View allAll Photos Tagged simulation

Fujifilm X-H1 Velvia simulation

24.3.2024: Thun. GFX100S & GF120, Classic Chrome Simulation

Simulation Kodak Portra 160 de Fuji X Daily

Fujifilm X-H1 Classic Chrome simulation

Fujifilm X-Pro3 Classic Neg. simulation

Fujifilm X-T2 Pro Neg. Hi simulation

A simulated Ektachrome Infrared false-color image produced with an unmodified digital camera and an R72 filter.

 

More details on the equipment and technique, as well as free Photoshop actions which simplify the creation of both a monochrome infrared image and a false-color Infrared Ektachrome simulation, can be found at:

 

podsville.wixsite.com/actions/infrared

New CAF Class 197 Civity diesel multiple unit 197101 heads east approaching Flint station. It is on a 3Q12 training run simulating an in service stop at the station, whilst undertaking return training trips between Chester and Llandudno Junction.

Shoting by Leica summaron 35mm F /2.8 with 1/4 black mist filter

sooc

Fuji XT-3 plus CineStill 800T simulation. JPEG straight out camera

Fuji X100F

Acros simulation

Fujifilm X-Pro3 ACROS simulation with green filter

Muse is my favorite band, and I’m hyped for Simulation Theory. Here’s a quick build of vocalist/guitarist Matt Bellamy, inspired by their recent videos (especially Pressure).

 

I don’t have a lot of Lego with me at school this semester, so this used pieces from Go Brick Me, Scorch Titan, and a few badge bricks.

Florida Keys native tree common along shorelines.

 

645 app for iphone A80 film simulation graduated nd filter.

Fujifilm X-H1 Velvia simulation

Widelux F7 Color neg film. Lomo Chrome Purple simulation

Fujifilm X-H1 Velvia simulation with no post processing. SOOC

Horizon Perfect + color neg film.

Infra chrome simulation.

Finally the Horizon camera which works , after using 2 of those brand new about a year ago I almost gave up on Horizon.

Fujifilm X-Pro3 Classic Neg. simulation

A random portrait idea inspired by the newest album from my favorite band, Muse!

Fujifilm X-Pro3 Classic Neg. simulation

Practicing a Cygnus capture ahead of our Orbital launch and rendezvous next week

 

Credits: ESA/NASA

 

122F4412a

This means war with your creator.

 

LEGO shades inspired by the shades worn by Matt Bellamy of Muse in Simulation Theory shows. Glow created with 62 glow-in-the-dark round tiles. Muse is my favorite band and I felt inspired by the productions for the Simulation Theory tour.

Fujifilm X-Pro3 Classic Neg. simulation

This means war with your creator.

 

LEGO shades inspired by the shades worn by Matt Bellamy of Muse in Simulation Theory shows. Glow created with 62 glow-in-the-dark round tiles. Muse is my favorite band and I felt inspired by the productions for the Simulation Theory tour.

Not had much success with film simulations but came across this Leica look and this is the result straight out of the camera and was recorded in JEPG.

Tested out the Acros film sim red filter version.Shot with fujifilm xt3 & manual focus fujinon 55mm f1.8 old prime lens.

Full Moon. Rises at sunset, high in the sky around midnight. Visible all night.

 

This marks the first time that accurate shadows at this level of detail are possible in such a computer simulation. The shadows are based on the global elevation map being developed from measurements by the Lunar Orbiter Laser Altimeter (LOLA) aboard the Lunar Reconnaissance Orbiter (LRO). LOLA has already taken more than 10 times as many elevation measurements as all previous missions combined.

 

The Moon always keeps the same face to us, but not exactly the same face. Because of the tilt and shape of its orbit, we see the Moon from slightly different angles over the course of a month. When a month is compressed into 12 seconds, as it is in this animation, our changing view of the Moon makes it look like it's wobbling. This wobble is called libration.

 

The word comes from the Latin for "balance scale" (as does the name of the zodiac constellation Libra) and refers to the way such a scale tips up and down on alternating sides. The sub-Earth point gives the amount of libration in longitude and latitude. The sub-Earth point is also the apparent center of the Moon's disk and the location on the Moon where the Earth is directly overhead.

 

The Moon is subject to other motions as well. It appears to roll back and forth around the sub-Earth point. The roll angle is given by the position angle of the axis, which is the angle of the Moon's north pole relative to celestial north. The Moon also approaches and recedes from us, appearing to grow and shrink. The two extremes, called perigee (near) and apogee (far), differ by more than 10%.

 

The most noticed monthly variation in the Moon's appearance is the cycle of phases, caused by the changing angle of the Sun as the Moon orbits the Earth. The cycle begins with the waxing (growing) crescent Moon visible in the west just after sunset. By first quarter, the Moon is high in the sky at sunset and sets around midnight. The full Moon rises at sunset and is high in the sky at midnight. The third quarter Moon is often surprisingly conspicuous in the daylit western sky long after sunrise.

 

Celestial north is up in these images, corresponding to the view from the northern hemisphere. The descriptions of the print resolution stills also assume a northern hemisphere orientation. To adjust for southern hemisphere views, rotate the images 180 degrees, and substitute "north" for "south" in the descriptions.

 

Credit: NASA/Goddard Space Flight Center Scientific Visualization Studio

 

NASA Goddard Space Flight Center enables NASA’s mission through four scientific endeavors: Earth Science, Heliophysics, Solar System Exploration, and Astrophysics. Goddard plays a leading role in NASA’s accomplishments by contributing compelling scientific knowledge to advance the Agency’s mission.

 

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Fujifilm X-Pro3 ACROS simulation with no post processing. SOOC

Fujifilm X-Pro3 Classic Chrome simulation with no post processing. SOOC

Juiz De Fora, MG, Brazil.

Fujifilm X-Pro3 Classic Chrome simulation

modified classic chrome film simulation in the style of kodachrome stock

Developed in ACR with custom made "Fujifilm FinePix S5 pro" DCP profile.

Color graded in Dehancer Photoshop plugin with "Kodak Ektar 100" film profile, "Kodak Endura Glossy" paper profile and film simulation effects.

Additional color corrections in PS to match real Kodak Ektar 100 colors.

Here is an outer space simulation I made from scratch in photoshop. I don't know if anyone can find a use for it, but it's there if someone wants to use it.

 

Go to All Sizes up there and save the Original file. Only thing I ask is to not commercially redistribute or claim as your own.

 

Is it weird that I'm uploading this things? :-/

 

I can't go out much, so I end up creating things that I can't photograph. That's...sort of pathetic. :(

Fujifilm X-Pro3 Astia simulation

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