View allAll Photos Tagged setdesign
Client: Art of Dance / Bass Events
Director: 250K
Stagedesign: Layhgo
Production: Rene Wiegant
Video-Operator: Eyesupply
Light-Operator: Leon Driessen
Lights: Purple
Video: Pixelscreen
Motion Distribution
Pyro: Grooney
Laser: Mirage
Stagemanager: Dave Cats
Sound: Rentall
Pictures: Eyesupply / Art of Dance / Bass Events
Cuyahoga Community College
Western Campus
(Fall 2009)
Playwright: Sarah Ruhl
Director: Fred Gloor
Scenic Design: Todd Krispinsky
And the Oscar Goes To... The King's Speech
Read Article at designwotcha.com/design-inspirations/oscar-inspired-design
This is the opera Otello. Me and one other painter painted the set. I did the banners, and we both carved and painted that lion.
The Bentley School 2009
Director: Winter Mead
Set Design: Emily Greene
Costume Design: Kathleen Sullivan
Lighting Design: Chris Hammer
Client: Art of Dance & Bass Events
Stagedesign & Director: 250K
Producer: Rene Wiegant
Video Content & Operating: Eyesupply.tv
3D Design: UpSideDown Design
3D Animation: Eyesupply.tv
Light Operator: The Art of Light
Laser: LaserFabrik
Pyro: Grooney
Pictures: Eyesupply.tv
Production design & Execution by
Niki de los Reyes-Torres, PATDAT
Creative Direction by Benjor Catindig
Megamonster Mania
SM Megamall
Halloween 2010
Productora: CMG - RGB.
Labor: Ambientadora General
Telefe.
Año: 2009.
Mas fotos:
www.flickr.com/photos/delgenermariana
Another model produced at Croydon Theatre College and again, I have no idea what it was for. Ain't it pretty though?
Productora: CMG - RGB.
Labor: Ambientadora General
Telefe.
Año: 2009.
Mas fotos:
www.flickr.com/photos/delgenermariana
MacBeth
Thorneloe Theatre
Sudbury Ontario
November, 2006
Set and Lighting Design by
Bill Sanders
Directed by
Valerie Senyk
Photo by Brent Wohlberg
The set model for Giant Steps, The Oval House, London. Chapter Arts Centre, Cardiff, December 1998
Writer: Othniel Smith
Director: Jeff Teare
Designer: Carolyn Willitts
Theatre Company: Made in Wales
Photographs: Carolyn Willitts
“Inspirational and thought provoking.” Time Out
Projections and lighting were used to transform the set from a private hospice, a private school and a police station holding cell. All the music came from John Coltrane’s “Giant Steps.”
Awards: London Arts Board Diverse Acts Award
Client: Art of Dance / Bass Events
Director: 250K
Stagedesign: Layhgo
Production: Rene Wiegant
Video-Operator: Eyesupply
Light-Operator: Leon Driessen
Lights: Purple
Video: Pixelscreen
Motion Distribution
Pyro: Grooney
Laser: Mirage
Stagemanager: Dave Cats
Sound: Rentall
Pictures: Eyesupply / Art of Dance / Bass Events
Productora: CMG - RGB.
Labor: Ambientadora General
Telefe.
Año: 2009.
Mas fotos:
www.flickr.com/photos/delgenermariana
Productora: CMG - RGB.
Labor: Ambientadora General
Telefe.
Año: 2009.
Mas fotos:
www.flickr.com/photos/delgenermariana
Productora: CMG - RGB.
Labor: Ambientadora General
Telefe.
Año: 2009.
Mas fotos:
www.flickr.com/photos/delgenermariana
The director of our kids' school play wants to use a projection system for some of the set design. So I went and scouted an existing play at a local highschool that was using such a setup to see how we could do it, too.
Set fro a production of Just So Stories at Shore Country Day School, Beverly, MA. This fantasy takes place in an overcrowded attic which magically transforms into many fantastic locations.
Here I created a model of the Palace Theatre stage, Westcliff-on-Sea, to dimensions, including the rake (which is the sharpest in England) for the set of Chicago that I created for my 2nd year FMP for college.
I made the frame out of plywood and used puffy paints for the detailing and card for the red decorative piece under the proscenium arch.
I also created my own curtain which was one of the first encounters I'd ever had with a sewing machine
Set Design for the 82nd Annual Academy Awards / Oscars.
Light and movement, the most basic components of moviemaking, will be integrated into this year’s sets to create an immersive, transformative environment. One of the most dazzling elements is the Swarovski Crystal Curtain.
The overall design is intended to evoke a classic but modern glamour, with white, platinum, topaz and smoky bronze hues.
The set also features three circular, revolving platforms that work in combination with rotating LED panels and architectural metalwork screens for film projection.
One year ago. Currently finalizing the 2014 NY product launch designs for Jeep and Dodge. Theater, architecture, technology art, film and marketing rolled into one.
Set Design for the 82nd Annual Academy Awards / Oscars.
Light and movement, the most basic components of moviemaking, will be integrated into this year’s sets to create an immersive, transformative environment. One of the most dazzling elements is the Swarovski Crystal Curtain.
The overall design is intended to evoke a classic but modern glamour, with white, platinum, topaz and smoky bronze hues.
The set also features three circular, revolving platforms that work in combination with rotating LED panels and architectural metalwork screens for film projection.
Productora RGB - CMG
Labor: Ambientadora General
Asistente de Arte y Escenografía
Telefe
Año: 2009
Mas fotos:
www.flickr.com/photos/delgenermariana
Productora: CMG - RGB.
Labor: Ambientadora General
Telefe.
Año: 2009.
Mas fotos:
www.flickr.com/photos/delgenermariana
The Belly, Chapter Arts Centre, Cardiff, March 1994
Director: Rabab Ghazoul
Designer: Carolyn Willitts
Theatre Company: Alma
Photographs: Keith Morris
Actors shown: Rebecca Gabbitas and Claire Cage
"The Belly impressed with its poise and sense of invention." David Adams, The Guardian
Productora: CMG - RGB.
Labor: Ambientadora General
Telefe.
Año: 2009.
Mas fotos:
www.flickr.com/photos/delgenermariana
Productora: CMG - RGB.
Labor: Ambientadora General
Telefe.
Año: 2009.
Mas fotos:
www.flickr.com/photos/delgenermariana