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Setup Shot for 048/365 Heart of Gold.
Camera Info:
Canon 7D, Canon EF 70-200mm f/4L USM @70mm, f/11.0, 1/250s, ISO 100
This setup shot was taken with a Sigma 17-70mm lens at 17mm.
Strobist Info:
-2 Canon 430EXII's Camera Left and in front of subject, FULL Power, @24mm zoom, about 7 feet high, 3 feet away from subject both inside 40 inch Wescott softbox.
-Flashes triggered with Interfit Strobies. The sun was not triggered by Interfit Strobies.
Setup shot for Jenna 1, 2, and 3. The notes should explain everything.
Blog: www.photosmudger.com/
Elinchrom ELC CR, Elinchrom Quadra bare CL rear, Nikon SB900 CL front. All aiming up at white poster board.
Setup for these two shots:
List of times and zones,
Rain senors will cut off the system if more than 6mm has fallen.
Garden Village, Burnaby, British Columbia
High magnification setup:
EOS 500D/T1i
Ext.Tubes
M42 Macro Bellow
Meyer-Optik Görlitz Trioplan V 100mm f/2.8
Canon EF 50mm f/1.8 mark II (reversed)
Extension length:
(Ext.Tubes x2 + m42 Macro Bellow fully extended) 24cm
Working distance:
(from tip of the lens to focus plane) 1cm
Magnification:
(5:1) 5x
Setup shot of Fi doing her Washing. It's as simple as it looks, 1 60cm square softbox on the left hand side, and a black panel down the right to outline Fi a bit better.
Blog: www.photosmudger.com/
Paul Smith's Model Shoot Workshop at:
studioimaging637.com/
Strobist Info:
Beauty dish high over black seamless background at f/5.6
Two gridded strip boxes behind and to each side of the model at f/8
Softbox to camera left as main light at f/11
Silver reflecting umbrella behind and to right of camera at f/5.6
Triggered by PocketWizards Plus II
Home office setup. Most of my work is done on the PowerMac G5 Quad which is also powering two 20" Apple Cinema Displays. Moreover, I own a iBook G4 which I use for presentations. I shall soon be upgrading to a Macbook Pro later this year. Also I own a Fender Strat and constantly read mathematics books.
Setup Shot for 047/365 Pony Power.
Camera Info:
Canon 7D, Canon EF 50mm 1:1.4 USM Lens, f/6.3, 1/250s, ISO 100
Strobist Info:
-Canon 430EXII Camera Right and in front of subject, 1/4 Power, @24mm zoom, about 3 feet high, 2 feet away from subject fired into white shoot through umbrella.
-Canon 430EXII Camera left and in front subject, 1/8 Power, @70mm zoom, about 5 feet high, 4 feet away from background.
-Canon 430EXII Centered above and behind subject, 5 feet high and 3 feet away from back of subject fired bare through a DIY beer coozy snoot.
-Flashes triggered with Interfit Strobies. The sun was not triggered by Interfit Strobies.
My specimen photos are taken using this setup. The base is a block of wood from the offcut bin of a hardware store that sells kitchen worktops. The camera is attached directly to a BPM focus rail, which is mounted on a tripod quick-release plate, screwed to the base through another small piece of wood. The rail allows me to move the camera and coarse focus it. At the other end of the table is the specialist equipment: a Proxxon KT 70 table, screwed to the base. This is a low-cost alternative to linear actuators or stacking rails: one turn of the handle moves the table 1 mm. The divisions on the dial are 0.05 mm, so by moving to half way between each one I take frames at 0.025 mm intervals, which is narrow enough for most whole-insect photos I take. Smaller intervals are possible with smaller movements of the handle, but they are not easy to measure. This idea came from John Hallmen: you can see his setup here. Without his advice, I would not have been able to do any of this, so thank you to John and to Nikola Rahme; two people whose photos I greatly admire and who have shared their techniques freely on flickr.
A SIlverline Helping Hands is mounted on the Proxxon table. The crocodile clip holds a piece of plastazote in its jaws; I stick the specimen's pin into the plastazote and try to get it in the same plane as the camera sensor. This is fiddly: a vertical setup would be easier for this, but it would need better handiwork skills than I have. A heavy granite base would also make for a more stable setup, as would a concrete floor instead of a wooden one, but there is nothing I can do about that in my house.
Lighting comes from a flourescent tube desk lamp. The lamp would not hold itself in the right position, so I broke it off from its stand and I held it in a clamp stand instead. I use a simple cylinder of greaseproof paper as a diffuser: this is just pushed on to the end of the lens. To help get a more even light I have a sheet of kitchen foil as a reflector opposite the lamp. I also fix on the camera a 26mm stepping ring with foil over the front, another idea from John Hallmen, explained here.
I have tried other lighting, such as using two Ikea lamps (like the one that carries the foil in the picture above), each with a plastic cup over it to act as a diffuser. But the setup shown here is the one I have come to prefer.
I use Zerene Stacker for the stacking, with DMap as my main image, retouched from the PMax image where the detail is lost in the DMap. Then the image is edited in GIMP before getting a posting here.
read about how I set-up my Personal Domino as my main planner :) breakitdawns.blogspot.com/2013/11/planner-setup-personal-...
Setup shot for 055/365 Just Kicking It.
Camera Info:
Canon 7D, Sigma DC 17-70mm 1:2.8-4 Macro HSM @17mm, f/9.0, 1/60s, ISO 100
Strobist Info:
-Canon 430EXII Camera left and in front of subject, 1/2 Power, @24mm zoom, about 3 feet high, 3 feet away from subject through 40 inch Wescott softbox.
-Flash was triggered with Interfit Strobies.
Here is the setup shot for the two shots below if anyone is interested. Also if anyone sees some differences they would make on the placement let me know. I had to keep the strobe relatively close to the back of the train as it was super windy and that octabox would tip over pretty easily if any big gust of wind came about.
ab800 into a 47" octabox
fired using pocketwizards
Hello again,
this is my water drop setup at the moment.
As you can see I have 2 external flashes, 1 Nikon D90 camera, 5 plastic foils with diferent colors, an IKEA shere, one bowl to have milky water in it, One device to attach the dripper in, a baby drinking thing as water dripper, 2 claws to keep that device in place, some aditional water on the right on the flor, and finaly one skrew to use to get right focus.
Remember the setup:
- ISO 100-200
- F/16
- 1/60s
- Flashes on 1/64 power
- 2-5 cm water with milk in it
- Camera at a 30 degree angle
- Use the srew to get focus, place it where the drop lands.
- All on Manuel on the camera
- A good lence, 2,8, 90-110mm
- IS/VR off
- 25-60 drop range
- conditor colors to add color to the drops, when you want to.
Remember to remove the screw after focused. :-)
Will paste some samples as well. Aso remember you
One light setup, family portrait. Gold reflector bouncing sun light. Camera setup 5d mk III with 70-200 f/2.8 IS II, f/5.0 1/320 ISO 200
2010.
setup for this.
featuring 'Lizzie' sunglasses from Wintercheck Factory (www.wintercheckfactory.com/shop/1175-LIZZIE-SUNGLASSES)
Model & Wardrobe: Alexander Parker
Hair & Makeup: Zach Taylor
Assistants: Brittany Sturrett and Jessica Whitehead
Strobist: Two Profoto Acute2 packs, 5 heads. One high, center, and front (key); one high center and back (hair); one on each side and back (rims), one behind model for background light; all were gridded 10°. Alienbees ABR800 Ringflash on-camera.
This is a quick lighting setup for wedding photos. This is the lighting setup for shots like this shot of the groom picking up the bride, this full-length photo and this nice portrait. It's similar to the 'clamshell' lighting, but not so much a 'clamshell' as an 'octa-stack'. Basically, it is 2 Vivitars at 1/2 power into shoot-through umbrellas that are stacked, one on top of the other to give a nice soft, vertical light source.
Funkfreunde und Freunde des Funks trafen sich am Wochenende in der Nähe von Halle auf dem Burgstetten zum alljährlichen Feldtag.
DL1HQE
Photo both I setup for friends wedding see photo for strobist info; guess triggered camera with pw wich triggered alien bees with PC chord
Setup for this photograph (opens a new Flickr window).
If you find this plan difficult to see clearly please see the full size version.
Learn how to light at Strobist
Current setup as of today. Since the last photo I took, I sold the HDDVD player, packed the DVD recorder away, and now all there is is the TV, AV Receiver, PS3, Sky+HD box, and dad's old CD player.
Setup shot showing the general lighting setup for most of the interior shots, and the cover of the supplement, as well as a view of how I shot the "shot within a shot" image. Notes should explain everything hopefully.
Blog: www.photosmudger.com
Twitter: @photosmudger
Setup shot for the this photo and this photo.
Strobist info: Canon 430ex through an umbrella in front of subject and a Vivitar 285hv with an orange gel behind subject.
This is my Office Setup, not so clean but perfect for work.
The desktop system is an Dell Optiplex 745 Core 2 Duo 2.13GHz with 3 GB of Ram and its connected to 2 Dell LCD Monitors (24'' and 19'').
The Laptop it’s a Dell Latitude D830 with Core 2 Duo 2.00 Ghz with 2 GB of Ram, I love this laptop!!!!
Hope you like the setup.