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Stepping out of sequence and skipping ahead a few days for a change of scenery...
This was taken in the early morning on the rooftop terrace of our hotel in Marina di Carrara, Italy. This was an unscheduled stop for us, as we had intended to spend our fourth night in Italy in Vernazza, in the Cinque Terre - but due to the May 1st national labour day holiday , when we arrived in Vernazza, there was not a hotel room, pensione, hostel or park bench to be found where we could stay, as it seemed EVERY SINGLE hotel room in Italy was booked. (I'm not kidding - we called a multitude of hotels, even some within an few hours drive of Vernazza, and stopped at every hotel in every small town along the way to ask if there were any vacancies, but the answer was always the same: "FULL!").
However, around 11:30 p.m., when we were seriously considering spending the night in the car, we found ourselves driving through the port town of Marina di Carrara (yes, the port where your Carrara marble countertop was probably shipped from), and thought we'd give yet one more hotel a try...and lo and behold, there was (ONE) room at the inn!!
As adventuresome as we have been known to be, it was something of a relief to know we'd have a roof over our heads and a bed for the night - but even if we had stayed the night in the car, we would have been one of the lucky ones - we met up with another couple from San Diego in Vernazza who were training it all over Italy, and couldn't find a room either - their best advice from the locals in Vernazza was to find a spot on the beach! I still wonder what happened to them...
Anyway...Marina di Carrara was a nice little seaside town with, as you might have guessed, a LOT of marble incorporated into sidewalks, staircases (our hotel was actually quite modern chic), and in the case of this photo, terraces. The shadows of the morning light, the frosted glass, the pattern of the deck tiles, and this lounge chair caught my eye, and gave me something to remember Marina di Carrara by. :)
Porter running under the bridge. Forgot to do levels and all the things to make it pretty. I'll do that later.
Basel, Unfinished, 2mm
Fabricated with laser cut,
manual assembly
Form derived from 2D graphical notation
First Communion, St. Brigid's, Kilbirnie. Does anyone know the identity of the subject and the year this sequence of photographs is from?
Lifestyle section of an re video shoot
cameras used:
Canon 6d
Canon 5d mkii
Lenses used
Canon 16-35 f2.8 mkii L
Canon 24 mm TS mkii
Sigma 50mm f1.4
slider, jib and some tripods
Just started getting back into riding with the Wakeboard club and Hunter was killing it so I thought it would be a good opportunity to work on getting some pics to stitch together into a sequence. Still some rough edges, but overall I was pretty pleased. And feel free to correct me if this is not an OHH. Just going from memory since it has been a very long time since I've even entertained the thought of trying some of the tricks he was throwing. :-)
Sequence of the lifting and installation of the blades and hub assembly on a Siemens wind turbine located on Wolfe Island, Ontario.
Best viewed large
From the foundation studio, this is a one week project where students examine sequences in spatial experiences, and architectural vocabulary. How do spaces unfold, and become delineated with light? What role does an architectural vocabulary play in indentifying uses of spaces? How can tectonic form provide cues to activities and use?
In Mark's model, the occupied spaces collide with a static cube. The white foamcore material is coded as the space for occupation. The canted planes can be used for lounging, leaning or laying down, and the repeated foamcore rectangles offer opportunities for climbing or sitting or perching.
The glass wall also cants. It is a fountain, where water cascades down, catching and running along the cuts on the glass.
st. cecilia's convent, sequence of waves exhibition - greenpoint, brooklyn - jan 2011
feedback f s f -r s ns is composed of two robots, and is in the form of a closed system with interlaced feedback, i.e, the output of one robot is the input of the other. the system generates visual compositions as the robots alter their environments and influence each others’ behaviors.
materials: various reflective and refractive media, micro-controllers, motors, lasers, sensors.
in detail:
robot 1>>
senses: emf
output: slowly rotates a glass tumbler containing reflective/refractive media.
robot 2>>
senses light/motion
output: light, fluctuations in the emf field (via motor induction, phosphorescing of chemicals on the sensor of robot 1).
robot 1 is programmed to sense changes in the emf field around it and reposition a container of reflective/refractive media proportionally by spinning a motor.
robot 2 is composed of three servo/laser components programed to survey the surface of robot 1′s glass tumbler and define quadrants of highly reflective points on the tumbler’s surface.
robot 2 is programmed to draw straight lines with a laser on the curved, translucent, rotating surface of robot 1. the light from the lasers pass through a rotating tumbler (robot 1) filled with a mixture of reflective, and refractive media.
as the beams of light pass through the tumbler, their trajectories are refracted and the resulting altered beams strike a treated sensor plate and phosphoresce.
the phosphorescing and servo motor movement ripple the emf field and robot 1 spins the tumbler accordingly. the moving tumbler causes robot 2 to re-scan the surface of the tumbler, etc.
Art as Spatial Practice.
Space folds : Containing "Spatialities around historicality and sociality"
"All that is solid melts into air"
Karl Marx, Friedrich Engels,
(Poetic observation concerning the constant revolutionizing of social conditions)
Perceptions now gathering at the end of the millennium. Spatiality, Robert T. Tally Jr. 2013
16 step sequencer inside, panel wiring complete
if you're curious about my day job check out Space Milkshake
Whales usually perform a sequence of up to half a dozen very short dives of a few seconds each before they take a deeper breath and dive for a few minutes. These California Gray Whales are just starting their deeper dive off San Diego.
Another from the photo shoot with Derek. This time I was trying to use a strobe and long exposure to make the sequence. Unfortunately being indoors didn't help and since I couldn't afford a super nice strobe, I think it didn't turn on and off fast enough to really stop his action. Still came away with some kinda cool shots though, especially for my first time trying this technique.
My first attempt at an action sequence, very rough, I still need some more practice. Taken at Snow in the Quad at OSU 2010.
Le 75 (2019) : Turntablism / Platinisme
Créer et enregistrer des séquences sonores résultant de la modification de disques vinyls ou de contraintes liées à leur lecture.
Voir l'énoncé du projet : www.multimedialab.be/blog/?p=4487
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Cours de création sonore
ESA Le 75, Woluwe-Saint-Lambert, 2019-2020
Professeur : Marc Wathieu
Our daughter had her wisdom teeth pulled this morning so we are taking it easy today. She hasn’t lost much of her wisdom, beat me twice!