View allAll Photos Tagged selenium
Got myself a "new" old camera on a flea market in Stockholm during my holiday: a Franka Solida II with Ennagon lens in reasonable condition.
This shot was handheld in low light, f4 and 1/50 sec if I remember well.
Darkroom print on expired Agfa Brovira grade 1, slightly toned in selenium and sepia.
Silver gelatin prints available on request.
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper
Graflex Crown Graphic on Kodak Plus-X, expired in 1980. It is severely affected by mould, but fortunately I like the effect.
Darkroom print on Rollei Vintage RC 332 with some dodging. Selenium toned to get rid of some of the green hues.
This is my last batch of this paper, it is not available anymore at Macodirect
a comparsion
Adox Vario Classic in Amidol plus (two tray with Catechol with 10ml Finisher Blue/litre working solution) each one minute
MT3 Vario Schwefeltoner: bleach 1+200 2 mins, toner setting A bright yellow 30 secs (middle)
followed by MT1 Selenium toner 1+20 2 mins (right)
I don´t know why, Amidol prints are particularly susceptible for every kind of toning.
view large (2420 x 800) to find the home- could take time to load
Acadia National Park, Maine
This is a lith of a previously posted image.
Lith Photo
Selenium toned
Holga Camera
Tri-X Film
This is a Selenium version of an earlier post. I have been studying B&W photography lately and thought of trying it out on this.
Thanks guys for helping make this image to FP (Highest was at No. 8). Cheers! Have a great weekend!
Location: Manila Bay from the Folk Arts Theatre breakwater
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper.
K with her best friend. Photograph from 2014.
Hasselblad 500C / 80mm Planar / Ilford Delta 3200 / replenished Kodak Xtol / 9x9" silver gelatin print on 11x14" Ilford MGIV fiber matte / replenished Ethol LPD / very lightly toned in Moersch MT-3 and Harman Selenium
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper.
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper
Selenium tint in Lightroom.
13th January 1979, when winters were winters!
Agfa CT18 colour slide copy.
DSC03712-HDR_Lr9-2
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Hasselblad 501 C/M with Kodak Tri-X 400 developed in Pyrocat-HD
Printed on Ilford Art 300
Developed in Catechol/Sepia
Toned in Selenium / MT3
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A selenium toned version of a picture I posted last year. The field got a little too dark, but I like the ice like effect on the trees in the background.
Happy New Year!
Zenza Bronica SQ-A, Zenzanon-PS 80mm f/2,8
Kodak TRI-X 400 developed in ID-11 1+3, 19min@20°C
Fomatone MG 131 18x24
Moersch Easy Lith 1+15, 9th print in 800ml with replenishment
Adox Selentoner 1+5 6:30min@20°C
Digitised with a Pentax-M Macro 4/100 on a Pentax K-x.
My Mother's Love rose in Selenium colours along with a wee spider inside her. The Roses will be on display at Flemington today to almost no-one other than the horses, trainer, strappers and officials! Happy Melbourne Cup holiday - a 30 degree day coming up!
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper
Copies of this print are available through my online store: www.kityoung.co.uk/store
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper
Silver gelatin prints available on request
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Hasselblad 501 C/M with Kodak Tri-X 400 developed in Pyrocat-HD.
Printed on Foma 542 II
Two trays development:
Catechol+FB
SE1 Sepia
Toned in Selenium/Thiourea
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Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper.
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper.
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper
Monochrome - toned Selenium with one of Dave Striker's Gradient maps.
Close-up/Macro using a 60mm (equiv. 120mm) with 26mm (16mm + 10mm) Extension Tubes. I found I couldn't get the depth-of-field using a 30mm Macro lens. The extra camera-to-subject distance required with the longer lens gave a better depth-of-field.
Speedlight with 16" softbox.
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper
(30x30 cm)
Long exposure - Hasselblad 500C - 80 mm Planar C- HP5@200 - XTOL stock - Adox MCC - SE6 Blue - Selenium 1+9 5 minutes
SE5(Moersch)30+30+8+1000H2O
Catechol 10+ omega7 +1000 H2O
selenium 1+20
carbon (Moersch)
oh ... my scanner is full of dust ;D
Yashica Mat 124 G, Close up lens Rolleinar II, Kodak T-max 400 CN, expired. Selenium toned print on Kentmere. View On White
4x5 negative by The Robert Rigby Pinhole camera. Darkroom print on Rollei Vintage 332 RC, toned in selenium and sepia.