Dirty Sensors
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Speckled bush cricket (a young larva) after a walk through the flower of a evening primrose. Then she cleaned the feelers of the pollen. These are pulled several times with the help of the forefoot through the "mouth".
Punktierte Zartschrecke (eine junge Larve) nach einer Wanderung durch die Blüte einer Nachtkerze. Danach hat sie die Fühler vom Blütenstaub gereinigt. Dabei werden diese mehrfach mit Hilfe der Vorderfüße durch den "Mund" gezogen.
Danke für deinen Besuch! Thanks for visiting!
bitte beachte/ please respect Copyright © All rights reserved.
Last shot from Esquimalt Lagoon, a Northern Pintail flying by, fast and low. Honesty, I have no idea how I got this in focus. Just quick reaction time and lots of luck; I usually miss these shots. I was using a D800 body - only 4 fps, but it was Nikon's first large sensor, high dynamic range camera and the quality upgrade from my previous Nikon bodies was dramatic.
Tomorrow, on to a new location.
Photographed at Esquimalt Lagoon, Colwood, Vancouver Island, BC (Canada). Don't use this image on websites, blogs, or other media without explicit permission ©2013 James R. Page - all rights reserved.
A goldfinch resting on a frozen branch of a maple tree. I bought a used a6600 APS-C camera to use with my 100-400 lens. I wanted to try this as an equivalent to the larger 150-600 lens with a 35mm sensor camera.
No Sensor Ship
No sensors or modern equipment showing on this one
Hello there. Relevant comments welcome but please do NOT post any link(s). All my images are my own original work, under my copyright, with all rights reserved. You need my permission to use any image for ANY purpose.
Copyright infringement is theft.
OBJECT: Messier 42, The Orion Nebula, Constellation Orion (Ori), apparent magnitude 4, apparent dimension 90’ x 60’, distance 1344 ly .
CALIBRATION: RA 05h 35m, DEC -5°21’, FOV 2,57°x 1,71°, Field radius 1,602°, Image pixel scale 2,50 arsec/px, Image size 3840 x 2560 px.
GEAR: Nikon Z7 Kolari Full Spectrum + Nikkor Z 400/4,5 + TC2x = 800/9, Kolari H+ Clip in filter, UV lens filter, Dew heater strip, Sensor pixel scale, 1,12 arcsec/px, tracking mount iOptron HEM27EC - ipolar alignment, No auto guiding.
ACQUISITION: January 29, 2025, Struz, CZ, Subexposure 120s, f 9,0, ISO 6400, Interval 10 s, RAW-L, Lights 21x, Bias 30x, Flats 30x, Total exposure time 42 min. 1x light frame with ISO 800 for nebula center HDR adjustment. Night, no Moon, no wind, temperature 0° C, Backyard - Light pollution - Bortle 5.
STACKING AND POST PROCESSING: Stacking in Pixinsight (WBPP), post processing in Pixinsight ( DynamicCrop, CosmeticCorr, GradientCorr, ColorCalibration, BlurXTerm, NoiceXTerm, streching via HistogramTrans. Adobe Photoshop CC 2025 (final color, brightness tuning, resizing and export to jpg sRGB).
Otro de los destinos que es indispensable visitar y recorrer en Islandia es sin duda los valles y montañas de colores de Landmannalaugar, es necesario el andar sin prisas por esas zonas que te dejan con la boca abierta y que a la vez la retina pasa al xip del cerebro estas imágenes para la eternidad...ufffffff, ahora lo hacemos con el sensor de la cámara...hahaha
For the Macro Mondays Theme: "Photography Gear"
WARNING: Don't try this at home!!!
Note: No real harm was done and the sensor and camera survived the (photoshop) experiment without any scratch or (water)damage 😉 Thanks for your concerns...
Thank you very much for your time, faves and comments. It's much appreciated.
Happy Macro Mondays
©2008 Ardent Photography LLC
All done in camera... only photoshop was to clean up my sensor dust from shooting at such a small aperture.
One of my favorites this year.
EXPLORE - October 17, 2008 Front page (#9)
From an abandoned water tank.
Taken with Canon FD 50mm F3.5 Macro / Full Frame Sensor / Unedited (Straight from camera).
Took an evening walk in our area and saw this sunset at this vantage point. It 's just another regular evening to me. As it was pretty dim, I had to use high ISO and slow down the shutter speed to let more light get into the camera sensor.
Think of your camera's sensor (or film) as a projection screen. Direct a beam of light onto odd shaped transparent material such as plastic or glass so that the refracted pattern of light goes into your (lensless) camera.
Note - never aim a laser directly at the sensor!
Striking tulip variety in intense red with fingered petals that resemble the foliage of a cutleaf Japanese maple (Acer palmatum dissectum) in autumn.
The Red color is a bane for CMOS sensors, always blows out in the SOOC JPEGs.
Best shoot in RAW and deal with the Red channel by manipulating the Tone Curve. Getting a little better with this, all done via Olympus' RAW developer "Olympus Viewer 3".
Handheld with m4/3 setup.
What a beautiful morning to fly a drone! This is the St. Johns Bridge in Portland, Oregon. Shot with the DJI Phantom 4 Pro drone and processed in Lightroom CC. I really torqued on the sliders with this image to see how well the new sensor in the P4P performs. Not bad for a 1" sensor!
Model: Bruno Vicente
Photography and production assistant: Nanda Ferreira.
Strobist info: One Elinchrom 70 cm softbox at model left an above, one 580 EXII through white shoot-through umbrella at model right as fill. One bare 580 EX II at model right and back as kicker. Fired with Canon Wireless ST-E2 trigger (Elinchrom fired through light sensor).
From a base of an abandoned water tank.
Taken with Canon FD 50mm F3.5 Macro / Full Frame Sensor / Unedited (Straight from camera).
The dogs are dueling over the fence, causing the motion sensor lights to come on. Mooky and Kona need to chill. 100 Days of Darkness 8/100.
With an assorted entourage in tow and the rain lashing down, US Air Force 9thRW Lockheed U-2S 'Dragon Lady' 80-1069/BB taxies down Fairford's runway to park in the static line-up during RIAT 2023
Here she's sans her Dorsal Span Pod and with a standard nose cone
Normally she'd fly festooned with an assortment of sensors - using a replacement nose, on those wing-mounted pods, in fuselage equipment bays and the dorsal mounted Senior Span or Senior Spur Pod
Here, the outriggers are attached which when the U-2 becomes airborne - they fall away to be collected and re-used after landing
The white 'muscle' car is the Dodge Chase car - used by another U-2 pilot to talk the flying one down through the last few critical feet before landing
Here's one I took recently, returning from Ops:
www.flickr.com/photos/29288836@N00/52953709346/in/photoli...
276A7615
We were koming back from a wonderful day out in the kar...and I was trying differents settings on the kamera and shooting to a "there's no words to describe it" sunset... and well .. when i get home... and downloaded the piks.. he or she.. this presence was there.. I never saw it when I took the pik...
;)
Kingsdown.
Another using the 1.6 crop sensor with teleconverter and hand held.
The f11 was a mistake due to the control wheels being set different to my 7D. I've now changed which wheel controls which setting.
Well, the photographs of this series are probably nothing special, certainly not in terms of composition, or execution and accuracy. Yet I think or hope, there also is a place for this kind of thing in life (and on Flickr).
I feel these images have a subtleness, some kind of gentle in-the-moment-ness that I find very relaxing.
The halation and the thin DOF that comes with the wide aperture diverts the eye from too much detail, it simplifies and brings the muted vintage color palette in the foreground, which has some painterly quality to it.
I don't really get tired of looking at them, just enjoying the colors; but maybe it's just me, having the memories of taking them that provoke this type of emotional response?
Either way, perhaps some of you like staring at them too for a bit :)
Taken: mid October.
Nikon D7200 (APS-C crop sensor)
Minolta MD ROKKOR 50mm f/1.7
Fotodiox Pro MD - Nik adapter
(thus 75mm full frame equivalent)
ISO100, 50mm, f/1.7, 1/3200sec (-0.7EV)
single image, handheld, with joy..
Los campos manchegos recién segados, sirven para mostrar una vez mas el brutal rango dinámico del sensor foveón.:-)))
sd15. ISO:100. F16.0. 1/1000. 30mm(15-30mm)
A new toy for unscientific research
A real macro objective with autofocus manages quite well with a limited-size-sensor camera body.
I'm professional level lazy and so not willing to describe the subject here, see www.flickr.com/photos/seppou/14520445201/in/photostream/