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"Tin" the exposed pins of the 5mm CSLT current sensor with a small amount of solder. This technique makes soldering the wires to the sensor pins easier.
This shows a ibutton style sensor in a circuit board mounting clip. Even though I don't put it in a circuit board, the clip makes it easier to connect the wires to it.
I had difficulty getting the camera to focus in the dark.
One of the sensor boards for the organza touchpad.
More info: josos.org/2009/01/04/organza-touchpad-development-2/
Sensor status screen. It shows I need to calibrate on or before 10:41pm today to keep getting readings. It shows the sensor age also, but I've restarted 4 times already, so I'm actually on day 14 with this sensor. The Isig is the actual electric measure from the transmitter. My understanding is that this is placed into a formula that changes each time you calibrate to calculate the glucose level.
ÆNVERS GIRONA_MAPES INTANGIBLES
Comissària: Flora Bacquelaine
Amb treballs de:
Alba Sotorra i Isa Campo
Maia Kanaan i Olga Taravilla
Antoni Miralda
Marta Negre
De l'11 de maig al 9 de desembre de 2012
Inauguració: 10 de maig de 2012, 19.30 h
ExpoCambra
“Ænvers Girona_Mapes intangibles” és la primera edició d’un programa del Bòlit que té com a nucli de reflexions i operacions la ciutat de Girona. Aquest primer episodi, comissariat per Flora Bacquelaine, és un exercici que pren la cartografia com a mètode d'investigació urbana i el mapa com a instrument de comunicació. Es tracta d'una reflexió sobre la contemporaneïtat gironina a partir de diferents aproximacions.
Shot of the tachometer sensor setup in the bilges of my steamboat. There's some speculation that the bent brass support may have interfered with readings at some speeds. Tests were going to happen on the second day but a battery wire failure was unfixable without a soldering gun, conveniently left behind! Next week: bench tests with an oscilloscope.
The Citizen Cyberlab demonstrates three hands-on Citizen Science projects at the Science Museum:
1. Hacking hardware and sensors in the Arctic for DIY climate change science
2. the UN's GeoTagX for humanitarian disaster mapping
3. the SynBio game Hero.coli
Wide operating temperature range: -40 to +250Celsius degree
Dielectric strength: 1,500V AC for one second
Short thermal response time in water, high stability in moisture
Suitable for use in low and high-temperature and moisture environments
High accuracy,Different tolerancr available ,Cost-effective
UL approval ,RoHS compliant
Climatic category:IEC60068-1
Resistance tolerance :+/-1% to +/-5%
Insulation resistance: Greater or equal 100Mohm
Dissipation Coefficient: 3-10 mW/Celsius degree in still air
Time constant : 3-15 Seconds in hot water
Moisture resistance:(40Celsius degree 95% RH)1000 hours
Recommended Applications
1.Temperature measurement in household appliances:
Water heater,Water boiler,Dish washer ,Toaster, Soybean milk maker.small appliance
2.Temperature sensors for industry control
Web:http://www.sensor-manufacturer.com/
The Paparazzi Bots is a series of five autonomous robots each standing at the height of the average human. Comprised of multiple microprocessors, cameras, sensors, code and robotic actuators on a custom-built rolling platform, they move at the speed of a walking human, avoiding walls and obstacles while using sensors to move toward humans. They seek one thing, which is to capture photos of people and to make these images available to the press and the world wide web as a statement of culture's obsession with the “celebrity image” and especially our own images. The flash autonomously goes off, capturing people’s photos and elevating them to “celebrity” in a kind of momentary anointing by the robots. The robots also become celebrities through their association to the “famous people” at the exhibition that are captured by the Paparazzi Bots.
Each autonomous robot can make the decision to take the photos of particular people, while ignoring other humans in the exhibition, based on things such as, whether or not the viewers are smiling or the shape of their smile. When the robots identify a person or group they will automatically adjust their focus and use a series of bright flashes to record that moment.
Surveillance technologies straddle a delicate balance that we have in contemporary culture, where we are all photographed without our knowledge by cell phones, hidden cameras and sometimes “celebritized”. This is a kind of modern baptism with the camera flash and the spectacle of being the focus of the camera becoming a kind of techno anointing.
This work explores ideas surrounding the shifting territories of self and machine and how machines can manipulate the other (us) in a grand co-evolutionary dance of emerging robot-human relations.
The recent emergence of social networks and their ability to connect people through software prompts via the world wide web is a prime example of the co-evolution of humans and their intelligent machines. The fact that the software prompts exploit our social needs for connectivity and social space is so easily exploited in this new critical juncture in our emerging machine human relations.
This camera can track your head and be set to take a photo if you smile mildly, medium-smile or pull-a-muscle smile. When set to smile mode, they do seem to prefer even smiles rather than crooked smiles so here the machine is making determinations about issues of "beauty". I have considered holding a robot beauty contest as an addition to this work.
By Ken Rinaldo.
Special Thanks to Shirley Madill curator who invited these works to Toronto for Nuit Blanche
Special Thanks to Amy Youngs the midwife to the birth of these robots.
Thanks to the Dynasty Foundation, Russia and Dmitry Bulatov Curator, for funding this robot Commission.
Thanks to Malcolm Levy who invited the production of three more Paparazzi Bots for the Vancouver Olympics in 2010
Thanks to the College of Arts and Humanities for further funding of this project.
see the line running horizontally through the entire photo. can anybody please tell me what this means? ( out of cam )
Y axis: error rate (Levenshtein distance)
X axis: words-per-minute of transmission
Blue dots are readings from when the sensor and LED are touching; green when they're placed 1cm apart. In both cases they're covered to keep out natural light.
ÆNVERS GIRONA_MAPES INTANGIBLES
Comissària: Flora Bacquelaine
Amb treballs de:
Alba Sotorra i Isa Campo
Maia Kanaan i Olga Taravilla
Antoni Miralda
Marta Negre
De l'11 de maig al 9 de desembre de 2012
Inauguració: 10 de maig de 2012, 19.30 h
ExpoCambra
“Ænvers Girona_Mapes intangibles” és la primera edició d’un programa del Bòlit que té com a nucli de reflexions i operacions la ciutat de Girona. Aquest primer episodi, comissariat per Flora Bacquelaine, és un exercici que pren la cartografia com a mètode d'investigació urbana i el mapa com a instrument de comunicació. Es tracta d'una reflexió sobre la contemporaneïtat gironina a partir de diferents aproximacions.
The front sensor mount, which currently holds a single, forward facing ultrasonic sensor isn't perfect structurally, due to excessive yaw when force is applied to either side of the rig. We'll probably revise the design of this part of the robot shortly, but it works for now.
Interesting… I was playing with long exposures at night. I triggered the release and went back inside expecting to get a 5 minute exposure. An hour later I remembered the camera. This is the way it came out - no special effects added here. There was one porch light on, which probably accounts for the yellow cast, and some green leaves where the light was indirect (and of course breezes has moved the tree about in that hour).
What puzzles me is the buildings and fire escapes still have texture ad definition, but the BLACK SKY is all blown out. I wonder what the sensor was up to here...