View allAll Photos Tagged selective
NS 38Q rounds the curve at Duncannon, PA as it runs out its last few miles on the NS Pittsburgh Line. January 2019
My partner for Push #11 is JayneBoo
She has an amazing eye and talent which especially shows in her nature pics.
Her challenge for me was Selective Color. I have never done selective color other than using preset features on my camera, but at the suggestion of my daughter, I downloaded a free Photo Editor called Gimp. It worked wonderfully. The real challenge was finding the right subject, some old Mardi Gras beads...lol This is what I came up with after lots of trial and error. Thanks, Jayne for yet another FUN challenge.
for routine physical lab work that once again the "Doc" failed to email to the lab...NO...I am not smiling!!!
Source Images:
IMG_6068.JPG (Av: F25.0; Tv: 3 sec.; ISO: 100; FL: 37.0 mm)
IMG_6066.JPG (Tv: 1/2 sec.)
IMG_6067.JPG (Tv: 1/13 sec.)
Haven't posted in a while because I haven't been out shooting in a while. I just set up my laptop with a new SSD and did a fresh install of all my applications, prefs and plugins. I wanted to play around with an image and make sure everything was working right. Kinda like how it came out.
Got some Diana F+ dreamy blur and an Agfa pro 200 tone treatment, along with various other tweaks and mods...
5 exposure bracket...
Taken for the Selective Color weekly theme. Use the HSL tool and moved the sliders to pick all but the red, then brought the saturation way down and the luminance down slightly. I like how this preserved a little bit of the red hues in the stem seed pods.
52 Weeks of 2025
Week No. 36: Selective Colour
Category: Technique
DSC_8883a
Here's a repost of a '31 Ford Coupe (with a '32 grille) in selective color. This was taken at a rod run at Denver's Bandimere Speedway in 1998.
On weapon training to be "Polar Bear guards". Not all persons have the same focus. But for the record everyone on the picture is serious and do an excellent job as guards.
A play around with filters to produce an almost drawn effect on the monochrome parts.
Pentax K-3
Sigma 150-500mm
Aperture Æ’/7.1
Focal length 500.0 mm
Shutter 1/1600
ISO 800
Exif data
CameraCanon EOS-1D Mark IV
Exposure0.017 sec (1/60)
Aperturef/4.0
Focal Length40 mm
ISO Speed50
Polarizer + Handheld Lee 0.6GNDS Reversed + Lee 0.6 GNDH
Processed using Adobe Camera RAW, CS4 + OnOne Plugin (Focal Point)
Not the first time I have used this effect with the tower but it always looks good when the suns so low.