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Not the best setup shot, as pulling back allowed a bit too much glare on the lens, but hopefully enough can be seen.
The lens (mug) was placed on a glass shelf that has the underside painted black. Approx 6inches/150mm bahind the rear edge of the shelf is a red card backdrop.
The background is lit by a single 11W spiral CFL mounted in a Pringle tube snoot lined with a sheet of white printer paper.
On the shelf itself a diffusion screen with another sheet of white printer paper attached, behind which is another 11W spiral CFL mounted in a reflector made from a Pringles tube.
On the opposite side and not very well shown due to the angle, is a sheet of white card to bounce a bit of light back onto the shadow side of the subject.
The result can be seen below.
My new office setup, including my MacBook Pro 2.16 GHz 2 GB, LaCie external HD 250 GB, Griffin Elevator, Apple wired keyboard and Apple wireless Mighty Mouse.
Setup for this Polaroid photo. Window light and 3 fluorescent lights for the stars and 1 to brighten up the earth.
The over-sophisticated setup for I will find the droids I'm looking for I will find the droids I'm looking for I will find the droids I'm looking for.
setup i did with a photo shoot.. of myself. its my first time ever using external flash to light a subject.
keep an eye out for the pictures!
3200 iso here
AB400 w/ umbrella
Setup for this photograph (opens new Flickr window).
If you find this plan difficult to see clearly please see the full size version.
Learn how to light at Strobist
These are two of the three lighting setups we had.
1) ring light on the right with a black backdrop
2) 3 studio lights (2 1000W's in soft boxes) and a bare 500W. We also had a reflector below and in front of the models, hand held by Mitra
3) not shown here was a couch and I didn't manage to get a shot of that setup but I believe there were two lights on it and a reflector
Lighting setup for some of the convertible shots1 , and 2. You can see my exciting turbo diesel Fiesta parked behind the BMW Z4. Mind you, my boot's bigger, and I bet I get better mileage. Don't get quite as much attention from the girls though.
Blog: www.photosmudger.com/
Thanks to LearnMyShot for the back lighting ideas! They have an awesome tutorial which inspired this shot. Check it out: www.flickr.com/photos/learnmyshot/4318729569/
This was how I built the lighting setup for my recent podcast shots.
1) First, I shot the background light, got it the way I wanted, then turned it off and worked on the kicker.
2) I worked on moving the kicker light to get the right side highlight I wanted. Then turned it off and moved onto my front keylight.
3) Now, i worked on how the front light would look.
Then, after i had each light individually setup... it was time to fire them all off at the same time in concert. Tada.... one final setup. It's like concentrating on each light on it's own was easier and able to see what it was doing. Then fire them all off and wham. You got it!
Setup shot for shooting the Porsche photo in my very small home tabletop studio.
Sometimes I don't know if I'm taking photographs or doing Yoga exercises...
Check the notes for detailed comments.
The final result is here:
setup shot... Is my bounce too far away from the cupcake?
Learn how to light at Strobist.
One of the advantages of taking more than one camera with you when you go somewhere to take some photo’s (if you have access to more than one that is), is you can use two different focal length lenses or you can take some behind the scenes/ setup type shots.
This is an old image of my Panasonic GF2 with one of the best wrist straps I have ever found, a Gordy’s Camera Strap. All mounted on a Joby GorillaPod for some sunrise shots at one of my frequent haunts, Cottesloe Beach in Perth.
Image captured using a Sony NEX-5 with 18-55mm f3.5-5.6 lens @45mm, 1/80th of a sec @f5, ISO 800.
Processed using Adobe Lightroom 5.6 and Google’s Nik Collection Dfine 2.0, Viveza 2 and Color Efex Pro 4.
here is a setup shot. randomly taken as Priscilla acts a fool :) haha.
i feel like the set up should have been different but im still happy with the overall shoot.
man i need a boom stick for the beauty dish asap.
My macro setup:
- Manfrotto 055 xprob tripod
- Manfrotto 327rc2 ball head (replaced the 488rc2 I used before)
- Manfrotto 454 macro rail
- Manfrotto 200pl-14 quick release plate between the ballhead and the macro rails
- Manfrotto 323 quick release plate between macro rails and the camera.
Strobist info:
- 430EX with shoot through umbrella @ 1/2 camera right
- 430EX with shoot through umbrella @ 1/4 camera left
- Cybersync triggers
I have posted a small review/comparision of the 327rc2 here: www.victorvandijk.com/?p=50
Homemade 10 inch cube lightbox with difussion panels (tracing paper) fitted to the sides. Two flashes, Canon 430EZ on the left, Yongnuo YN460 on the right, both set to 1/32 power and fired with radio triggers.
Result from this setup can be seen here:
Setup shot for these shots - mine, and the published one.
Notes should explain everything.
Blog: www.photosmudger.com/
An update coming soon, latest changes are, i've finally got rid of my uGLY CRT, I have bought a Iomega External Hard drive, Apple magic mouse an iPod touch as well as my iPhone 3G and my biggest purchase my new 13'' macBook Pro
This is my home Mac setup. iMac 27" w/ 8Gb RAM, 256Gb Kingston V+ SSD + my work MBP + iPad WiFi + my iPhone 3GS
Setup for Lagunitas IPA.
Strobist: SB800 to the left and above with shoot through umbrella, SB800 to the right and above, SB800 behind and bounced off the rear wall. Also the bottles are sitting on an old home made light-box that used to be used to sort slides. All fired with pocket wizards.
: : [ L A R G E ] : : the photo : : website : : facebook : : tumblr : : youtube : :
Just a setup shot.
Running alot of risks being in a KU parking garage at 3:30pm with none of us paying for the spots and a person getting towed right below us.
I'm glad none of them got hit (which almost happen to one of them)
Props to the treasurer of VSA acting as my light stand assistant.
Strobist Info:
B1600 boomed above/center
Fired through 22" White Beauty Dish @ 1/2 Power
Triggered via Cybersyncs
Powered w/ Vagabond II
Simply put: blue gel on the left speedlite, the other one was bare. The yellow/orange tone was achieved via White Balance. The modifiers were a 1/4 Honeycomb in the left speedlite (Neewer TT-660), and a 1/8 Honeycomb on the speedlite at the right (Neewer VK 750 II) The TT-660 was at 1/4th power while the VK 750 II was at 1/64th.. You can see the glases thwrown on the table in order to produce the light bokeh behind (cheap trick, I know, but I really like it). 50mm at f/2.2 in order to achieve the bokeh (of course) and that's pretty much it.
You can watch the finished photo here :)
Setup for this photograph (opens a new Flickr window).
If you find this plan difficult to see clearly please see the full size version.
Learn how to light at Strobist