View allAll Photos Tagged simic
3/13/14: I know many of kids who find this to be true. ^_^
New and Selected Poems 1962-2012, Charles Simic
Galaxy s3, PicsPlay Pro, PicsArt
Artlab Gallery
November 25 - December 9, 2021
I left parts of myself everywhere* transforms the gallery into a moving image environment. The interconnected installations speak to the experience of dislocation and fractured relationship to body, language, and place. They trace the deep yet precarious connections that emerge between human and nonhuman bodies and ecosystems; connections that are constantly both found and severed. The exhibition maps an experiential space that is both permeated with vitality and haunted by personal and ecological loss.
Eeva Siivonen’s experimental moving image practice engages with strategies of documentary, essay, and found footage film practices. She employs these strategies to construct affective and immersive moving image installations and single-channel works. Her practice describes subjective experience in ways that resist separation between self and other, interior and exterior, human and nonhuman, and living and nonliving. The ethos of her practice is to create space for empathy by embracing the impossibility of gaining knowledge of ourselves and others, and our place in the world.
Eeva Siivonen is originally from Helsinki, Finland. She has received MFA degrees in Video Art from Syracuse University and Documentary Film from Aalto University in Helsinki. She exhibits her work internationally at film festivals and gallery exhibitions. Most recently, her work has been screened at San Francisco Cinematheque’s Crossroads festival, DOBRA International Festival of Experimental Cinema in Rio de Janeiro, and Transient Visions Festival of Moving Image in Johnson City, NY. She has also received multiple international residency fellowships and recently spent two months in the Sangre de Cristo Mountains as an artist-in-residence at the Helene Wurlitzer Foundation in Taos, New Mexico.
*The exhibition title is borrowed from the poem “St. Thomas Aquinas” by Serbian American poet Charles Simic.
Artlab Gallery
JL Visual Arts Centre
Western University
London, Ontario, Canada
© 2021; Department of Visual Arts; Western University
Tako je moralo biti - B Nušić
Jugoslovensko dramsko pozorište
Predrag Ejdus Jakov Nedeljković
Radmila RadovanovićMarija
Anita MančićJela
Jelena PetrovićStanka
Nebojša DugalićĐorđe Đorđević
Mihailo JanketićObrad Đorđević
Miodrag RadovanovićJanković
Radovan Vujović Milan
Vojin ĆetkovićLjubomir Nestorović
Ana Simić/
Jelena AngelovskiSofija
Ivan PantovićMomak
Artlab Gallery
November 25 - December 9, 2021
I left parts of myself everywhere* transforms the gallery into a moving image environment. The interconnected installations speak to the experience of dislocation and fractured relationship to body, language, and place. They trace the deep yet precarious connections that emerge between human and nonhuman bodies and ecosystems; connections that are constantly both found and severed. The exhibition maps an experiential space that is both permeated with vitality and haunted by personal and ecological loss.
Eeva Siivonen’s experimental moving image practice engages with strategies of documentary, essay, and found footage film practices. She employs these strategies to construct affective and immersive moving image installations and single-channel works. Her practice describes subjective experience in ways that resist separation between self and other, interior and exterior, human and nonhuman, and living and nonliving. The ethos of her practice is to create space for empathy by embracing the impossibility of gaining knowledge of ourselves and others, and our place in the world.
Eeva Siivonen is originally from Helsinki, Finland. She has received MFA degrees in Video Art from Syracuse University and Documentary Film from Aalto University in Helsinki. She exhibits her work internationally at film festivals and gallery exhibitions. Most recently, her work has been screened at San Francisco Cinematheque’s Crossroads festival, DOBRA International Festival of Experimental Cinema in Rio de Janeiro, and Transient Visions Festival of Moving Image in Johnson City, NY. She has also received multiple international residency fellowships and recently spent two months in the Sangre de Cristo Mountains as an artist-in-residence at the Helene Wurlitzer Foundation in Taos, New Mexico.
*The exhibition title is borrowed from the poem “St. Thomas Aquinas” by Serbian American poet Charles Simic.
Artlab Gallery
JL Visual Arts Centre
Western University
London, Ontario, Canada
© 2021; Department of Visual Arts; Western University
Intoniranjem državne himne te čitanjem imena 51 poginulog i smrtno stradalog hrvatskog branitelja koje je pročitao Krešimir Šimić, sin poginulog hrvatskog branitelja počelo je 1. svibnja 2020. u Okučanima obilježavanje jubilarne 25. obljetnice vojno-redarstvene operacije Bljesak | Foto: MORH / T. Brandt
some peggy recolors I did this morning
Bad pic. I need to go find a smaller one so it isn't so freaking blurry
Artlab Gallery
November 25 - December 9, 2021
I left parts of myself everywhere* transforms the gallery into a moving image environment. The interconnected installations speak to the experience of dislocation and fractured relationship to body, language, and place. They trace the deep yet precarious connections that emerge between human and nonhuman bodies and ecosystems; connections that are constantly both found and severed. The exhibition maps an experiential space that is both permeated with vitality and haunted by personal and ecological loss.
Eeva Siivonen’s experimental moving image practice engages with strategies of documentary, essay, and found footage film practices. She employs these strategies to construct affective and immersive moving image installations and single-channel works. Her practice describes subjective experience in ways that resist separation between self and other, interior and exterior, human and nonhuman, and living and nonliving. The ethos of her practice is to create space for empathy by embracing the impossibility of gaining knowledge of ourselves and others, and our place in the world.
Eeva Siivonen is originally from Helsinki, Finland. She has received MFA degrees in Video Art from Syracuse University and Documentary Film from Aalto University in Helsinki. She exhibits her work internationally at film festivals and gallery exhibitions. Most recently, her work has been screened at San Francisco Cinematheque’s Crossroads festival, DOBRA International Festival of Experimental Cinema in Rio de Janeiro, and Transient Visions Festival of Moving Image in Johnson City, NY. She has also received multiple international residency fellowships and recently spent two months in the Sangre de Cristo Mountains as an artist-in-residence at the Helene Wurlitzer Foundation in Taos, New Mexico.
*The exhibition title is borrowed from the poem “St. Thomas Aquinas” by Serbian American poet Charles Simic.
Artlab Gallery
JL Visual Arts Centre
Western University
London, Ontario, Canada
© 2021; Department of Visual Arts; Western University
Intoniranjem državne himne te čitanjem imena 51 poginulog i smrtno stradalog hrvatskog branitelja koje je pročitao Krešimir Šimić, sin poginulog hrvatskog branitelja počelo je 1. svibnja 2020. u Okučanima obilježavanje jubilarne 25. obljetnice vojno-redarstvene operacije Bljesak | Foto: MORH / T. Brandt
Artlab Gallery
November 25 - December 9, 2021
I left parts of myself everywhere* transforms the gallery into a moving image environment. The interconnected installations speak to the experience of dislocation and fractured relationship to body, language, and place. They trace the deep yet precarious connections that emerge between human and nonhuman bodies and ecosystems; connections that are constantly both found and severed. The exhibition maps an experiential space that is both permeated with vitality and haunted by personal and ecological loss.
Eeva Siivonen’s experimental moving image practice engages with strategies of documentary, essay, and found footage film practices. She employs these strategies to construct affective and immersive moving image installations and single-channel works. Her practice describes subjective experience in ways that resist separation between self and other, interior and exterior, human and nonhuman, and living and nonliving. The ethos of her practice is to create space for empathy by embracing the impossibility of gaining knowledge of ourselves and others, and our place in the world.
Eeva Siivonen is originally from Helsinki, Finland. She has received MFA degrees in Video Art from Syracuse University and Documentary Film from Aalto University in Helsinki. She exhibits her work internationally at film festivals and gallery exhibitions. Most recently, her work has been screened at San Francisco Cinematheque’s Crossroads festival, DOBRA International Festival of Experimental Cinema in Rio de Janeiro, and Transient Visions Festival of Moving Image in Johnson City, NY. She has also received multiple international residency fellowships and recently spent two months in the Sangre de Cristo Mountains as an artist-in-residence at the Helene Wurlitzer Foundation in Taos, New Mexico.
*The exhibition title is borrowed from the poem “St. Thomas Aquinas” by Serbian American poet Charles Simic.
Artlab Gallery
JL Visual Arts Centre
Western University
London, Ontario, Canada
© 2021; Department of Visual Arts; Western University
Artlab Gallery
November 25 - December 9, 2021
I left parts of myself everywhere* transforms the gallery into a moving image environment. The interconnected installations speak to the experience of dislocation and fractured relationship to body, language, and place. They trace the deep yet precarious connections that emerge between human and nonhuman bodies and ecosystems; connections that are constantly both found and severed. The exhibition maps an experiential space that is both permeated with vitality and haunted by personal and ecological loss.
Eeva Siivonen’s experimental moving image practice engages with strategies of documentary, essay, and found footage film practices. She employs these strategies to construct affective and immersive moving image installations and single-channel works. Her practice describes subjective experience in ways that resist separation between self and other, interior and exterior, human and nonhuman, and living and nonliving. The ethos of her practice is to create space for empathy by embracing the impossibility of gaining knowledge of ourselves and others, and our place in the world.
Eeva Siivonen is originally from Helsinki, Finland. She has received MFA degrees in Video Art from Syracuse University and Documentary Film from Aalto University in Helsinki. She exhibits her work internationally at film festivals and gallery exhibitions. Most recently, her work has been screened at San Francisco Cinematheque’s Crossroads festival, DOBRA International Festival of Experimental Cinema in Rio de Janeiro, and Transient Visions Festival of Moving Image in Johnson City, NY. She has also received multiple international residency fellowships and recently spent two months in the Sangre de Cristo Mountains as an artist-in-residence at the Helene Wurlitzer Foundation in Taos, New Mexico.
*The exhibition title is borrowed from the poem “St. Thomas Aquinas” by Serbian American poet Charles Simic.
Artlab Gallery
JL Visual Arts Centre
Western University
London, Ontario, Canada
© 2021; Department of Visual Arts; Western University
Vuksa Velickovic in an alter ego journalist version of himself. Published in Prestup magazine [photo by Vladimir Simic]
Vuksa Velickovic in an alter ego journalist version of himself. Published in Prestup magazine [photo by Vladimir Simic]
Artlab Gallery
November 25 - December 9, 2021
I left parts of myself everywhere* transforms the gallery into a moving image environment. The interconnected installations speak to the experience of dislocation and fractured relationship to body, language, and place. They trace the deep yet precarious connections that emerge between human and nonhuman bodies and ecosystems; connections that are constantly both found and severed. The exhibition maps an experiential space that is both permeated with vitality and haunted by personal and ecological loss.
Eeva Siivonen’s experimental moving image practice engages with strategies of documentary, essay, and found footage film practices. She employs these strategies to construct affective and immersive moving image installations and single-channel works. Her practice describes subjective experience in ways that resist separation between self and other, interior and exterior, human and nonhuman, and living and nonliving. The ethos of her practice is to create space for empathy by embracing the impossibility of gaining knowledge of ourselves and others, and our place in the world.
Eeva Siivonen is originally from Helsinki, Finland. She has received MFA degrees in Video Art from Syracuse University and Documentary Film from Aalto University in Helsinki. She exhibits her work internationally at film festivals and gallery exhibitions. Most recently, her work has been screened at San Francisco Cinematheque’s Crossroads festival, DOBRA International Festival of Experimental Cinema in Rio de Janeiro, and Transient Visions Festival of Moving Image in Johnson City, NY. She has also received multiple international residency fellowships and recently spent two months in the Sangre de Cristo Mountains as an artist-in-residence at the Helene Wurlitzer Foundation in Taos, New Mexico.
*The exhibition title is borrowed from the poem “St. Thomas Aquinas” by Serbian American poet Charles Simic.
Artlab Gallery
JL Visual Arts Centre
Western University
London, Ontario, Canada
© 2021; Department of Visual Arts; Western University
Anemone nemorosa is an early-spring flowering plant in the genus Anemone in the family Ranunculaceae, native to Europe. Common names include wood anemone, windflower, thimbleweed, and smell fox, an allusion to the musky smell of the leaves. It is a perennial herbaceous plant growing 5–15 centimetres (2.0–5.9 in) tall. 2262 Bot Anemone Nemerosa L. Šumarica bijela - Bot 12 2254 Bot Učka Anemone nemorosa L.
Red: Ranunculales Juss. ex Bercht. et J. Presl
Porodica:Ranunculaceae ( žabnjače (Hr), Schlosser, J.C.K.; Vukotinović, Lj., 1869 3132, zubnjače (Hr), Schlosser, J.C.K.; Vukotinović, Lj., 1876 141, žabnjaci (Hr), Horvatić, S., 1954 1819)
Rod: Anemone ( šumarica (Hr), Domac, R., 1994 4, bukač (Hr), Šulek, B., 1879 1256, komoljika postrana (Hr), Šulek, B., 18791256, vjetrenica (Hr), Šulek, B., 1879 1256, vjetrenika (Hr), Šulek, B., 1879 1256)
Objavljeno:Sp. Pl. 541 (1753) class: Equisetopsida C. Agardh
subclass: Magnoliidae Novák ex Takht.
superorder: Ranunculanae Takht. ex Reveal
order: Ranunculales Juss. ex Bercht. & J. Presl
family: Ranunculaceae Juss.
genus:!! Anemone L.
Autor: 1. Carl von Linné, Carl von Linnaeus,
Sinonimi: Anemone alba Gilib., sinonim (s), Anemone pedata Raf., sinonim (s), Anemonoides nemorosa (L.) Holub, sinonim (s), Folia Geobot. Phytotax. 8: 166 (1973)
Narodna imena: bijela šumarica (Hr), Domac, R., 1994 4, ranilica (Hr), Šulek, B., 1879 1256, šumarica (Hr), Hirc, D., 1907 666, wood anemone (En), windflower (En), šumarica gladka (Hr), Schlosser, J.C.K.; Vukotinović, Lj., 1876 141, šumarica obična (Hr), Šimić, F., bela sasa (Hr), Gelenčir, J.; Gelenčir, J., 1991 7678, brebrina (Hr), Gelenčir, J.; Gelenčir, J., 1991 7678
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Bot24 6779 Bot Flora Medvednice
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en.wikipedia.org/wiki/Anemone_nemorosa
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www.inaturalist.org/observations/16024721
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www.projectnoah.org/spottings/1807727834
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BJ05 6222 Bot Atlas ljekovitog bilja Josip i Jasenka Galenčir Prosvjeta 1991.
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16.III,2014, Učka:
www.inaturalist.org/observations/19558216
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21.IV.2019. Gumance, Klana
www.inaturalist.org/observations/22871221
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23.IV.2020. Klana. www.inaturalist.org/observations/71687546
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A players panel with amongst others Karel Poborsky (CAFH, Czech Republic) and Dario Simic (HUNS, Croatia) spoke about experiences with bullying, harassment and violence in football
Predstavljanje zbirke Vampirske priče i 18. broja časopisa Libra Libera na književnom okupljanju Zagrijavanje u knjižnici Bogdana Ogrizovića u Zagrebu, 27. listopada 2006.
Intoniranjem državne himne te čitanjem imena 51 poginulog i smrtno stradalog hrvatskog branitelja koje je pročitao Krešimir Šimić, sin poginulog hrvatskog branitelja počelo je 1. svibnja 2020. u Okučanima obilježavanje jubilarne 25. obljetnice vojno-redarstvene operacije Bljesak | Foto: MORH / T. Brandt
Artlab Gallery
November 25 - December 9, 2021
I left parts of myself everywhere* transforms the gallery into a moving image environment. The interconnected installations speak to the experience of dislocation and fractured relationship to body, language, and place. They trace the deep yet precarious connections that emerge between human and nonhuman bodies and ecosystems; connections that are constantly both found and severed. The exhibition maps an experiential space that is both permeated with vitality and haunted by personal and ecological loss.
Eeva Siivonen’s experimental moving image practice engages with strategies of documentary, essay, and found footage film practices. She employs these strategies to construct affective and immersive moving image installations and single-channel works. Her practice describes subjective experience in ways that resist separation between self and other, interior and exterior, human and nonhuman, and living and nonliving. The ethos of her practice is to create space for empathy by embracing the impossibility of gaining knowledge of ourselves and others, and our place in the world.
Eeva Siivonen is originally from Helsinki, Finland. She has received MFA degrees in Video Art from Syracuse University and Documentary Film from Aalto University in Helsinki. She exhibits her work internationally at film festivals and gallery exhibitions. Most recently, her work has been screened at San Francisco Cinematheque’s Crossroads festival, DOBRA International Festival of Experimental Cinema in Rio de Janeiro, and Transient Visions Festival of Moving Image in Johnson City, NY. She has also received multiple international residency fellowships and recently spent two months in the Sangre de Cristo Mountains as an artist-in-residence at the Helene Wurlitzer Foundation in Taos, New Mexico.
*The exhibition title is borrowed from the poem “St. Thomas Aquinas” by Serbian American poet Charles Simic.
Artlab Gallery
JL Visual Arts Centre
Western University
London, Ontario, Canada
© 2021; Department of Visual Arts; Western University
Josie Crolley-Simic (MSW '94, PhD '06) asks retiring Prof. Betsy Vonk to autograph her copy of “Diagnostic and Statistical Manual of Mental Disorders,” Terrace Room, Georgia State Botanical Garden, Aug. 9, 2018.
Billy F. Gibbons (vocals, guitar), Fabrizio Grossi (bass), Kenny Aronoff (drums), Kris Barras (guitar, vocals), Alex Alessandroni (keyboards), Serge Simic (guitar, vocals), Francis Benitez Grossi(vocals).
Supersonic Blues Machine feat. Billy F. Gibbons @ Sierre Blues Festival, Sierre, Switzerland, 06.07.2018.
(c) Christophe Losberger