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With really warm temperatures, our workshop students' cameras were running a little hotter than normal. No, their cameras were not exploding but I did have a little fun with it in this single exposure image captured in Arches National Park.
How I Got The Shot
This is a 20 second single exposure image where I shot for about 15 seconds with the camera locked on the tripod before releasing the camera for the final 5 seconds. During this last 5 seconds, I moved the camera free-hand using the lighted LCD screens to make the smoke.
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Google Translation
AGFA first used this mechanical support of the trigger force with the red trigger on the Optima 200 sensor from 1968. The purpose was to avoid camera shake by using a lower trigger force. This red trigger then became the trademark of all AGFA cameras. In fact, people even tried to transfer this symbol into the digital age.
Here I show a few late specimens, some of which were produced in Japan.
German
AGFA setzte diese Mechanische Unterstützung der Auslösekraft mit dem Roten Auslöser erstmals bei der Optima 200 Sensor von 1968 ein. Der Sinn war durch eine geringere Auslösekraft Verwackelungs-Unschärfe zu vermeiden. Dieser Rote Auslöser wurde daraufhin das Markenzeichen aller AGFA Kameras. Tatsächlich versuchte man dieses Symbol sogar in das Digital Zeitalter zu übertragen.
Hier zeige ich ein paar späte Exemplare deren Produktion teilweise schon aus Japan kam.
Toronto
Sony RX100 v1
Carl Zeiss Vario-Sonnar T* 28-100mm at 37mm (eq.)
Check out my Monochrome (B&W) and Street photography (B&W) albums.
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Well, a one-antennaed bandit, anyway. These voracious little warriors are covered in a tough exoskeleton to protect them, but somehow this one lost one of its sensor antennae.
Black01 arriving back at RAF Fairford after a mission to the east. I'm rather pleased that my first photos of a flying Dragon Lady, was one configured with pretty much every sensor going, including the Senior Span/ Senior Spur radome on top of the fuselage. -27/07/2021
Combined photos of a white reflector before and after sensor cleaning.
I found this Adorama video helpful: youtu.be/qbJaR0xE1YY
Nikon D200
AF-S DX Nikkor 35mm f/1.8 G
ISO 100 f/22 6sec
Images combined with Photoscape
This is the first Code 3 model I have built of a hybrid police vehicle - a sign of the times. It is also the first police vehicle I’ve seen with any kind of a sunroof.
The model features full Met Police livery including a yellow bonnet wrap. It has a 2D Models lightbar, ANPR sensor and airside orange beacon like the real vehicle.
Unusually for a traffic car it has the green oxygen diamond displayed on the rear and ‘02’ roof identifier. The roof codes are in white over the sunroof as per the real vehicle.
Photo of the real vehicle can be seen here: flic.kr/p/2hCj3Hn
For the person who can't have too much electronic gear.
Part of an ongoing series on Boxes ... making useful or decorative containers out of LEGO.
Night time photography sure is fun!
Thanks to the Flickr photographers who have done this before (you know who you are!). You have inspired me to use the bulb setting.
Digital sensors are such an improvement over film for this type of work. Thank you astronomers for figuring out how to capture images with just a few photons.
9270_pier
Sunset behind the George Washington Bridge viewed from Manhattan with Fort Lee, New Jersey and the Palisades in the background.
Canon Glass & Sensor
TA-3 on TVC-34L
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Inspired by the feeling of long summer days spent on the coast, The Hampton Social is the perfect place to imbibe and relax. Our "Rosé All Day" lifestyle, coastal-inspired cuisine and hand-crafted cocktails creates the perfect social atmosphere. ~ www.thehamptonsocial.com/
Vacation Day, 03/15//2022, Nashville, TN
Leica Camera AG M Monochrom
Canon 35mm f2.0 LTM
ƒ/4.0 1/1000 640
This is one of my favourite galaxies, not imposing like some of the larger, more well known ones, but elegant nonetheless, along with a companion elliptical galaxy NGC4627.
Image Details:
27 x 600sec @ ISO800 Lights for a total exposure of 4 hour 30 mins
24 Darks, 200 Bias, 25 Flats.
Optic - Altair Astro 8" Ritchey Chretien (CF) with AP CCDT67 reducer - 1110mm @ F5.46.
Mount - HEQ5 PRO Synscan with Rowan Belt Drive mod.
Sensor - Canon 1000D (Full Spectrum Modded) + Astronomik CLS-CCD filter.
Guiding - ZWO ASI120MM + Orion 162mm/F3.2 guidescope with PHD2.
Captured with BackyardEOS and processed with PixInsight.
Thanks for looking.
Richard
Seen in the Mediterranean, operating with HMS Intrepid. I spent much of a day aboard her, including a stint as loader in the after 4.5-in gun mount during a target shoot.
The Type 81 Tribals were designed during the 1950s as a response to the increasing cost of single-role vessels such as the Type 14s. They were first such 'multi-role' vessels for the Royal Navy and were designed specifically with colonial 'gunboat' duties in mind, particularly in the Middle East. They were thus designed to be self-contained, with weapon and sensor systems to cover many possible engagements, air-conditioning to allow extended tropical deployment and such modern habitability features as all bunk accommodation (as opposed to hammocks).
They were the first RN class designed from the start to operate a helicopter and the first small escorts to carry a long-range air search radar, the Type 965. They were armed with two 4.5-inch Mk 5 main guns salvaged from scrapped WWII destroyers. Although these mountings were refurbished with Remote Power Control (RPC) operation, they still required manual loading on an exposed mount. From the outset the class were designed to carry the new GWS-20 Sea Cat SAM.
The Tribals were the first modern RN ships designed to use a combination of power sources, a feature which had been trialled with limited success in the 1930s in the minelayer HMS Adventure. An additive mix of steam and gas turbine called "COmbined Steam and Gas" COSAG was used. This gave the rapid start-up and acceleration of a gas turbine engine coupled with the cruising efficiency and reliability of the steam turbine. They would cruise on the steam plant and use both systems driving the same shaft for a high-speed "boost". They suffered however from being single-shaft vessels which severely limited manoeuvrability, acceleration and deceleration.
The class served throughout the 1960s and '70s, into the 1980s fulfilling their designed general-purpose "colonial gunboat" role. When change in British foreign policy made this role redundant they found themselves being pressed into service in home waters in the "Cod Wars" of the 1970s. They were not particularly suited to these duties however, as they had a hull form optimised for the calm, shallow water of the Persian Gulf and with only a single shaft were unable to manoeuvre with the Icelandic gunboats at close quarters.
An improved version of a very old post.
Building instructions and .ldr file available freely here.
What mainly inspired me for this build:
- intergalactic racing pit stop station something by LEGOLIZE IT MAN (2018).
- Bastard of Winterfell by dasnewten (2011).
- UNES Odyssey 21 by Kyle Collard (2013). I don't recall very well but I think this inspired me for the sensor array and the general black aesthetic behind the hull.
This is my tribute to that glorious era in the 2010's when people like dasnewten, Red Spacecat, LEGOLIZE IT MAN, Ryan Olsen, Alexander Safarik, Tim Schwalfenberg, only to name a few (find all the others in my favorites), were building all those amazing microspace ships more or less inspired by Homeworld universe, or with a brick-built hull.
White and blue Gladiolus flower macro fine art abstract on APS-C sensor using 28mm lens with extension tubes.
I finally decided to upload some of the shots I have been taking with the Ricoh GR IV... I started playing with this one and I guess you could say it's the first time I really processed the files. It held up well I think.
I remember it was freezing out. It was nice to be able to have my camera and my hand in the coat pocket at the same time.
Again, more of a mood piece and an oldie but goody, for me. This was about my first real contact with vintage glass (on digital).
Maybe you can tell, this is the same spot, but not exactly the same composition as this one, only shot wide open:
www.flickr.com/photos/197010762@N05/53125392288/in/dateta...
Used at f/1.7 the lens flares quite a bit around bright stuff and the vignetting is pronounced, even on a DX body. Way back in the day I hadn't really much appreciation for these type of things, including the unique (Minolta) color rendering, so much so, that I didn't even consider keeping the source for this photo, even though it's just a tiny 12,3MP D90 RAW file!
In a weird way, this makes it kind of extra special for me, because I only have the legacy-developed JPG.
Nikon D90 (APS-C crop sensor)
MD ROKKOR 50mm f/1.7 prime
Fotodiox Pro MD - Nik adapter
ISO640, 50mm, f/8, 1/80 sec
(thus 75mm full frame equivalent)
single photo, manual, handheld
Instagram: instagram.com/45surf
Subscribe to my new youtube channel and see how I used the divine section and golden rectangle, spiral, and ratio to get the cover of N-Photo Magazine! And see how Ansel Adams and the great painters and fine art masters used the golden mean in their compositions!
www.youtube.com/watch?v=JLlB_W3XG-k
www.youtube.com/channel/UC42cWDExI8K8stjROqOlLbQ
It shows up in a lot of my surf photos too!
Nikon D810 Photos Pro Women's Surfing Sports Photography With New Tamron SP 150-600mm F/5-6.3 Di VC USD Lens for Nikon!
Beautiful athletic swimsuit bikini wetsuit model goddesses!
The new Nikon D810 rocks for sports photography! New Instagram!
Goddess videos! vimeo.com/45surf
Nikon D810 Photos Pro Women's Surfing Van's US Open Sports Photography Tamron SP 150-600mm F/5-6.3 Di VC USD !
I shot in DX mode which crops away the extra pixels and takes me 1.5X closer while allowing for up to 7 FPS with the Nikon D810's Nikon MB-D12 Battery Grip using the 8 AA battery option! 8 Duracles took me through around 3,000 shots no problem--maybe more! I was shooting at the equivalent of 900mm with the 1.5x crop factor! Pretty close! Had I gone with the Nikon D4s, I would have gotten 12 fps, but no DX crop factor, as the sensor has only around 14mp, compared to the d810's 36 megapixels! Sure the larger pixel size on the Nikon D4s full frame sensor comes in handy indoors or at night, but in the brigth sun, there's more than enough light for the smaller pixels in crop mode! Sure we lose some pixels from the outer edges when shooting in DX crop mode, but most of those pixels would be cropped away in lightroom anyway. And the smaller files make the memory cards last longer, while also upping the FPS to 7 shots per second! Not quite 12 FPS< but still awesome and enough I felt!
What a beautiful way to test the Nikon D810 and Tamron 150-600mm zoom lens for sports photography!
Athletic graceful girl goddesses! Tall, thin, fit and in shape! Pro women's surfers form the van's us open wearing both long wetsuits and bikini bottoms with shorty wetsuit tops/summer wetsuits. Sexy, beautiful beach babes and water goddesses all! Many are professional swimsuit bikini / surf lifestyle models too!
Tamron SP 150-600mm F/5-6.3 Di VC USD Autofocus lens for Nikon AF-D Cameras.
The new Nikon D810 rocks for sports photography New Instagram!
Beautiful athletic swimsuit bikini wetsuit model goddesses!
Join me friends!!
www.facebook.com/elliot.mcgucken
www.facebook.com/45surfAchillesOdysseyMythology
Subscribe to my new youtube!
www.youtube.com/watch?v=JLlB_W3XG-k
All the best on your epic hero's odyssey! :)
Been hard at work on my books--my physics books on Dynamic Dimensions Theory (dx4/dt=ic) celebrating the hitherto unsung reality of the fourth expanding dimension which all the photons surf across the universe en route to making a photograph! Also working on an art, mythology, and photography book titled The Golden Hero's Odyssey! All the best on your Epic Hero's Odyssey! Always love hearing from y'all! :)
This detects motion in the front yard and there is one in the backyard. The receiver's eyes light up and a selected chime goes off. Each sensor can have its own chime. So cool.
Testing out an infrared sensor I picked off of the auction site, works pretty good. I put a 3.5 mm plug on it and hooked it to the camera axe. Model number is E18-D50NK.
Selasphorus rufus
The first thing to say is that each electronic sensor has a protective filter over it, so we are not actually touching the electronics. That would be a disaster. Most people send the camera off for a service and a clean and that's a very good idea. After all this is an expensive investment and we want to make sure our camera works as well as possible for as long as it can.
But, it is quite easy to clean your sensor at home. All you need is a kit (like the one I've shown). This includes sealed sterile swabs and a little cleaning fluid (they are essential - do not try to clean your sensor with a cloth where you can scratch the dust into the sensor filter). There are also many videos on YouTube showing you how to use these dust cleaning swabs, but provided you get the right size for your camera (mine is full frame) a simple swipe will suffice.
For a DSLR you obviously need to lock your mirror up before the clean, and then lower it immediately afterwards. Then with the other side of the swab give your mirror a quick wipe as well. Do not apply too much pressure. After all, these are only tiny dust particles - you should not have any dirt.
My Leica D-Lux 7 which I used to take these pictures has a fixed lens, so it will never need its micro-four-thirds sensor cleaned.
Introduction to CMOS Image Sensors
evidentscientific.com/en/microscope-resource/knowledge-hu...