View allAll Photos Tagged selenium
Halina Paulette EE II ~1975
Halinar Anastigmat f=50, 1:2,8
Uncoupled Selenium photometer
You can see it on Camerapedia
Ho Pui Reservoir, Yuen Long, Hong Kong.
Lens: Carl Zeiss Jena Flektogon MC 35/2.4
Film: Ilford HP5+. Mimicking selenium and sepia split toning by Photoshop
Camera: Yashica FX-3 Super 2000
fomatone 132, selenium 1+1+9, arista premium liquid lith 1+1+24+old brown,
hc-110, neopan 400, voigtlander 35/1.7 ultron, bessa r.
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper.
silver gelatin print
watercolor paper coated with Rollei Black Magic liquid emulsion
sepia & selenium toned
Lightmeter Parts Box 1
Some Selenium Lightmeter Cells.
One is produced June 24th 1938. Hardly fresh anymore !
Produced by the German company Electrocell in Berlin.
Koden Lightmeter.
Selenium lightmeter produced in Japan. My guess somewhere in the 1950's or 1960's.
Inside view.
Selenium cell dead :-(
An overview of the different silver painted faces of the Metrophot and Metraphot exposure meters that were produced by Metrawatt around 1933. The model in the middle of the bottom row, the Metraphot 16, has a larger body than the other ones because a stronger(=larger) magnet had been used. Botton view.
Yashicaflex S, one of the first Japanese cameras with a built in Sekonic light meter. Yashima 3,5/80 lens. Selenium cell behind name plate. 1954. This is a later model than the two other Yashicaflex S models presented here.
Argus C3 "Matchmatic" with the selenium meter I so dearly love. Caution: using EV is a prickly business.
clickthing.blogspot.com/2008/08/i-hope-you-know-what-your...
Posemètre sélénium. Il y a une cellule à extinction en complément, on distingue sa fenêtre carré au centre de l'appareil, l'observation se fait par le dos du boîtier. Une description se trouve ici (en anglais)
Ciné-brocante, 17 octobre 2015, Lyon.
Posemètre (cellule sélénium) pour la photo ou le cinéma fabriqué par Dorn, Neustadt / Weinstrasse Plus d'infos. Vendu par FNAC (Lyon) le 12 juillet 1974.
L'étui est en pur simili.
Un exemplaire plus ancien, mais fort semblable est présenté ici.
Near Holden VIllage, Washington
Lith printed on Fomatone toned in selenium then gold, Fuji GA645zi, Tmax 400 film developed in xtol
Visit my page.... www.facebook.com/SamIrvine.Photography for more of my work. Thanks for looking! :)
One of my first series of photos that I shot solely for the purpose of making a print series. They were originally shot on a rather nice early Saturday morning drive in August of 2014 through the Cleveland Flats and Industry Valley sections of the city.
The title comes from a specific bend in the Cuyahoga River in the Cleveland Flats that was notorious for a lot of collisions between ships navigating the river through the former industrial hotbed of the city.
Original Neg:
Rolleiflex 2.8F - Carl Zeiss Planar 80mm 1:2.8 - Kodak Tri-X 400 (400TX)
Kodak HC-110 Dil. B 6:00
Print:
Ilford MGIV Satin RC
5" - f/11 - Polycontrast No. 3 Filter
Dektol (1+2) 1:00
Toned in Selenium (1+4) 2:00
Scanned: Epson V700
Omega Lith onto a little known paper, Forte PW18
Holga, Delta 400 @800ASA in Finol,
Forte PW18
SE5 Lith 40/60/900/-/30 2,5mins
Lith Omega 1+200 2 mins
Toning:
MT1 Selenium 1+10 1 min
MT10 Gold 2 min
slavich bromportrait 80 grade 3, selenium 1+1+9
arista premium liquid lith 1+1+24+old brown,
hc-110, neopan ss ei200, voigtlander 90/3.5 apo-lanthar, bessa r.
Halina Paulette EE II ~1975
Halinar Anastigmat f=50, 1:2,8
Uncoupled Selenium photometer
You can see it on Camerapedia
Inspired by the fascinating test strips of Pierre Cordier in the shadow catchers show and using the denser of my Gum negs I contact printed on silverprint proof paper under the sunbed for about 25mins
Fixed, and toned in selenium 1:15
Yet more from my forays to Aberthaw.
Wet darkroom print on Ilford Multigrade warmtone. Developed in Moersch SE2 warmtone dev and finished in selenium.
Mamiya RB67 ProSD, Kodak TriX, Rodinal (1+25)
Koden Lightmeter.
Selenium lightmeter produced in Japan. My guess somewhere in the 1950's or 1960's.
Inside view.
Agfa Optima 200 Sensor ~1969
Agfa Color-Apotar 42mm, 1:2.8 Paratic lens
Auto exposure controlled by a selenium cell, big window on the top left. The system is the needle catch type.
Zone focus on top of the focus ring. Scale focus, in meters and feet in the bottom of the ring.
The advance lever is located under the camera and doubles the function as rewind lever, when the small button, bottom left of the lens is pressed and pushed towards the lens.
Made in Germany.
This camera was a gift from Hugo Cardoso, with a bunch of others.
With some lighter fluid and elbow grease 's back to life.
Thank you Hugo.
Set of photos taken with this camera
I invite you to visit my camera site at Classic Cameras in english.
Convido-os a visitar o minha página Câmaras & Cia. em português
Agfa Optima 200 Sensor ~1969
Agfa Color-Apotar 42mm, 1:2.8 Paratic lens
Auto exposure controlled by a selenium cell, big window on the top left. The system is the needle catch type.
Zone focus on top of the focus ring. Scale focus, in meters and feet in the bottom of the ring.
The advance lever is located under the camera and doubles the function as rewind lever, when the small button, bottom left of the lens is pressed and pushed towards the lens.
Made in Germany.
This camera was a gift from Hugo Cardoso, with a bunch of others.
With some lighter fluid and elbow grease 's back to life.
Thank you Hugo.
Set of photos taken with this camera
I invite you to visit my camera site at Classic Cameras in english.
Convido-os a visitar o minha página Câmaras & Cia. em português
Holga 120N Delta 400 @640ASA in Finol
Adox Variotone in SE6 Blue
MT1 Selenium 1+20 1 min
bleach 1+100 30 secs, MT3a
Fuji Neopan 400, dev Rodinal, split grade printed on Forte FB, cold tone print dev, selenium toned, scanned Print. MamiyaRB67, 80mm.
An overview of the different silver painted faces of the Metrophot and Metraphot exposure meters that were produced by Metrawatt around 1933. The model in the middle of the bottom row, the Metraphot 16, has a larger body than the other ones because a stronger(=larger) magnet had been used. Side view.
The IIIc's built-in selenium cells lightmeter under the metal flap works well in either closed position shown here with light entering through the center hole in bright conditions or with the flap open for low light metering. But the flash-shoe mounted Kodalux L lightmeter that works on the same principle is a neat little accessory with a built-in incident light diffusor that rolls in front of the cells like a blind. Neither lightmeter needs batteries and nor does the camera which is the best part of it all.
Taken with Canon S95 in automatic focus-bracketing mode and pieced together with the Helicon Focus stacking software.
Mamiya Elca with built-in selenium meter. The first Japanese camera with a match needle exposuremeter. On top of the camera provisions to connect a booster cell, originally made by Sekonic for their Sekonic L8 exposure meter. Lens Sekor 2.8/50mm. 1958
Koden Lightmeter.
Selenium lightmeter produced in Japan. My guess somewhere in the 1950's or 1960's.
Rear side view.
Scaling beck waterfall - Selenium quadtone.
Canon 5D Mk II & Sigma 12-24mm f/4.5 EX DG (@14mm).
1/4sec @ f/9
Back in Wales, back on film. Not thinking of going back to Wales but very shortly going to get myself back into shooting rollfilm on plate cameras, as this was.
[found one I like in Tokyo, just waiting for the next spare cash so I can buy it]
Elan Valley reservoir shot from under the bridge leading out to the testing station.
MPP Mk.8 5x4 inch large format field camera; 6x12cm Horseman rollfilm back; Ilford XP2 film; contact printed onto fibre paper; split-toned in Kodak selenium toner then put through a bath of Farmers Reducer.
Nikon F90x, Nikkor AF 28-105mm. 1:3,5-4,5 D. PelÃcula Rollei ATP 1.1 32 ISO forzada a / Pushed to 100 ISO. Revelador Gago Tecniteixon III 1+24, 10 minutos, 25ºC. Papel Foma Fomatone 132 , revelador Gago KLDuro (1+1+5) + Gago Toque dulce + patapalo fastone(1+30). Virado al selenio / Selenium toned. Original 18x24.
Porto de Meloxo, O Grove, Pontevedra. Abril 2009.