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lydia black white film simulation

Tested out the Acros film sim red filter version.Shot with fujifilm xt3 & manual focus fujinon 55mm f1.8 old prime lens.

Fujifilm X-T2 ACROS simulation

( d'attaque aérienne )

This has been an attempt to edit these photos into a vintage photo film style. This simulation is done by snapseed.

Fujifilm X-Pro3 Classic Chrome simulation

modified classic chrome film simulation in the style of kodachrome stock

Here is an outer space simulation I made from scratch in photoshop. I don't know if anyone can find a use for it, but it's there if someone wants to use it.

 

Go to All Sizes up there and save the Original file. Only thing I ask is to not commercially redistribute or claim as your own.

 

Is it weird that I'm uploading this things? :-/

 

I can't go out much, so I end up creating things that I can't photograph. That's...sort of pathetic. :(

Lens: Voigtlander Ultron 35/1.7 VM

Film simulation: Fujifilm Provia film simulation, heavily adjusted in Lightroom to simulate Kodak Portra 400

Fujifilm X-Pro3 ACROS simulation with no post processing. SOOC

Fujifilm X-Pro3 Astia simulation

Strobist: AB1600 with gridded 60X30 softbox camera right. Triggered by Cybersync.

Simulation: Replace the backlight and install a combination of brake light and flashlight

When the Mercury Transfer Module of the BepiColombo mission fires its electric propulsion thrusters an ion beam is extracted. This is created through the ionization of xenon propellant, generating the charged particles that can be accelerated further using an electric field.

 

Together with gravity assist flybys at Earth, Venus and Mercury, the thrust from the ion beam provides the means to travel to the innermost planet.

 

After escaping the pull of Earth’s gravity with the Ariane 5 launcher, the spacecraft is on an orbit around the Sun. The transfer module then has to use its thrusters to brake against the mighty pull of the Sun’s gravity. It also has to tune the shape of its orbit in order to make a series of nine gravity assist flybys at the planets before finally delivering the mission’s two science spacecraft into Mercury orbit.

 

This image is an excerpt from a supercomputer simulation that models the flow of plasma around the spacecraft just after the high energy ion beam is switched on. An outline of the composite spacecraft with its extended solar arrays is included for reference.

 

The simulation tracks the particles in the beam as well as those that diffuse around the spacecraft, which are created by the interaction of the high energy beam ions with the neutral xenon atoms that also flow out of the thruster. It shows the density of the plasma flowing around the spacecraft and its evolution: red represents high density, blue is low density (see animation for detailed scale).

 

Although the animation is several seconds long it has been slowed down, representing a mere eight milliseconds of real time – the time necessary for the plasma to reach a steady state.

 

The simulation was performed to demonstrate that the plasma produced by the thruster is not damaging to the spacecraft: its materials, including solar arrays or instruments, for example, or to the electric propulsion system itself. The simulations also confirmed there are no spurious or dangerous charging events.

 

Inflight measurements will verify the simulation results and help improve ways in which the generated plasma, spacecraft and space environment interactions can be better modelled.

 

BepiColombo is a joint endeavour between ESA and JAXA. After their seven-year interplanetary journey, the two science orbiters – the Mercury Planetary Orbiter and the Mercury Magnetospheric Orbiter – will start their main mission to provide the most in-depth study of mysterious Mercury to date.

 

The spacecraft begin transferring to Europe’s spaceport in Kourou this week, where an intensive period of preparations will ready the mission for launch later this year.

 

The simulations were performed by Félicien Filleul as part of ESA’s Young Graduate Trainee programme.

 

Credits: ESA/Félicien Filleul

   

Modelling done with Processing. Rendering done with Cinema 4D.

 

First attempt for a automatic generated terrain.

Installation des chinesischen Designers und Künstlers Huang Jiancheng im BMW-Haus am Kurfürstendamm, Berlin

Fujifilm ACROS *digital* film simulation

This is another image where I'm trying to invoke a feeling of nostalgia for an unattainable, romantic past that did not really exist.

Film simulation CS3

Ilford FP4 (rgb 28,41,31) & gauss grain 15%

Fujifilm X-H1 Classic Chrome simulation

modified classic chrome film simulation in the style of kodachrome stock

hexanon 50/1.4

Metaverse, VR, simulation hypothesis, Nexus 8’s

Naval Air Facility, El Centro, California

This was a bomb drop simulation during the March 16th Air Show. Who doesn't like a good fireball?

 

I like to combine SL and making memes sometimes lol ♥

Me making death simulation!!

Natura 1600 film simulation (failed?)

 

the over smoothed skin tones was (unfortunately) already evident prior to the film simulation processing ...

These are reference images I'm using to test my new Velvia 100 RVP Film Simulation presets.

 

It's pretty well nailed down. With DMAX increases to Greens and Reds, and careful attention to how Velvia F used to make Reds orange and Yellows green, I made the adjustsments to reflect with known parameters of Velvia 100 RVP.

 

Like RVP, lighting conditions, exposures and subjects work differently with this simulation, but I used this reference set of 16 images to really stress test the preset.

 

In some cases, only two of the sliders need to be adjusted to suit the shooting conditions which are Exposure and White settings.

 

White balance needs to be adjusted manually. RVP tends to have a coolish tendency to it's images (which kind of makes sense because projector lights tended to be warmer.

 

White balancing with this preset requires you find your optimal results and then pull back towards cool just a little bit.

 

Read more about this on my blog:

frontallobbings.blogspot.ca/2013/02/fujifilm-velvia-100-r...

The program ran smoothly for a while, then something unexpected occurred inside the Matrix. A ghost in the machine began accelerating the process of decay until entropy reached the point of no return…

 

Created With Night Cafe AI Generator

Alright, here is an undewater simulation I made from scratch. In case anyone can find a use for it. It is under creative commons so feel free to use. Hope it helps someone.

 

I'm new to this so don't bite my head off just yet. :P

 

Go to All Sizes up there and save the Original file.

Simulation gives points position. Delaunay algorithm generates connections.

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