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I did get zoomed in after I snapped a bunch of stills. It really was incredible to see :) 2024 baby!
This is my new conept sequencer. it is not counter based, but divider based.
each divisions output can ba attenuated, and routed to one or none of the two CV summer stages.
for each division one could even use an external voltage.
Sequence of images showing the movements of a large Prominence on the Sun today.
Solarmax richview 60 DS and QHY5L-II in an EQ6 pro. 5 AVI's of 90 frames each were stacked and wavelet sharpened in Registax and false coloured in Photoshop CS2. Images taken 24th Feb 2015 1st AVI taken at 10:00 last one at 10:10 am GMT
Installation of my latest project, a sequence of painted panels to adorn the Altar wall at English Martyrs Catholic church in Hillmorton, Rugby.
The subject is the English Martyrs, since previously there had been no depiction of them in the church. Given the large number of Catholic martyrs during and after the Reformation I chose to portray them in procession descending towards the altar around the already existing Resurrected Christ (which we moved higher up the wall). The two central groups of figures are more recognisable/better known martyrs led by St Thomas More and St John Fisher.
For more on the project see my webpage below:
aidanmcraethomsonstainedglass.weebly.com/english-martyrs-...
Herping season has started spectacular for me.
Within 5 minutes I found the first Saw scaled viper just crossing my path.
Until I saw this very crowded track Gerbil track followed by a Viper's track, but it went everywhere and nowhere, I kept trying to find it but once I finally gave up there it was, lying nearby a shrub with a prey in it's mouth. I was alone but started talking out loud to myself, 'wowww look what I found, this is so coool'.
Oke have a look yourself, I am posting here almost the entire sequence of what happened during my presence.
I hope you won't get tired of the huge amount of photos, but just to show you step by step, taking about 30 minutes to consume.
[Note: These are the first two verses of a much longer sequence that will never be written. I don't have the creative investment in that long a work for this story. So I offer what there is, and I hope you enjoy it as much as I did composing it...]
After Action Report: 29th Infantry Division
I.
My name is Thomas Andrew Dorset. I’m
in the Hundred-Fifteenth Infantry ,
a PFC, B Company. A line
division since the beach, we had a three-
day break from major combat, though we knew
we had to take St. Lo, and soon. I went
to sleep, exhausted. Something woke me – threw
me in the air with dirt and branches – sent
me flying - ! And the next I know I’m here...
this place... this somewhere nowhere on the map,
I’m sure of that! I took one look and near
as I could see, I stood in Oz. Oh cr--!
I’d seen the film, and knew the enemy
was mean. Real mean. Of course they’d have to be...
II.
That’s just my luck – from Nazis, to a witch
and grabbing apple trees. And poppies. First
I took an inventory. In a ditch,
I found my rifle. Helmet too. Well-versed
in pulps – Astounding magazine, and all –
at least I had some background in these things.
And I’d read Burroughs, too. I had to crawl
beneath a splintered tree when I heard wings –
No flying monkey’s getting ME! I thought.
And there was my musette bag! Seemed my luck
was getting better. Keep from being caught,
just long enough to make some friends – oh fu--!
The Good Witch! She was south, I think. Or north...?
I made a choice, and warily set forth.
Recorded Account of:
Thomas Andrew Dorset
Serial Number 2033704(?)[last number blurred]
PFC
B Company
Frederick, Maryland, January 18, 1948
____________________________________________________________________________
© Keith Ward 2006
Click here for more about this series, SF Sonnets.
The image was created using two photos found on the Web (photo credits follow), resizing and combining them in Photoshop, then making them meld into a single image using various Photoshop features. The final version then had the Photoshop “poster edges” filter applied to it.
Photo Credits:
* Colt .45 Semiautomatic – From Wikipedia article on the weapon. Photo credited to Lasse Jensen.
* Ruby Slippers – From a picture link in a reply to this blog: graycie5198.blogspot.com/2006/01/oh-for-some-ruby-slipper.... Haven’t been able to track down a further credit.
Nijō Castle (二条城, Nijō-jō) is a flatland castle located in Kyoto, Japan. The castle consists of two concentric rings of fortifications, the Ninomaru Palace, the ruins of the Honmaru Palace, various support buildings and several gardens. The surface area of the castle is 275,000 square meters, of which 8000 square meters is occupied by buildings.
In 1601, Tokugawa Ieyasu, the founder of the Tokugawa Shogunate, ordered all the feudal lords in Western Japan to contribute to the construction of Nijō Castle, which was completed during the reign of Tokugawa Iemitsu in 1626. Parts of Fushimi Castle, such as the main tower and the karamon, were moved here in 1625-26.[1] It was built as the Kyoto residence of the Tokugawa Shoguns. The Tokugawa Shogunate used Edo as the capital city, but Kyoto continued to be the home of the Imperial Court. Kyoto Imperial Palace is located north-east of Nijo Castle.
The central keep, or donjon, was struck by lightning and burned to the ground in 1750.
In 1788, the Inner Palace was destroyed by a city-wide fire. The site remained empty until it was replaced by a prince's residence transferred from the Kyoto Imperial Palace in 1893.
In 1867, the Ninomaru Palace was the stage for the declaration by Tokugawa Yoshinobu, returning the authority to the Imperial Court. Next year the Imperial Cabinet was installed in the castle. The palace became imperial property and was declared a detached palace. During this time, the Tokugawa hollyhock crest was removed wherever possible and replaced with the imperial chrysanthemum.
In 1939, the palace was donated to the city of Kyoto and opened to the public the following year.
In the 21st century, typhoons have periodically caused sections of plaster to peeled off the walls after exposure to rain and wind.[2]
Nijō Castle has two concentric rings of fortifications, each consisting of a wall and a wide moat. The outer wall has three gates while the inner wall has two. In the southwest corner of the inner wall, there are foundations of a five-story keep, destroyed by a fire in 1750. The inner walls contain Honmaru Palace with its garden. Ninomaru Palace, the kitchens, guard house and several gardens are located between the two main rings of fortifications.
The 3300 square meter Ninomaru Palace (二の丸御殿, Ninomaru Gōten) consists of five connected separate buildings and is built almost entirely of Hinoki cypress. The decoration includes lavish quantities of gold leaf and elaborate wood carvings, intended to impress visitors with the power and wealth of the shoguns. The sliding doors and walls of each room are decorated with wall paintings by artists of the Kanō school.
The castle is an excellent example of social control manifested in architectural space. Low-ranking visitors were received in the outer regions of the Ninomaru, whereas high-ranking visitors were shown the more subtle inner chambers. Rather than attempt to conceal the entrances to the rooms for bodyguards (as was done in many castles), the Tokugawas chose to display them prominently. Thus, the construction lent itself to expressing intimidation and power to Edo-period visitors.
The building houses several different reception chambers, offices and the living quarters of the shogun, where only female attendants were allowed. One of the most striking features of the Ninomaru Palace are the "nightingale floors" (uguisubari) in the corridors. To protect the occupants from sneak attacks and assassins, the builders constructed the floors of the corridors in such a way as to squeak like birds when anyone walks on them.
Some of the rooms in the castle also contained special doors where the shogun's bodyguard could come out and protect him.
The room sequence starting at the entrance is:
* Yanagi-no-ma (Willow Room),
* Wakamatsu-no-ma (Young Pine Room)
* Tozamurai-no-ma (Retainers' Room)
* Shikidai-no-ma (Reception Room)
* Rōchu-no-ma (Ministers' Offices)
* Chokushi-no-ma (Imperial Messenger's Room)
The Ōhiroma (Great Hall) is the central core of the Ninomaru Palace and consists of four chambers:
* Ichi-no-ma (First Grand Chamber)
* Ni-no-ma (Second Grand Chamber)
* San-no-ma (Third Grand Chamber)
* Yon-no-ma (Fourth Grand Chamber)
as well as the Musha-kakushi-no-ma (Bodyguards' Chamber) and the Sotetsu-no-ma (Japanese fern-palm chamber).
The rear sections are the Kuroshoin (Inner Audience Chamber) and Shiroshoin (Shogun's living quarters)
The main access to the Ninomaru is through the karamon, a court and the mi-kurumayose or "honourable carriages approach".[1]
Honmaru Palace (本丸御殿, Honmaru Goten) has a surface area of 1600 square meters. The complex has four parts: living quarters, reception and entertainment rooms, entrance halls and kitchen area. The different areas are connected by corridors and courtyards. The architectural style is late Edo period. The palace displays paintings by several famous masters, such as Kanō Eigaku.
Honmaru Palace was originally similar to Ninomaru Palace. The current structure was known as Katsura Palace before being relocated to the present site in 1893 when it was renamed. Originally the palace had 55 buildings, but only a small part was relocated. In 1928 the enthronement banquet of the Showa Emperor (Emperor Hirohito) was held here.[3]
Gardens:
The castle area has several gardens and groves of cherry and Japanese plum trees. The Ninomaru garden was designed by the landscape architect and tea master Kobori Enshu. It is located between the two main rings of fortifications, next to the palace of the same name. The garden has a large pond with three islands and features numerous carefully placed stones and topiary pine trees.
The Seiryū-en garden is the most recent part of Nijō Castle. It was constructed in 1965 in the northern part of the complex, as a facility for the reception of official guests of the city of Kyoto and as a venue for cultural events. Seiryū-en has two tea houses and more than 1000 carefully arranged stones.
Championnat de France de Skate
Etape de Bordeaux
www.facebook.com/pages/Championnat-de-France-de-Skate-Eta...
Training session
Au fait, je suis preneur des noms des tricks ;)
Assignment
Sequence/ Block and grid style
Wanted to show delicatness from my artist model
-maybe Ageing
454 sequencer used for carrying out whole genome sequencing at ILRI, acquired in 2008 (photo credit: ILRI/Evelyn Katingi).
After Coventry Cathedral on the 11th March, it was the turn of the Cambridge Corn Exchange on 12th March for the full TD experience. A subtly different set tonight as no guitarist included. I thought the mixing was better this time, I could at least hear the violin and piano parts which were so murky at Coventry, but a glitchy PA did not help as there were frequent momentary drop-outs which were most annoying. Still a great show with much more material form the new album Raum, including the encore - "In 256 Zeichen" - a real Berlin School sequencer fest of 19 minutes. No Cloudburst Flight without the guitarist, but a great version of Ricochet that was spell-binding for the Cambridge audience.
The current line up is: Thorsten Quaeschning – bandleader, synthesizers and sequencers (2005–present) ; Hoshiko Yamane – electric violin, synthesizer (2011–present) and Paul Frick– synthesizer, piano, sequencer, Memotron (2020-present) .
#cambridgecornexchange #tangerinedream #electronicmusic
Só pra passar o tempo e preencher o tempo vago de postagem.
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Just for fun and to broke the delay.
Ballet Dance, Belly Dance, Break Dance and Bollywood and much much more. The Warwick Tap Dance Society Show gets better and better each year. I could happily watch it all over again!
My bro Kris at this place called NewTown jumping a small rythm section. ive worked on this for a bit and still have some ways to go with the color corrections but i got tired. maybe sometime ill finnish it