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Richard Serra, Sequence, 2006, steel, 388.62 x 1240.47 x 1986.76 cm (The Doris and Donald Fisher Collection currently at Stanford University, © Richard Serra)
Young Frank Somdee from Widnes at the Nelson Monument in Liverpool
Please watch this Video of him;
www.youtube.com/watch?v=nH_q1iQw5UA
What do you think ?
This is a great subject to practice on if want to improve your ability to track birds in flight. They're agile and quick and beautiful to watch in flight
Photographs from 2012, 2014, and 2016
A growing tree kept me from matching the shots, so I got as close as possible.
Camelot is the BR Std. Class 5 based at the Bluebell Railway in Sussex. Also see youtu.be/SI2fnD0176Q
If you have been following me for a while - you'll know its a little out of character for me to post my shots out of sequence, but this is a special case!
This is the first series of shots of the (partial) eclipse seen in northern Utah - it takes a little time to crop and align everything, so please be patient with me. I'll be posting other shots taken on this trip, but you can always set Flickr to show by 'date/time taken' or date/time uploaded.
All of the eclipse shots were taken using my 7D (I was using the 7D mkii to shoot the scenery) and a Tamron 500 mm mirror or 'cat.' lens. The 'cat.' is not quite as distortion free as a traditional glass lens, but has the advantage that it's much lighter and easier to handle (and the filter fitted perfectly too!).
Enjoy (I sure did)! zeesstof :-)
Creation sequence. 12th cent. Duomo or Cattedrale di Santa Maria Nuova di Monreale, Italy. Inscription: Suggestione serpentis, et tulit de fructu illius et comedit deditque viro suo (at the serpent's prompting she took of its fruit and ate it and gave it to her husband)
Row of monster succulents in front of an apartment building. Something appealing about their huge green heads ...
Taken with iPhone 3GS.
On Sunday evening I shot a time lapse sequence of a spectacular cloudy sunset over Table Mountain... and I screwed it up completely!
I arrived early and soon had my camera set up and configured for shooting a time lapse... with plenty of time to spare. The wind was blowing a gale in a south-easterly direction... which wasn't entirely a bad thing... because it was blowing the spray from the waves away from me... and away from my lens! The last thing that you want to discover when you've shot half the images for a time lapse squence... is that your lens is getting sprayed-on. With a photo being taken every few seconds... there is simply no time to clean the lens between shots!
After the camera had captured about a hundred images... I decided to peep through the viewfinder again... just to check if a particularly cool looking cloud had moved into the frame yet. I was quite horrified to notice the lens wobbling slightly everytime a strong gust of wind blew past. Damn, I thought... it probably wouldn't affect the image sharpness (I was shooting at 1/125th second)... but I needed that concrete pier to remain absolutely motionless for the entire 45 minute sequence. If the lens was wobbling between shots... then surely the pier would also end up wobbling in the final video clip!?
Then I (*** STUPIDLY ***) decided that I could probably stabilize the camera a bit more if I held onto two of the tripod legs... which is a trick that I've used quite successfully in similar situations of tripod instability. I was so sure that it would work that I didn't even bother to check through the viewfinder again... and it was only after I'd processed the entire video clip that I realized that my trick had failed horribly!! Instead of adding additional stability... holding the tripod had actually increased the wobbling of the lens (and pier)! The only part of the video where the pier was more or less stable... was the five minutes (or so) after I'd released the tripod again... to walk to the end of the pier!!
So... here's a free tip for anyone considering shooting time lapse sequences... no matter how sturdy it is... don't EVER hold onto your tripod!!
I'm still kicking myself... :)
Nikon D300, Sigma 10-20 at 10mm, aperture of f16, and a 1/125th second exposure.
Dusting my collection off, can across this of friend. Ladies, Gentlemen, friends old a new, The Rogue Sequencer. The sigcar of my old friend Tommy N. I've got the Firepower, and Tommy has this.Well, not this specific one you're looking at now. This one was a gift from the man himself. I'm thankful that he gave me this, cause damn. The design of it is simply fantastic when you sit down and take a nice long look at it. Great work, Tommy. Great work.
Be sure to check Tommy's stuff out!
Dream Sequence
5x7"
Marker on Paper, 2015
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This is a sequence I shot while out around Point Perion, Perth, WA.
It was a very hard bright sunny day (as you can probably make out by some of the shadows), but it allowed for a quick machine gun of this pelican as it flew by with a small f stop and reasonable DOF.
Deer are very smart. On a frigid, windy day, they all go to the base of the slope and lay down, out of the wind. When I looked out the window, I saw that a few where laying in an almost perfect line. Cute coincidence, if I say so.
The closest doe is the one who has been coming to get fed by us for the longest amount of time.
Copyright © 2012, Rebecca Idzerda
www.youtube.com/watch?v=ORMrBhMnR3Y
Sequence Chain. A film with The Sway and Dance Troupe. Artwork: Livio Korobase - “Fear, Shes’s the Mother of Violence” FIlmed in Second Life. Video filmed at the Linden Endowment for the Arts Sim (LEA 1).