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These were 5 of a sequence of 18+ images. All were in critical focus. Even with small birds, the A9 tracks like nothing I've seen before. If you can focus and lock, it tracks.
A male Common Blue lands on the back of a Small White, appears to startle it as it slips down between the wings and flies up immediately. The entire sequence lasts less than 1 second.
This Greater Yellowlegs was landing in the water at Waterbird Regional Preserve in Martinez, California.
Please hit the "L" key to maximize the image size.
This triptych was made from 3 images taken with:
Camera: OM-1 Mark II
Lens: OM 150-400 + MC-20 teleconverter
Focal Length: 800mm
Aperture: f/9.0
Shutter Speed: 1/2500s
ISO: 2500
I thought I try a composite for a change. This is a few images of a sequence when the Kaka flew from the aviary to the feeding station. The beautiful Kaka / bush parrot can be just as cheeky as the Kea. Taken at the Orokonui EcoSanctuary in Dunedin.
Capturing birds in flight is not easy especially with longer lenses, so it needs some practice. Make sure bird in flight should be in focus from the first image. If the first image is not in focus, all the pictures in the sequence will be blurry. Sometime the camera cannot focus, and the bird passes away and we cannot even take one picture, which is disappointing. This year I will drive far away and find different birds in flight rather than just the seagulls. I prefer cloudy days because I don’t like harsh light on birds. I always delete blurry images. Zoom in to see the details on birds’ feathers. Have a wonderful day!
On the 5th of August, the skyline turned pink-ish as the sun set below the mountains surrounding Sarajevo.
12 images taken during the transit of the moon crossing in front of the sun.
Although the skies were quite cloudy I managed to get enough gaps in the clouds to shoot this sequence over about a 45 minute period at the peak of the eclipse.
Thanks to ITV new for sharing this image on their website too :-)
www.itv.com/news/tyne-tees/update/2015-03-20/the-whole-mo...
The setup was reasonably simple: I set a 5 second delay, to allow me to get ready. Once the camera started taking pictures (continuous shooting, about 7 frames per second), I tossed the ball into the air, and ran to catch it. I omitted a couple of frames at the end of the sequence, so that I didn't "overlap" with myself. (Hence the small gap in the ball's trajectory.)
Taken with Canon 70D, Tripod Mounted, Manual Mode. Used a separate intervalometer to control the delay and shutter: Configured the timer to wait 5 seconds, then hold the shutter open for 2 seconds. However, since the camera was set to continuous shooting, it took ~14 consecutive frames during those 2 seconds, which captured the action.
Used 7 of the captured photos / frames for the final shot. ISO 200, 12mm, f/5.6, 1/400s. I pre-processed the original RAW images in Lightroom, and converted to smaller JPEG images. Imported the JPEG images in Photoshop, each in a separate layer. Then used layer masks to select just the "action" in each shot, allowing all to blend together.
I know I promised this some time ago so I figured it's about time I delivered. This is a sequence of nine successive (reading left to right from top left to bottom right) shots of an Arctic Hare running. Actually it's one of two such sequences I managed to grab... the other is probably even a little better since it was running and turning at the same time. It's the first time I've tried one of these mosaics. Some of my contacts (and you know who you are) do a much better job of this than I do.
You might need to look at it in one of the larger versions to really appreciate it.
Thαηks for your vιsιts αηd coммεηts.
Pℓεαsε doη't usε thιs ιмαgε on wεbsιtεs, bℓogs or othεr мεdια wιthout мy εxpℓιcιt pεrмιssιon.
Aℓℓ rιghts rεsεrvεd © GoldenCrotalo.
- A time sequence, in my moments ....
Static waves in a sea of stone .....
- Secuencia de un momento..., dentro de mis momentos....
Olas estáticas en un mar de piedra...
Bolt of the Day.
Taken at 240 fps (0.025 sec lapse time), this sequence shows a fainter downward step leader stoke and a brilliant upward return stoke (CG then GC). The human eye can see at a frame rate of 1/10th of a second, so the finer details are missed. Even at the standard 24 to 30 fps movie, much of this event would not be recorded.
This lightning occurred ~6:49PM on 6 August at about 1.5 miles distance. Recorded with iPhone 11 Pro Max.
Still figuring out the sequence thing. Lighting here was terrible so the quality of the shot is definitely not the best, but I figured I would go ahead and post it. I also keep forgetting to manually set things like the white balance, so I get differences between the exposures that become obvious when I start stitching them together. Hopefully they'll start improving!
Front Board Sequence Parkfield, Went down My local For an afternoon Skate, And found myself taking Some Shots Of Local Skater Josh Harper Getting a front Board Down The Hand Rail, Hope You Enjoy!!
This is an analog sequencer I started after I had ordered some pink and blue LEDs for valentine's day. It doesn't make sound, but puts out a cycle of changing resistances (12...41...0...108...12...41...0...108, etc.) that can be used to control a simple frequency generator, synthesizers, or even be used as an input sensor for Pure Data, MAX/MSP, etc. via an Arduino (or Dorkboard). There are 12 knobs to set resistances/notes, and one for tempo. The other knobs and output jack connect to a simple synth breadboarded on the inside. I added them just to make interfacing a bit easier, but they are separate from any functions of the sequencer. Sorry for the small photo!
AeratedWheelDetailGPP[crpLHSlice&MDLSlice&RHSlice)3exHDRCompo[r-90[crpSqmdl
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© All Rights Reserved - Jim Goodyear 2021.
The Flower Sequence
Seed
Dream
Soft bloom
Petals rise
Spirals slowly grow
Hidden numbers sleeping softly deep below
Golden ratios weaving through the soil where silent wildflowers grow
From tiny seeds the pattern climbs through sunlight’s warming glow,
One, two, three — the ancient rhythm flowers seem to know.
Sunflowers turn their golden heads to trace the arc of day,
Daisies count their fragile stars in quiet patterned array.
Ferns unfold in emerald curls the centuries have shown,
Spirals older than the seas and mountains carved in stone.
In shells, in storms, in galaxies, the same designs appear,
A whispered code through time itself, both distant and so near.
We search for meaning endlessly in numbers, stars, and sky,
We question how the world began and wonder how and why.
Yet every flower blooming in the meadow, field, or loam
Already lives the quiet truth we struggle to call home.
The patterns run through everything — through leaf and root and tree,
Through oceans deep, through drifting clouds, through you and even me.
And while we try to understand the sums that shape our breath,
The flowers simply follow them — from birth to bloom to death.
They do not fear the counting,
They do not ask it why,
They simply bloom in harmony
Beneath the endless sky.
©️LW
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