Contact printing on fomatone FB classic (18x24). Selenium toner.

Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper

FP4 4x5 ID-11

Print on Ilford FB Multigrade WT Gloss Selenium Tone.

Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper

Robeson Creek

Near Pittsboro, North Carolina, USA

Carcassonne.

Leica M9 Mono 35mm Color Skopar. Interneg onto Ilford Art 300 Easylith 25+25+950 and a bit of selenium to finish off.

Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper

FORTHCOMING EXHIBITION

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Hasselblad 501 C/M with Kodak Tri-X 400 developed in Pyrocat-HD.

Printed on Foma 133

Catechol/SE1 Sepia

Selenium / MT3

My Mother's Love rose in Selenium colours along with a wee spider inside her. The Roses will be on display at Flemington today to almost no-one other than the horses, trainer, strappers and officials! Happy Melbourne Cup holiday - a 30 degree day coming up!

Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper

Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper.

FP4 4x5 in DDX.

16x12 Lithprint Foma Retrobrom in Moersch SE5 1+15 with 100ml OB light selenium tone.

Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper

FORTHCOMING EXHIBITION

Selenium tint in Lightroom.

13th January 1979, when winters were winters!

Agfa CT18 colour slide copy.

DSC03712-HDR_Lr9-2

Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper

This is my second attempt in lithing this pinhole shot. The first print was too dark after drying.

Taken with a broken Rolleiflex SLX with a 0.32mm pinhole cap in Freiburg.

Lith printed on Fomatone MG Classic with very diluted Moersch SE5 developer. A few seconds toned in selenium for stronger blacks. View large on black

Another Hendon Beach shot but with a better balance of sand and wave on show I think. Processed with a Selenium filter in Silver Efex.

Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper

Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper.

www.kityoung.co.uk

Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper

4x5 negative by The Robert Rigby Pinhole camera. Darkroom print on Rollei Vintage 332 RC, toned in selenium and sepia.

For those of you who don't like sunrises!

The last of my Catherine Hill Bay shots and the last (probably) from my beloved but very replaced D90. The D600 has arrived!

30 sec exposure with Hoya ND400.

www.facebook.com/TimArcherPhotos

Test image through Aperture 3 with Nik Silver Effects applied. Image from Nikon D700 with 28-85mm zoom, output as Fuji Acros 100 with a Selenium Toner effect and edge burn. I used this film a lot, and while it looks decent, I dont think it has the same magic.

Tmax 400 - XtolR- Leica M3-Zeiss ZM 50mm F/2. Printed on Adox MCC 110 toned with Moersch MT3a and selenium

Nikon f90X. Película Argenti Pan-X 100 Iso (Similar a Agfa APX-100) Revelador Gago StacP2 1+9 25ºC.5 minutos. Papel Foma Fomatone 131. Revelador Gago ToqueGrafic+ Softonate. Virado al selenio-sulfuro. 18x24 cm. Selenium-sulphide toned.

Combarro, Poio, Pontevedra. Agosto 2008.

Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper

Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper

Silver gelatin prints available on request

Photograph 2018, printed 2019.

Johannisdom, Vienna.

Pentax KX / 35mm SMC f2 / Ilford HP5+ / replenished Kodak Xtol / 6x9" silver gelatin print on 8x10" Agfa Brovira Grade 4 / replenished Ethol LPD / Harman Selenium

Darkroom print on Fomabrom 111 in WA developer, followed by Selenium 1+19

Negative: Ilford FP4+ in R09 1:25 for 9:00 minutes

Camera: Hasselblad 500 c/m, Carl Zeiss Distagon 4.0/50mm, Orange filter

Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper

Ilford HP5 + Selenium Toning.

Yashica Mat 2-eyed 80mm f2.8

ISO 400

Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper.

Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper

Venice

Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper.

Bei der Goldtonung von Lithprints legen alle Tonwerte an Dichte zu. Deshalb habe ich diesen Print 2/10 Blendenstufen kürzer belichtet.

When toning lith prints with gold, all tonal values increase in density. That is why I exposed this print 2/10 f-stops less.

Paper Select Ivory (PW17)

1st SE5 Lith 30+30+20+1000 ml 5 minutes.

2nd Pyrocatechol 10 ml + Lith B 15 ml + NH4Cl 20% 5 ml + Lith D 1 ml + water 800 ml 4:15 minutes.

1st toner MT1 Selenium 1+10 1 minute

2nd MT10 Gold toner 2:30 minutes.

Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper

Scan of the print I made for publication in an artsy book / magazine.

Duotone (sepia and selenium) on Ilford Multigrade RC paper

Hasselblad 503cw + 50mm lens

This picture is an instance of a mistake paying off. I took this shot with the lightmeter set at ISO400 instead of 100, resulting in my cursing and an underexposed negative. Curiously, the properly exposed shot is not nearly as interesting.

The toning was fraught with problems too. I bleached it a tiny bit, rinsed, put it in the sepia, rinsed, then put it in the selenium. No sooner did I put the print into the second toner than something began to precipitate out, making large dark flakes in the bath. I thought the emulsion was coming off and I whipped it out and into cold water. Phew! Saved, but never to be duplicated.

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Hasselblad 500 C/M with Kodak Tri-X 400 developed in Pyrocat-HD.

Printed on Adox Variotone

Two trays development:

Catechol + FB

SE1 Sepia

Selenium / MT3 / MT2

Website ⎟ Blog ⎟Facebook ⎟ Google+ ⎟ LinkedIn

Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper

K with her best friend. Photograph from 2014.

Hasselblad 500C / 80mm Planar / Ilford Delta 3200 / replenished Kodak Xtol / 9x9" silver gelatin print on 11x14" Ilford MGIV fiber matte / replenished Ethol LPD / very lightly toned in Moersch MT-3 and Harman Selenium

tu con tutto il cuore ti spaventi

di aria che ti scuote e ti perde;

Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper

Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper

Silver gelatin prints available on request

Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper

FP4 in Tanol N+1 (1+1+90), printed onto an early batch of Fomatone 132 (exp. VI 2002), SE5 Lith & Lith G, Toner MT1 Selenium 1+10 1 min followed by MT10 Gold 1 min

Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper.

www.kityoung.co.uk

Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper

Silver gelatin prints available on request

Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper

Silver gelatin prints available on request