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Sreta Ljukovcanin, Janko Simic and Nemanja Stanojevic of Special Olympics Serbia--The Global Youth Activation Summit brought together 100 youth representatives from dozens of countries who participate in Special Olympics' Project Unify program. All of the delegations included partners pairing a young person with an intellectual disability with another young person without an intellectual disability.
Intoniranjem državne himne te čitanjem imena 51 poginulog i smrtno stradalog hrvatskog branitelja koje je pročitao Krešimir Šimić, sin poginulog hrvatskog branitelja počelo je 1. svibnja 2020. u Okučanima obilježavanje jubilarne 25. obljetnice vojno-redarstvene operacije Bljesak | Foto: MORH / T. Brandt
edited by Daryl Hine.
Chicago, Modern Poetry Association, march 1972.
5-1/2 x 8-15/16, 36 sheets ivory wove perfectbound in textured olive green card wrappers, all printed offset, black interiors in brown covers.
cover graphic by Michel Devrient.
25 contributors ID'd:
Margaret Atwood, Paul Auster, Douglas Blazek, John Malcolm Brinnin, Naomi Cox, Michel Devrient, Stephen Dobyns, D.W.Donzella, Mike Doyle, Ellen Kirvin Dudis, Arthur Freeman, Michael Heffernan, Gerrit Henry, Daryl Hine, Andrew Hoyem, Donald Justice, Michael Ondaatje, Ed Roberson, Larry Rubin, Robert B.Shaw, Robert Siegel, Charles Simic, Timothy Steele, Alexis Viereck, Susan Zwinger.
includes:
i) MADE IN CANADA?, by Mike Doyle (pp.356-362; prose reviews includes references to bpNichol pp.357 & 362, with a brief review of the cosmic chef p.358)
Artlab Gallery
November 25 - December 9, 2021
I left parts of myself everywhere* transforms the gallery into a moving image environment. The interconnected installations speak to the experience of dislocation and fractured relationship to body, language, and place. They trace the deep yet precarious connections that emerge between human and nonhuman bodies and ecosystems; connections that are constantly both found and severed. The exhibition maps an experiential space that is both permeated with vitality and haunted by personal and ecological loss.
Eeva Siivonen’s experimental moving image practice engages with strategies of documentary, essay, and found footage film practices. She employs these strategies to construct affective and immersive moving image installations and single-channel works. Her practice describes subjective experience in ways that resist separation between self and other, interior and exterior, human and nonhuman, and living and nonliving. The ethos of her practice is to create space for empathy by embracing the impossibility of gaining knowledge of ourselves and others, and our place in the world.
Eeva Siivonen is originally from Helsinki, Finland. She has received MFA degrees in Video Art from Syracuse University and Documentary Film from Aalto University in Helsinki. She exhibits her work internationally at film festivals and gallery exhibitions. Most recently, her work has been screened at San Francisco Cinematheque’s Crossroads festival, DOBRA International Festival of Experimental Cinema in Rio de Janeiro, and Transient Visions Festival of Moving Image in Johnson City, NY. She has also received multiple international residency fellowships and recently spent two months in the Sangre de Cristo Mountains as an artist-in-residence at the Helene Wurlitzer Foundation in Taos, New Mexico.
*The exhibition title is borrowed from the poem “St. Thomas Aquinas” by Serbian American poet Charles Simic.
Artlab Gallery
JL Visual Arts Centre
Western University
London, Ontario, Canada
© 2021; Department of Visual Arts; Western University
Intoniranjem državne himne te čitanjem imena 51 poginulog i smrtno stradalog hrvatskog branitelja koje je pročitao Krešimir Šimić, sin poginulog hrvatskog branitelja počelo je 1. svibnja 2020. u Okučanima obilježavanje jubilarne 25. obljetnice vojno-redarstvene operacije Bljesak | Foto: MORH / T. Brandt
Intoniranjem državne himne te čitanjem imena 51 poginulog i smrtno stradalog hrvatskog branitelja koje je pročitao Krešimir Šimić, sin poginulog hrvatskog branitelja počelo je 1. svibnja 2020. u Okučanima obilježavanje jubilarne 25. obljetnice vojno-redarstvene operacije Bljesak | Foto: MORH / T. Brandt
Artlab Gallery
November 25 - December 9, 2021
I left parts of myself everywhere* transforms the gallery into a moving image environment. The interconnected installations speak to the experience of dislocation and fractured relationship to body, language, and place. They trace the deep yet precarious connections that emerge between human and nonhuman bodies and ecosystems; connections that are constantly both found and severed. The exhibition maps an experiential space that is both permeated with vitality and haunted by personal and ecological loss.
Eeva Siivonen’s experimental moving image practice engages with strategies of documentary, essay, and found footage film practices. She employs these strategies to construct affective and immersive moving image installations and single-channel works. Her practice describes subjective experience in ways that resist separation between self and other, interior and exterior, human and nonhuman, and living and nonliving. The ethos of her practice is to create space for empathy by embracing the impossibility of gaining knowledge of ourselves and others, and our place in the world.
Eeva Siivonen is originally from Helsinki, Finland. She has received MFA degrees in Video Art from Syracuse University and Documentary Film from Aalto University in Helsinki. She exhibits her work internationally at film festivals and gallery exhibitions. Most recently, her work has been screened at San Francisco Cinematheque’s Crossroads festival, DOBRA International Festival of Experimental Cinema in Rio de Janeiro, and Transient Visions Festival of Moving Image in Johnson City, NY. She has also received multiple international residency fellowships and recently spent two months in the Sangre de Cristo Mountains as an artist-in-residence at the Helene Wurlitzer Foundation in Taos, New Mexico.
*The exhibition title is borrowed from the poem “St. Thomas Aquinas” by Serbian American poet Charles Simic.
Artlab Gallery
JL Visual Arts Centre
Western University
London, Ontario, Canada
© 2021; Department of Visual Arts; Western University
Artlab Gallery
November 25 - December 9, 2021
I left parts of myself everywhere* transforms the gallery into a moving image environment. The interconnected installations speak to the experience of dislocation and fractured relationship to body, language, and place. They trace the deep yet precarious connections that emerge between human and nonhuman bodies and ecosystems; connections that are constantly both found and severed. The exhibition maps an experiential space that is both permeated with vitality and haunted by personal and ecological loss.
Eeva Siivonen’s experimental moving image practice engages with strategies of documentary, essay, and found footage film practices. She employs these strategies to construct affective and immersive moving image installations and single-channel works. Her practice describes subjective experience in ways that resist separation between self and other, interior and exterior, human and nonhuman, and living and nonliving. The ethos of her practice is to create space for empathy by embracing the impossibility of gaining knowledge of ourselves and others, and our place in the world.
Eeva Siivonen is originally from Helsinki, Finland. She has received MFA degrees in Video Art from Syracuse University and Documentary Film from Aalto University in Helsinki. She exhibits her work internationally at film festivals and gallery exhibitions. Most recently, her work has been screened at San Francisco Cinematheque’s Crossroads festival, DOBRA International Festival of Experimental Cinema in Rio de Janeiro, and Transient Visions Festival of Moving Image in Johnson City, NY. She has also received multiple international residency fellowships and recently spent two months in the Sangre de Cristo Mountains as an artist-in-residence at the Helene Wurlitzer Foundation in Taos, New Mexico.
*The exhibition title is borrowed from the poem “St. Thomas Aquinas” by Serbian American poet Charles Simic.
Artlab Gallery
JL Visual Arts Centre
Western University
London, Ontario, Canada
© 2021; Department of Visual Arts; Western University
Artlab Gallery
November 25 - December 9, 2021
I left parts of myself everywhere* transforms the gallery into a moving image environment. The interconnected installations speak to the experience of dislocation and fractured relationship to body, language, and place. They trace the deep yet precarious connections that emerge between human and nonhuman bodies and ecosystems; connections that are constantly both found and severed. The exhibition maps an experiential space that is both permeated with vitality and haunted by personal and ecological loss.
Eeva Siivonen’s experimental moving image practice engages with strategies of documentary, essay, and found footage film practices. She employs these strategies to construct affective and immersive moving image installations and single-channel works. Her practice describes subjective experience in ways that resist separation between self and other, interior and exterior, human and nonhuman, and living and nonliving. The ethos of her practice is to create space for empathy by embracing the impossibility of gaining knowledge of ourselves and others, and our place in the world.
Eeva Siivonen is originally from Helsinki, Finland. She has received MFA degrees in Video Art from Syracuse University and Documentary Film from Aalto University in Helsinki. She exhibits her work internationally at film festivals and gallery exhibitions. Most recently, her work has been screened at San Francisco Cinematheque’s Crossroads festival, DOBRA International Festival of Experimental Cinema in Rio de Janeiro, and Transient Visions Festival of Moving Image in Johnson City, NY. She has also received multiple international residency fellowships and recently spent two months in the Sangre de Cristo Mountains as an artist-in-residence at the Helene Wurlitzer Foundation in Taos, New Mexico.
*The exhibition title is borrowed from the poem “St. Thomas Aquinas” by Serbian American poet Charles Simic.
Artlab Gallery
JL Visual Arts Centre
Western University
London, Ontario, Canada
© 2021; Department of Visual Arts; Western University
Artlab Gallery
November 25 - December 9, 2021
I left parts of myself everywhere* transforms the gallery into a moving image environment. The interconnected installations speak to the experience of dislocation and fractured relationship to body, language, and place. They trace the deep yet precarious connections that emerge between human and nonhuman bodies and ecosystems; connections that are constantly both found and severed. The exhibition maps an experiential space that is both permeated with vitality and haunted by personal and ecological loss.
Eeva Siivonen’s experimental moving image practice engages with strategies of documentary, essay, and found footage film practices. She employs these strategies to construct affective and immersive moving image installations and single-channel works. Her practice describes subjective experience in ways that resist separation between self and other, interior and exterior, human and nonhuman, and living and nonliving. The ethos of her practice is to create space for empathy by embracing the impossibility of gaining knowledge of ourselves and others, and our place in the world.
Eeva Siivonen is originally from Helsinki, Finland. She has received MFA degrees in Video Art from Syracuse University and Documentary Film from Aalto University in Helsinki. She exhibits her work internationally at film festivals and gallery exhibitions. Most recently, her work has been screened at San Francisco Cinematheque’s Crossroads festival, DOBRA International Festival of Experimental Cinema in Rio de Janeiro, and Transient Visions Festival of Moving Image in Johnson City, NY. She has also received multiple international residency fellowships and recently spent two months in the Sangre de Cristo Mountains as an artist-in-residence at the Helene Wurlitzer Foundation in Taos, New Mexico.
*The exhibition title is borrowed from the poem “St. Thomas Aquinas” by Serbian American poet Charles Simic.
Artlab Gallery
JL Visual Arts Centre
Western University
London, Ontario, Canada
© 2021; Department of Visual Arts; Western University
Artlab Gallery
November 25 - December 9, 2021
I left parts of myself everywhere* transforms the gallery into a moving image environment. The interconnected installations speak to the experience of dislocation and fractured relationship to body, language, and place. They trace the deep yet precarious connections that emerge between human and nonhuman bodies and ecosystems; connections that are constantly both found and severed. The exhibition maps an experiential space that is both permeated with vitality and haunted by personal and ecological loss.
Eeva Siivonen’s experimental moving image practice engages with strategies of documentary, essay, and found footage film practices. She employs these strategies to construct affective and immersive moving image installations and single-channel works. Her practice describes subjective experience in ways that resist separation between self and other, interior and exterior, human and nonhuman, and living and nonliving. The ethos of her practice is to create space for empathy by embracing the impossibility of gaining knowledge of ourselves and others, and our place in the world.
Eeva Siivonen is originally from Helsinki, Finland. She has received MFA degrees in Video Art from Syracuse University and Documentary Film from Aalto University in Helsinki. She exhibits her work internationally at film festivals and gallery exhibitions. Most recently, her work has been screened at San Francisco Cinematheque’s Crossroads festival, DOBRA International Festival of Experimental Cinema in Rio de Janeiro, and Transient Visions Festival of Moving Image in Johnson City, NY. She has also received multiple international residency fellowships and recently spent two months in the Sangre de Cristo Mountains as an artist-in-residence at the Helene Wurlitzer Foundation in Taos, New Mexico.
*The exhibition title is borrowed from the poem “St. Thomas Aquinas” by Serbian American poet Charles Simic.
Artlab Gallery
JL Visual Arts Centre
Western University
London, Ontario, Canada
© 2021; Department of Visual Arts; Western University
D891_041b
06/07/2018 : Arles, quai de la Gare maritime : exposition Contemplation (Matthieu Ricard phot., Simón Vélez, Stefana Simic arch.)
NPL RD9 Lions FC v Brisbane City at Lions Stadium. Sat 24 Oct, 2020. Captain Matija Simic (Lions FC) on the ball as he looks for options.
©Ian R Judd - AQUA [PD] / Lions FC.
A patra ediţie a FILB debutează miercuri, 7 decembrie, ora 18.00, şi se încheie vineri, 9 decembrie, cu un cocktail oferit de Centrul de Carte Germană.
Ţara mea adoptivă, tema ediţiei din acest an, îi aduce la Bucureşti pe Paul Bailey (Marea Britanie), Jean Mattern (Franţa), Roman Simić (Croaţia), Declan Meade (Irlanda) şi Georgi Gospodinov (Bulgaria). Alături de ei, scriitorii români Mircea Cărtărescu, Adina Rosetti, Lavinia Branişte şi Mihail Vakulovski.
© W.Simic/CAPA Pictures - Terra
Titre de l'album : Emmanuelle Cosse accompagne le Samu social de Paris lors d'une maraude
Intoniranjem državne himne te čitanjem imena 51 poginulog i smrtno stradalog hrvatskog branitelja koje je pročitao Krešimir Šimić, sin poginulog hrvatskog branitelja počelo je 1. svibnja 2020. u Okučanima obilježavanje jubilarne 25. obljetnice vojno-redarstvene operacije Bljesak | Foto: MORH / T. Brandt