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Installation des chinesischen Designers und Künstlers Huang Jiancheng im BMW-Haus am Kurfürstendamm, Berlin
This is another image where I'm trying to invoke a feeling of nostalgia for an unattainable, romantic past that did not really exist.
Staged Simulation a Surgical Resident interaction taking place in the University of Wisconsin School of Medicine and Public Health (UWSMPH) Department of Anesthesiology Simulation Laboratory.
Naval Air Facility, El Centro, California
This was a bomb drop simulation during the March 16th Air Show. Who doesn't like a good fireball?
Another image from my research. For people who know plasma physics, this is the out of plane current in a turbulent collisionless plasma simulated using a hybrid code.
Kinetic simulations of plasmas are the latest tools for enhancing our understanding of small scale processes in plasmas. This in turn is important to understand the sun and the solar wind.
These are reference images I'm using to test my new Velvia 100 RVP Film Simulation presets.
It's pretty well nailed down. With DMAX increases to Greens and Reds, and careful attention to how Velvia F used to make Reds orange and Yellows green, I made the adjustsments to reflect with known parameters of Velvia 100 RVP.
Like RVP, lighting conditions, exposures and subjects work differently with this simulation, but I used this reference set of 16 images to really stress test the preset.
In some cases, only two of the sliders need to be adjusted to suit the shooting conditions which are Exposure and White settings.
White balance needs to be adjusted manually. RVP tends to have a coolish tendency to it's images (which kind of makes sense because projector lights tended to be warmer.
White balancing with this preset requires you find your optimal results and then pull back towards cool just a little bit.
Read more about this on my blog:
frontallobbings.blogspot.ca/2013/02/fujifilm-velvia-100-r...
The Allure Simulation
Our simulation is intricately interwoven into numerous corporate metaverses. As our tangible world gradually fades into a vibrant digital realm, our avatars transform codes of understanding between the boundaries of reality and fantasy. This immersion into an all-encompassing space was envisioned as a new avenue for humankind to revolutionize and speed up productivity. It is where "presence" is the currency of the "You-Me-Us" techno-wonderland.
The bright and glimmering shimmer entices us away from practical considerations. The forging towards unsustainable progress and unrealised opportunities is smashing our collective identity into smaller and smaller bytes. You-Me-Us scattering throughout ever-expanding simulations. As physical beings, we observe these expansions as they continuously update and learn. We are captivated by their shining allure so that we can push aside what we once held dear.
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www.jjfbbennett.com/2023/06/golden-fixation-nugget-of-lea...
JJFBbennett Art Directory
Contemporary Positional Video Art and Socio-Fictional Writings
It is about being creative and innovative with knowledge
Natura 1600 film simulation (failed?)
the over smoothed skin tones was (unfortunately) already evident prior to the film simulation processing ...
Alright, here is an undewater simulation I made from scratch. In case anyone can find a use for it. It is under creative commons so feel free to use. Hope it helps someone.
I'm new to this so don't bite my head off just yet. :P
Go to All Sizes up there and save the Original file.
Modelling done with Processing. Rendering done with Cinema 4D. Composition done with Photoshop.
First attempt for a automatic generated terrain.
Shot in infrared in Washington Square Park, NYC. Processed with Efex Pro 2's simulation of Kodak Plus-X 125PX Pro.
A perfect example of reconceptualization by title of a poor exposure. It was bright sunlight when I took this pinhole exposure; it needed probably 30 or more minutes of time that I did not have.
4x5 Harman Titan pinhole with Efke IR820 + R72 filter, 10-minute exposure, developed in Caffenol-C-L in a 60-minute stand. Slight blue moon digital tint in the shadows.
This photo was taken with a Canon 7D, with no flash (as you can see in the exif info). The strobo used was a small discotech lamp to dance with the "robot effect". No photographic light gear at all. The light was 70cm away and 45 deg right from the center of the photo where the focus is. The object is a toy from the chocolate "Kinder Surprise".
The file is 100% SOOC. No color or light correction, no crop.
(IMG_9827he lig)