View allAll Photos Tagged selenium
(... in selenium colour shade...)
in Explore Jan 17, 2009
Sometimes I think I'm creeping or crawling... ever and ever again...
but it makes me happy in a way... so please don't wonder...-
meet me beneath... on the floor...
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper
barber time...
Rolleiflex sl 66,delta 400, D76 1+1
Ilford multigrade fb classic 5k
Ilford Multigrade develop
24x30cm/ 20x20
stop bath water
Alkaline Fixer
Selenium toner 1+18 2min
Sepia toner 2min
Hasselblad 501cm, Sonnar 150mm.
Window light
Ilford HP5 in Xtol, N + 1. 14:15 min.
Printed on Ilford MG and developed in Dektol. Finally toned in thiourea and selenium.
The last low key church interior photo for now, I promise!! ;)
I took this one during my first (and to date only) visit to Sweden last summer. We were there only for a few hours, then we had to get going back to Helsinki again, we didn't get to see so much of Stockholm.
Normally, I have a fairly good recollection of where exactly I took which photos, even months after the fact and even when I'm unfamiliar with the region. Whenever I can't figure it out anymore, I try and see if I have any phone photos from the same place as they're geotagged.
With this one, I was all out of luck: I had no idea what the church is called, where exactly it is located and I had 0 photos of Stockholm on my phone (can you believe it?! ;))
Some "Google Maps forensics" and virtually wandering on the map starting at the Stockholm Palace eventually made me find it again.
Print onto Fomabrom Variant 111 using Moersch Eco 4812 @ 1+14
Toned in Thiourea and Selenium:
1) Moersch MT 3 (Setting A)
2) Moersch MT 1 @ 1+10
Nikon F3 + Nikkor 20mm 1:3.5 + AgfaPhoto APX 100 @ EI 80 in Rodinal @ 1+50
Print scanned on a Heidelberg/Linotype-Hell Saphir Ultra II using Vuescan.
A woman stands at the side of the road waiting for a tricycle to pick her up. I shot this image while riding shotgun in a tricycle along a busy road. Vintage selenium toning applied.
This is a Selenium version of an earlier post. I have been studying B&W photography lately and thought of trying it out on this.
Thanks guys for helping make this image to FP (Highest was at No. 8). Cheers! Have a great weekend!
Location: Manila Bay from the Folk Arts Theatre breakwater
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Agfa Isolette III with Kodak Tri-X 400 developed in Pyrocat-HD.
Printed on Kodak Ektalure (G)
Two trays lith:
SE5/D/E - Ω/NH4Cl/B
Selenium toned
a comparsion
Adox Vario Classic in Amidol plus (two tray with Catechol with 10ml Finisher Blue/litre working solution) each one minute
MT3 Vario Schwefeltoner: bleach 1+200 2 mins, toner setting A bright yellow 30 secs (middle)
followed by MT1 Selenium toner 1+20 2 mins (right)
I don´t know why, Amidol prints are particularly susceptible for every kind of toning.
view large (2420 x 800) to find the home- could take time to load
Darkroom print on Fomabrom 111 with well seasoned WA Print developer, followed by toning in Selenium 1+19
Negative: Adox CHS II, developed in Rodinal 1:25 for 6:00 minutes
Camera: Hasselblad 500 c/m with 2.8/80mm Planar and 3x yellow filter
Taken at the Gran Paradiso, looking at the Levanne mountain range opposite the valley. Near Ceresole Reale, Piemonte, Italy.
Taken with a Canon F1n on Ilford FP4. Self-developed in Tetenal Ultrafin.
Printed with a DurstM670, on Ilford MGIV RC, developed in AM6006, selenium toned.
'Scanned' with an iPhone
I shot the same scenery in color:
www.flickr.com/photos/14202200@N00/51177955225/in/datepos...
and
www.flickr.com/photos/14202200@N00/51174302801/in/datepos...
Got myself a "new" old camera on a flea market in Stockholm during my holiday: a Franka Solida II with Ennagon lens in reasonable condition.
This shot was handheld in low light, f4 and 1/50 sec if I remember well.
Darkroom print on expired Agfa Brovira grade 1, slightly toned in selenium and sepia.
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Hasselblad 501 C/M with Kodak Tri-X 400 developed in Pyro-48
Printed on Select Sepia VC (PE)
Developed in Eco 4812
Selenium 1+10
MT3 (B)
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Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper
Silver gelatin prints available on request.
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper
Acadia National Park, Maine
This is a lith of a previously posted image.
Lith Photo
Selenium toned
Holga Camera
Tri-X Film
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper
Kingsgate Footbridge above the River Wear in Durham City with a Selenium B&W finish. The student Union Building is on the left
HP5 dev in Rodinal 1+25 6x9cm
Print Fomatone 532
Moersch Easylith 1+20
Plus 2 stops 8mins
Selenium 1min
91/2x12 print. My enlarger doesn't go to 6x9cm so 6x7cm crop
Hurrah back in my darkroom.
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper.
This is Cow Parsley an important early flowering plant providing for insects early in the Spring. It is now turning to seed.
Canon M6mk2; EF 40mm f2.8
Silver Efex 9: Toning = selenium 25%
Film Pack 7: Frame
IMG_8722
Photograph 2014. Printed 2015.
In our yard we always tried to have plants that were native to the oak savannah that once covered the landscape of the Midwest in Minnesota. The pollinators loved them, and in some small way I imagine it helped keep their populations healthy. If pollinators die, humans die.
Hasselblad 500 C/M / 80mm T* Planar / 16mm close-up ring / Fuji Neopan 400 / Harvey's Panthermic 777 / 12x12" silver gelatin print on 16x20" Ilford MGIV fiber glossy / replenished Ethol LPD / Moersch MT3 / Harman Selenium
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Hasselblad 501 C/M with Kodak Tri-X 400 developed in Pyrocat-HD.
Printed on Foma 542 II
Two trays development:
Catechol+FB
SE1 Sepia
Toned in Selenium/Thiourea
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Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper
This print was slightly lighter than the previous example before toning.
Polychrome print on Forte PW15
1st toner SE1 Selenium 1+20 2 mins on the left,
2nd toner MT10 Gold (16th print in 450ml) 2 mins - not a good idea, because the print was already too dark for this toning, the density increases considerably as expected. A wrong decision, but an example to demonstrate what happens and how such results can be corrected.
On the right, an attempt to lighten a print that was far too dark. Because there is still enough untoned silver after the gold toning, it can be bleached with Ferricyanide and then fixed.
Ferricyanide-Bromide bleach 1+100 1:30 mins, ATS Fixer 1+5 15 secs.
Result: reddish Selenium shadows and bluish lights (much bluer than before bleaching).
A drawback is the excessive brightening of the highlights if bleaching is carried out until the lower mid tones are brightened as desired.
Graflex Crown Graphic on Kodak Plus-X, expired in 1980. It is severely affected by mould, but fortunately I like the effect.
Darkroom print on Rollei Vintage RC 332 with some dodging. Selenium toned to get rid of some of the green hues.
This is my last batch of this paper, it is not available anymore at Macodirect
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper.
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper
Visit my online shop: www.kityoung.co.uk/umbra-2019
Copies of this print are available through my online store: www.kityoung.co.uk/store
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper
Silver gelatin prints available on request
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper
Yashica Mat 124 G, Close up lens Rolleinar II, Kodak T-max 400 CN, expired. Selenium toned print on Kentmere. View On White
Photograph 2018, printed 2019.
Photo of the famous Transamerica Building in San Francisco. It's such a great city to walk around with a camera.
Leica M2 / 35mm Voigtländer Nokton Classic / Ilford HP5+ / replenished Kodak Xtol / 6x8" silver gelatin print on 8x10" Agfa Brovira G6 / replenished Ethol LPD / split toned in Moersch MT3 and Harman Selenium
2018 SF Transamerica Bldg 01 Brovira G6 2019
Reposted after accidentally deleting the one I posted 2 days ago which made Flickr explore. I have worked on the image a little to remove some branches and darken the sky highlights
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper
Super Isolette, Tri-x in efd,
Select Sepia VC (PW15),
two tray Lith and Catechol,
untoned on the left,
two toners on the right
1st MT1 Selenium 1+20 one minute,
2nd MT10 Gold two minutes.
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper