View allAll Photos Tagged selenium
Fuji GSW690 III, TriX, Rodinal, Ilford Art 300, Catechol/SE6 Blue, Bleach 1+50 30s, MT3a 45s, Selenium 1min, Gold 1 minute.
FP4 in Tanol N+1 (1+1+90), printed onto an early batch of Fomatone 132 (exp. VI 2002), SE5 Lith & Lith G, Toner MT1 Selenium 1+10 1 min followed by MT10 Gold 1 min
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper
Bei Hinterzarten
Rollei 35S, Adox CHS 100 II, dev. in Moersch EFD, printed on Ilford ART 300 in Moersch ECO 4812, Selenium toned
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper
Silver gelatin prints available on request
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper
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Hasselblad 500 C/M with Kodak Tri-X 400 developed in Pyrocat-HD.
Printed on Adox Variotone
Two trays development:
Catechol + FB
SE1 Sepia
Selenium / MT3 / MT2
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Hasselblad 501 C/M with Kodak Tri-X 400 developed in Pyrocat-HD.
Printed on Foma 133
Catechol/SE1 Sepia
Selenium / MT3
Selenium toned silver gelatin print (Oriental VC-FB) from 828 negative (microfilm)
Shot on the Kodak Bantam RF
This is a reimagined 1939 Bugatti -- using a Type 64 chassis, one of three in the world, a body was designed by artists and car buffs at The Peterson Automotive Museum in Los Angeles, California. Apparently only the chassis had been built, allowing the people who constructed this the freedom to imagine what Jean Bugatti may have built had he lived. These are the papilon (butterfly) doors. I used Lightroom CC and a toned selenium filter, with some tweaks, to enhance the beautiful art deco feel to this piece of art.
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper.
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper.
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper
For those of you who don't like sunrises!
The last of my Catherine Hill Bay shots and the last (probably) from my beloved but very replaced D90. The D600 has arrived!
30 sec exposure with Hoya ND400.
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper.
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper
Silver gelatin prints available on request.
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper.
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper
Silver gelatin prints available on request
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper.
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper
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Hasselblad 501 C/M with Kodak Tri-X 400 developed in Pyrocat-HD.
Printed on Select Sepia VC
Two trays development:
Catechol+FB
SE1 Sepia
Toned in Selenium/Thiourea/Carbon
Another Hendon Beach shot but with a better balance of sand and wave on show I think. Processed with a Selenium filter in Silver Efex.
Darkroom print on Fomabrom 111 in WA developer, followed by Selenium 1+19
Negative: Ilford FP4+ in R09 1:25 for 9:00 minutes
Camera: Hasselblad 500 c/m, Carl Zeiss Distagon 4.0/50mm, Orange filter
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper
Silver gelatin prints available on request.
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper
Silver gelatin prints available on request
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper
Silver gelatin prints available on request
Nikon f90X. Película Argenti Pan-X 100 Iso (Similar a Agfa APX-100) Revelador Gago StacP2 1+9 25ºC.5 minutos. Papel Foma Fomatone 131. Revelador Gago ToqueGrafic+ Softonate. Virado al selenio-sulfuro. 18x24 cm. Selenium-sulphide toned.
Combarro, Poio, Pontevedra. Agosto 2008.
iPhone snapshot of an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper
Tmax 400 - XtolR- Leica M3-Zeiss ZM 50mm F/2. Printed on Adox MCC 110 toned with Moersch MT3a and selenium
This is my second attempt in lithing this pinhole shot. The first print was too dark after drying.
Taken with a broken Rolleiflex SLX with a 0.32mm pinhole cap in Freiburg.
Lith printed on Fomatone MG Classic with very diluted Moersch SE5 developer. A few seconds toned in selenium for stronger blacks. View large on black