View allAll Photos Tagged selenium
A very nice camera - shame it takes 126 film, and so seems very unlikely I'll get to use it.
It seems to be made of two polished, cast steel blocks, faced by plastic, covered with leatherette. It's very heavy and business-like. The lens collapses, to hide the shutter-speed scale, through a button in the base.
Made in Germany by Kodak AG, 1963-1966 (only available in the US for the last year). It has a coupled, Gossen-branded selenium light meter with a needle-centre display in the viewfinder - which still seems to work accurately. Compur shutter 1/30-1/500 + B, distance scale (in feet on this one) with click-stops for three distance zones - with two small pins on the rim to help grip. Schneider-Kreuznach Xenar (Tessar copy) 38mm f/2.8 lens, stopping to f/22.
Nice features such as a click-stopped stay on the film door to hold it open during loading, a short-throw (90°) advance lever set into the base at the back, worked by the right thumb, and both hot-shoe and PC flash connections.
See also Lens Block close-up.
Selenium cell was broken!..
Manufactured by LOMO (Leningrad Optical-Mechanical Union = Ленинградское Oптико-Mеханическое Oбъединение, ЛОМО́), in Leningrad, former USSR.
Voskhod (earlier versions are marked in Cyrillic: Восход) means "sunrise" or "ascent" in Russian; later, export models are marked in Latin lettering
Model: 1966 type 5 (export version)
All Voskhod produced between 1964-68 with quantity of 59.000
There are 5 types and 5 sub-types of the camera
As to Alexander Komarov
35mm film Viewfinder camera
Lens: LOMO T-48 (Triplet) 45mm f/2.8, filter slip-on, serial no. none
Aperture: up to f/22setting: ring and scale on the lens-shutter barrel
Focus range: 1-8m +inf,
Focusing: manual front cell; ring, distance scale with symbols and DOF scale on the lens
Shutter: leaf shutter; speeds: 1-1/250 +B; setting: ring and scale on the lens-shutter barrel
Shutter speeds and aperture numbers are linked together by means of mechanical coupling. When turning the apertures or shutter speeds rings, the other turns too.
They can be turned separately by the pressing the knobs on the lens-shutter barrel
Shutter release: on the front plate, w/ cable release socket
Cocking lever: also winds the film, shark-fine like shape, on the lens-shutter barrel
Frame counter: manual reset, decreasing type, window on the top-plate
Viewfinder: Galileo type bright frame finder w/ parallax correction lines
Exposure meter: coupled built-in Selenium cell meter
Film speed range: 12-26 DIN, 11-250 GOST, setting: by a thumb ring and windows on the bottom plate
Exposure setting: after setting the shutter speed or aperture, check the needle in the viewfinder, it must be on the middle of the lower bright line, if not, turn the aperture-speeds rings to find the correct exposure
Re-wind lever: folding crank, on the top-plate
Re-wind release: on the bottom plate
Flash PC socket: on the front plate
Cold-shoe
Memory dial : small window and thumb lever on the front plate, with Cyrillic characters
Self-timer: none
Back cover: hinged, opens by a latch on the left side of the camera
Engraving on the back cover: Made in USSR
Tripod socket: 3/8"
Strap lugs
Body: metal; Weight: 690g
Serial no. 661919, in the camera, first two letters show the production year
Some very rare early models bear the LOOMP logo.
More info: in Cameras by Alfred Klomp, in Soviecams by Aidas Pikiotas, in Fotoua by Alexander Komarov, in Camerapedia
My very first print out of a 4x5 negative, and I'm actually super happy with this one. Probably one of my favourite shots from my time at the Gettysburg battlefield as well!
Original Negative
Modified Anniversary Speed Graphic - Fuji Fujinon-W 1:5.6/125 (Orange-22) - Kodak Plus-X Pan (PXP) @ ASA-80
PMK Pyro (1+2+100) 10:00 @ 20C
Paper: Ilford MGIV RC Satin
Exposure: 15" - f/11
Developing: Dektol (1+2) 1:00
Tone: Selenium (1+4) 2:30
A selenium rectifier. These were used from the 30s to 50s until they were replaced by silicon diodes.
Lith Print
Paper: Kodak Ektalure X (tweed texture) 8x10, expired 1983
Developer: Moersch SE5
Toner: Ilford Selenium 1:4
Camera: Bronica SQ-A, 80mm 2.8
Film: FP4+ in ID-11
Lighting: only a 200 watt clear incandescent light bulb
Hanging about in cemeteries may not be everyone's cup of tea, but my local one has some interesting trees which justify spending some time there. The more I look at this print, the more I think the neg would have been better shot in less bright conditions. Controlling the highlights and getting the right range of tones in the print has been a bit of a struggle. Still, some selenium and gold has helped the image tremendously.
Lith print on Fomatone 132, Moersch SE5 (25a+25b+10d+1200). Toned in selenium and gold.
Mamiya RB67 ProSD, Kodak Tri-X 400, Rodinal 1+50
Decided to do a monochrome conversion to make the most of this military aviation scenery. Input welcome...
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Just another reminder to get your pro-Growler comments in to WhidbeyEIS.com please. Also there are two meetings for aviation photogs this week on this:
Wednesday, October 29, 2014
4:00 p.m. to 8:00 p.m.
Oak Harbor Elks Lodge
155 NE Ernst Street
Oak Harbor, WA 98277
Thursday, October 30, 2014
4:00 p.m. to 8:00 p.m.
Anacortes Middle School Cafeteria
2202 M Avenue
Anacortes, WA 98221
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300th photo to the OLF group: www.flickr.com/groups/nolfcoupeville/
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper.
Agfa Optima 200 Sensor (second version).
German viewfinder camera produced c.1969.
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A view on the rear side of the Selenium Cell Holder.
There is a (part?) number there 2730.8001. But I could not find anything about that in an internet search
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WARNING :
This image is intended as a reference for the more experienced camera service man. If you have no experience in camera repair please do yourself a favor and send your camera to a professional service shop. It would be a pity to lose a vintage camera in a failed repair attempt !
Camera: Minolta X-300
Lens: Minolta Rokkor MD (28mm, f2.8)
Film: Ilford XP2 Super 400
Leningrad-7 Selenium Photocell Light Meter and its original leather case, both made in USSR. It still works but it's a bit off due to decay of the selenium cell. Taken March 2017
(Selfscanned Negative, using CanoScan 9000F Mk II)
Processing - selenium toning and graduated filters in Lightroom 3.
Canon 5D MK II
Canon EF 16-35mm f/2.8L II USM
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I received an email from a gentleman who was disposing of his late father's estate. He didn't want his dad's Ricoh rangefinder to end up at a thrift store or auctioned online. He offered it to me as long as I would take care good of it. I agreed and said I would be proud to display it.
What arrived was a whole kit: camera, Konica meter, Ricoh bulb flash, filters, lens hood, leather camera case and all instructions. The camera itself is in very fine condition. The focusing ring is very stiff, stuck actually. No doubt the result of the original lubricant decaying to glue over the many decades. I will certainly attend to that and return the camera to its full glory.
Holga 120N, Rollei RPX400 @640 ASA in eco film developer 2+1+40 15 mins
Fotokemika Varycon in Catechol (1+9) and SE4 Neutral (1+14) each 1,5 mins
MT1 Selenium 1+10 2 mins
MT3 Varioschwefeltoner - bleach 1+50 45 secs, toner (setting A) 30 secs
One of the prom photos I did for my god-daughter. Selenium tone was done in Adobe Lightroom, added Vette logo tattoo in Photoshop.
Zenit-EM (1974)
Helios-44M-4 lens, f=58mm, 1:2
Cloth focal plane shutter. Speeds 1/30-500 and B.
Uncoupled selenium light meter.
35mm film (24x36)
Produced by KMZ (Krasnogorsk) in the former USSR
I have also a chrome version of this one
Here some shots taken with this camera.
You can see it on Camerapedia
Visit my blog at Classic Cameras
Zeiss Ikon Vintage Test Lightmeters.
An retired repairman told me that these selenium cell powered lightmeters were used to check other "normal" lightmeters. That's all i know.
These meters clearly use the housing of the "normal" Ikophot model which was produced in the middle of the nineteen-fifthies.
Only adoptions seem to be the removal of the Dials and the use of another Scale.
The readings of both meters are about the same which is not bad for selenium lightmeters more then fifty years old
Why one is numbered 33 and the other 34 i don't know. Maybe serial numbers ?
Very compact battery-less meter from the early 1960's. A reflective type, you could add an aluminum hood and perform incident light readings as well. This example is inoperative. That doesn't mean the meter cell is bad. Quite often, the wiring to the cell has weakened or corroded over time. No plans to repair, it's an elegant shelf-rider from now on.
Selenium cell was broken!..
Manufactured by LOMO (Leningrad Optical-Mechanical Union = Ленинградское Oптико-Mеханическое Oбъединение, ЛОМО́), in Leningrad, former USSR.
Voskhod (earlier versions are marked in Cyrillic: Восход) means "sunrise" or "ascent" in Russian; later, export models are marked in Latin lettering
Model: 1966 type 5 (export version)
All Voskhod produced between 1964-68 with quantity of 59.000
There are 5 types and 5 sub-types of the camera
As to Alexander Komarov
35mm film Viewfinder camera
Lens: LOMO T-48 (Triplet) 45mm f/2.8, filter slip-on, serial no. none
Aperture: up to f/22setting: ring and scale on the lens-shutter barrel
Focus range: 1-8m +inf,
Focusing: manual front cell; ring, distance scale with symbols and DOF scale on the lens
Shutter: leaf shutter; speeds: 1-1/250 +B; setting: ring and scale on the lens-shutter barrel
Shutter speeds and aperture numbers are linked together by means of mechanical coupling. When turning the apertures or shutter speeds rings, the other turns too.
They can be turned separately by the pressing the knobs on the lens-shutter barrel
Shutter release: on the front plate, w/ cable release socket
Cocking lever: also winds the film, shark-fine like shape, on the lens-shutter barrel
Frame counter: manual reset, decreasing type, window on the top-plate
Viewfinder: Galileo type bright frame finder w/ parallax correction lines
Exposure meter: coupled built-in Selenium cell meter
Film speed range: 12-26 DIN, 11-250 GOST, setting: by a thumb ring and windows on the bottom plate
Exposure setting: after setting the shutter speed or aperture, check the needle in the viewfinder, it must be on the middle of the lower bright line, if not, turn the aperture-speeds rings to find the correct exposure
Re-wind lever: folding crank, on the top-plate
Re-wind release: on the bottom plate
Flash PC socket: on the front plate
Cold-shoe
Memory dial : small window and thumb lever on the front plate, with Cyrillic characters
Self-timer: none
Back cover: hinged, opens by a latch on the left side of the camera
Engraving on the back cover: Made in USSR
Tripod socket: 3/8"
Strap lugs
Body: metal; Weight: 690g
Serial no. 661919, in the camera, first two letters show the production year
Some very rare early models bear the LOOMP logo.
More info: in Cameras by Alfred Klomp, in Soviecams by Aidas Pikiotas, in Fotoua by Alexander Komarov, in Camerapedia
Shen Hao TZ-45IIA 4x5, Schneider-Kreuznach 210/5.6 Apo Symmar L, f/45 +1/3, 1/8s, Hitech Orange W#21, Ilford FP4+, EI 80, Ilfotec DD-X, 8 min @ 20ºC, Selenium toned.
Best viewed large on black.
Socalcos negros (black ledgers) in the Douro region, land of the famous Porto whine vineyards and UNESCO world heritage.
Aside from the characteristic patterns, the black soil attracted my interest as usually Douro's vineyards are implanted in brownish schist terrains. Unfortunately, not even a Wratten #21 orange filter was able to cope with the haze existing that day and the light was still harsh. I need to return to such place one of those days.
Contact composition: Times Square. Ilford hp5+ 120, printed on Ilford warmtone fiber based paper, toned in selenium.
Yesterday, my friends and I went on a road trip, but we got a flat and sat in the car for an hour waiting for AAA. I had my camera, and took advantage of the free time.
Day - 34 - Selenium
Stanleya is a genus of six species of plants in the mustard family known commonly as prince's plumes. These are herbs or erect shrubs which bear dense, plumelike inflorescences of white to bright yellow flowers with long stamens. Stanleya species are native to the western United States. These plants are toxic because they concentrate selenium from the soil in their tissues.
Reference FIle: FLA-160806-ND800E-530-BW_selenium
Infrared Underwater Photography
©2016 Fernando Lopez Arbarello - All Rights Reserved
Fine Art Photography by Fernando Lopez Arbarello
i cant remember this one, either. >_<
from my collection (mineral findings from 23.10. - 25.10. 2009 in saxony, erzgebirge, germany).
Sabine considering (Apr 11). Leica M6 on TMax 100, developed in RHS and selenium toner, scan of print
Fundado em 13 de Junho de 1808 por d. João, Príncipe Regente na época, mais tarde d. João VI, o Jardim Botânico em seus 137 hectares, 55 abertos à visitação pública, abriga um acervo botânico da flora brasileira e exótica e um acervo histórico-cultural.
Foi intenção de d. João VI aclimatar, na área que desapropriara para a instalação de uma fábrica de pólvora para a defesa da sua Coroa, especiarias trazidas das Índias Orientais.
De jardim de Aclimatação e Real Horto, após a coroação de d. João VI como rei do Reino Unido de Portugal e Brasil, passou a chamar-se Real Jardim Botânico. Somente no Reinado de Pedro I foi aberto à visitação pública, já com o nome de Jardim Botânico.
Em 1937, foi tombado pelo Instituto do Patrimônio Histórico e Artístico Nacional, e definido pela Unesco como Reserva da Biosfera, em 1992, e como Reserva da Biosfera da Mata Atlântica, em 1999. Tem como missão "Promover, realizar e divulgar o ensino e as pesquisas técnico-científicas sobre os recursos florísticos do Brasil, visando o conhecimento e a conservação da biodiversidade, assim como a manutenção das coleções científicas sob sua responsabilidade."
fonte: Trilha Histórica Jardim Botânico
Local: Jardim Botânico
The Russian-built SLR, made by KMZ, with a 42mm screw-thread lens mount and selenium light meter - which seems to still work. A 1973 model, with the manual-stop-down Helios-44-2 58mm/f2 lens.
This photo was taken in a south-facing window on a very dull day, so the light is mainly behind the (subject) camera, and with an LED torch pointing at the lens (hence the blue tinge to the shadows).