View allAll Photos Tagged selenium
Darkroom print of 6x6 fomapan 400 negative on Agfa Brovira grade 2 matt, using Compard warm tone developer. Toned in selenium and just a touch of sepia.
Scanned Moersch Polychrome print.
Mamiya 645 ProTL w/ M-S 45 mm/f2.8. Nov 7, 2020. Autumn sunrise.
Fomapan 200, dev in Rodinal 1+100, semistand 1 h.
Two bath lith printing on Rollei Vintage 332 RC:
1. Moersch Easy Lith (1+10)
2. Siena + Additives (Ammonium Chloride + Potassium Carbonate).
Toned in Selenium 1+7, 45 sec.
PS borders.
May 24, 2021.
Tribute to Jeff Healey, one of the greatest blues guitarists ever.
www.youtube.com/watch?v=bD8RFBB1zPI
Jeff was blind, and still he saw... I wish he would have been with us a little longer. Sadly not.
Part 6 of the series on long exposures simply called Exposed
Just a series on long exposure daytime shots.
Shot from the South Pier in IJmuiden, you can see two other piers in the distance.
Technical info:
10 stops ND filter
f/22
ISO100
1min10s exposure (70s)
Software:
Lightroom 2.0
PS CS3 - Silver Efex Pro - Red Filter - Selenium toning
Explore #250 April 15 2009
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The last low key church interior photo for now, I promise!! ;)
I took this one during my first (and to date only) visit to Sweden last summer. We were there only for a few hours, then we had to get going back to Helsinki again, we didn't get to see so much of Stockholm.
Normally, I have a fairly good recollection of where exactly I took which photos, even months after the fact and even when I'm unfamiliar with the region. Whenever I can't figure it out anymore, I try and see if I have any phone photos from the same place as they're geotagged.
With this one, I was all out of luck: I had no idea what the church is called, where exactly it is located and I had 0 photos of Stockholm on my phone (can you believe it?! ;))
Some "Google Maps forensics" and virtually wandering on the map starting at the Stockholm Palace eventually made me find it again.
Print onto Fomabrom Variant 111 using Moersch Eco 4812 @ 1+14
Toned in Thiourea and Selenium:
1) Moersch MT 3 (Setting A)
2) Moersch MT 1 @ 1+10
Nikon F3 + Nikkor 20mm 1:3.5 + AgfaPhoto APX 100 @ EI 80 in Rodinal @ 1+50
Print scanned on a Heidelberg/Linotype-Hell Saphir Ultra II using Vuescan.
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper
Ilford HP5 D76
Print 14x12 Fomabrom Variant IV (old stock fogged) Multigrade Dev. Bleach to get rid of fog Selenium Tone.
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper
Best viewed a little smaller/from a few meters away :)
Had big fun making this print and absolutely none trying to get a good scan of it – please excuse all the debris and weird light reflections here and there...
I remember that it was quite adventurous getting this photo: I had no tripod or anything with me and only EI 80 film available. There wasn't anything to lean the camera against either. It's almost a miracle that this shot actually turned out sharp!
This is yet another case where the chemical toning gets really close to the real life actual color of the sujet – love it!!
I kept the bleaching for the thiourea toning short, the same goes for the selenium toning afterwards. I'm pretty surprised the print became this colorful!
Print onto Fomabrom Variant 111 using Moersch Eco 4812 @ 1+14
Toned in Thiourea and Selenium:
1) Moersch MT 3 (Setting A)
2) Moersch MT 1 @ 1+10
Nikon F3 + Nikkor 20mm 1:3.5 + AgfaPhoto APX 100 @ EI 80 in Rodinal @ 1+50
Print scanned on a Heidelberg/Linotype-Hell Saphir Ultra II using Vuescan.
Last year I took this B&W HDR nightshot of a frozen lake and put it up on Flickr but I never was really satisfied with the final result. So I decided to process it again. I think I'm satisfied now.
f/7.0
ISO 400
Multiple exposures: 6, 20 & 30s.
PS CS3
Photomatix
Silver efex Pro - Selenium tone
Note: Yes, this time you're right: this is an HDR shot
HP5 D76
Print on old well expired Foma Variant IV 123. Dev in multigrade. Very fogged paper, highlights grey. Bleached to retrieve them (maybe started to go a bit far at the top) then selenium tone.
Lith Prints, Photoshop borders, described here in due time... remorseblog.blogspot.com/2022/01/printing-holme-fen-risin...
Taken on the Hasselblad XPan with 45mm lens and orange filter. Film was T-Max 100 devd in Xtol. Paper is Ilford MGWT devd in Ilford MGWT. Toned in Selenium then bleached and toned in Moersch MT3.
(Scanner error top right, print almost too big possibly...)
www.google.ie/maps/place/Leh/@34.0241993,77.4731828,335m/...
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper
Hasselblad 501CM, Planar 100 with extension tube, yellow filter.
Delta 400 in Pyro 48.
Paper Select Ivory (PW17)
Developer Meritol 1+10 3 minutes.
Right toned version:
Mt1 Selenium Toner 1+10 1 minute for the shades and MT7 Iron Blue Toner for midrange and lights 5+5+10+5+500 ml 40 seconds, followed by Lead acetate 2,5% sol. 20 seconds.
TriX in Jobo Alpha
Polychromeprint (though in this case it is more an Oligo-, but it get's more flesh anyway) onto Kodak Bromide + selenium
Another from Þingvellir. Mamiya 645, 80mm lens. Delta 400 in Ilfosol-S. Printed on MGWT, toned in MT3 and Selenium
8x10 contact print on cotton rag.
Orbit 8x10 camera, Linhof 210mm lens. orange filter.
rollie 100 iso. pyro hd 2+2+100
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Hasselblad 501 C/M with Kodak Tri-X 400 developed in Pyrocat-HD
Printed on Foma 542 II
Developed in Catechol/Sepia
Toned in Selenium / MT3
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I made three copies of this picture and toned them in different ways.
They all turned out crap except maybe this one...
Toned it in selenium for 2 minutes and then in gold but I didn't think much happened, so I put it back in the selenium again, then it went quickly, had to pull it out after a few seconds when I saw what was happening. But the result might not have been that crazy.
The paper-white frame turned yellow-brown though, have to figure out how to get the white frame white again , if possible.
.
Leica M6, Summicron 50.
HP5 in HC110h.
Print on Ilford MG in Moersch eco 4812.
Toned in MT1 Selen for 2mins, MT10 gold 2 mins and then Selenium again 5 sec...
Photograph 2018, printed 2019.
Photo of the famous Transamerica Building in San Francisco. It's such a great city to walk around with a camera.
Leica M2 / 35mm Voigtländer Nokton / Ilford HP5+ / replenished Kodak Xtol / 6x8" silver gelatin print on 8x10" Agfa Brovira G6 / replenished Ethol LPD / split toned in Moersch MT3 and Harman Selenium
2018 SF Transamerica Bldg 01 Brovira G6 2019
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper.
Ilford HP5+ in Ilfotech DDX
91/2x12 Print on Ilford RCV dev in Moersch 4812 Selenium tone.
Meopta Opemus 7 Schneider Companion S 50mm f2.8.
From Þingvellir.
Mamiya 645, 55mm lens, HP5+ in Prescysol EF. Printed on MGWT and toned in MT3 / selenium
The previous upload made with this 4x5 pinhole negative was a rather grainy Lith print on expired paper. This one is a regular warm-tone print on Rollei Vintage 332 paper, slightly toned in selenium and sepia.
Final print .
first day - test print, pilot print, analyzing.
second day - work on the final print, toning with selenium, drying.
third - sepia toning, final drying.
fourth day - continued drying
fifth day - continued drying.
sixth day - mounting in passepartau.
Ilford multigrade fb classic 5k mat
PQ universal
stop bath water
Alkaline Fixer
Selenium-sepia duotone with dilute bleach bath
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper
On tonight's evening news, the weather man predicted we've reached a turning point for this Winter's coldest temperatures. The coming week will bring warmer temperatures and even a bit of rain. Mind you, this is the same fellow that only a few weeks ago, predicted the month of February will be colder then usual. So we shall see. In the mean time, I'll try a selenium tint on this photo from December 26th, when it was indeed very cold and snowy.
Photograph April 29, 2007
Nikon FM, Micro-Nikkor 55mm
TMax 100 in TMax RS 1:4
Lith Print Jan 22, 2017
Selenium toned
This was my third or fourth attempt to print this; it took a very long exposure to get any detail in the blossoms. The mottled effect was unexpected.
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Eastman Kodak 2-D (8x10") with 9 1/2" Wollensak Velostigmat Series II
Fomapan 200 in Pyrocat-HD
Contact printed on Foma 542 II
Developed in Meritol
Toned in Sepia / Selenium
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Rolleiflex sl 66, delta 400, d76 1+1
Ilford multigrade fb classic 5k mat
PQ universal
stop bath water
Alkaline Fixer
Selenium-sepia duotone with dilute bleach bath
One of my first ever analog photos! Jokingly, I bought the last single use camera they had at some souvenir store on my visit to Bavaria back in 2015. The cashier told me something like "oh but this is still film, you know, no one buys that anymore". I didn't care much, bought it, shot with it, then mostly forgot about it. I had it lying undeveloped in some closet for a few years until I actually had it developed by a local drug store chain. And so, my analog journey started.
It was only recently that I came across the negatives from this camera again while looking through old photos. This one was a stand-out shot to me, it just worked. Originally, it was a color photo but I had the idea of trying it as a lith print in b/w – and so I did.
This was by far the longest photo paper exposure I've had to date. The negative was pretty dense thanks to heavy fog plus it had the brown/orange color masking too.
I've made three different lith prints – including this one. Still have a hard time deciding which is the best but this one hits my original vision the closest, I think.
With its super fuzzy and unsharp look, I kind of wish I had kept the camera itself... makes for very interesting, artsy shots!
Lith print onto Agfa Multicontrast Premium MCP 312 RC with Moersch Easy Lith 1+10
Briefly toned in selenium: Moersch MT 1 1+50
Unknown single use camera + unknown plastic lens + unknown C-41 film (how helpful ;))
C-41 lab development
Print scanned on a Heidelberg/Linotype-Hell Saphir Ultra II using Vuescan.
Silver gelatin print on ceramic tile.
Foma's liquid emulsion on 20x20 cm tile.
Medium format negative from 2017 (Rolleiflex T w/ Tessar 75 mm/f3.5, Fomapan 400)
Developed in Dektol and toned in Selenium.
Matt varnish.
Sailboat moored off Babson Island. Same foggy morning - we were en route to the loop hiking trail.
Interestingly enough, Michael suggested trying the selenium toning during the processing. This is different from his usual practice of yellow split-toning, and I think it does evoke the blue in the morning fog.