Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper

Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper

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Hasselblad 501 C/M with Kodak Tri-X 400 developed in Pyrocat-HD.

Printed on Foma 542 II

Two trays development:

Catechol+FB

SE1 Sepia

Toned in Selenium/Thiourea

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This is Cow Parsley an important early flowering plant providing for insects early in the Spring. It is now turning to seed.

Canon M6mk2; EF 40mm f2.8

Silver Efex 9: Toning = selenium 25%

Film Pack 7: Frame

IMG_8722

Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper

A selenium-toned image of the chimney at Magpie Mine near Sheldon.

Graflex Crown Graphic on Kodak Plus-X, expired in 1980. It is severely affected by mould, but fortunately I like the effect.

Darkroom print on Rollei Vintage RC 332 with some dodging. Selenium toned to get rid of some of the green hues.

This is my last batch of this paper, it is not available anymore at Macodirect

FP4 4x5 ID-11

Print on Ilford FB Multigrade WT Gloss Selenium Tone.

FP4 4x5 in DDX.

16x12 Lithprint Foma Retrobrom in Moersch SE5 1+15 with 100ml OB light selenium tone.

Copies of this print are available through my online store: www.kityoung.co.uk/store

Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper

Silver gelatin prints available on request

A scene in the Yorkshire Wolds near Wetwang, seen from the Chalkland Way.

A selenium toned image.

Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper

Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper.

www.kityoung.co.uk

Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper

Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper

A selenium toned version of a picture I posted last year. The field got a little too dark, but I like the ice like effect on the trees in the background.

Happy New Year!

Zenza Bronica SQ-A, Zenzanon-PS 80mm f/2,8

Kodak TRI-X 400 developed in ID-11 1+3, 19min@20°C

Fomatone MG 131 18x24

Moersch Easy Lith 1+15, 9th print in 800ml with replenishment

Adox Selentoner 1+5 6:30min@20°C

Digitised with a Pentax-M Macro 4/100 on a Pentax K-x.

Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper.

Yashica Mat 124 G, Close up lens Rolleinar II, Kodak T-max 400 CN, expired. Selenium toned print on Kentmere. View On White

(30x30 cm)

Long exposure - Hasselblad 500C - 80 mm Planar C- HP5@200 - XTOL stock - Adox MCC - SE6 Blue - Selenium 1+9 5 minutes

Ilford HP5 35mm film

Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper

Reposted after accidentally deleting the one I posted 2 days ago which made Flickr explore. I have worked on the image a little to remove some branches and darken the sky highlights

~from the woodpeckers suet feeder~

Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper

Pinhole photo. Lake Superior North Shore.

Kodak Plus-X / Rodinal / 6x6" on 8x10" Ilford MG matte fiber / Ethol LPD / split toned Moersch MT3 and Harmann Selenium

SE5(Moersch)30+30+8+1000H2O

Catechol 10+ omega7 +1000 H2O

selenium 1+20

carbon (Moersch)

oh ... my scanner is full of dust ;D

I've been shooting a lot of landscapes this winter with a view to, one day, putting them together in a series. East Anglia, with its huge, dramatic skies, continues to unveil itself...

Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper.

Lonely tree - Winter

Scan from 8" x 8'' print

Tmax film 400 @ 320.

Forte paper / Dektol

Selenium toned

Previously uploaded as a negative scan.

Technical details: Foma 111 FB paper souped in Adotol WA warm tone developer, followed by Adox Selenium 1+19 and Foma Sepia 1+19 A (15 sec) and 1+19 B (1 minute)

Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper

Visit my online shop: www.kityoung.co.uk/tuileries-2019

Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper

Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper

FORTHCOMING EXHIBITION

Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper

Silver gelatin prints available on request

Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper

Fuji GSW690 III, TriX, Rodinal, Ilford Art 300, Catechol/SE6 Blue, Bleach 1+50 30s, MT3a 45s, Selenium 1min, Gold 1 minute.

Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper

Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper

Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper

Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper

Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper

Scanned print.

Rolleiflex 3.5C w/ Xenotar 75 mm/f3.5 + light yellow filter. March 20, 2021.

Fomapan 400 in HC-110 (B, 1+31), 7 min @ 20°C.

Printed on Oriental Seagull G-2 fiber paper and developed in Moersch SE6. Bleached (quite heavily) and toned in Selenium (1+4, 30 s). Refixed.

Another attempt to achieve better contrast in analog postprocessing.

PS borders.

Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper

2009 photograph, printed 2011.

Pentax KX / 50mm f1.4 / Kodak TMax 100 / Edwal 12 / 9x12" silver gelatin print on 11x14" Foma Fomabrom Variant 112 / replenished Ethol LPD / bleach back and redevelopment in Moersch MT3 and Harman Selenium

Mounted Focomat V35 print.

My scanner has broken hence the snapshot of this recent mounted selenium-toned silver gelatin print.

I've been shooting and printing a lot of new work--including the above shot taken in Paris a few weeks ago--with a view to putting together a new series after the summer holidays.

Have a great summer and enjoy yourselves! :)

Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper.

www.kityoung.co.uk

Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper

Monochrome - toned Selenium with one of Dave Striker's Gradient maps.

Close-up/Macro using a 60mm (equiv. 120mm) with 26mm (16mm + 10mm) Extension Tubes. I found I couldn't get the depth-of-field using a 30mm Macro lens. The extra camera-to-subject distance required with the longer lens gave a better depth-of-field.

Speedlight with 16" softbox.

Bei der Goldtonung von Lithprints legen alle Tonwerte an Dichte zu. Deshalb habe ich diesen Print 2/10 Blendenstufen kürzer belichtet.

When toning lith prints with gold, all tonal values increase in density. That is why I exposed this print 2/10 f-stops less.

Paper Select Ivory (PW17)

1st SE5 Lith 30+30+20+1000 ml 5 minutes.

2nd Pyrocatechol 10 ml + Lith B 15 ml + NH4Cl 20% 5 ml + Lith D 1 ml + water 800 ml 4:15 minutes.

1st toner MT1 Selenium 1+10 1 minute

2nd MT10 Gold toner 2:30 minutes.

The Orangery ruin at the National Trust's Gibside