sequence photos on Flickr

The Shroomtronic is a small hand held noise-making sequencer that allows you to create a bank of 4 sounds, that can then be tapped out in real time or put into a sound loop.

Haynes_SeqNar_Wk10_1519 by jerseygirl1124

5

SS-1/8, Ap-3.5, EV-0.0, ISO-800

Sequence by ToM Pelle

5 6

BS 180 fakie nosegrind 180 out!

8 f/s

Sequence 03392 by Fraser West

4

Sequence over rail. by MikeD 93

4

Cammeray Skate park.

sequence by Darius Kuzmickas

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diptych

sequence by pavandeep singh

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Coupe du monde de plongeon by photolenvol

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séquence

Pint Image Sequence by Sarah Pritchard

3 4

After researching image sequences for a particular University task, we then had to go on and produce one ourselves. After this session I went for a pint (or 4), and figured what a great opportunity it would be for an interesting(ish) sequence.

Whale-Sequence-black by Michelle Baker

2 1

Humpback Whale Breach Sydney NSW 6 photo sequence

Rock solid to Nohand landing by Satoshi ODA

5

Performed by Daisuke "Daice" Suzuki

Sequence 01 by Lynn Kohut

3 1

Come give me some love and snuggles before you sleep my precious one. This was taken right before the video when the colt climbs into it's safe place hidden in the parents wing for the night.

... sequence .. by åke bruce

10 1

..outside stockholm central station..

Backflip no-hander by Satoshi ODA

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Backflip-no hander performed by Hitoshi Takahashi in GO BIG rnd1.

Sequence by Marco Neri

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Perinaldo (IM)

Sequence Alpha by Pulpolux !!!

7 10

Sequence 16 by Dr. Md. Ali Afzal

The Grange by Jelltex

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And now, due to the fact I have seven Kentish churches to edit and upload, more train shots and everything else that is going on, this final tranche of shots from The Grange have been uploaded all at once.

I did post my favourites at the end, out of sequence, as I love the long porch which the visitor has to pass through to enter the house.

The Grange was the home of Augustus Pugin, and the design and decoration of the house, and of course the church next door are simply stunning.

And yet, I could not get away from the feeling this was not a house, or did not feel like one. Of course I am looking at it with modern eyes, but an effigy of the Madonna and child in the entrance hall, and one of the Virgin Mary looking down on the marital bed does not seem normal to me, but then who am I to judge.

As we climb up the house, we come to the bedrooms, the master bedroom has the Virgin Mary looking on over the marital bed.

Up and up the tower I climbed, past a floor with just a bathroom, and above that a floor where Pugin's assistant slept. Apart from the bed, a chest of drawers the room contained a staircase down and another to the tower roof.

And so in time I came to the roof, with wonderful views over the church next door, Ramsgate and over Pegwell Bay to Sandwich. I would have built a house here too.

Finally, I climbed back down, taking shots as I went.

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The Grange is important today because it is the house Augustus Pugin built for himself and his family. Listed Grade I, it was rescued from development by the Landmark Trust in 1997 with a grant from the Heritage Lottery Fund. The HLF provided a further grant for its repair and restoration (2004-6), with generous additional support from English Heritage, Thanet District Council, charitable trusts and many private individuals.

Augustus Welby Northmore Pugin (1812-52) was one of the most influential and prolific architects and designers of the 19th century. Only 40 years old when he died, Pugin spent his life trying to revive medieval Gothic architecture and design as the only fit architecture for a Christian society, part of a movement known as the Gothic Revival. He looked back wistfully and sometimes whimsically to medieval society, which he thought morally superior to the increasingly mechanised and secular society he saw around him. A devout convert to English Catholicism, Pugin built many churches, schools, convents, monasteries and country houses. He also designed the interiors for the Houses of Parliament. As a man, Pugin was passionate, intense, naïve, impatient, combative and funny. He worked ceaselessly to recreate, in his own life and works, the Gothic life that he idealised, supported by a loyal team of craftsmen and builders who translated into reality his countless designs.

Pugin built few domestic houses and the site in Ramsgate is particularly important because here he was building for himself, to create his ideal setting for his family. He wanted to bring Catholicism back to this part of Kent and so a church and monastery were also part of his plan, to recreate the medieval social structure that he so admired. Here he was able to build according to his own true principles, imposing ‘No features … which are not necessary for convenience, construction or propriety.’ Built of yellow stock brick and surrounded by walls of knapped flint, The Grange was not an inherently extravagant house despite the richness of its interiors. However, it is quietly revolutionary in the arrangement of rooms and their outward expression in architecture. Pugin was reacting against mainstream Classical architecture, which had been the most popular style for the past hundred years and which he considered pagan. Pugin’s starting point for The Grange was not outward symmetry but internal function - how he and his large family were to live in the house. Windows, roofs and chimneys were placed to suit life inside rather than external appearance. This cheerful and uncontrived asymmetry became and remains such a familiar feature of English domestic architecture that it is easy to forget how radical it was after the formal terraces of the 18th century. The principle it reflects, that form should follow function, remains central to much of today’s architecture.

Pugin bought the site on the West Cliff at Ramsgate in 1841. The house was built between 1843 and 1844 by his builder, George Myers. The original floorplan (now reinstated) was a distinctive ‘pinwheel’ arrangement: three principal ground floor rooms (the drawing room, library and dining room) grouped around a square entrance hall, with a corridor leading off to a small kitchen, a square tower (from which Pugin would watch for vessels in distress on the Goodwin Sands) and a private chapel. The house was designed to enjoy views of the sea and the monastic site next door from all angles and was richly wallpapered, painted and panelled. It was full of furniture to Pugin’s own designs and of the paintings and 'objets' that he collected avidly.

As his second wife Louisa died in 1844 just before the family moved into the house, it was only after his marriage to Jane Knill in 1848 that the house became the happy family home he dreamed of. Sadly, Pugin himself died in 1852, just two years after the interiors were completed, worn out by his pace of work and unbalanced and poisoned by the mercury prescribed to cure recurring eye inflammation.

After a decade away, Augustus’s eldest son Edward Pugin returned to live in the house in 1862 with his stepmother Jane and other family members. Edward too was an architect and became a substantial local figure in his own right. It was Edward who designed and built most of St. Augustine’s monastery and finished the church. He also altered his father’s house, adding the entrance corridor and the gate piers, extending the drawing room, adding a conservatory and making various extensions and changes to the internal layout to adapt it for mid-Victorian life. The house remained in family ownership until the death of Augustus’s last son Cuthbert in 1928, after which its contents were dispersed and it became a school run by the monks of St Augustine’s monastery next door. It passed into private ownership in the early 1990s, but sadly continued to deteriorate until it was put on the market again with talk of turning it into flats. By now, its importance was more widely recognised and the Heritage Lottery Fund stepped in to enable Landmark to acquire it.

www.landmarktrust.org.uk/our-landmarks/properties/grange-...

Augustus Welby Northmore Pugin (1 March 1812 – 14 September 1852) was an English architect, designer, artist and critic, chiefly remembered for his pioneering role in the Gothic Revival style; his work culminated in the interior design of the Palace of Westminster. Pugin designed many churches in England, and some in Ireland and Australia.[1] Pugin was the son of Auguste Pugin, and the father of E.W. and Peter Paul Pugin, who continued his architectural firm as Pugin & Pugin.

en.wikipedia.org/wiki/Augustus_Pugin

a4_sequence by Pete Brown