View allAll Photos Tagged simulation
Fujifilm X-Pro3 Classic Neg. simulation with an in-camera,
Bleach Bypass recipe and no post processing. SOOC
Sam Kee the cat bookstore, North Point Hong Kong. September 2017.
Fuji X-Pro2
Fuji XF 23mm F1.4
Classic Chrome Film Simulation
In the City of London.
Thursday nights are often just as popular as Friday nights for a work drink-up, because its close enough to the end of the week, and people want to be with their families/friends on Fridays.
Simulation of falling fabric panels
30 years ago, the artist couple Christo and Jeanne-Claude wrapped the Reichstag building. The images of the long fabric banners went around the world at that time. A light projection now commemorates the art action.
Waiting and waiting and waiting...days, hours, minutes...where's the spring? I know... still far away from here. Just a couple of sunny days would be enough to feel a bit better.
Image sooc.
"« Dissimuler est feindre de ne pas avoir ce qu'on a. Simuler est feindre d'avoir ce qu'on n'a pas. L'un renvoie à une présence, l'autre à une absence. " (Jean Baudrillard)
Spring is coming soon but winter still has lots of interest
Fujifilm X-Pro3 ACROS simulation with no post processing. SOOC
What is the cracking code for photography 101?
Will it be the secrets in using your camera, your lenses your editing software and all your gadgets?
Will it be understanding about characteristics in light, shapes and textures in your composition?
Will it be the ability to find the greatest subject in the world for your photogaphy? May it be great model for portrait, great location for landscape or great collectible items for still life?
Will it be the capabilty to appreciate and uncover the beauty of all things around us? May it be your family, your home or even a mundane object?
I look at the key lock on my photo backpack and suddenly got the question of unlocking code of photography 101.
Have a great evening!
Fuji X-Pro2
Fuji XF 80mm F2.8
ACROS B&W Film Simulation with yellow filter
Fujifilm X-S20, TTArtisan APS-C 35mmF1.4
Simulazione pellicola in camera Kodak Gold 200.
In-camera Film Simulation processing: recipe Kodak Gold 200.
Post in darktable: minor local contrast adjustments, vignette and watermark.
Testing equipment, procedures and even human resilience for future missions to faraway planets requires inventiveness. Volunteer astronauts can spend time in hyperbaric chambers, rollercoaster aircraft, an isolated base in Antarctica, caves, a sealed mockup spacecraft or even stay in bed, depending on the aspect you want to test and rehearse.
In this picture, scientist Lucie Poulet (right) from the DLR German Aerospace Center is part of a simulated mission to Mars run by the University of Hawaii at Manoa, USA.
Little is spared to make the crew of six feel far from home. The small habitat allows only 12 minutes under the shower each week, no fresh food is allowed and communication with friends and family is severely limited – a realistic 20-minute time delay is upheld in all communications with ground control.
Space agencies use simulations like this NASA-sponsored Hawaii Space Exploration Analogue and Simulation to research elements of sending humans into stressful environments. In space, help is far away, sunlight irregular, exercise difficult and social life is limited.
The crew will ‘return to Earth’ on 28 July. During their four months of isolation, Lucie is investigating new lighting systems to grow plants in greenhouses.
Credit: R. Lockwood
he same perspective in color, showing the rust tones and patina of the blast furnace installations.
This image presents the same furnace corridor in full color. The exposure and film simulation emphasize rust tones, oxide layers, and paint remnants on the large cylinders to the left. The central structure with pipes and catwalks reveals variations in material condition through color differences. Compared with the medium black-and-white version, the color view communicates material status more directly, since corrosion, discoloration, and patina cannot be separated in monochrome. Compared with the sepia version, this rendering provides the highest level of visual information for material evaluation, but at the cost of reduced mood and historical association. The advantage of this approach is the ability to document surface condition and color-coded piping or structural paint marks, which are otherwise lost. The GFX100RF sensor records fine-grain differences between oxide layers and intact coatings. This file is relevant for situations where technical documentation of material state is required or where later color-based analysis of degradation is possible.