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Just a quick little doodle.
Wheel-inside-basketball-hoop joint's are totally Tobyhein's idea, I just kinda lifted it.
Gallery (when moderated)
The battered and scarred Moon.
Unlike the Earth, the moon is unable to renew and recycle its surface. A lack of tectonic plates and the loss of most of its geothermal energy has rendered it geologically dead. As a result, ancient scars of impacts from billions of years ago remain present upon its barren surface.
The darker impact areas are known as Luna Maria and are the result of ancient flows of basalt lavas flooding impact creators.
Canon 600d attached to a Skywatcher Equinox ED80 APO telescope and a 2x Barlow lens for a focal length of 1000mm (not taking into account the cropped sensor).
This may or may not be kinda badass. We've got a bunch of varmints here in Lower Alabama, and I'm curious about what skulks around in the night. This thing has 6MP resolution at its best and can be programmed to shoot one to nine shots every time the IR motion sensor is tripped. It also can do video. The flash is supposed to reach out to 50 feet, and from testing in the living room, it's bright as hell.
Too bad it doesn't shoot RAW....
I'm too tired and lazy to strap it to a tree today, but tomorrow we'll see what happens.
Adapted to a Canon M50 MK II. A wickedly sharp sleeper lens bought for under $10. This lens is best used with a crop-sensor camera like the M50 (closer to a 4:3 ratio TV camera with a 1" sensor).
This is a tower located at the summit of Mt. Washington and it has many sensors and tech for the weather observatory.
Here's a visual I've drawn up ..... A comparison of two very popular camera sensors in a real world scenario with actual data.
The Kodak KAF8300 (in such camera's as the QSI683, Moravian G2-8300 and Atik 383L)
The Sony ICX814 (QSI690, Atik 490, Atik One 9.0 and SX Trius-814)
I hope that you find this a useful size comparison if you are torn between the two or are unclear as to the effect of sensor size on a target.
Just for your interest... these two images were taken at 330mm focal length.
Taken on the edge of Wistman's woods which can be seen to the right.
I rather like the blue tinge camera sensors impart to snow in the shade. Of course Eskimos might not see it that way ( bless their little button noses ). But it does emphasize the cold.
This is an other picture of our new campaign for next summer.
I took it last week at the upper terrace which is on the top of our office in Varanasi (Benaras).
Anand who is our favourite model is holding a cushion in white linen with an embroidery made of flowers and swirls and matching with the throw in the background.
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So here is my new look at the Great Nebula in Orion, this time made with narrowband filters and mapped color. Because the nebula is so bright a good image is possible with only seconds of integration - even in my bright skies here in Phoenix. But because it is so bright, it is also an opportunity to study the detailed structures of the nebula by making very long integrations. So this image was created from nearly 30 hours of integration time over several nights. That cluster of bright, young stars in the blue (oxygen emission) part of the nebula is the Trapezium cluster, the center of a stellar nursery where new stars are being born. These stars are lighting up the entire nebula which is roughly 25 light years in diameter - in angle, about the size of two Moons in Earth’s sky.
I feel so lucky that an infinitesimally small fraction of the photons created in this nebula travelled for such a long time (1500 years) through space and found their way into my tiny 6 inch telescope and onto my camera’s sensor. They subsequently produced an electronic signal that was recorded on a bit of silicon and finally rendered into an image viewable by our eyes and brains by even more silicon based devices. This all seems like a miracle to me.
And when we look at the image overall we see colors representing the different kinds of atoms in this amazing structure. These colors are not the colors we would see with our eyes if we were in a spaceship close enough to see colors with our unaided eyes. This image was made by assigning red, green, and blue colors to monochrome images made through filters that admit only a very specific color. Those filters are designed to pass photons coming from the atoms of sulfur, hydrogen, and oxygen. In the image here, yellow is a mixture of hydrogen and sulfur, red is mostly sulfur, and blue and shades of blue is oxygen. The molecular clouds and dust in the sky background are mostly a reddish brown.
The light in the frame could be seen as all sorts of correct and otherwise. It is included here not just for the explanation below. There is one picture here in two edits with each having a crop.
Please Note – do not read the next two lines that are bracketed thusly [].
[If you would like the less serious explanation then I truly believe that my fellow Puffle-Gwuin* was accidentally releasing his Aura within range of my sensor.]
Also no need to read this footnote indicated by * and even less need to read **.
* Puffle-Gwuin this term is being used to describe Members of the Puffin Hated Society that so far has no real structure and two Members both with and wearing Puffin Hats.
**The black and white design of the Hats Puffin has been referred to as a Penguin Design and the hat does look somewhat Penguin-Like so I have made Puffle-Gwuin as combined name.
© PHH Sykes 2024
phhsykes@gmail.com
Portrait of me beside the Nimbus temperature sensor for NWS records, installed with the help of my National Weather Service supervisor. Cabled sensor sends data to readout console in the house, senses temperatures from -99.9° F to 120.9°.
This is not a cropped image but full sensor filled.
Its just 0.5 inch in real what you see, with the naked eye its almost impossible to see the red dots in the drops.
Used a macro rail, 24 fotos stacked to get it sharp all the way.
Drosera anglica, commonly known as the English sundew or great sundew, is a carnivorous plant species belonging to the sundew family Droseraceae. It is a temperate species with a generally circumboreal range, although it does occur as far south as Japan, southern Europe, and the island of Kauaʻi in Hawaiʻi, where it grows as a subtropical sundew. It is thought to originate from an amphidiploid hybrid of D. rotundifolia and D. linearis, meaning that a sterile hybrid between these two species doubled its chromosomes to produce fertile progeny which stabilized into the current D. anglica.
Drosera anglica is a perennial herb which forms an upright, stemless rosette of generally linear-spatulate leaves. As is typical for sundews, the laminae are densely covered with stalked mucilaginous glands, each tipped with a clear droplet of a viscous fluid used for trapping insects. The lamina, which is 15–35 millimetres (0.59–1.38 in) long,[5] is held semi-erect by a long petiole, bringing the total leaf size to 30–95 mm. Plants are green, coloring red in bright light. In all populations except those in Kaua'i, D. anglica forms winter resting buds called hibernacula. These consist of a knot of tightly curled leaves at ground level, which unfurl in spring at the end of the dormancy period. The root system is weak and penetrates only a few centimeters, serving mainly as an anchor and for water absorption. Nitrogen is in short supply in bogs and trapping and digesting insects provides an alternate source.
Drosera anglica flowers in the summer, sending up peduncles 6–18 centimetres (2.4–7.1 in). long bearing several white flowers which open individually. Like other sundews, the flowers have five sepals, petals, and stamens. The petals for this species are 8–12 mm long, and the flowers have branched 2-lobed styles.[5] The odorless, nectar-less flowers do not rely on insect pollinators for pollination, rather setting seed well through self-pollination (autogamy).[6] The black ovoid seed forms in a dehiscent capsule and is 1 to 1½ mm long.
La foto con sensor desnudo se parece al efecto "orange-teal", si nuestro ojo fuera igual que un sensor de cámara de fotos, veríamos el entorno así.
With really warm temperatures, our workshop students' cameras were running a little hotter than normal. No, their cameras were not exploding but I did have a little fun with it in this single exposure image captured in Arches National Park.
How I Got The Shot
This is a 20 second single exposure image where I shot for about 15 seconds with the camera locked on the tripod before releasing the camera for the final 5 seconds. During this last 5 seconds, I moved the camera free-hand using the lighted LCD screens to make the smoke.
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Surf's up! Nikon D810 Photos Pro Women Surfers Surfing! Surf Girl Goddesses! Sports Photography With New Tamron SP 150-600mm F/5-6.3 Di VC USD Lens for Nikon!
Nikon D810 Photos Pro Women's Surfing Trestles Sports Photography With New Tamron SP 150-600mm F/5-6.3 Di VC USD Lens for Nikon D810!
Join my new instagram! instagram.com/45surf
The new Nikon D810 rocks for sports photography! New Instagram!
Nikon D810 Photos Pro Women's Surfing Sports Photography Tamron SP 150-600mm F/5-6.3 Di VC USD !
I shot in DX mode which crops away the extra pixels and takes me 1.5X closer while allowing for up to 7 FPS with the Nikon D810's Nikon MB-D12 Battery Grip using the 8 AA battery option! 8 Duracells took me through around 3,000 shots no problem--maybe more! I was shooting at the equivalent of 900mm with the 1.5x crop factor! Pretty close! Had I gone with the Nikon D4s, I would have gotten 12 fps, but no DX crop factor, as the sensor has only around 24mp, compared to the d810's 36 megapixels! Sure the larger pixel size on the Nikon D4s full frame sensor comes in handy indoors or at night, but in the bright sun, there's more than enough light for the smaller pixels in crop mode! Sure we lose some pixels from the outer edges when shooting in DX crop mode, but most of those pixels would be cropped away in Lightroom anyway. And the smaller files make the memory cards last longer, while also upping the FPS to 7 shots per second! Not quite 12 FPS, but still awesome and enough I felt!
What a beautiful way to test the Nikon D810 and Tamron 150-600mm zoom lens for sports photography!
Athletic graceful girl goddesses! Tall, thin, fit and in shape! Pro women's surfers form the van's us open wearing both long wetsuits and bikini bottoms with shorty wetsuit tops/summer wetsuits. Sexy, beautiful beach babes and water goddesses all! Many are professional swimsuit bikini / surf lifestyle models too!
45surf photography! :)
View your artistic mission into photography as an epic odyssey of heroic poetry! Take it from Homer in Homer's Odyssey: "Tell me, O muse, of that ingenious hero who travelled far and wide after he had sacked the famous town of Troy. Many cities did he visit, and many were the nations with whose manners and customs he was acquainted; moreover he suffered much by sea while trying to save his own life and bring his men safely home; but do what he might he could not save his men, for they perished through their own sheer folly in eating the cattle of the Sun-god Hyperion; so the god prevented them from ever reaching home. Tell me, too, about all these things, O daughter of Jove, from whatsoever source you may know them. " --Samuel Butler Translation of Homer's Odyssey
All the best on your Epic Hero's Odyssey from Johnny Ranger McCoy!
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From my recent shoot with Ellie
See camera on YT - youtu.be/KvP_R_EXjgs
Hasselblad H3D-39 + HC 100mm f2.2
Get your free eBook - bit.ly/3OLE37t
Google Translation
AGFA first used this mechanical support of the trigger force with the red trigger on the Optima 200 sensor from 1968. The purpose was to avoid camera shake by using a lower trigger force. This red trigger then became the trademark of all AGFA cameras. In fact, people even tried to transfer this symbol into the digital age.
Here I show a few late specimens, some of which were produced in Japan.
German
AGFA setzte diese Mechanische Unterstützung der Auslösekraft mit dem Roten Auslöser erstmals bei der Optima 200 Sensor von 1968 ein. Der Sinn war durch eine geringere Auslösekraft Verwackelungs-Unschärfe zu vermeiden. Dieser Rote Auslöser wurde daraufhin das Markenzeichen aller AGFA Kameras. Tatsächlich versuchte man dieses Symbol sogar in das Digital Zeitalter zu übertragen.
Hier zeige ich ein paar späte Exemplare deren Produktion teilweise schon aus Japan kam.
The black object is a device (i believe) that indicates the change in position of the road surface relative to the bridge pylon. As long as the indicator is within the area of the plate, then by visual inspection the bridge is safe.
Nikon FG-20
Nikon Series E Lens 50mm f/1.8
ExtraFilm.com 200-36, expired 11/2010
Digibase C-41, 3.15 min @ 37.8℃
Canon CanoScan 9000F Mark II
Adobe Photoshop Elements 2019
18_20190808_034-2
Takahashi epsilon 160mm f/3.3
Canon t3i ir and sensor colling DIY (dr Chaos)
21 x 300s ISO1600, -15 °c
Darks, flats, bias
Celestron Cgem, astromania 60mm f4
zwo asi 34mc
Capture with rpi4 running Astropi3 wiht ekos
Siril and Darktable, EKOS
now and then I miss this remarkable, tiny little lens with which I took this photograph. I wish there were an equivalent to it in 35mm (it was made for APS-C size sensor only) in sharpness, magic, size and weight. Ahhh well.
I know I risked my camera's sensor burning out because of the direct intense sunlight, but I just couldn't pass this shot up. :O
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Sometimes we are lucky but could wish for better light & camera! As I drove in the drizzle this morning with my wet gear on, I wondered why I was going out. I reasoned I had some shopping to do & there might be a couple of moths @ Titchwell & anything was better than staying in another day. Drove slowly round c/p, nothing. Parked & walked to usual moth place when I heard Turtle dove calling. Crept round corner & it was in tree, too dark against the light, then it flew down to drink @ a puddle. Juvenile came out of the bushes For a feeding. I had wrong camera in hand & used zoom of 1200mm & only got 1/125th sec speed so not best photos because of light & small sensor camera but so good to watch.