View allAll Photos Tagged simulation
THe kit looks wrong, unfortunaley the fix will be incredibly difficult, as the whole nose of the car is too long, too flat, and alerady painted...
eLearning Gamification or Game-based Learning is a powerful medium of learning by using simulations and games to experience and learn new things. When played as a game, by creating life-like situations, the desire to win propels the players to understand the system or “lesson” and...
Modelling done with Processing. Rendering done with Cinema 4D.
First attempt for a automatic generated terrain.
These are reference images I'm using to test my new Velvia 100 RVP Film Simulation presets.
It's pretty well nailed down. With DMAX increases to Greens and Reds, and careful attention to how Velvia F used to make Reds orange and Yellows green, I made the adjustsments to reflect with known parameters of Velvia 100 RVP.
Like RVP, lighting conditions, exposures and subjects work differently with this simulation, but I used this reference set of 16 images to really stress test the preset.
In some cases, only two of the sliders need to be adjusted to suit the shooting conditions which are Exposure and White settings.
White balance needs to be adjusted manually. RVP tends to have a coolish tendency to it's images (which kind of makes sense because projector lights tended to be warmer.
White balancing with this preset requires you find your optimal results and then pull back towards cool just a little bit.
Read more about this on my blog:
frontallobbings.blogspot.ca/2013/02/fujifilm-velvia-100-r...
The 3D wire frame model for the LOC Precision V-2 rocket I am building, my heaviest project to date. With RockSim, I can test launch it with various amounts of rocket fuel, and predict stability margin, G forces, and max speed and altitude.
On the trip back from Miami, the flight attendant was curious about this thing I was fiddling around with on my computer.
Leica 50mm f/1.4 Summilux @f/4.5
K&F Concept L/M - FX Adapter
Film Simulation: ACROS-Y
Had my arm been shorter, this would not have been in focus :)
The Bureau of Land Management announces the start of construction of the Desert Quartzite solar project near Blythe in eastern Riverside County, advancing the Biden-Harris administration’s efforts to combat the climate crisis by supporting the development of renewable energy. This photo represents a simulation of what the final project will look like.
Photo courtesy of Desert Quartzite, LLC.
It came out in the usual M9 Kodachrome colours and saturation which does get tedious after a while so I had a go at getting it to a Portra 400 overexposed a stop look.
Advanced simulation capabilities can model reactors, such as INL's Advanced Test Reactor shown here, from atomic scales to full-sized reactor assemblies.
For more information about INL's research projects and career opportunities, visit the lab's facebook site.
I improved my IDL routine which is used for generating syndynes and synchrones for comets and now it is capable of plotting the grids in J2000 equatorial coordinates. Please note the scale is different in these three graphics. The letter \alpha stands for right ascension and the letter \delta denotes for declination. All in Mercator projection.
Advanced simulation capabilities can model reactors, such as INL's Advanced Test Reactor shown here, from atomic scales to full-sized reactor assemblies.
For more information about INL's research projects and career opportunities, visit the lab's facebook site.
Shot on location as part of the photowalk series in Heidelberg, Germany. Post-processing done in Capture One 22.
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A crude 3D simulation created using StereoPhoto Maker Pro - stereo.jpn.org/eng/stphmkr/ - and Depthy - depthy.stamina.pl/
Film Simulation Kodak Panatomic X
Film Simulation = Acros + Y
Sharpness = +2
Shadows = +3
Highlights = +3
Grain = Off
Noise Reduction = 0
Dynamic Range = DR100
White Balance = Auto
Color = n/a
Website | Google + | Facebook | Twitter | Visual Ohio Blog | Best Light Photo Blog | Tumblr
These simulated CTAO images illustrate the TeV-bright supernova remnant RX J1713 3946 for different emission scenarios. Source: Nakamori T. & et. al (2015). Prospects for CTA Observations of RX J1713.73946. Astroparticle Physics.
Credit: CTAO Consortium
صوره بسيطه عباره عن محاكاة الواقع بالخيال
مجسم لقارب وسط ماتبقى من مياه الأمطار يحاكي
ذلك القارب الحقيقي وسط مياه البحر
اتمنى ان تحوز على رضاكم
Author: Ricardo Reis, IST/UTL
Date: 2010
Description: Large vorticity structures (white) and intense vorticity structures or ‘worms’ (yellow) underneath the turbulent/non-turbulent interface (translucent orange) from a turbulent plane jet.
Technique: Computer simulation
Source: courtesy of the author
Image and caption provided by: Ricardo Reis, IST/UTL
A crude 3D simulation created using StereoPhoto Maker Pro - stereo.jpn.org/eng/stphmkr/ - and Depthy - depthy.stamina.pl/
Film Simulation Kodak Panatomic X
Film Simulation = Acros + Y
Sharpness = +2
Shadows = +3
Highlights = +3
Grain = Off
Noise Reduction = 0
Dynamic Range = DR100
White Balance = Auto
Color = n/a
Website | Google + | Facebook | Twitter | Visual Ohio Blog | Best Light Photo Blog | Tumblr
The Fuji X-Pro1 has a very useful film simulation feature. With it, a user is able to produce images that look like they were taken with Fuji color negative films such as Fujicolor NPS and Fuji color slide films such as Provia, Velvia, and Astia.
Stacie Sicher, a registered nurse educator at Penn State Health St. Joseph Medical Center, right, looks on as Melissa Klimowicz, a nursing student from Drexel University College of Nursing and Health Professions, performs chest compressions during a code blue simulation on Thursday, Feb. 24, 2022.
A crude 3D simulation created using StereoPhoto Maker Pro - stereo.jpn.org/eng/stphmkr/ - and Depthy - depthy.stamina.pl/
These are reference images I'm using to test my new Velvia 100 RVP Film Simulation presets.
It's pretty well nailed down. With DMAX increases to Greens and Reds, and careful attention to how Velvia F used to make Reds orange and Yellows green, I made the adjustsments to reflect with known parameters of Velvia 100 RVP.
Like RVP, lighting conditions, exposures and subjects work differently with this simulation, but I used this reference set of 16 images to really stress test the preset.
In some cases, only two of the sliders need to be adjusted to suit the shooting conditions which are Exposure and White settings.
White balance needs to be adjusted manually. RVP tends to have a coolish tendency to it's images (which kind of makes sense because projector lights tended to be warmer.
White balancing with this preset requires you find your optimal results and then pull back towards cool just a little bit.
Read more about this on my blog:
frontallobbings.blogspot.ca/2013/02/fujifilm-velvia-100-r...