org/eng/stphmkr/ - and Depthy - depthy.stamina.pl/
A crude 3D simulation created using StereoPhoto Maker Pro - stereo.jpn.org/eng/stphmkr/ - and Depthy - depthy.stamina.pl/
During the week of 19 June 2017, 50 scientists and computing experts came together on the DESY campus in Zeuthen, Germany to discuss new analysis and simulation methods for CTA. The talks covered simulation tools, reconstruction algorithms and tools, instrument response functions, high-level science tools and grid tools.
A crude 3D simulation created using StereoPhoto Maker Pro - stereo.jpn.org/eng/stphmkr/ - and Depthy - depthy.stamina.pl/
A crude 3D simulation created using StereoPhoto Maker Pro - stereo.jpn.org/eng/stphmkr/ - and Depthy - depthy.stamina.pl/
I've been wanting to do this for a while, and finally got the push to do it via this inspirational article by the Strobist.
Here's the background... I love the natural light in my dining room. The light, coupled with the colors in the room, make it a very rich environment to take natural light photos in. But, sometimes the natural light isn't strong enough, so I wanted to see how well I could simulate natural light using speedlights.
On the left is the photo in natural light. Shutter at 1/30, aperture at f4.5, ISO 200. The shutter speed is getting a little iffy, and I could bump up the ISO in order to decrease the shutter time... but I truthfully wanted to try to see if I could simulate natural light so that I didn't have to worry about a cloudy day. Plus, it is a good way to learn about shaping/creating light in a way that looks natural.
The photo on the right is a two light setup that I ended up with. The goal was to try and get the shadow shapes to be just about the same as they were in the natural light. However, I wanted to gain a little more control over the shadow area (with my fill light) so that I could retain a little more detail than what I was getting with natural light.
The one thing I wish I would have noticed before I considered this study complete, was the slight bit of light on the edge of the stair in the background. It is light that is coming through a window at the top of the stairs. It would have been a fun challenge to have recreated that too... but I didn't notice it until afterward.
Lighting Info
- SB-600 at 1/4 +0.7 power at 24mm in a 60" umbrella (reflective) camera left (to simulate the light coming through the window). It is pointed straight across the table (from left to right) and is about 4.5 feet off the ground and about 5 feet from the subject. It also has a 1/4 CTO on it to warm things up a little (and probably is responsible for changing my shirt color). There is also a foam core flag placed beyond it, to prevent too much light from getting at the stairs behind the subject.
- SB-600 at 1/64 power at 24mm in a 43" umbrella (reflective) camera right (as a fill light). It is about 6 feet off the ground and is about 6-7 feet from the subject.