View allAll Photos Tagged setdesign
There was a surprisingly interesting section on set/theatre design. This is a design for the set of Beckett's Endgame.
Date: 06-03-2010
Client: Art of Dance
Stagedesign / Concept: 250K
Producer: Rene Wiegant (Art of Dance)
Directed by: 250K
Video by: Eyesupply
Videooperator: Eyesupply
Lightdesign: Wonderwolf
Lightopeartor: Ten Feet
Laser: Mirage
Pyro: Grooney
Decorproduction: Laygo
Performance: Entertainment Matters
Audio: Outblast
PA: Pruple Group
Lights Motion: EML
costume design and watercolor and ink rendering by Niki de los Reyes-Torres, PATDAT
for Brian Maestro's DRACULA
watercolor on quality paper
Dinner scene. From left: Beth Bentley, Tori Baur, Millie Baur, Susan Peck (background), Robert Hirsh, Pharaba Pankratz, Brian Rhodes. (Director, set design).
Set Design for the 82nd Annual Academy Awards / Oscars.
Light and movement, the most basic components of moviemaking, will be integrated into this year’s sets to create an immersive, transformative environment. One of the most dazzling elements is the Swarovski Crystal Curtain.
The overall design is intended to evoke a classic but modern glamour, with white, platinum, topaz and smoky bronze hues.
The set also features three circular, revolving platforms that work in combination with rotating LED panels and architectural metalwork screens for film projection.
Theaterplay Lenz based on text of Georg Büchner directed by Piet Arfeuille premiered at theater Malpertuis. 2014
With SynLawn, the trees fiberglassed and painted and the front stuccoed.
Tree detail to come.
thesecretalley.com
Paint, Fabric, Cardboard, Paper Mache
4th-8th grade, Set Design After School Club, Oakland Hebrew Day School, Oakland, 2008
Students designed and created the set pieces and props for the school production of The Music Man.
Client: Art of Dance / Bass Events
Director: 250K
Stagedesign: Layhgo
Production: Rene Wiegant
Video-Operator: Eyesupply
Light-Operator: Leon Driessen
Lights: Purple
Video: Pixelscreen
Motion Distribution
Pyro: Grooney
Laser: Mirage
Stagemanager: Dave Cats
Sound: Rentall
Pictures: Eyesupply / Art of Dance / Bass Events
The Bentley School 2009
Director: Winter Mead
Set Design: Emily Greene
Costume Design: Kathleen Sullivan
Lighting Design: Chris Hammer
Date: 06-03-2010
Client: Art of Dance
Stagedesign / Concept: 250K
Producer: Rene Wiegant (Art of Dance)
Directed by: 250K
Video by: Eyesupply
Videooperator: Eyesupply
Lightdesign: Wonderwolf
Lightopeartor: Ten Feet
Laser: Mirage
Pyro: Grooney
Decorproduction: Laygo
Performance: Entertainment Matters
Audio: Outblast
PA: Pruple Group
Lights Motion: EML
Fidelio in the Gulag
A unique, site-specific production of Beethoven's only opera, Fidelio.
Perm-36, Russia
© SCDLP Architects, Charlotte Skene Catling, Tom Greenall, Jordan Hodgson
Cuyahoga Community College
Western Campus (Fall 2011)
Playwright: Jean Seitter-Cummins
Director: Fred Gloor
Scenic Design
Projection & Video Co-Design
Todd Krispinsky
Projection & Video Co-Design:
Stephen Kinford
Lighting Design: Rob Wachala
Costume Design: Jakie Loomis
Client: Art of Dance & Bass Events
Stagedesign & Director: 250K
Producer: Rene Wiegant
Video Content & Operating: Eyesupply.tv
3D Design: UpSideDown Design
3D Animation: Eyesupply.tv
Light Operator: The Art of Light
Laser: LaserFabrik
Pyro: Grooney
Pictures: Eyesupply.tv
Set Design for the 82nd Annual Academy Awards / Oscars.
Light and movement, the most basic components of moviemaking, will be integrated into this year’s sets to create an immersive, transformative environment. One of the most dazzling elements is the Swarovski Crystal Curtain.
The overall design is intended to evoke a classic but modern glamour, with white, platinum, topaz and smoky bronze hues.
The set also features three circular, revolving platforms that work in combination with rotating LED panels and architectural metalwork screens for film projection.
Santa Maria de Betania
after repairs and new encarna
Familia de los Reyes
San Jose de Buenavista
Province of Antique
Goodbye New York, Goodbye Heart
By Lally Katz
Directed by Oliver Butler
Scenic Design by Valérie Thérèse Bart
Costume Design by Carolyn Hoffmann
Lighting Design by Carolyn Wong and Emily McGillicuddy
Sound Design by Asa Wember
The Production Company
HERE Arts Center Mainstage
Set Design for the 82nd Annual Academy Awards / Oscars.
Light and movement, the most basic components of moviemaking, will be integrated into this year’s sets to create an immersive, transformative environment. One of the most dazzling elements is the Swarovski Crystal Curtain.
The overall design is intended to evoke a classic but modern glamour, with white, platinum, topaz and smoky bronze hues.
The set also features three circular, revolving platforms that work in combination with rotating LED panels and architectural metalwork screens for film projection.
THE PRICE
by Arthur Miller
Village Players, Toronto
March 12 to April 3, 2010
Directed by John Corcelli
Set Design: David Nicholson
Harp Makers:Robert Rayfield, Theresa Arneaud
CAST
Rob Candy as Victor Franz
Bonnie Gray as Esther, his wife
Jack Berke as Gregory Solomon
Paul Soren as Walter Franz
PRODUCTION TEAM
Producers: Julie Rush, Anne Harper
Stage Manager: Steven Minnie
Rehearsal Stage Managers: Susan Murphy, Julie Rush
Lighting Design: Heather Reppen
Sound Design: John Corcelli
Costume Design: Theresa Arneaud
Hair Designer: CeAnne Walsh
Poster: Karin Domnick
Program: Ashley Townsend
Props Co-ordinator: Anne Harper
Audition coordinators: Patricia Dawson, Helen Melling
Fencing Instructor: Mark Peros
Photography: Robert Rayfield
Akarui
World Premiere
Cleveland Public Theatre
Cleveland, Ohio
(Spring 2012)
Playwright: Jen Silverman
Director: Raymond Bobgan
Scenic Design: Todd Krispinsky
Lighting Design: Benjamin Gantose
Costume Design Alison Garrigan